February 22, 2006
Rumors of Our Demise Have Been Greatly Exaggerated, as Have the Criticisms of Stupid Headlines Like This
Internal Office Memorandum Going off to help teach impoverished and undereducated children in the wilds of Ecuador this winter –– whilst concurrently having left behind that online "Reader Feedback" forum –– turned out to be a dreadfully bad idea. Heinous, even. (Though my lack of internet connectivity proved to be beneficial in polishing my storytelling chops; it's quite striking how my ignorance of all things Denise Richards/Charlie Sheen and Randy "Duke" Cunningham/Mitchell Wade allowed my newfound gift for narrative confabulation to shine at those Quito-based USAID cocktail parties thrown in junction with Rafael and Lucio...I had people actually believing that I was an expert on everything from Supreme Court litmus tests to the canonical ambient compositions of Brian Eno and Harold Budd. Astounding!) So, like I was saying, that "Reader Feedback" thing for low culture...a fucking bad, bad, bad idea. The indignant, self-righteous anger that poured forth from said forum! As though people were entitled to free content on the web! I've always felt that unless you're an impoverished Ecuadorian, you're not entitled to any such handouts. How very wrong I have since been proven. And now, not only have we disappointed myriad readers, we seem to have incited some form of extremely aggressive hostility. I am humbled and chastened. Apparently, these "blog" things are hot shit, and we missed the boat on this one, lads. Or I personally dropped the ball. Or darted home without tagging up at third base. Or mixed sporting metaphors. Fuck if I know; my athletic knowledge is limited to the realm of sexual acrobatics, and that's about it. (My mother once told me a man would fuck a snake if you held its head. I have since learned this is quite true.) Anyways, let's a get a cease-and-desist out on these guys...there's got to be some form of copyright law or anti-parodic justification we can rely on, right? Do either of you know Lawrence Lessig? Mucho regardo, P.S.: Guy, I couldn't help but notice that somehow you managed to escape their assault...I mean, there aren't any embarrassingly amateur photos of you posted on that site. No Flickr attack whatsoever. So the idea that you were behind this, I have to admit, did cross my mind, though I am willing to give your treacherous ass the benefit of the doubt.
January 5, 2006
I'm more interested in buying a tree, some rope, and some sheets...and throw in the In Living Color boxed set, too, can you?
What classic American value! 14 episodes of the under-appreciated "Planet of the Apes" television series, finally available on DVD for a mere $43. I can put it on my shelf right next to other similar items, such as... Ummm. OK, then. The "Similar Items" list also includes, for what it's worth, "Unforgivable Blackness: The Rise And Fall Of Jack Johnson" and "What's Love Got To Do With It (Full Frame)". (Thanks to jfajitas.) UPDATED: Apparently this was already caught by a blogger named SanDiegoJohnny back in October of last year, which somehow makes this even worse, in that it has remained unchanged for months, now, and an entire season of holiday shoppers was exposed to such post-Katrina Kommodity Kommentary.
December 8, 2005
Even at this, the moment of his stature's greatest hype yet, James Murphy still slips under the radar...well, at least that of the Associated Press
From "Carey, Legend, West Lead Grammy Nods", the Associated Press, December 8, 2005: [Mariah] Carey's eight nominations tied John Legend and Kanye West. Soul crooner Legend's nominations included best new artist, while West is up for album of the year for "Late Registration" and song of the year for "Gold Digger." "I feel incredible," said Legend, a West protege whose debut "Get Lifted" was a million-seller. "You put a lot of expectations into what you want the record to be." From the Academy's list of official nominees: 12. Dance Recording: "Galvanize," The Chemical Brothers featuring Q- Tip; "Say Hello," Deep Dish: "Wonderful Night," Fatboy Slim & Lateef; "Daft Punk Is Playing at My House," LCD Soundsystem; "I Believe in You," Kylie Minogue; "Guilt Is a Useless Emotion," New Order. See, it's always good for the DFA-haters to get some perspective. It's almost enough to make one think there still exists a segment of the record-buying populace who hasn't heard Murphy's debut album. Have these poor people not set foot in an Urban Outfitters this past year?
November 14, 2005
The low culture 50 (Photos of People We Could Find)
November 7, 2005
Sharon Waxman, Squeezing Water from a Handsome Stone (was: Jonathan Rhys-Meyers, World's Most Difficult Actor)
At Home in Oliver's Macedonia and Woody's London, the New York Times, November 6, 2005 Selected highlights from the Times' Hollywood scribe Sharon Waxman's interview/Q&A with actor Jonathan Rhys-Meyers, star of Woody Allen's upcoming tennis thriller Match Point... First up? The 28-year-old actor touches upon this whole "crisis in the Middle East" thing and its relationship to his filming Alexander with director Oliver Stone: RHYS-MEYERS: You had 20 young male actors, as his main friends, and then 350 soldiers who'd recently pulled out of Basra and Tikrit - they were all actual soldiers. These guys were constantly living their life to the full, because when they were finished, they were being sent back to the Middle East. OK, so the subject of Iraq doesn't interest Waxman so much. Or, at least, an Irish actor's take on Iraq. What about an Irish actor's take on being, hmmm, an Irish actor? WAXMAN: Are you very Irish? And with that matter settled, young Jonathan returned to his pensive brooding, coyly maneuvering his gaze about the room, pausing ever-so-briefly to flit his eyelashes...and looking anywhere, anywhere but at this cursed interviewer who had deigned to help him promote his most recent film. Once Again, Teen People Neglects to Note That Ashlee Simpson Is Actually Quoting Breton's Surrealist Manifesto
November 4, 2005
The Moment You Realize You're Reading Too Much Us Weekly, Vol. 1
October 31, 2005
Laugh Yourself Silly With the New York Times Magazine's "Funny Pages"
This week we made funny with: Chris Ware's eavesdropping, sexist cripples! Elmore Leonard's alcoholic spinsters and blood-thirsty lawmen! Carl said: "This friend of Peyton's, Venicia Munson, was an old-maid schoolteacher who drank Peyton's wildcat whiskey and didn't care who knew it. We're sitting in her kitchen waiting for Peyton to show, she told me she was scared to death. I said, 'Well, that'll teach you to get mixed up with a bank robber.' She said: 'You're the one scares me, not Peyton. I can tell you'd rather shoot him than bring him in.' She said it was why I became a marshal, to get to carry a gun and shoot people." And Firoozeh Dumas' racially-profiled family! Previously: More Hilarity from the New York Times Magazine's "Funny Pages," and As Seen On The New York Times Magazine's "Funny Pages"
October 28, 2005
Slate's Breakfast Table, but Not (A conversation about the news of the day)
As Slate has been less-than-stellar about maintaining "The Breakfast Table," a once-beloved feature that, regrettably, has since been allowed to languish, we asked the site's editor Jacob Weisberg for permission to license it for our own usage, and he, of course, agreed, recognizing that low culture has always outshone his own tepidly downtrodden site in all the ways that matter, but most notably in the manner in which we've historically been very strong at using the format of two disparate-yet-complementary experts weighing in on the issues of the day. Also, he acknowledged how great we were with excessively long and unnecessarily verbose introductory sentences. He's a good editor. And with that, we introduce our two "Breakfast Table" panelists for this leisurely Friday afternoon; first, we have one Alex Pareene, a student of dramaturgical matters and working-class struggle, and Jean-Paul Tremblay, a self-employed and self-professed expert in theatrical composition and post-Jamesonian Marxism. From: Jean-Paul Tremblay To: Alex Pareene Subject: Scooting out the door? Friday, October 28, 2005, at 2:06 AM EST Alex: I probably shouldn't be starting our exchange yet, because it's not yet dawn and I just got back from the loudest, most raucous fucking dress rehearsal ever, but I just got a hunch on the cab ride home from the theater that Libby's going to go down today. I've traced this idea to a realization I had while watching my play's lead actor limp around onstage in crutches, whereupon I saw that if the character had been unable to afford healthcare, we'd have had to reformat the setpieces such that the entire play was comprised of a conversation on a couch. Which'd be far more David Rabe than Luigi Pirandello, and you know how much I go for an early twentieth-century motif with my body of work. Anyways, the dude's in crutches. And so is Libby, and Libby has money, and the crutches are his means of power...the money is the crutch. And the disability is his means of power. And if he's indicted today, and goes down, it'll totally be this unjust transfer of power. Why do I ingest so much ketamine when working with these dress rehearsals? I have to stop. It fucks with my mind and logistical reasoning. From: Alex Pareene Jean-Paul, Pirandello, my friend, was an inspired reference -- seeing Scooter Libby "go down," as you put it, brought to mind nothing so much as Pirandello's Enrico IV. Scooter, of course, is Berthold the valet. I see Cheney as the doctor and Judy Miller as Donna Matilda. The "mad" king is America itself, and today we learned that she is tired of wearing her mask. "I just got a hunch," you say. I keep coming back to those words. Hunches and crutches, those tired dramatic devices. The hunch, Richard III's power, repugnant but impossibly attractive. The Neo-liberal hegemony fuctions in almost exactly the same fashion. And the crutch -- not money, I think, but the classical liberal ideal of the social contract. It's weakness, it's bathos, the greatest enemy of neo-liberal society. I've been revising my musical revue of historical materialism ("Sing, Sang, Materialistische GeschichtsauffasSung!"), so my thoughts are a bit scattered at the moment, but I think the entire leak investigation can be read as a critique of the Annales school's perversion of Marxist historiography. I'll tell you what I mean by that as soon as I finish skimming the Wikipedia entry about them. From: Jean-Paul Tremblay Alex, boyo, It's really late in the afternoon, and I just woke up. Sorry about that. This is where the deconstructionist punster in me says, "Guess I missed 'breakfast,' huh?" And where you, the audience, groan. Such audience participation is really what this whole Plame investigation was all about, I feel...with contributions from a range of professions as diverse as journalists and chiefs of staff. My theatrical production, premiering tonight, is derived from this participatory spirit, wherein I hope workers laboring within the coils of both Media and Government can unite to applaud the work of my crippled lead actor. Crippled by a staggering deficit, an astoundingly piss-poor educational system, and exposure to too much reality television. In that vein, it's good to know that the populace will be focusing on possible jail time for this Libby fellow. Which, perversely, could be a boon for all of academia...just think of what Antonio Gramsci produced while in prison. I've often thought about adapting his "Prison Notebooks" for the stage, but have consistently come up short in this regard. Whom would I cast as "Hegemony," as you so briefly touch upon above? And in terms of undertaking such an adaptation, I never understood "hermeneutics" very much, to be honest. I feel like such a sham. When people view my play tonight, they're going to know how phony I am, and how much I've borrowed from the Italian master. "Six Characters in Search of an Author"? I feel like my rendition is more akin to "A Nobody in Search of Some Credibility." I hope you can make it. Coming by my show, I mean. I know you'll "make it" in all the other ways that matter, kid. You've got talent. Me? I feel like I'm about to pull a Benjamin and shoot myself. The Eyes Have It
From Wednesday's Entertainment Weekly Popwatch! Hurley grows increasingly crazed when he starts using amphetamines as an appetite suppressant. Charlie's heroin habit hits an all-time low. Those damned amputees are finally explained. And someone's eye figures as a visual cue... But whose? NB: The Kate-Claire "Ass to Ass" scene is too graphic to be shown here.
October 27, 2005
Stop speaking for my generation, you louts!
by JACOB LINDSTROM I'll tell ya, if there's one thing a young columnist likes me dislikes more than irresponsible kids doing irresponsible things, it's irresponsible adults doing irresponsible research. How else to explain the occurrence of yet another media frenzy about kids and their newsgathering sources? Today's Romenesko (a daily news and gossip website for working journalists, both professional ones, like Kenneth Turan of the Los Angeles Times, and amateur ones, like myself) features another infuriating posting: a link to a story in the Chicago Tribune entitled "Papers not a must read: A generation of young adults turns to the Internet as its primary news source". Well, guess what, Mr. Mike Hughlett? (He's the author of the piece.) I'm tired of having lesser-minded twits like one student you quoted, Heather Tody, whose "favorites are CNN.com, Weather.com and Oprah Winfrey's home page" represent my tastes and reading pleasures! Or Josh Darrah, whose information-gathering consists of "sites devoted to comics that are exclusive to the Web." Mr. Hughlett, why don't you bother digging deeper in your investigative research? For instance, you could have asked me about my reading habits. Though I'm only 16 years old, and not part of the collegiate demographic you cite in your article, I still think I count as part of the generation about which you were trying so hard to make broad, sweeping generalizations. The Generalization Generation? That's you, Mr. Hughlett! Each and every morning as I make my way to the dining halls here at Exeter, other students may be clutching their copies of Romeo & Juliet by William Shakespeare, or Algebra II by Houghton-Mifflin, in preparation for homeroom discussions or pop quizzes...but I always make sure to stop in the school's library and check out the headlines on the print edition of the New York Times and the Boston Globe. Why? Because you know that when something is printed on paper, it has endurance going for it, and more importantly, legacy, unlike the online editions of newspapers' websites, or the blogs kept by some of my classmates. Yes, Google has already cached the unpleasant things that Jeremy Forrester and Alfred Liu and Jesse Quinlan said about my behavior at lunchtime last Tuesday, when I slipped on a wet spot on the floor near where the trays are stored, but that doesn't mean Google was able to cache the cellphone photos they took of this unfortunate incident after I complained to Vice Principal Hartley and they had to take their entries down. See what I mean? If this news had been reported in the print edition of the New York Times, it would have lived on forever, searing the truth into the public's conscience for all eternity. Much like the paper's reports about Superdome rapes, Wen Ho Lee, and Ahmad Chalabi, people many years from now might have picked up hard copy portrayals of my embarrassing tumble and laughed at my misfortune...and known the truth of that shameful day. Ultimately, how we read is important. It's a matter of the comfort and security that holding a hard copy of a broadsheet newspaper provides its readers, whether they're scanning the familiar page layout for relevant headlines, or using the massive width of the sheet of unfolded paper to shield their eyes from their classmates' scowls and laughter. I only wish the paper stock were thicker and stronger, to better withstand the writing utensils and pen caps thrown my way. But I'm still sticking with print, Mr. Hughlett. (REPRINTED ONLINE WITH KIND PERMISSION OF MR. CLARK TURNER, SCHOOL PAPER ADVISOR)
October 26, 2005
Hark! The Herald Angels Spin
Yes, it's that most wonderful time of the year, when Christmas yet again comes under siege from the shadowy forces of secular evil. It is fair to say that most American children today don't even know who Christmas is. But who can we blame? Two new books dare to finger the partisan Grinches responsible for stealing Christmas. A tale of the tape.
October 25, 2005
The HuffPo: Good for Politics, Bad for Laughs (or, yet another round of "This is Just Like That")
Situated at the tail end of one of the most recent missives on the Huffington Post, Arianna Huffington's new(ish) website with a political bent (and a penchant for really nailing, several times a week, the various inculcations of "Judith Miller Sucks" that fans of responsible journalism and transparent government have come to demand), was this incredibly depressing statement: “The Secret Presidential IMs” will now be a regular feature on HuffPo. Check here each Tuesday for a new installment. Tragic, this news...for this post's author, one Danielle Crittenden, is one of the most painfully untalented, uninspired writers currently occupying space online. And “The Secret Presidential IMs”, this "feature" of which she speaks? In computer parlance, we'd call this a "bug"...one which seems to recur on Arianna's site whenever anyone of her stable of writers attempts to post something that one may conceivably interpret as "funny". "Ahhhh," you're saying to yourself right now, "the so-called humor content available on the site can't be that uninspired, that unfunny, and that insipidly unoriginal...can it?" (Because that's how you speak to yourself, isn't it? You faux-academic wonk.) And then you read these sampled lines below, and you weep with tears of great solemnity, sadly mulling over the Death of Laughter, and her playdate, Originality. SumNobel4u2: yo prez "O," indeed. It's not as though Crittenden is cribbing from Arianna's own friend Bill Maher with her oh-so-fresh "Bono/Sonny Bono" take, right? Except, well, she is. And it's not as though the overarching framework, the "mock conversation" device, has already exhausted itself..."O," nevermind. Time for some "hack"ing, then. Through some intrepid computer geekery, we got ahold of a recent IM conversation that was recently held between Arianna's Guffaw Gang: Danielle Crittenden and her partner in inept, unoriginal joke assembly, Bill Diamond -- or, as he's perhaps better known, the original Funnee Foto Guy. (Greg Gutfeld, the British Maxim editor, and another purported funneeman who sometimes posts on the site, is mostly exempted from this elite list because he's proven semi-capable of working the blogroom for an occasional laugh here and there, at least when he's not himself relying heavily on the Onion's template.) frumkinsgal: i'm thinking of doing another presidential im post
October 24, 2005
Visage Visionaries: South-of-Houston Hipsters, or Houston Astros?
ANSWER, FOR PEOPLE WHO'VE NEVER BEEN TO THE L.E.S.: Bearded men in ballcaps = National Leaguers feigning their being up to the task of winning the 2005 World Series. RELATED: Time for a shave: Astros rookie shares thoughts on Game 2 loss More Hilarity from the New York Times Magazine's "Funny Pages"
You'll laugh as Chris Ware "takes out the trash"! You'll roar when Elmore Leonard's tough guys hash over the Holocaust! You'll roll in the aisles when Allison Silverman confronts the ugly face of anti-Semitism! The Times Magazine Funny Pages -- Does the fun ever start?!? Previously: As Seen on the New York Times Magazine's "Funny Pages"
October 20, 2005
October 19, 2005
Adventures in the Skin Trade, Vol. 4
October 18, 2005
low culture: What Happened? (A Long, Interminable History)
by Modesty Blaise Special to The Bizarro-Times Picayune
Then again, they may be walking by because he's merely a B-List blogebrity. As he walks the streets, occasionally fielding cell phone calls that make him groan theatrically, he stops for a moment to ponder the new issue of TIME Magazine on the newsstand. The cover shows Secretary of Defense Donald Rumseld wearing a Yankees cap, eating a banana, and listening to iPod. "In the old days, I'd probably run right home and Photoshop that shit and make a post out of it," Tremblay says wearily. "But now... I can't even figure out the joke. I couldn't even tell you where I'd begin." No matter how many bananas public officials consume in photos, Tremblay cannot bring himself to post about it. Call him a "no-blognik": Lately, he feels he can't bring himself to blog, which has resulted in a pitiable lack of posts on his site as well as a declining profile among fellow writers of free, ephemeral web content. "Blogger fatigue is very real, and it very really affects real bloggers," according to Dr. Owen Spielvogel, chair of the American Psychiatric Association's gossip- and media-focused Loud Family Institute. "Anecdotal research indicates it affects 1 in 10 real bloggers in a real way. Really." I mention "blogger fatigue" to Tremblay as he glances at the cover of Time Out New York, which features Wayne Coyne of the band Flaming Lips also, inexplicably, eating a banana, wearing a Yankees cap, and listening to an iPod. Tremblay sighs. An autumnal breeze rustles the trees above us. I can almost see Tremblay's eyes misting up. Continue reading...The Apple Falls Far, Far From the Tree
From today's New York Daily News: "As some of you know my father works for Homeland Security, at a very high position and receives security briefings on a daily basis," his son, Nick Seligson-Ross, who runs a dance troupe, wrote in an Oct. 3 E-mail... The Cover Story
Yesterday, ASME (that's the American Society of Magazine Editors for you great unwashed) announced the 40 greatest magazine covers of the last 40 years. So how does one create a truly great cover? Well, once all the excitement died down, low culture began to search out the subtle threads that link so many of these great, iconic images. Next time, consider the following indicators of greatness before you go to press... Nudity is Great Pop Art is Great Little Kids are Great Gays are Great Also consider: Black Backgrounds are Great, Vietnam is Great, Animals Doing Wacky Things are Great, 9/11 (2001 only) is Great
October 17, 2005
Hey, Jack: My Reality Distortion Field is Bigger Than Yours
October 17, 2005 (avail. on newsstands): "How Apple Does It," Time Magazine's cover story from the October 24, 2005 issue October 13, 2005: "The Apple Polishers: Explaining the press corps' crush on Steve Jobs and company," by Jack Shafer, the "Press Box," Slate As Seen On The New York Times Magazine's "Funny Pages"
Because nothing says funny like emotional abuse, POW's, and Klosterman's fat mug.
October 10, 2005
Steve Jobs' Reading List
Not one, nor two, but three copies of a book about "The White Power Movement"...? Perhaps this reading selection explains why the black model of Apple's new iPod Nano is particularly weak, and prone to scratching and complaints?
September 26, 2005
Lesbian Ass vs. the Commuter Class
This past weekend, Manhattan's customarily quiet and genteel neighborhood of Chelsea was overtaken by lesbian rage, as 22nd Street became the site of the LTTR Block Party, in honor of the release of the fourth issue of this largely-unknown feminist art/literature/music journal. (That's one more issue than n+1, in case you're wondering. Collect them now!) So, what sort of clash ensues when the upper-income brackets of Chelsea's brownstone-residing queers play host to a bunch of art-world dykes? Hmm...phrased like that, the whole situation becomes confusing. Let's sort it out by pitting LTTR versus that beacon of aspirational capitalism, BusinessWeek.
This, then, is why the breeders will always win.
September 23, 2005
Ronald McDonald's Happy Steal
From L-R, McDonald's new female Ronald McDonald, as seen in a current Japanese TV campaign, and Milla Jovovich as Leeloo in Luc Besson's The Fifth Element (1997) Talk about Hamburglars! (Ba-dum.)
September 20, 2005
Ask Ben Kunkel
Today's Salon features an insightful, probing piece by Rebecca Traister on the humdrum, sorry state of being a Modern American Woman, and the trouble with dating the contemporary early-adult American male – specifically, how today's women are dissatisfied with this "new breed of man: a man of few interests and no passions; a man whose libido is reduced and whose sense of responsibility nonexistent. These men are commitment-phobic not just about love, but about life. They drink and take drugs, but even their hedonism lacks focus or joy. They exhibit no energy for anyone, any activity, profession or ideology." Traister sagely acknowledges that writers such as Candace Bushnell et al have explored this subject to death, and, as such, she seeks a new hook: What might Ben Kunkel, the author of Random House's Indecision – this month's literary hotcake amongst the city's subway- and nightstand-reading set – have to contribute to this line of discussion? Of the author and his text's protagonist, she asks, "After I finished Kunkel's novel, I was curious about the man who had so precisely drawn a figure whose initial indifference is so painfully familiar. With Kunkel, I thought I might be able to have a safe, objective conversation about the kind of guy Dwight is as his story begins. How did we get a population of Dwights? Will they ever get better? Why do my friends and I continue to date them?" But why limit Kunkel to a simple, one-track discussion on dating and relationships? We asked him, this literate, Harvard-trained man-about-town, to help our sullen readers with some of their sundry dilemmas. And boy, did he ever! Welcome, then, to the first installment of our new, groundbreakingly opinionated, and most important, gentlemanly advice column. ASK BEN KUNKEL I recently left my wife of five years after – for lack of a better way of phrasing it – losing my passion for her. Not falling out of love, mind you...just losing that sense of passion that keeps people together. Lately, however, I have been regretting my decision, and want her back. The problem is, she has taken up reading all sorts of self-help books that seem to discourage exes from reuniting. What should I do? It can be very difficult dealing with the repercussions of our actions, particularly when it comes to love and the causalities thereof. Do we love for the sake of loving, or do we love merely to stay afloat in this pool of the everyday, the human interactions that define our existence? Hannah Arendt hit it right on the head when she put forth that being female was akin to being imprisoned by one's mind and morality, and that, no matter what we may do to attempt to break free, we – and, it may be said, all of humanity – will forever be subjected to a greater external framework, an ethical morass the likes of which no mere mortal can transcend. Which is why she encouraged her lover, Walter Benjamin, to take his own life. Ever the slattern, she then wound up fucking Heidegger over, too. Dear Ben, I recently moved into an elite co-op in Chelsea, and was thrilled to become a part of what felt like a second home, this tightly-knit community of likeminded, intellectually vibrant, book-reading wage-earners. But since settling in last month, I have learned my upstairs neighbor insists on playing his music far too loudly, and usually at moments when I am trying to sleep. I have thought of leaving notes on his door, but am uncertain of what this might do to upset the otherwise tranquil balance of our collective abode. Any ideas? Noise, and music in particular, can be a source of great asymmetric tension. Historically, one may note, Theodor Adorno espoused nothing but the severest disdain for jazz music, or rather, what he termed "jazz music", but which was, in fact, a series of sounds akin to "big band" music, henceforth confusing generations of Marxists and music critics alike. It was his literal reading of this cacophony, the simpleminded focus on aberrant rhythms and layered ideas, that confounded his aesthetic judgment, and led to a great deal of turmoil in his dealings with his onetime partner in the Frankfurt School, Max Horkheimer. Horkheimer really got down with the horns, the clarinet, the vibrato...all of which conveyed an intricate melding of joy and sadness and expedient physicality. This tapestry of the old and new, incidentally, can be found in the recent works of Radiohead. Benjamin Kunkel grew up in Colorado. He has written for Dissent, The Nation, and the The New York Review of Books, and is a founding editor of n+1 magazine.
September 14, 2005
Tragedies Come in Threes
This post is dedicated to Jean-Paul Tremblay, who was found dead in his apartment beneath a stack of old Nation magazines, surrounded by anti-Bush paraphernalia. Now you're Photoshopping with Jesus, sweet prince.
September 12, 2005
Just ask her son, Ryder Truck
From "What's in a Name, Katrinas?", an article exploring the irksome after-effects of being named "Katrina" in these troubling times of ours, appearing in Sunday's New York Times, by Allen Salkin: Katrinas can expect three to five years of stoking bad memories before the sharpness of the pain recedes, said Katrina Cochran, a disaster relief psychologist who has worked with victims of the Oklahoma City bombings and the Sept. 11 attacks. Introducing Kanye West, pre-eminent comedian and light, frilly jokemaker
The noted socially-responsible, orphan-adopting, AIDS-research financing, poverty-reducing, and Chilli-fucking R&B musician Usher on Kanye West's "outburst" last week: "And the R+B star, who will be among performers appearing on an MTV telethon tonight (10SEP05), states, 'I wasn't mad at Kanye's statement - that's his opinion - but it's obviously not the opportunity or the time to poke fun or appoint blame.'" Emphasis added, because, of course, you can't speak in boldface. Well, you can, but then you'd be a liar, as opposed to an idiot.
September 1, 2005
A Brechtian Stageplay about the emergence of Gay Blogs, starring the new proprietors of "Queerty"
From Wired News' "Queer Blog for the Straight Web", September 1, 2005: There are blogs for just about every hobby, interest and persuasion, but why don't any cover gay lifestyle? SCENE: A small brick-walled cafe, colorfully--yet tastefully--adorned with the most masculine of motifs, including Robert Mapplethorpe photographs and rich, transcendently phallic iron sculptures. An isolated table with three chairs stands in the center of the room, at which is seated BRADFORD, a sleek and stylized prototype of homosexuality, and DAVID, a young and cherubically aspirational "gay bloke" who is wiping his face with stock certificates. DAVID (sighing): Must reporters always be so fucking late? I swear...it's scandalous how delicate the nature of time is to these people. And time, of course, is money. Gay money! BRADFORD: Oh, relax. This is his big piece. I'm sure he'll be here any moment. Give the fellow a break, eh? DAVID: But we don't even know if he's cute! BRADFORD: David, relax. I am so, so off the market. And he's just a writer! Hardly big-money-man material. Truly, while a little plug-and-play here and there has never hurt anyone, I am not willing to betray Gus' confidence in my behavior after that last fiasco in July. A trim young bespectacled gentleman, ADAM, enters from STAGE LEFT. He smiles confidently at DAVID and BRADFORD and seats himself between the two. Continue reading...It's Probably Time to Change That Whole "Signature Drink" Thing
"The Pat O'Brien's motto is "Have fun!" and visitors to this cornerstone New Orleans establishment have been doing so since 1933. With roots that extend into the Prohibition Era, Pat O'Brien's has been serving signature drinks for more than 60 years and is best known for the Hurricane, its original invention."
August 25, 2005
Apparently Topping the Hot 100 Doesn't Warrant a Spell Check on Your Name
...or as
July 26, 2005
This is what makes "Premium" membership so worth it
Available now on Salon's elite newsfeed for premium subscribers, your questions about "why guys do those things they do", finally answered: Killer instincts Ladies, sleep soundly. Successfully unlock the secrets of either of these famous cults of masculinity, and this War on Terror™ will be over justlikethat, we're sure of it.
July 10, 2005
Forget It, Jake. It's Sun Valley
July 1, 2005
Draft Abdul: Two Steps Forward, Two Steps Back for America
O'Connor, First Woman on High Court, Resigns After 24 Years, by Richard W. Stevenson, The New York Times, July 1, 2005.
June 30, 2005
Mamma Mia!
Big ups to James R.! The Perfect Byline
by Quip Meekly
Are Men Ready for the 5-Step, 10-Minute Shave?, by Nick Burns, The New York Times, June 30, 2005. Apparently Silky Smooth was on assignment covering the "last throes" of the Iraqi insurgency.
June 28, 2005
Blue Chips Ahoy
The recent revelation that Saddam Hussein has a taste for Jay Leno-approved nacho-cheese chip Doritos has sent shock waves through the snack food industry. I recently contacted PepsiCo's board of directors about their thoughts on the shocking, possibly treasonous, matter. (Disclosure: PepsiCo owns Frito Lays which owns Doritos which holds a majority stake in low culture heavy industries.) Dear Sirs and Madames: I am very concerned about recent revelations that Saddam Hussein enjoys Doritos. This man is a tyrant, while Doritos should represent peace, justice, and American snack food at its best. PepsiCo. forms a large part of my mutual fund's investment portfolio and I have begun to feel that I should divest myself of the holdings. I would like to know what Frito-Lay intends to do in order to quell this public relations nightmare. Yours, Guy Cimbalo Their response after the jump... Continue reading...
June 24, 2005
Maybe If She Tried Wearing A Hat...
"What's the matter, never seen anyone from the planet Vulcan before?"
June 21, 2005
low culture Presents: No Jacket Required, Vol. 1
Welcome to the bleeding edge! It's official, then...this "podcasting" thing is bloody hot! low culture is proud to present the first, inaugural, premiere episode of "No Jacket Required", a no-holds-barred look at contemporary arts and culture. This mp3/podcast/olde timey radio broadcast runs somewhere around eleven minutes: perfect for your commute home, downtime at work, or on constant repeat throughout your day (it's possible to enjoy "No Jacket Required" over 130 times in the course of a 24-hour period). You've come to rely on low culture for reasonably entertaining satire and comedy -- now give "No Jacket Required" a try. Seriously, we think you'll enjoy it. Earnestly, even. And maybe it'll explain why we've been so damned absent of late? No Jacket Required, Ep. 1, 11:35, 10MB
June 17, 2005
low culture Exclusive: Tom Cruise's Actual Proposal to Katie Holmes
Film star Tom Cruise has asked girlfriend Katie Holmes to marry him, he announced on Friday, ending weeks of speculation over whether Hollywood's hottest couple would wed. "That's more than a dress. That's an Audrey Hepburn movie. We barely know each other. I don't think we've had a single conversation about anything except your father. We got nothing to talk about. Sometimes you just gotta say 'What the fuck.' In this life, it's not what you hope for, it's not what you deserve—it's what you take I feel the need... the need for speed. "I've drained you to the point of death. If I leave you here, you die. Or you can be young always, my friend, as we are now, but you must tell me: will you come or no? "Where exactly are we going... exactly?...Where the rainbow ends? Good. Because for a minute there, I thought we were talking about A FUCKING MASK!... I'm afraid you'll break my heart. I want the truth! "Help me help you. I will not rest until I have you holding a Coke, wearing your own shoe, playing a Sega game featuring you, while singing your own song in a new commercial, starring you, broadcast during the Superbowl, in a game that you are winning, and I will not sleep until that happens... I'm gonna let ya' in on a little secret: K-Mart sucks. "Don't be afraid. I'm going to give you the choice I never had... No one could resist me, not even you... Just forget about that mortal coil. You'll become accustomed to it, all too quickly. "Let me ask you something: are you out of your fucking mind? I will not apologize for who I am. I love you. You... complete me... Cause you're good. We're in this together. Fates intertwined. "You're my motherfucker! I had your ass over the grinder and it's okay enough to thank me, shithead. Jump in my nightmare, the water's warm!"
June 16, 2005
A MAG A PLAN A CANAL PAGAMA (Or, A Short History of Palindromic Titles)*
*Is it too late to jump on the Radar blogwagon? Oh, it is? Well, fuck off! I've been busy, okay? Awww, c'mon, baby. Don't cry. Don't be like that. Matty's sorry. You know I love you, right? Oh, I don't? Then why do I do so much for you? Writing all these entries—for you. Finding photos that look like other photos—for you. Coming up with hack jokes—say it with me, for you. What did you say? Don't you dare talk back to me! One more word out of your mouth and you'll be sleeping over your sister's blog tonight.
June 14, 2005
Where's Mr. Segue Man When You Need Him?
SHOCK VERDICT CLEARS JACKO OF KIDDIE SEX - AND CROWNS DA TEAM THE KINGS OF FLOP, by David K. Li and Kate Sheehy, The New York Post, June 14, 2005. BOYS ARE BACK, by Maxine Shen, ibid.
June 13, 2005
The Man's Got Nothing On Him (Boys, On the other hand...)
June 11, 2005
Collapse That Metaphor
"Denise Jack and other car owners thought they had it bad when a 75-foot retaining wall in Washington Heights in northern Manhattan collapsed on May 12, burying their parked vehicles beneath untold tons of debris. But their ordeal was actually just beginning. "Their cars remain buried there today, and none are expected to be unearthed until the rest of the wall is stabilized and the rubble removed - up to a year from now. "Until then, they are caught in the world of insurance limbo. - A Wall Fell on Their Cars. Then Bad Luck Set In., by Anahad O'Connor and Rachel Metz, The New York Times, June 11, 2005.
June 8, 2005
With Apologies to the editors of Details (And Gays. And Fast food eaters. And Anyone who thinks comedy should be funny.)
Traditionally famous for his red hair and yellow jump suit, Ronald will be seen juggling fruit and snowboarding in a TV advert to be screened on Friday. Life lessons, as overheard by those with friends who have blackberries or SMS-enabled phones
"Wow, Anne Bancroft is dead." "Oh my God, I just got a text saying Britney got married." "Holy shit, Brad Pitt and Jennifer Aniston are filing for divorce." "Trey from the OC is on 1st Ave!" "The Killers show is awesome." "Fuck, I forgot to tivo SNL."
June 5, 2005
The Voices! Those Blasted Voices! I Can't Stop The Voices In My Heeeeeaaaaad!
"'I have this little game I play in my head when someone gets an appointment,' said Chris Matthews, the host of MSNBC's 'Hardball.' 'And I say, "Now, how did that happen?" And then someone will say, "Well, they went to school together," or "They live next door to each other," or "Their wives are friends." And you go, "Oh, yeah," and it clicks.' On the other hand, he said, 'serendipity is a big part of our lives, but it grows in direct proportion to sociability.'" Further Listening: Psychoanalyis: What Is It?, by Prince Paul
May 31, 2005
Fantastic Fall
This summer, as we eagerly await the release of yet another crop of comic book movies from the Marvel/DC Comics pipeline, Twentieth Century Fox's upcoming Fantastic Four is looking to be quite a rough-and-tumble tale. Well, at least the trailers make this out to be the case, featuring little more than a series of elaborate, action-packed falls from buildings on the part of the film's heroes and villains. After alland most studio executives will agree with us, herenothing is more thrilling to today's moviegoing audience than a character's being hurled from atop a great height, right? I ask you, can an intriguing sub-plot be thrown from a skyscraper? No. A complex, well-shaded character arc? Can that cling desperately to a window ledge suspended fifty stories above street level? No, of course not. So, here we are, with the Fantastic Four's fantastic falls:
May 26, 2005
The O.C.'s not on tonight? I think I'll go for a swim, then
Thursday evening, 8 o'clock sharp. I used to spend this special time perched atop my loveseat, giddily staring at the television set and mentally preparing to absorb the wonders of West Coast suburban culture as filtered to me via the broadcast networks. And then summer arrived, and they all abandoned me. Not the networks, I mean...they're still there, doling out quality product week after week. No, I've got a very specific axe to grind. I'm talking about Peter Gallagher. Mischa Barton. Josh Schwartz. Despots of the airwaves, each and every one of them. And Schwartz? He's their tyrannical leader. My kids think I have a problem. My eldest son, fully-grown and fresh out of culinary school, has scolded me for what he deems an "unhealthy" interest in the goings-on of fictitious characters and/or executive producers and/or series creators. But my son, you see, never understood my focus, my diligence... How I hate my son for his lack of compassion. How I miss presiding over real family bonding, such as the antics of Ryan Atwood and his nettlesome older brother, or Kirsten Cohen and her Jewish husband. Sitting here at work, gazing out the window upon the parking lot below...I'm a sour, lonely, bitter old man. To hell with my initial idea of taking laps in the pool; I think I'll sleep in my office tonight. Actually, I've never seen The O.C.; I'm sure it's pretty good. The O.C. used to air on Thursdays at 8PM EST on FOX, but then summer started. It's not yet noon, and my night is already ruined. Earlier: O.C.-centric entries, wherein we celebrated our joyous embrace of "all things Newport Beach". The indiscreet charms of the bourgeoisie
WHICH set of former has-beens-that-never-were returned to the glare of the spotlight earlier this month? WHO reissued their most prominent document of fame and fortune yet, in what is either the ultimate comeback or merely another attempt to cash in on the zeitgeist of bourgeoisie socialism? WHAT makes this sort of bougie urban politicism that far removed from an overriding cultural interest in Jessica Simpson's techniques for obtaining a bikini-worthy body? Unrelatedly, Maer Roshan's Radar project is out anew this month. And, hey, you know what? Our tried-and-true "This looks like this, which is like that, which is like this" routine never ends! We'll be here all week. (with thanks to Adit Nathan)
May 20, 2005
If Buchanan Wasn't Against the War Before, He Sure Is Now
The delicate art of the "If...Then" statement "exclusive"
Today's New York Daily News cover story touts the boldest of exclusives: "New York's top lawmakers have been warned: Mess around with the West Side Stadium and the Olympics are lost." Meaning, of course, that unless the proposed real-estate grabbing, massively bond-and-taxpayer-funded West Side stadium is erected near Penn Station, there can be no 2012 New York Olympics. (How very sad! New Yorkers have surely been pining for a long-term re-enactment of the hassle that was last fall's 2004 Republican National Convention, right?) Or, as the Daily News declares in their more appropriately condensed tabloid headline parlance, "NO STADIUM, NO GAMES." Logic and deductive reasoning? It's, for the time being at least, another Daily News exclusive! Of course, the rival Post won't take this challenge sitting down. Look for their very own upcoming series of cover-story exclusives, including, but not limited to: NO CEASEFIRE, NO PEACE And, of course, NO POST, NO PUNS
May 19, 2005
The Iraq Party: Hollow Point Bullets Galore!
The celebration of Iraqi democracy's second launch continues. In fact, it's moved into the wacky publicity stunt phase! Last night, as part of the ongoing launch party for the most expensive, anticipated democratic regime since Tina Brown's revamp of the U.S.S.R., an insurgent lackey escalated the war of words by hurling several bullets at Dr. Ali Hameed, an official from Iraq's Oil Ministry. Dr. Hameed responded by being pronounced dead at 8 AM! Did somebody say CATFIGHT!!!! Oh, yeah, it's on!
May 15, 2005
We'll Safely Assume That the Heroin OD Is On Its Way
May 13, 2005
The Beautiful and the Damned
Related: "The harrah... The harrah..."
May 10, 2005
low culture Exclusive: Oh, Man, I Can't Believe We're The First Blog That Thought To Make Fun of This Thing!
Have you seen The Huffington Post yet? Isn't it sort of... funny? (Get it!?!)
May 6, 2005
Krisis In Krumpland!
From, Why Is Chappelle's Show at a Halt? Not Because of Drugs, an Aide Says, by Jesse McKinley and Lola Ongunnaike, The New York Times, May 6, 2005: Representatives of the comedian Dave Chappelle yesterday denied rumors that drugs were involved in the suspension of production of his acclaimed sketch comedy show, 'Chappelle's Show.' Also, those elaborate sets and visual effects probably don't help. Related?: Dave Chapelle [sic]
May 5, 2005
Star Wars: Revenge of Rosencrantz & Guildenstern
Per low culture's reliable sources deep within Skywalker Ranch, there's a good reason Revenge of the Sith is getting such glowing reviews -- Tom Stoppard wrote the script. Producer Rick McCallum insisted Lucas find a ghost writer, and Stoppard was the only writer Lucas wouldn't interfere with. [Confirmed here]
May 2, 2005
Screw Cristal, With Oil Prices Through the Roof, This Is Really Decadent
April 27, 2005
Fox Searchlight, Meet Award-Winning Director Jonathan Glazer
Above: Scenes from Jonathan Glazer's 1998 video for UNKLE's Rabbit in Your Headlights Previously: Twentieth Century Fox, Meet Award-Winning Director Chris Cunningham
April 26, 2005
Killing Joke
Finally, a more shocking joke than "The Aristocrats." From, Man Says 7-Year-Old Joke Led to Killing, AP, April 26, 2005: A man shot a former co-worker to death on Easter because he was offended by a joke told seven years ago, authorities said Monday. The downside: This joke was clearly hurtful. The upside: It was also clearly memorable. Disclaimer: low culture does not advocate laughing at people getting killed. That would not be funny. In fact, it would be totally hack.
April 21, 2005
Von Trigga, Please
The trailer for Lars Von Trier's latest exercise in actor torture, Manderlay, is out. If Von Trier brings his characteristic subtlety and humanism to the project, I'm sure it will transcend the Tarantino-esque language of his trailer. And it might even be better than what it looks like: a remake of Gualtiero Jacopetti and Franco Prosperi's execrable Goodbye, Uncle Tom. Eh, who am I kidding? This thing has Mandingo 2005 written all over it. I'm guessing the reason Nicole Kidman's not in it is that it offends her kids. Wonder what New Wave song will close this one out. [via Greg.org] As A Public Service, We Offer A Guide to The Differences Between C.K. Williams and Louis C.K.
C.K. Williams won the Pulitzer Prize and this year's $100,000 Ruth Lilly Poetry Prize. Louis C.K. won an Emmy for The Chris Rock Show and is developing a sitcom for HBO. C.K. Williams was born in New Jersey. Louis C.K. was born in New York. C.K. Williams published Flesh and Blood. Louis C.K. made a joke about Bill Clinton breastfeeding puppies. C.K. Williams wrote: A squalid wayside inn, reeking barn-brewed vodka, Louis C.K. wrote: "Dirty Dee, you're a baddy daddy lamatai tebby chai!" C.K. Williams has a head of salt and pepper hair. Louis C.K. is bald. C.K. Williams has been published by Slate. Louis C.K. has his own website.
April 20, 2005
Adventures in Photoblogging: "I'm Rich, Shagitz!"
April 19, 2005
In Preparation For The Release of A Lot Like Love, Instructions for Ashton Kutcher Lovers
Congratulations on adopting or purchasing your Ashton Kutcher. In the coming days and weeks you will bond with your new Ashton Kutcher in ways that you can only begin to imagine at this time. Ask anyone who's welcomed Ashton Kutcher into their lives, and they will tell you that he becomes a fast member of the family, brings hours of fun, laughter, happiness, and joy to children, adults, and seniors. But in order to enjoy your Ashton Kutcher to the fullest, there are a few things you need to know to take care of him the best way possible. Ashton Kutcher is an independent, mischievous animal; he needs attention, love, and a little discipline to feel comfortable and safe in your home. These helpful hints will make your life with Ashton Kutcher that much easier. First off, know that in the wild Ashton Kutchers roam in packs, also known as 'posses.' This is an important fact, since as you bond with your Ashton Kutcher, he will come to think of you as his posse. Ashton Kutcher is loyal and intensely protective of his posse and he has a tendency to bond closest with the older alpha-female of the posse. Some even say Ashton Kutchers are nature's 'Mama's boys.' Continue reading...King of Kings or King of Pop?
Through all the accusations of pederasty, paedophilia, and boy-fucking, fans of both the Papacy and Michael Jackson have stood tall. Can you tell the difference? Click through for the answer.
April 17, 2005
Finally, The Liberal Media Reveals the Truth
April 15, 2005
I Learned It From Watching You, Drew!
Many have argued about whether and how powerfully movies can influence our behavior. Should filmmakers bear responsibility when the scenes they present as fantasy are reenacted by overzealous fans? Generally, we prefer to encourage freedom of speech and personal responsibility, but when a filmic scene of overly intimate contact across the low wall at Fenway Park is so eerily reprised at the same spot in real life, it's pretty clear where the idea came from. A definitive and comprehensive list of African-American actors and characters appearing in films directed by Stanley Kubrick
April 14, 2005
Hommage à Nichols
April 11, 2005
Special FOX Double Feature: I Newhart Huckabees
April 8, 2005
Please Extinguish All Votives Before Takeoff
Salvete in VaticanAir! Recumbete et relaxate in levamentum dum vos refovemus cum mantele madido. Probate defigere balteum vestrum per acensum descensionemque. Gaudeamus praebere varietatem de materias lectorium pro iucunditate vobis. Servabitur prandium parvum per fugum. Cistas vestri portabitur cum curam maioram. [Indulgete omnia errata mea, magistri mei...] Popestock 2005
Reports of the "festive" atmosphere in Rome, where hundreds of thousands of pilgrims have camped out to Of course, it should be no surprise that young love can blossom in even the gravest circumstances:
April 7, 2005
It Really Depends On What Your Criteria For Success Is
High Rate of Failure Estimated for Silicone Breast Implants, by Gardiner Harris, The New York Times, April 7, 2005.
April 5, 2005
Presenting Todd Solondz's Soon-to-Be NAACP Image Award-Winning Film, Palindromes
Better make room next to that 2001 Impact award for Story Telling. Is anyone else looking forward to when Solondz makes the John Waters-like transition into Broadway musical kitsch maestro? Welcome to the Dollhouse is basically ready. (It even has a killer signature song.) Happiness, on the other hand, is a harder sell. Well, people paid to see Assassins.
April 4, 2005
low culture Exclusive: Prince Harry's Wedding Outfit
Related: Prince Charles Pushes Wedding Back a Day.
April 1, 2005
On April Fool's Day, The Whole World (Wide Web) Is A Target
by Sarah Boxer Bloggers, or 'Web loggers,' may not have invented April Fool's Day (that would be Pope Gregory with his conversion to the eponymous Gregorian Calendar in 1582), but as with so many other things, they have taken credit for improving on it. As the clock struck midnight on April first, several prominent bloggers created puckish, at times almost humorous, stabs at April Fool's content. As you might expect, many were parodies of other websites and the conventions of the medium. "Bloggers are a world onto themselves," said Jeff Jarvis, who runs the website Buzzmachine.com and who actually called this reporter himself assuming she'd be doing this story. "So, of course, they'd parody their world." Continue reading...One Word For You: Premium
Remember the party scene in The Graduate where Benjamin Braddock is buttonholed by his father's friend who has one word for him, "Just one word"? Well, we have one word for you: Premium. Due to the amazing success of our reader feedback module (you know, the little "Did you find this content useful?" radio buttons that have sprouted up on this site like wild flowers on the side of the highway), we've decided to go premium. Following the successful model of Salon and several other pay-per-view sites, we've implemented a premium area to provide our core readers with the best this site has to offer. Membership has its privileges:
March 29, 2005
Beard Hacker: The low culture Guide to Shaving
Lord Byron once called shaving “A daily plague, which in the aggregate, may average on the whole with parturition.” After looking up that last word, it’s obvious that this Byron fellow probably had no idea how to shave. Had he been lucky enough to live in the era of informative how-to websites such as this one, he could’ve learned in eight simple steps. Following these eight steps, you’ll be a smarter and closer shaved man than Lord Byron could ever have hoped to be. Continue reading...Some Jokes Just Write Themselves
Meet the Tuminator, by Barry Wigmore, Daily Mail, March 29, 2005. Curing Obesity through Sterility: California 's Controversial Program Under the Microscope, Pacific Northwest Medical Journal. Related: Is it April Fool's Day already? First Impressions Of Beck's Guernica
As some have noted, Beck's latest work, Guernica, is his most mature offering to date. At a time of war, the artist has brought us a wrenching, disturbing work that confronts his fans while pushing his oeuvre into newer, more challenging directions. It's a breakthrough—and a triumph. Guernica emerges after Beck's much-remarked upon 'Blue Period,' in which his work wallowed in despair. While sadness was the dominant feeling in his recent work, Guernica's prevailing emotion is anger: anger at war, anger at the flaws of his fellow man, anger at the simplistic head-on view of reality. Guernica shows us different sides of man, the various, conflicting dimensions in each of us. All at once. Every character in Guernica is twisting, groping, angling for recognition. As we're reflected in Guernica, people are complex, frightening, and beautiful beasts. These are just preliminary thoughts. Fans and historians will be marveling over Guernica for generations. And then it will be covered by callow idiots.
March 28, 2005
Separated At Mirth
Art and Commerce. The truth about art and commerce is not unlike a certain movie title about cats and dogs: the two don't always get along. In fact, they rarely ever do. And like animal lovers, sometimes you have to choose which you want in your life more: art or commerce. You can't have both, unless you want your house torn apart and your life to become a dizzying mess of complications and compromises. I was reminded of this fact this weekend while reading The New York Times' 'Arts & Leisure' section, particularly two stories that, while not linked editorially, were nonetheless inverted images of each other. One reflected art (more or less), the other commerce (pretty much intrinsically). Continue reading...
March 26, 2005
Outrage! Jets Sold To Pakistan!
The already heated debate about the proposal for a new West Side stadium for the New York Jets has reached a new level of outrage and absurdity this week with the stunning news that the Jets are to be sold to Pakistan! Now, I'm sure that the NFL would like to expand into Central Asia, but it seems like a losing proposition to try to impose, top-down, an American-style football regime in an area of the world that has had no experience with it. On the plus side, Gang Green's color scheme matches the Pakistani flag rather nicely, so perhaps there's hope after all. [Thanks to Lamont Cranston for the tip!]
March 25, 2005
March 24, 2005
Four Moore Films
[Michael] Moore's newest project, Sicko, about the health-care industry, for which he'll be paid about $25 million, will have a more resilient target: "It'll never be the same for the H.M.O.'s again," says Moore. Since Moore's last film was so successfully at solving the problem it addressed, here are some other topics we hope he tackles with his magical movie camera: Hot Hot Heat: Global Warming, Local Warning - A hard-hitting look at how changes in the environment affect the weather. "This one's gonna fix the whole planet—and the hole in Ozone above it," says Moore. Genocide X - Moore takes on another 'Big One': Genocide in Darfur. "We're gonna speak truth to powerful warlords. We're gonna save lives." Persons of Interest - More Americans are in debt; Moore, American, is incensed. "We're gonna turn Greenspan green with this one." Don't Drink the Water - Those clear bottles of spring water may look pure, but what's inside them is anything but: the bottled water industry is all wet. "This film will refresh you—with insight!" Out-of-Context Outrage!
***IMPACTING***
March 23, 2005
Sometimes the World Writes Its Own Satire
Earlier: Dancin' Fool and Radical Shnook Real Life Workplace: Deep Inside the CIA
Today's 'Real Life Workplace' interview is with Agent Jack Bristow, a thirty-five year veteran of the CIA. What sorts of challenges come from working in a high pressure environment where national security is a daily concern? What's the CIA like on the inside? Read on and find out. low culture: Thanks for taking the time to talk to me, Agent Bristow. low culture: Sure, sure. So, in case you don't know, low culture is a careers website. We offer information for job hunters, employers, and the like. I'm interested in talking to you about your work. low culture: Right. So, you work for the CIA, right? low culture: But you previously worked for an organization called SD-6, right? low culture: Got it. Okay, so, you, um, you work with your daughter, Sydney, right? low culture: Your daughter is so hot. low culture: Nothing. So, is it difficult working so closely with a family member? low culture: Right, but, you had problems with your daughter for a long time, is that correct? Didn't you kill her mom? low culture: Sorry, sorry. So, is it hard working with your daughter when she has to get dressed up in so many different outfits all the time? Does that weird you out? low culture: You know, do you ever see your daughter done up like a blond Swedish hooker or a Russian astrophysicist and you, like, get wood? low culture: Wait, wait. You misunderstand. I apologize: English is my second language. I'm French Canadian. low culture: No way! Did that make it hard to get high level CIA clearance? low culture: Oh, right, right. So, your daughter was dating a colleague. Is that strange? low culture: Have I been asking so many questions about your daughter? low culture: Oh, she's just so super hot. What's her email address? low culture: Alright, alright. Is it like yours? I assume it's something like s.bristow@classified.mailer-daemon.cia.gov. Would that work? low culture: Can you just tell me one last thing? One last thing for all the job hunters, employers, and the like? Please? low culture: What does she smell like? low culture: Your daughter, Sydney. I kind of imagine she smells like soap, but also a little bit of sweaty b.o. low culture: Clean, sporty girl b.o. like a field hockey player. Not gross b.o. like some sweaty freak. Related: If you have any information on Jack Bristow's daughter (particularly photos), please email low culture. (Within 24 hours at the latest.) Deaf, Dumb and Bald
Totally deaf human-person Marlee Matlin deserves to be given the hand gestures for enthusiastic applause and patronizing congratulation upon the news of her appointment to head a new, conservative imprint for Simon & Schuster. Despite Matlin's complete inability to hear, and her limited ability to speak like a normal person, she has not only won a Special Academy Award but also managed to domesticate notorious pussy-hound James Carville. The two have become ubiquitous for their "opposites attract" romance: Carville is the classic Clinton-era liberal while Matlin is completely, defiantly deaf. They both starred in the cult classic K Street and have become poster children for people who have starred in K Street. Because of Matlin's handicapability, her as yet unnamed imprint will undoubtedly offer its conservative titles in Braille editions. And that presumptive breakthrough, shattering the conservative publishing industry's notorious deaf-glass-ceiling, deserves enthusiastic, visually demonstrative applause.
March 22, 2005
Sixty-Nine Love Songs (Or, "Pat O'Brien's Awesome Rehab Playlist")
By now you've probably heard Insider host Pat O'Brien's latest release: nearly five and a half minutes of repetitive, profanity-laced nasal sex talk with occasional music. Naughty, nasty stuff. Frankly, I can't believe he kisses George Clooney's ass with that mouth. You probably also know that this Internet-only single has landed him where countless artists have gone before: rehab. But what you haven't heard is Pat O'Brien's rehab iTunes playlist, which he put together shortly before his twelve step journey. Here's but a small sample: - "I Wanna Hold Your Hand (And Eat You, If Betsy Says It's Okay)," The Beatles - "You Can't Always Get What You Want (Even Though You're So Fucking Hot. I'm So Into You)," The Rolling Stones - "This Love (Plus Some Coke, and Betsy. Let's Get Crazy Together)," Maroon 5 - "Oh, Pretty Woman (I Want to do Everything With You, Eat Your Ass, Everything)," Roy Orbison - "Baby I'm-a Want You (To Be Into Betsy. You're So Fucking Hot)," Bread - "Why Can't We Be Friends (With Betsy, Too. I'm So Into You)?," War - "Don't Speak (Just Give Me a Smile Next Time I See You, You're So Fucking Hot)," No Doubt - "Pour Some Sugar On Me (And By 'Sugar,' I Mean Coke. I'm So Fucking Into You)," Def Leppard - "Eat It (And By 'It,' I Mean Your Ass. You're So Hot)," 'Weird Al' Yankovic
March 21, 2005
Sure, Guess Who Will Be The Dumbest, Lowest Common Denominator Piece of Shit Ever Leaked From the Abscessed Bowels Of The Least Talented Hollywood Hack To Crawl Out of Primordial Ooze And Learn to Type In Final Draft With His Webbed Fingers
But, man, its go-cart racing scene kicks the original's ass! Paging Andy Borowitz
I'm sure you have something hilariously topical to say about this, sir: Don't let Jay Leno make the awesome jokes about "exploding markets" and/or Control Boiler Room first!
March 17, 2005
low culture 2.0 (minus 1, minus 1, minus 1, plus 1)
This past week, we've received a lot of emails and been approached by a lot of people concerned about the direction of low culture. We tried to explain why we hired four new writers, pointing out that we were giddy about the success of our shop and the major awards we were then being nominated for. But looking over the new writers' work, it's clear we made a mistake. After much soul searching and consultation with our backers, we've reluctantly decided to lay some people off. As of today, Otto Preminger, Miranda Gonnerman, and Carter Blanche will no longer write for low culture. (They are now available for other work, if anyone remains interested in their endeavors.) On the positive side, however, Stevie Boots has been promoted to editorial director of the site.
March 16, 2005
TweedledeeDumb
Although I thought the previous Lilytones split 7" with Shindig! sounded decidedly sub-par, I took the dare, did the deed, and bought the Lilytone's newest EP, Blowin' Fuses. I should have known better. All the post-coital sensuality of Lilytone's debut, The Dreyfuss Affair, is gone. Even worse, the gimlet-eyed lyrical sensibility that earned singer Pete Crease comparisons to Davies and Albarn has been undone by Crease's insistence on singing in an incoherent, vocoder-ed falsetto. Consider the track "Fish Are Flying": over Blather's soaring guitar and Rott's pounding zither, producer Russ Argent (late of twee supergroup The I Reckon's) insists on gilding the lily with an upside-down theremin and a full woodwind section. And when Crease's squeaking falsetto finally makes its appearance, the song simply equals more than the sum of its parts. Even guest-vocals from Regina Spektor on "Pincushion," Crease's lighthearted sing-along about heroin addiction, can't hide the fact that the Lilytones are just painting by numbers. It pains me to say it, but this could spell the end of the Lilytones - for this reviewer, at least. Let's hope their forthcoming LP, Disemployment Officer, finds the band in back-to-basics mode. Let's Talk About Sex!
Hey party people - Miranda here, ready to answer all those embarrassing questions you might have about you know what. You know, it. So without further ado, let's get down to it... Dear Miranda, Dear Skeeved, So don't worry! You're not the only one who thinks Abraham and God had the right idea with that whole covenant thing - foreskins also creep me out. I have to admit balls kind of creep me out too. I still don't have an effective technique to get around my testicular trepidation, so I asked an expert, Dr. Nancy Ambergris, author of Getting the Shaft: A Modern Girl's Guide to Fellatio. "Miranda," Dr. Ambergris explained to me, Miranda, "that's an age-old problem. And aside from holding your breath, closing your eyes and thinking of something else (like the Hamptons), there's not much option. Of course, depending on Skeeved's commitment level with her boyfriend, she could always start dating someone else." So there it is, kids, advice from the experts. Keep your questions coming!
March 14, 2005
We Gotta Thank Our Parents, First and Foremost
On behalf of the entire low culture team, I wanna thank everyone who voted for us! This is so awesome, I don't know what to say. I wish I'd prepared something. Basicially, we're just a bunch of goofy guys doing our own thing: it makes us really proud that people are enjoying it so much. We gotta share this award with all of you! We never thought we'd win an award, but just because it's not your dream doesn't mean it can't come true. Next year: World's Greatest Lover! Earlier: Aim High, Vote low (culture, Duh) 'The Boots Report': Jake in Progress: ABC's Midseason 'Hip' Replacement
To paraphrase the name of a classic TV sitcom, ABC Can't Lose! Following the commercial and critical success of Desperate Housewives, Lost, and Blind Justice, last night ABC introduced Jake in Progress, the best midseason replacement show I've seen in years. Maybe ever! Jake in Progress stars John Stamos as "Jake Phillips," a likable, fast-talking New York publicist. The twist is, Jake is a heterosexual and he loves women—a lot. He's sort of a male version of "Carrie Bradshaw" from Sex & the City: he's a bit glib, a bit flighty, but he has a heart of gold. He also dresses well. (There's another piece to be written about the new trend of TV show's about publicists, but that's for another time.) You might remember Stamos from his other ABC hits, Thieves and Full House: he's so at ease on TV, there's no doubt why he's a star. But Jake in Progress is also marked by an amazing supporting cast, all of whom have long, illustrious TV careers. Playing "Jake's boss" is Wendie Malick, who was amazing in Just Shoot Me (and, for fans of obscure TV history, she was also on Dream On with Brian Benben—where's that guy been?). Ian Gomez, whom you might recall as "Javier" from Felicity is Jake's best friend, "Adrian." (Little bit of trivia: Gomez is married to My Big Fat Greek Wedding phenom Nia Vardalos. Wonder if he uses Windex as aftershave?) Rounding out the cast is Rick Hoffman, whom I loved in The $treet, which was also like a male version of Sex & The City and not just because it was exec. produced by Darren Star. Oh, and I forgot Mädchen Amick from ER and Twin Peaks. But enough about the awesome cast: Jake in Progress is also extremely well-written. This is a show so hip, the writers were able to sneak in tons of cool references for people who "get" them: David Blaine, Lipsynka, Jerry Maguire, Seabiscuit. You've gotta be smart to keep up. This is definitely not CBS's Yes, Dear. (Although, that show is pretty great, too.) The dialogue is snappy, like one of those old screwball comedies. And the camera work is frenetic but not overwhelming. Most of all, this show is for adults—and not in an HBO way. (Don't get me wrong: I looooove HBO: The Sopranos is the best, followed by Six Feet Under, then Deadwood, then Carnivale then Unscripted: love it all!) I mean, it's a show about what it's like to be a grownup in contemporary New York. It's not a show where 35 year-olds have roommates and ducks like on Friends (though I love Friends and still watch it in syndication) and it's definitely, definitely not a show about "nothing" like Seinfeld. (Which I got on DVD for Christmas this year—thanks, Randy!). I can't wait to see how this show develops over the course of the season. Jake is already making great "progress." (3 out of 4 "Boots") And now, like the host of my favorite guilty pleasure show, I can say: Stevie Boots—out! Related: Other shows with "Jake" in the title: Jake and the Fatman; Jake 2.0; Body by Jake. low culture 2.0: See How Low We Can Go!
Hey, everybody. I don't usually write for the site that often, preferring instead to stay behind the scenes working on business stuff, but I'm stepping out from behind the curtain to announce some super exciting changes here at low culture. Since we did so well with our line of T-shirts, mugs, and undergarments, we have enough money to hire some new writers. We're super-psyched to have these new voices on the site and we're sure they're going to revitalize low culture for the better. First up is Stevie Boots, our new low culture TV critic. Stevie's written for People, The Chronicle of Higher Education and Res. (Don't bother googling his name: his stuff was all un-bylined.) Also on the culture front is Carter Blanche, our new music critic. He co-edited the semi-legendary MP3 blog Sound, Dur, which was nominated for a 2005 Bloggie and was mentioned in Time Out NY. He listens to everything from hip hop to crunk and we're proud that he'll be bringing his expertise to low culture. On the 'Grave' side of the spectrum is our new politics and books writer, Otto Preminger. Otto was an assistant editor for The Public Interest and has contributed to Post-Neo-Natal: The Under-30 Political Generation Comes of Age, the highly regarded anthology of political writings. Otto's also an excellent cook and runs a sort of political cultural salon out of his Brooklyn Heights apartment that has attracted staff members from The New Yorker and The New York Times. Last, but definitely not least, is our hot new sex columnist, Miranda Gonnerman. Miranda wrote 'Miranda's Right,' Kenyon College's sex column where she covered everything from bisexuality to lesbianism to threesomes! (Her column was so hot it's not even available online! Sizzzzzle!) You can send your sex queries to Miranda and she'll offer you expert advice. So, that's us. Consider this a soft launch for low culture 2.0. We've got a lot of awesomely excellent ideas we're bouncing around with some powerful, creative people in the industry. Stick around and see! Everyone Says "Yah Crazy!" (Or, Welcome to the Annie Hall of Mirrors)
March 10, 2005
The low culture Vulture
Recently seen on the scene… Penelope Cruz in a photograph from an extravagant Oscar gala, partying with the likes of Salma Hayek and Julia Roberts… Ashton Kutcher on the side of a bus, advertising his new film Guess Who… Lauren Graham on ABC Family's 11 am showing of Gilmore Girls… Lizzie Grubman in the post just below this one… Send your seen on the scenes to low culture! Brief Thoughts on PoweR Girls
To her credit, neither Lizzie's nature nor her nurture is all that – her father (who represents Barry Manilow) has a portrait of his wife's nether region hanging over the bed – seriously. And she is the one who discovered hip-hop. This job'll require a hammer, some nails, and a good case of the O.C.
I've got a second-floor office in Irvine. It's only a few years after the war with the Japs, and there ain't a P.I. left in Irvine that's better than me, but that don't mean business is steady down here. I've got too much time on my hands, kid, and too much whiskey in my desk drawers. Then this dame walks in. Says she's stopped in from Riverside, but I can tell right away the broad's from Newport Beach. She's got shoreline written all over her. Beachfront property, I'd say. The kind of class babes just don't have in the inland empire. Classy, this babe. She's got her hair up and her sunglasses on, and I can see she's hiding something. Tears. Maybe she's lost someone or something, or maybe her man's the abusive type...that's for me to find out, is all I know. I'll hear it soon enough. She starts in with her story, about how her husband's in the real estate game, and her father's a bigtime mover and shaker, a real player. But this dame knows too much about her husband's business, I can tell. Taxes, liens, eminent domain...knows a bit too much about real estate in general. It's clear she's the brains in the enterprise. The father's just the moneyman, and the husband...the husband? What's his role? And why's she crying like this? I hand the babe a tissue. She dabs her eyes, starts in on her ex-husband. Says he’s on a boat. Something about someone’s sister. She’s bawling again, I can’t understand what she’s saying. She wants my help, she says. Needs to find her ex-husband, but she doesn’t know where he is. Her daughter won’t speak to her, she’s crying, unless she can get this ex-husband to come back to town. Retrieving a lost love? No big deal, I can handle that. No, she says – he’s no lost love. She’s fine with her husband and his money. This is about her daughter. The broad is taking deep breaths now, trying to tell me about her daughter. The kid sounds like a real rebel. Hellcat with a flask. Bringing punk girls home just to shock mom. I try to be sympathetic, but this sounds like a job for a shrink. Now she’s getting defensive. I’m the one to help her, she says, not some mental magician. The back story doesn’t matter, does it? She wants to bring back her ex, this Jimmy character, so that crazy daughter of hers will straighten up her act and she can go back to watching her husband’s money. She's glaring at me, now, but she opens up her pocketbook and takes out this wedding photo from years gone by. Coolidge administration, I'd say. That'd make the daughter older than I thought, and this dame...let's just say looks can be deceiving, but age never lies. And there's a problem. This Jimmy guy...I recognize him. Of course. The dame's trying to read my face, so I whip out my P.I. cards and play poker with her. The boat, the money...I should have put two and two together when the broad came in through the door. Then again, that's why I'm working out of Irvine and not up there in Hollywood with all the other, better, private dicks. Jimmy, Jimmy, Jimmy. I took him out last weekend under a pier in Long Beach. He'd gotten rough when I confronted him on some outdated loans my client had needed collected, and I'd had no choice but to gun him down. It hadn't been easy, either, and I'm not normally that cold-blooded – I mean, I work in Irvine. But I'd had no choice. And I sure as hell hadn't known he was a family man. I shake my head. This daughter, there ain't no helping her now. Actually, I've never seen The O.C.; I'm sure it's pretty good. The O.C. airs Thursdays at 8PM EST on FOX. Earlier: O.C.-centric entries, wherein Raymond Chandler ravages Mickey Spillane in a shed out back. Intense. Finally, the news business is getting serious (or, "In Loving Memory of Dan Rather")
Now that everyone's favorite pseudo-liberal Texan is off the air, it's reassuring to know that the remaining network newsmen are still sticking to the really important issues in their relentless pursuit of the Truth. (Thanks to Jeff. Sorry about rendering you "shallow".)
March 9, 2005
Am I Excited About This Film? Can't Say.
From Done Deal: Title: Unknown
March 5, 2005
lc Regrets: A Look Back Our Occasional Lapses in Judgment
Last week, low culture presented "Be Excellent to Each Other: A One Act Play," in which fictional versions of the actors Keanu Reeves and Alex Winter discussed their lives and careers. At the time of that writing, we had no idea that Missy Schwartz, a writer for Entertainment Weekly, one of the nation's most respected and highly regarded weekly entertainment magazines that focuses on entertainment and comes out on a weekly basis, was working on a "Deal Report" column about Alex Winter (with additional reporting by Geoff Keighley, Michelle Kung, and Adam B. Vary): Remember Alex Winter? He was Bill to Keanu Reeves' Ted. Now he's set to write Napster: The Shawn Fanning Bio Project for Paramount/MTV Films. Winter penned a version of the script as a TV movie in '03, but the story of the college dropout who developed music-file-sharing was so rich that Paramount decided to make it a feature. It's about "a punk kid with a lightning-bolt moment," says Winter, "who takes that dream into the shark-infested deep end of the big-business world and then has the whole thing blow up in his face." Winter also plans to direct Acts of Charity, an indie political satire with Alan Rickman, this year. Excellent! (Entertainment Weekly, March 11, 2005.)Had we known that Entertainment Weekly was working on this story, we would've instead focused on Curtis Armstrong, one of America's greatest character actors who is back from his post-Revenge of the Nerds exile with roles in Dodgeball, Ray, and Man of the House. (The latter of which is out now.) We would've written a gag intro hailing a familiar but semi-unknown actor who's worked with "greats" like Tom Cruise, John Cusack, and Bruce Willis then thrown in Steve Guttenberg to be funny, before launching into a short, pithy piece that argued, far from being a relic of the 80's (we'd mention Bronson Pinchot here), Armstrong's been working more or less steadily since the days of Duran Duran (a slightly decontextualized reference that would nonetheless ground the piece in a certain time period). We would've concluded by suggesting that one day (god willing), Armstrong might be the first Oscar winner to ever have a character named Booger on his resume. low culture regrets the error. Earlier: New York Second; Related: Paramount/MTV Taking a Napster
March 3, 2005
An O.C. exercise: The Five Obstructions (Well, three, at least)
Being a choreographer isn't all that bad, really. It's being a male choreographer that gets somewhat awkward, at times. I mean, I like to dance, you know? And more significantly, I like to envision grand schemes in which others convey the motion of the human form, the ways in which our bodies can take flight while syncing to a hot, hot beat, or a sweepingly majestic orchestral hook...I'm versatile. No, that doesn't mean I'm gay. I get that a lot. Most men in this field are, of course, homosexual. To such an extent, really, that I felt at some point I'd need to hide my attractions for the female gender, just to get ahead. A man's got to do what a man's got to do, right? And sometimes a man's got to do a man. (I'd use that line a lot more than I do, but, you know, I try to keep this heterosexuality thing quiet.) That was my younger-incarnation line of thinking, at least...Until I began to watch The O.C. every Thursday. I think it was watching Marissa and Alex share that first lesbian kiss on the beach a few weeks back that really got to me. I mean, yeah, the raging heterosexual in me started getting all lascivious, like, "Hey, you fucking prudish censors, don't pull away now," but the part of me that hooks up with guys like Mark Morris in order to get continued work just flat-out cringed. Like, I was disgusted with myself. Was I pulling a Mischa Barton, and making out with the wrong gender just to advance my goddamned career? I'm so above and beyond that. When I work with my dancers, I try to instill a sense of pride in the art form in the way in which they approach their evening's endeavors. I try to get them to think about the rich history and tradition of dancing as a mode of expression, to get them to open their eyes to the ways that a graceful, limber body can convey a range of emotions heretofore untapped by the limitations of language. And I think they listen, and understand it, which makes me feel good about my role in propagating this grand pageantry of dance. In that vein, that commitment to the craft, some of my dancers, though, are hard to get through to...like on this Faith Evans video I worked on yesterday, for instance. The motif? It was a high-school cheerleader-themed video shoot (I think the director was ripping off "Smells Like Teen Spirit," just between you and me) and there was this one girl who kept complaining about her toes hurting. As you can imagine, this happens a lot with dancers. And while lesser choreographers may readily insist that gout is the classic big-red-toe disease – and I'm not naming any names, there – I myself am prone to thinking sometimes a girl just stubbed her toe. Simple as that. Necole, that's her name, is this totally sweet, pretty young babe. Sophisticated and not at all naive. Given her character, I insisted that she handle the distribution of props to the other dancers. Wait, let me explain. So as part of the routine I had drafted, various dancers congregate on the simulated playing field and toss lightsticks and batons to and fro. It may sound asinine, but, I swear, it really works well with the source material. Faith Evans, right? This other dancer, a guy named Bradford, whom I had put in charge of managing a difficult baton-twirl/hip-flipping manuever, starts freaking out about how heavy and weighty the baton prop is. And, I swear, he was right. The prop department had whipped up some gargantuan lead-based relic. But we were on deadline, so I insisted Bradford work with what we had on-set. And the motherfucker challenged me! Said, "OK, give it a try, and see how difficult it is!" I'd show him. So I stand up straight. Curl my toes. Bring my elbow perpendicular to my ribcage, and...a problem. I was dismayed to find that I could no longer control the mighty baton between my legs. It was just too heavy, too dominating, too physical...and Necole, Necole was looking at me. And it hit me, just like that, like that moment on the beach between Marissa and Alex, but from a different angle: I'd had enough of the gay-choreographer charade that was my life. I wanted to fuck Necole. Right then and there. I could see she had it in her, as well. Though I'm no semiotic genius, and am just a fabulously gifted choreographer, I could tell it was the whole baton thing that was getting her attention. This girl, this dancer, wanted to get avant-garde, you know? And engage in some very public, though very intimate, frolicking with the dancemaster. I motioned Bradford over...I had fucked him the week prior, I mean, despite my suspicion that he, too, was straight (It's a sick fucking business, yeah?), so I knew he had no problem with sex, or physicality, or anything of that nature. I clutched Necole's shoulders, and explained to Bradford that he needed to get the photographer's light-deflecting umbrella, and hold it to the side, so as to shield the intense round of fucking that was about to ensue from the rest of the crew. Gaffers can't handle impromptu sex, you know? Bradford just smiled, and said cryptically, "Farnsworth Bentley is the original personal umbrella holder, that lucky bastard." And I knew then, I had to put on the show of all shows, even for this audience of one. Biggie would've wanted it that way. Actually, I've never seen The O.C.; I'm sure it's pretty good. The O.C. airs Thursdays at 8PM EST on FOX. Earlier: O.C.-centric entries, serving as exercises in hating the player, and not the game.
March 2, 2005
Hand Over Fist: Day One of low culture's Lucrative Foray Into E-commerce
How's the low culture shop doing? Amazingly, thank you very much! Soon enough we'll be able to afford a wheelbarrow for the piles of cash we're making. Here's our latest sales report. Read it and weep, bitches! I know we did.
March 1, 2005
low culture: now in convenient t-shirt form
Ever since we took that Learning Annex course on maximizing your brand through cross-promotional marketing (taught by Fonzworth Bentley of P. Diddy's umbrella-handling fame), we've been trying to figure out a surefire way to extend the mighty brand that is low culture. At first, we considered branching out into television, but honestly, any moron can get a show on TV nowadays. Next, we thought about a line of children's multi-vitamins, but the damn Flintstones have that market locked. Also, our bodies aren't available in easily-swallowed shapes. Then it hit us: Poorly made T-shirts, undergarments, and mugs with clever slogans: those would sell, right? Heck, even halfway clever slogans might sell. So we went with the halfway clever slogans. With that in mind, we present to you lowculturemart, home of our new, excessively large line of overpriced, crummy products. Buy our crap, please: Fonzworth will be so proud.
February 28, 2005
Coming Soon to a Theater Near You
Title: 2 Million Dollar Baby Oscars, 2005: Live-blogging the Oscar Party
8:43pm: Fuck, I am so, so late. Supposedly this shit started at 8pm, right? But then there were all these issues with the express A-train lingering between stops in the tunnels under Manhattan for what seemed like forever. So I finally show up, and the hostess is all, "Hi, you're early...only a few people are here yet." I totally should have taken the C-train. It makes local stops. 8:44pm: The handful of attendees who have shown up thus far are dressed, shall we say, excessively well. Like, ties, and coats and shit like that. Apparently, there was a dress code of sorts? My t-shirt neglected to actually read the invite. Or rather, Evite. That's probably related to the fact that I fucking hate Evites. The hostess, meanwhile, looks great in a sleeveless knit top and dark pleated skirt, and her boyfriend is wearing a magnificent outfit by D&G. I ask her who she's wearing, and it's clear she's already drunk as fuck, because her response is something along the lines of turning to the boyfriend and saying, "By the end of the night, him." Not so funny, and slightly dated, but, damn, the boyfriend's shoes really do work well with the slacks. 8:57pm: People have begun arriving in disparate groups of ones and twos and threes. We watch them as they stroll down the hallway into the living room, and pepper each new arrival with questions: Your name? Did you find the place OK? Did you fill out your Oscar ballot? You already missed the best original screenplay award, did you know that? 9:25pm: Everyone is talking about how great Cate Blanchett looks, you know, for a Brit. One guest makes a joke about British people's teeth that's met first with a chorus of laughs then several examples of British people with good teeth. Everyone agrees that Jude Law is very good looking and was robbed this year, maybe twice. Also, the pretzels bowl is getting dangerously empty. 9:54pm No one can name a single Sidney Lumet film before the montage begins. Man, the hostess' cat is so cute. He rubs his head into my ankle and even lets me pick him up. 10:20pm Cat's still in my lap! I can't believe it. Everyone is cooing at him, saying he's so cute. I sense some jealousy over how quickly the cat has taken to me. "I'm just a cat magnet," I say. "Like Jack Nicholson!" one of the guests says. When no one laughs, he explains that he meant "'Pussy magnet'—Nicholson's a pussy magnet." Groans all around. Penelope Cruz is on stage for some reason. 10:35pm People start taking photos of themselves. Someone says that Natalie Portman looks good, but I'm busy looking for the cat, who ran away a little while ago. It was my fault for shifting my weight in my chair. 11:03pm One of the guests makes fun of Sean Penn for his trip to Iraq. Another thinks he's brave. I go to the fridge and get another drink. How many has this been? I lost count around the second Beyoncé song. Damn, only hard ciders. 'Whatever,' I think, and twist the cap off. 11:05pm There's that cat. He's crapping in the litter box. Best not to bother him now, I guess. 11:07pm Still shitting. 11:10pm What the fuck did this cat eat? 11:20pm He's sitting on someone else's lap now. There's an opening next to her, so I go sit down. Cat seems to like me petting him better, but doesn't move to my lap. Oh, so that's what Charlie Kauffman looks like. 11:30pm Everyone chants along with Jamie Foxx. The cat runs from the room in fear. I'm getting a bit dizzy. Maybe the shrimp was bad. 11:36pm Maybe Dustin Hoffman had the shrimp, too. He looks bad. What? The room is practically spinning. Pretzel bowl empty. 11:40pm Everyone applauds and the girl next to me kisses me. Then I black out. Monday, Feb. 28, 1:00pm What time is it? Where am I? Where are my pants? Who won what? And who is this next to me in the bed? Oh, it's that cat! I told you I was a pussy magnet.
February 24, 2005
Our definitive thoughts on Paris Hilton (A rousing clarion call through the night!)
In the elevated, sanctimonious tradition of the inestimable Lloyd Grove, we issue this call to arms to pundits, writers, tastemakers, and (dare we say it) bloggers far and wide: Let us not speak of Paris Hilton again. Let us disregard those antics that would otherwise warrant so much fleeting press from so many fleeting media outlets. Let us divorce ourselves from her poisonous presence in American popular culture. Let us focus on more enriching enterprises, like rigorous discussions of the 17th season of The Apprentice, or Roger Avary's screenwriting, or the career of Ben Stiller. Let us speak of steroids, of baseball, of horse racing. Let us embrace the Kentucky Derby with renewed vigor. Let us look past Ms. Hilton's three seasons of moronic reality-television output. Let us salivate no longer on the entity known as Paris Hilton: her casually-flouted nudity, her vapid imbecility, her patented pronunciations of "That's hot." Paris? Hot? You're not. Let us look forward to a day when this name will be synonymous with an endgame in the turning point of American culture, a utopian point at which we will have foregone such asinine documentation of these characters: the intellectually frail, the idiotically fulsome, and the irritatingly frivolous. Let us collectively embrace an era when we, the pundit class, can transcend such vile antics, and shall no longer forcibly parlay in matters of such juvenalia, such loathsome simplemindedness. Paris? Ms. Hilton? We shall never speak of thee again. We are so much better than that. paris hilton nude celebrity sex tape rick solomon paris hilton sucking cock sex tape lesbian sex nude celebrity paris hilton fucking sucking nick carter maroon 5 st. louis rams nfl commissioner paul tagliabue naked celebs naked paris hilton nude celebrity sextapes fucking paris hilton blackberry stolen photos sex tapes paris hilton gay sex paris hilton tits paris hilton pussy paris hilton fucking sucking tits cock pussy sucking fucking paris hilton sex celebrity nudity hollywood whores dirty paris hilton paris hilton nude celebrity sex tape rick solomon paris hilton sucking cock sex tape lesbian sex nude celebrity paris hilton fucking sucking nick carter naked celebs naked paris hilton nude celebrity sextapes fucking paris hilton blackberry stolen photos sex tapes paris hilton gay sex paris hilton tits paris hilton pussy paris hilton fucking sucking tits cock pussy sucking fucking paris hilton sex celebrity nudity hollywood whores dirty paris hilton paris hilton nude celebrity sex tape rick solomon paris hilton sucking cock sex tape lesbian sex nude celebrity paris hilton fucking sucking naked celebs naked paris hilton nude celebrity sextapes fucking paris hilton blackberry stolen photos sex tapes paris hilton gay sex paris hilton tits paris hilton pussy paris hilton fucking sucking tits cock pussy sucking fucking paris hilton sex celebrity nudity hollywood whores dirty paris hilton paris hilton nude celebrity sex tape rick solomon paris hilton sucking cock sex tape lesbian sex nude celebrity paris hilton fucking celebs naked paris hilton nude celebrity sextapes fucking paris hilton blackberry stolen photos sex tapes paris hilton gay sex paris hilton tits paris hilton pussy paris hilton fucking sucking tits cock pussy sucking fucking paris hilton sex celebrity nudity hollywood whores dirty paris hilton paris hilton nude celebrity sex tape rick solomon paris hilton sucking cock sex tape lesbian sex nude celebrity paris hilton fucking sucking naked celebs naked paris hilton nude celebrity sextapes fucking paris hilton blackberry stolen photos sex tapes paris hilton gay sex paris hilton tits paris hilton pussy paris hilton fucking sucking tits cock pussy sucking fucking paris hilton sex celebrity nudity hollywood whores first i'm going to bend you over then i'm going to fuck you from behind with you on your knees and your ass in my face dirty paris hilton
February 23, 2005
"And the Best Actor Who Overcame Career Embarrassment is..."
Office betting pools for the 2005 Oscar race are fast coming due, with the race for Best Actor seeming to pose a particularly difficult challenge for casual bettors and/or filmgoers. With that in mind, we've prepared this annotated list of nominees for Best Actor to help you make your picks this weekend...
February 22, 2005
Coming Soon to DSM: Paris Syndrome
The American Psychiatric Association (APA) has designated a new psychiatric disorder called Paris Syndrome, named for socialite and Reality TV star Paris Hilton. Paris Syndrome is characterized by an acute sense of empathy towards Paris Hilton, particularly during times of public scandal and embarrassment. According to Dr. Owen Spielvogel, chair of APA's gossip- and media-focused Loud Family Institute, "It's natural to feel a sense of guilt and shame at the pleasure one derives from the travails of Ms. Hilton. She's a larger-than-life figure, the subject of mockery and contempt. Paris Syndrome is different than mere guilt, something closer to Stockholm Syndrome. It occurs when the individual's superego overrides the giddy pleasure at Ms. Hilton's failures and the individual begins to identify with her. 'What if my personal life got splashed across the internet? What if people openly wished for my death?' goes the thinking. At that point, Paris Syndrome has set in and psychiatric consultation may be the answer." The APA estimates that thousands of Americans, most of whom work in the media or as bloggers (web-loggers), may be afflicted with Paris Syndrome. There is no suggested course of treatment for Paris Syndrome at this time, but according to Dr. Spielvogel, "It passes eventually and the so-called 'normal' feelings of Paris Hilton hatred return." He also notes that a related disorder—Paris Hilton Fatigue, first designated by the APA two years ago—often cancels out Paris Syndrome. "Once the individual grows indifferent to Ms. Hilton and her assorted sex tapes, utterances of racial slurs, bruises, and hacked personal communication devices. It's likely that Paris Syndrome has passed." The APA is the nation's oldest national medical specialty society with more than 35,000 members, all of whom hate Paris Hilton.
February 21, 2005
Be Excellent to Each Other: A One Act Play
Secretary: Alex Winter for you, Mr. Reeves. Earlier: Two Friends Talking: A One Act Play
February 18, 2005
Seriously, Who Appointed This Guy an Expert on Women Anyway?
"Among his comments to a conference of economists last month, according to the transcript, Dr. Summers, a former secretary of the United States Treasury, compared the relatively low number of women in the sciences to the numbers of Catholics in investment banking, whites in the National Basketball Association and Jews in farming."
February 17, 2005
If Brandon Davis Swallowed Mischa Barton Whole...
February 16, 2005
Conan O'Brien Endorses Ibrahim Jafari
We can almost hear Blitz campaigning for Jafari now: "We... Want... Ibrahim... Jafari... To be Prime Minister of Iraq... To... Bring... Unity... And peace... And... I kinda look... Like him... And it... Would be funny... If I played him... On the show... But unity is the key... And my resemblance...." No Disassemble! No Disassemble! (Or, How to Save Money on Caskets)
"The American military is working on a new generation of soldiers, far different from the army it has. "'They don't get hungry,' said Gordon Johnson of the Joint Forces Command at the Pentagon. 'They're not afraid. They don't forget their orders. They don't care if the guy next to them has just been shot. Will they do a better job than humans? Yes.' "The robot soldier is coming." Toying with Nuclear Annihilation, or, The Ultimate DVD Release Cross-Promotion
Falling Fuel Tank May Have Caused Iran Blast - TV, Reuters: A fuel tank falling from an Iranian plane could have caused an explosion in Iran's Bushehr province, where the country is building a nuclear power plant, Iran state television said on Wednesday. New 'Darko' Sheds Some Light, the Washington Post: After a jet engine falls through the roof and into Donnie's bedroom, things really get weird. IN NO WAY RELATED: Iran, Syria Team Up to Confront Threats, Associated Press Iran and Syria, who both are facing pressure from the United States, said Wednesday they will form a united front to confront possible threats against them, state-run television reported. (With thanks to Dave.)
February 15, 2005
Unflattering wire service photos that cause us to think maybe these reporters should be locked up, after all
"What do you mean I'm contractually obligated to wear that thing?"
"But Nancy, saffron is so hot right now."
February 14, 2005
Building a Better Soundtrack (Or, What, No "Sister Christian"?)
Building a motion picture soundtrack from the component parts of other popular motion picture soundtracks is a great way to reward your audience for their previously exhibited good taste. Besides, the deeply rooted associations the audience has with the other film (whether it's the giddy rush of the adult film business in the 70's or the gritty thrill of crime addled Times Square) will act as a Pavlovian trigger, placing your film in a richer, more satisfying cultural context. Here's how to do it the Inside Deep Throat Way: "Spill the Wine," by War "Jungle Boogie," by Kool & the Gang "Superfly," by Curtis Mayfield "Love Is Strange," by Mickey & Sylvia "Draggin' the Line," by Tommy James & The Shondells The Inside Deep Throat Soundtrack will, no doubt, be available in stores soon. What? They're Different People!?! (And Those Are Different Magazines!?!)
All Things Considered, It's Not the Worst KISS Tie-In Ever
That would be The KISS Kasket. Even College Dropouts Find the Work of Tony Kushner Inspirational
Old Timers
Sunday's New York Times embraces the Point-Counterpoint, albeit in entirely different sections. From Week In Review, Balding Rockers, Big Money: From Arts & Leisure, We Hate the 80's:
February 13, 2005
low culture Exclusive: Eustace Tilley Speaks
There is no getting rid of him. He’s the enigma who came to stay. Enigma my aunt Sally! I am no enigma, I am a man. And since Mr. Menand conveniently forgot to mention a key fact in his little piffle, I must tell you myself: I am still alive. Of course, I'm not quite as active as I was in the old days: you try donning your top hat and starched collar when you're nearly 100. These days, my monocle is bifocal and instead of examining butterflies up close, I squint intently at my own dark, brown liver spots. It wasn't always so. Back in the old days, I was quite the playboy! In the '30s, high on all that early New Yorker acclaim (what the limey dame editor of the magazine in its bloated late life would've termed "buzz"), I was everywhere, celebrating the glorious literary life with Joey Mitchell, Bunny Wilson, Dotty Parker, and James "Jiminy Cricket" Thurber. Oh, the gay times we had! And by 'gay,' I mean it in the old sense of the word: we drank gin distilled in our bathtubs, danced with negro chorus girls, and on occasion, performed oral sex on each other. (We called it 'rhinebecking,' after the quaint little town where Bunny rented a cottage during the summer of '36.) Continue reading...
February 11, 2005
Further Evidence of the Wide-Sweeping Cultural Impact of SSRI's
Opening today is Pooh's Heffalump Movie, the newest attempt from Disney to expand its Winnie the Pooh franchise. The Heffalump, for those of you not up on A.A. Milne's creative output, never actually makes an appearance in the original books. As imagined by the Heffalump screenwriters, this mythical beast appears to be nothing more than 68 minutes of treacly good cheer (does 68 minute running time count as a feature?). It would further appear that Heffalump is no more than the well-medicated counterpart to Eeyore, Pooh's perpetually depressed donkey friend. Although Disney now disputes even Eeyore's seemingly certain clinical diagnosis. Their character bible claims, (Big ups, Patrick) US for Africa, or India, or Wherever the Hell that Tsunami Happened
Leave it to the humanitarians at US Weekly to lend a hand to tsunami relief. (If you can’t remember, the tsunami was that thing before Brad and Jen broke up and after Christmas.) As if bravely publishing the brave photographs of brave Petra Nemcova weren’t enough, US Weekly and its stable of concerned celebs have bravely assembled an eBay auction to benefit tsunami victims. Unfortunately the auction isn’t quite living up to expectations - the lion's share of brave donations have yet to earn a single bid. But with items such as Debbie Rowe’s signed original Fox and the Hound pencil drawing, how could they possibly go wrong? From the sketch's description: Or how about the bikini that Ivana from The Apprentice revealed to allure the financial district's finest? Though eBay doesn't specify if the item has since been washed, who could resist Ivana's sharpied signature on the ass? The H&M bikini bottom and top (a mere 32A) can be yours for anything above a $72.50 bid. Meanwhile, the Nicole Miller dress and Nike shoes worn by Apprentice skank Heidi has not garnered any interest. Most surprising, perhaps, is that Eva Longoria's cheerleading uniform from her days shaking it at Texas A&M is similarly un-bid upon. Frankly America, you should be ashamed – don't the children deserve better? Think of the children. But US Weekly isn't the only venal rag to auction off empty celebrity signifiers in support of tsunami relief – Teen People and Ashlee Simpson have also thrown their hat in the tax-deductible ring. Their auction, however, is doing significantly better. A phone call from One Tree Hill hunk Chad Michael Murray is going for over $600, and an Ashlee Simpson concert experience (start your jokes) is already fetching over $3000. Incidentally, a personalized phone call from low culture's resident hottie Jean-Paul Tremblay is also available, with all proceeds going to the "low culture Jamster Ringtones Fund."
February 10, 2005
Scalp thee not, knave, for the O.C. awaits
You peer out across the rolling vista stretching endlessly away from your frame, your gaze occupied by the gently sloping ups-and-downs of miles upon miles of unfettered grain, sprinkled with two distinct herds of buffalo, and what appears to be a small outcropping of what must be oak trees. Oak trees, yes? The horticulturist concurs. This is the Other Country, he says. The O.C. But what is that over yonder? It appears to be savagemen on horseback. Reds. Indians. The horticulturist nods again; yes, they are Indians, and that is what they are to be called (as though this were really his specialty; James merely tagged along on your voyage out West to escape the clutches of your sister's affections, and while you understand this motive, you nonetheless resent his schooling Degree from that University in the Northeast––though not his presence, as his understanding of the numerous families of barley and grain has proven to be quite useful for your campfire dining endeavors of late). But digression is your latest endeavor, no? The savages, the Indians...they appear to be rapidly approaching your camp. What will become of this, James asks you, and you nod in Daniel's direction. A thuggish lad by nature, Daniel has proven to be quite...versatile in your travels. And handy with a shotgun, too, though you recklessly traded away far too many shells at that last outpost in Nebraska several nights ago, because you were overloaded with ale and that gentleman who claimed to have traveled all the way from Southern California mistook you for a Betting Fool. And wound up being quite right, it seemed, as the ale had its way with you, and you were suddenly awakened several hours later by a comely red-headed whore's bottom perched atop your face in an upstairs parlor. Several shells short. Even sturdy Daniel had proven unable to re-acquire them. How you could use those shells now, you yell at Daniel! O, to fire gracefully upon these savages, and thereby prevent a recurrence of the episode in Missouri Country even earlier, when you found your youngest compatriot scalped mercilessly after he forced his way upon the Red-skinned lass your crew had encountered as you swept across the great Mississippi River. Victor had never been much much of a ladies' man in Virginia, and after the Depression of 1839, and his loss of steady employ at the stitcher's place, he asked if he, too, could come with you as you set forth to cross the frontier, and establish a legacy anew in the Western Territories––particularly Southern California, as you heard they were riddled with wide-open ports which served as gateways to the Sea, the open Sea, and you aspired to return to your Father's once-proud tradition for shipping. You would make your money back, and start life anew. Crates beckoned, they did. 'Twas destiny, and 'twas manifest. But these Indians, these savages! They arc across the nearest crest of grain-laden hills, far too close for this to be a pleasant experience. James corrects you, and asserts that they are, in fact, cresting atop what is actually an offshoot of maize, and is therefore not a grain in the literal sense. James can be quite a cretin, and you've more than once grown weary of his verbal antics. Most notably, just the other evening in the Kansas Territory, when he kept your entire camp up well past nightfall with his forlorn tales of what he imagined young adulthood must be like out West. While you enjoyed hearing his fantastic stories of neighborly betrayal, and wanton adolescent lust, which reminded you of your own boyhood, you felt his characters lacked the great depth that only a Serious Novelist could bring to such a tale. And these names he used were quite questionable. You were proud of characters such as Caleb and Luke, who would carry themselves in a good Christian fashion, but Marissa? Seth? Sandy? Were these not the ideals of Jewry embodied in James' storytelling? His schooling had poisoned his Nature, it seemed. And Nature is now unkind to you, too, as the savages are upon your camp. It seems these Redskins are of the same bloodline as those Indian females that several of your men had been, well, rather...aggressive with yesterday morning after your morning baths. James had warned your lot about the perils of this sort of sexual and physical recklessness, but the gentlemen had laughed off his concerns as they wantonly had their way with the Red women. And now, it seems, there is, indeed, a price to pay; James, that smug bastard... Oak trees, maize, and immoral sexual congress. You toss aside your rifle, and the empty, spent shells, and you run. You run, run, run across the fields. You know not where you go, but the West beckons. James' Other Country, his O.C....it's there, a ways across the horizon. Actually, I've never seen The O.C.; I'm sure it's pretty good. The O.C. airs Thursdays at 8PM EST on FOX. Earlier: O.C.-centric entries, embodying the Manifest Destiny inherent in Rupert Murdoch's modern-day empire. The Celesbian Dating Game
Editor's Note: Since lesbians are way hot (both in the media right now, and, you know, like, in general), low culture asked our special alternative lifestyles correspondent to weigh in. Here now, from our Soho office, Nikki: The recent coupling of Ellen DeGeneres and Portia de Rossi has given rise to many inches of tabloid gossip. (And for one delirious week, before the door slammed shut, everyone and his two mommies were trying to pair up Marcia Cross with another TV star.) Everyone likes to hear about women getting it on, but it's also comforting when famous gay people go out with other famous gay people—that's fewer gays to keep track of! So it was with a sigh of relief that straight people everywhere read that two celesbians were newly nestling in the Hollywood Hills, after dumping what's-her-name and what's-her-face. Meanwhile, the Christian Right can point to the degeneracy of the liberal film industry and take heart that soon Scientology will make straight pod people of them all. (The English, of course, outclass us even in lesbians. Instead of a high-profile stand-up and TV twosome, they have the theater-and-film duo of Fiona Shaw and Saffron Burrows. Cherry Jones has taken note, but none of you care about theater people, so let's move on.) In light of this, here's a fun game you can play alone or with friends: Come up with your own gay celebrity pairings to make things easier for everyone! Strangely enough, there aren't too many gay famous people, so the permutations are limited. Don't worry if the stars are in committed relationships and even have children together-- at least there won't be messy papers to file! Extra points for matching haircolor. Send in your answers to Liz Smith, or post them in the comments. Coming soon: Famous people of color should hook up with other famous people of color.
February 8, 2005
Texas Hoax?
According to the New York Times, Texas Homos, a play about... well, guess, was written by one Jan Buttram. Um... You know, we hate to be so skeptical, but after Dan Rather's superscript problems, and Jayson Blair, and that time that some random Sub Pop employee convinced the Times that "swingin' on the flippity flop" was what people in Seattle said instead of "hanging out," wouldn't the alleged authorship of this little bit of stagecraft raise an eyebrow or three? But perhaps the liberal media types over at the Times are in on the joke? Exhibit A:
Who Says the French Aren't With Us?
Actress and Johnny Depp's baby mama Vanessa Paradis shows her support for the Iraqi elections. Play On, Playa
Have you ever wondered what it would be like to edit the financial black hole and editorial snooze that is Playboy magazine? With Playboy: The Magazine, a new game for Xbox, you can. After a little practice, you couldn't do much worse than Christie Hefner. For those of you who only play Playboy for the pictures, here are some exciting screencaps from the game:
(Screenshots courtesy Gamespot)
February 7, 2005
The George W. Bush Book Club (All Hack Edition)
Since The New Yorker's a double this week, and Andy Borowitz has been spreading himself a bit thin lately, I'm gonna take bad comedy matters into my own hands. Here's something twice as unfunny as you're likely find on The Times op-ed page or in The New Yorker's 'Shouts & Murmurs' and you can read it for free. If you ask the White House what President Bush is reading these days, the press office will call back with the official list: "His Excellency: George Washington" by Joseph J. Ellis, "Alexander Hamilton" by Ron Chernow and, not least, the Bible. What the official list omits is Tom Wolfe's racy new beer- and sex-soaked novel, "I Am Charlotte Simmons." The president, a fan of Mr. Wolfe, has not only read the book but also is enthusiastically recommending it to friends. Also on George W. Bush's reading list: The Five Thousand Dead Iraqi People You Meet in Heaven Beats, Shoots & Leaves: The Zero Tolerance Approach to Abu Ghraib Baby-killers' Club Friends Forever # 12: Wolfowitz and the Disaster Date Blank : The Power of Thinking Without Thinking He's Just Not That Into You: The No-Excuses Truth to Understanding Gays
February 6, 2005
Things About Which I Am Newly Excited
A Note of Self-Congratulatory Navel Gazing
Yes, it finally happened on Saturday, and it was low culture to first break the news of Julian Casablancas' engagement to Juliet, on April 21st of last year. Best wishes, kids. low culture, your online gossip resource.
February 4, 2005
The low culture Consumer Advisory
Perhaps you've seen the ads for Marlboro Seventy-Twos in Seventeen magazine, while watching MTV, or at your local youth center. And perhaps, like low culture, you've been tempted to find out more about Philip Morris' newest teen sensation and buy a pack. Don't. A quick phone call to the suicide hotline at Philip Morris revealed that the "Seventy Twos" are merely shorter cigarettes. That's right - no value-added tar, chemicals, toxins or tobacco - it's just less cigarette at the same obscene price. If the tobacco companies can't be trusted to offer their consumers the best value, can they be trusted at all? Probably. Aim High, Vote low (culture, duh)
It means a super lot to us! (Which is why we're begging!!) And we'll totally remember you when we're famous. And, um, we'll make T-shirts! And we'll do TV talking head shit. Please, anything. Please, baby, please, baby, baby, baby, please! Go vote today! (I'm Matt Haber, and I approve this message.)
February 3, 2005
For Ruth, the O.C., florid and pure
So, You prey upon the culture You are thus told, nay And you love Seth Cohen. Desire They occur And you take a breath (deeply!). And Are you pretty sexy? And the theme music begins. This Means you are the Winter to his Actually, I've never seen The O.C.; I'm sure it's pretty good. The O.C. airs Thursdays at 8PM EST on FOX. Earlier: O.C.-centric entries, which may or may not avoid both iambic pentameter and high-school caliber angst. Keeping It Real
If Fahrenheit 9/11’s and Super Size Me’s box office numbers didn’t prove evidence enough, the recent Sundance Festival should convince you – documentaries are a hot commodity. And amid the non-fiction hullabaloo arrives The Documentary, the sizzling hot hip-hop debut from Dre’s latest discovery, The Game. Unfortunately, The Game’s depiction of thug life stands up to scrutinous fact-checking no more than your average Stephen Glass color piece or Michael Moore agitprop. Aftermath Records? There is a Fabulist among you. Consider the facts: Fabrication: On his rap song "Dreams," The Game asserts "They say sleep is the cousin of death..." Fact: Virgil considers death the "brother to sleep," ("consanguineus Leti Sopor") (VI.18). Cf. Heine’s Death, and his Brother Sleep. Brother and cousin represents a material discrepancy. Fabrication: On the track "Hate It or Love It," The Game declaims "Kill a nigga on my song but really do it/ That's the true meaning of a 'ghostwriter.'" Fact: According to Merriam-Webster's Online Dictionary, ghostwriter means "one who writes for and in the name of another" (transitive sense). No proffered definition, contemporary or obsolete, describes "killing niggas." Fabrication: On his hot joint "Higher," The Game boasts "Like Dre did/ I created a buzz without a single…" Fact: Per hip-hop resource Rolling Stone, "The Documentary" relies upon the "killer single, 'How We Do,' an A-list Dre tune that's piled with hooks." Rolling Stone is beyond reproach. Obviously. Fabrication: On "Don’t Need Your Love," The Game goes so far as to brag, "got all the critics watchin [sic] my pivot/ On my block in the Coupe reading [sic] kites from prison…" Fact: To document this statement’s countless failings in source materials and matters of fact would require more space than is available. However, let it be said that New York Times critic A.O. Scott, among others, has never acknowledged watching The Game’s pivot, publicly at least. Additionally, kites, whether box, sled, delta, or winged box, are rarely, if ever, allowed in prisons. Fabrication: According to The Game's flow on No More Fun & Games, "Not to down Eminem I fuck black bitches, fuck white bitches, nigga I like bitches/ Them half and half Alicia Keys dyke bitches." Fact: There is no evidence that Alicia Keys sapphic inclinations represent only half her gender identity. The preponderance of oral history suggests Ms. Keys is entirely a "dyke bitch." Fabrication: On his track "Special," The Game promises, "I’ll take you to New York City, Atlanta too/ Show you how to fly them birds…" Fact: Thus far, The Game has not taken me to New York or Atlanta, nor has he shown me how to fly any birds. I am, however, available for promised activities – The Game can contact me here. I also like bitches.
February 2, 2005
Damn Those Production Deadlines
From the February/March issue of Complex magazine: Related: Tsunami, a Long-Term View Overheard During Intermission of Last Night's "Hurlyburly"
If I wanted to watch a bunch of people sitting around doing coke and talking I could have stayed at the apartment. (With apologies to Overheard in New York, and David Rabe's Hurlyburly)
January 31, 2005
Does Anyone Else Find It Strange That Henry Darger Was Hired To Sketch the Jackson Trial?
More on Henry Darger, and more creepy courtroom sketches of Michael Jackson. Vanity Fair Wants to Know What You Think!
Related: Graydon Rides the Wave, by Jennifer Senior, New York, 12/11/00
January 30, 2005
low culture Exclusive: The Aristocrats Punchline Revealed
The Aristocrats, the documentary directed by comedian Paul Provenza and featuring George Carlin, Whoopi Goldberg, Gilbert Gottfried and others performing their variations on the legendary, unspeakable 'aristocrats' joke, has emerged as a surprise hit at the 2005 Sundance Film Festival. It was acquired by ThinkFilms for an estimated $750,000, according to Reuters. Most articles about The Aristocrats point out that even if they could publish the shocking, disgusting 'aristocrats' jokes, they wouldn't dare for fear of ruining the punch line. According to press reports, 'the aristocrats' is the funniest joke ever, and to reveal it would be tantamount to a crime against comedy, not to mention, the film's word-of-mouth marketing effort. Well, since we walked out of The Crying Game and told everyone on line for the next showing that Jaye Davidson is a man, and delighted in revealing that the wife did it in Presumed Innocent, we're gonna break ranks. Once you read the joke, you can decide for yourself if it is, indeed, the funniest joke ever told. Knock knock? Who's there? The Aristocrats. The Aristocrats who...? Continue reading...
January 27, 2005
Save the O.C. for a later date
You're so goddamned livid right now. The DVR is fucking up, again, and keeps looping the first few frames of tonight's episode of The O.C., which you had set to record because you were in Queens visiting your old friend from college. Well, not so much a friend, but an ex-lover. Girlfriend, whatever. You broke it off with Claudia before graduating, you recall, and that worked out fine until she moved to Astoria and called you up saying how nice it would be to visit her using the fucking 7 train. As if, man, as if. That line on the map is fucking purple, and you look that homo shit right in the eye, and renounce it like there never was a Bravo Network. But you had a momentary relapse and went out to some goddamned Greek restaurant to have a catch-up dinner with her. Fuck, it was tedious, and she kept talking about how Manhattan real estate was so over-rated, but at least you knew you had your DVR slated to capture The O.C. to its 80-gig harddrive. The grape leaves were worth it, though, as was your knowledge that you had hours of available recording time free on your machine. At least you think you did; the tech/sales guy on the phone wasn't entirely certain, but then again, he was working out of some fucking province in India. So you're now back at your place in Gramercy. And you're feverishly gripping the goddamned all-in-one remote, and trying to get the episode to play, because it's approaching midnight and you need to get into work tomorrow before 8am. PLAY, goddamnit. Peter Gallagher's face is frozen in some actorly-contortion, and the image keeps flickering back and forth between two consecutive frames of video. The DVR's interface is just hanging there onscreen, its cutesy late-'90s fast-forward and rewind arrows just taunting you with their promise of television on your terms. You hit the exit key rather ungracefully, and you're now out of the onscreen programming guide. You were almost clumsy in your haste to remedy this shit. Got to be more pro-active, responsible. Rational. Calm. You select tonight's episode again. And it jumps to the credits, the fucking end credits. 1:00:01, it says on that cutesy little bar at the base of your 32-inch television screen. That's just what you needed, right, for it to be midnight and Point Pleasant to come on and taunt you with its insipid content. It's not nearly as inspired as The O.C.. You fucking have to find out what's going on with that Mexican gardener boy, and Julie Cooper's reconnection with Mischa's dad, and that hottie bartender. Yeah, the hottie bartender. Blond. And fucking bisexual. You read online that there's going to be some lesbian shit in upcoming episodes, and, despite your general protestations of all things homo, you can, and will, make an exception when it comes to some tongue-kissing action between Mischa and the blondie. But these Point Pleasant title sequences are just hanging there, teasing you. You put your hard-on away. You bring up the dialog box, the one that says, "Play from the beginning," and, fuck, fuck, it does just that. You are content. Peter Gallagher appears onscreen again, only as he's speaking fluidly, now, that single-frame grab you were subjected to moments ago seems so much more appealing. Almost Emmy-winning in caliber. He's going to wreck the rich motherfuckers in Newport! Low income housing, he's saying, low income housing. Tell that shit to Claudia, maybe, because, fuck, Astoria pissed you off tonight. And now you're distracted, so you try to rewind a minute or so. And, again, the screen fucking freezes. Fuck you. Time Warner Cable is getting a curt little phone call first thing in the morning tomorrow. You'll be at your desk, and your friends will be talking about The O.C., and you're going to hate them for that. Actually, I've never seen The O.C.; I'm sure it's pretty good. The O.C. airs Thursdays at 8PM EST on FOX. Earlier: O.C.-centric entries, now collected in a limited-edition DVD box set, retailing for $34.97 at your local Best Buy. Formatted for Region-1 players. The Louise Post Post
From Willy Wonka's I Want It Now, sung by Veruca Salt (the character, not the band): Screw Park City, This Year It’s All About Davos
low culture Gossip Alert Vol. 3
Despite Page Six's lede, Pete Doherty, formerly of The Libertines, currently of Babyshambles, is indeed disappointingly, crashingly sober. And not only do Kate and Pete dance the 12-step together, he's now attempting to guide the ur-waif's new singing career. Update: Or not. And yeah, Juliet and Julian dance down the red carpet of commitment this spring. But what of the band's rhythm section, similarly due for new tax filings, and the ceremony newly transported from France to New York? Now that's news...
January 26, 2005
How to design a record sleeve for your favorite hipster band
Hmmm...and you're still wondering what the next Bloc Party or Dears LP will look like? Most Incomprehensibly Confusing Press Event Ever
Bond Beauty Drops in to Boost World Record Abseil Attempt: Rachel Grant at Twickenham Rugby Stadium, London Who in the hell is Rachel Grant? Abseil? Was the attempt successful? We assumed a brief Google could set our minds at ease. We were wrong.
January 25, 2005
Overlooked by Oscar
Bastards just hate a handsome motherfucker. On the Value of Specificity in Writing
Ask Men, the online portal for anything with testes, has declared its Top 99 Most Desirable Women (get it? That’s one less than a hundred). Aside from the rather disappointing photos, the accompanying text for each babe also leaves something to be desired – any sense of actually describing the buxom beauty in question. It’s a sure sign of the homogenization of popular culture. Or a sign of the overwhelming demands that society places on women’s appearance. Or maybe it’s a sign of AskMen’s lackluster editorial content. Eh, it’s probably something. Just try to match each babe with her sexy vagaries.
Answer Key: 1-d, 2-h, 3-b, 4-e, 5-a, 6-g, 7-c, 8-i, 9-f, 10-j Say It Ain't So, Larry, Say It Ain't So
On crotch-cam auteur Larry Clark's new feature, Wassup Rockers: The story follows Latino skateboarders from South Central Los Angeles who eschewed the gangbanger lifestyle in favor of their boards and punk rock. In an interview with Variety, Clark says "I got to know them and became fascinated by their lifestyle and the peer pressure they encountered because they didn't like hip-hop, didn't want to be gangsters and weren't into drugs." Ken Park, we hardly knew ye. [via Dark Horizons] Dorkus Wins for Once in Her Loser Life
(We’re really not always this mean. It must be the time of year.)
January 24, 2005
Another One Bites the Dust
Today marks William Safire’s last Op-Ed From Rajivshorey: Outright thugs in the administration and out of it like Mr Safire are responsible for the utterly venal and criminal policy on Iraq war. From farmhand07: Think of all the good he could have done if he had just stayed with selling refrigerators. Instead he used his "salesman" writing style to foist and then prop up the most reprehensible figures in recent American politics. Agnew, Nixon, et al. Good riddance. From krome9: Safire's logic was sometimes just missing and most times corrupt. From richeeboyee: You’re a hell of a liar – good riddance. From jazztenor: Mmmmm...interesting illustration by Barry Blitt of Safire's self-important melodramatic farewell... Are we to surmise he is jumping into an empty pool? Continue reading...An Open Cover Letter To the Editors of The Paris Review
Dear Sirs/Madames: I was sorry to hear about the recent loss of your editor, Brigid Hughes. All consolations aside, may I suggest my own editorial services to the rescue? Much like your former editor George Plimpton, my many urbane acquaintances would describe me as possessing the bonhomie and ruddy good cheer of any chronic tippler, whilst still maintaining adequate compos mentis to run the football pool on a Sunday afternoon. Unlike Mr. Plimpton, however, who forever played the "professional amateur," I am a "consummate professional." Could Mr. Plimpton program basic HTML? I can. Did he boast a proficiency in Excel Spreadsheets and the rest of the Microsoft Office suite? I boast. And I can safely assume that my WPM’s far outstrip Mr. Plimpton on even his best days. To put it bluntly – I am not possessed of the terminal wanderlust that so plagued Mr. Plimpton. Nor do I possess any aspirations to play the jack-off-of-all-trades: I have no interest in getting in the ring with Archie Moore. I have neither the interest nor the talent to write the Great American Oral Biography. In short I have few, if any, interests – a valuable asset when it comes time to meet the bruising deadlines of a literary quarterly. If and when I do pursue my acting career, I will serve as a far better representative for The Paris Review than Mr. Plimpton did in the failed Tom Hanks vehicle Volunteers. When I served as Editorial Intern for Harper’s in the summer of ’97, my dedication to fact-checking the trademarked Index was responsible for the eventual publication of several scathing statistics that concerned federal budget allocations. My recent experience in posting to low culture has presumably prepared me for other things, things of which Mr. Plimpton could only have dreamed. Did Mr. Plimpton post to low culture? I’m fairly certain he didn’t. As for meeting (and exceeding) the qualifications of your most recent editor, let’s just put it this way: I can urinate standing up. I am available to move into Mr. Plimpton’s apartment effective March first (when my sublet ends). I look forward to speaking with you about this opportunity. Yours, The Inevitable Johnny Carson Post
Excerpted from "The Tonight Show," September, 1991, on the occasion of the Soviet Republics' movement toward independence: To me, democracy means placing trust in the little guy, giving the fruits of nationhood to those who built the nation...Democracy is people of all races, colors, and creeds united by a single dream: to get rich and move to the suburbs away from people of all races, colors, and creeds.
January 22, 2005
"Cool Mom" Accused of Being "Really, Really Cool Mom"
"A 40-year-old woman faces charges of sexual assault and contributing to the delinquency of a minor for allegedly supplying drugs and alcohol to high school boys and having sex with some of them. "Sylvia Johnson, 40, told police she wanted to be a 'cool mom,' according to an arrest affidavit..." - 'Cool Mom' Threw Sex Parties for Boys, AP, Jan. 21, 2005.
January 21, 2005
Super-Fun Friday Photo Caption Contest*
How to Enter: Using the 'comments' area, enter your best caption to the above photo (via AP). Prize: The best caption, as chosen by the editors of this site, will be posted on the main page. Rules: Enter as often as you like. No libel, etc. * low culture cannot guarantee that you have "super-fun".
January 20, 2005
The Way to a Girl's Heart is Through Her O.C.
"Other strategies are being considered, such as having a regular column devoted to 'The O.C.,' the Fox show, which is a huge hit among girls in their twenties'so much so that the CollegeHumor boys have discovered that discussing the show’s plotlines is an excellent way of striking up a conversation with a girl." -Funny Boys, by Rebecca Mead, The New Yorker, Jan. 24, 2005 Hi, is this seat taken? Oh, god. That sounded so cheesy. I mean, that's worse than asking your sign, right? I'm such a cheeseball. My name is Dave, what's yours? Marissa? Like Marissa on The O.C.? What? You don't watch The O.C.? Ha! I totally knew you'd be into The O.C.! Not that you're, like, a 'type,' I mean, you're not a cliché. You know what the best part of The O.C. is? During the winter, it's like a blast of sunshine in my apartment. Isn't that weird how some shows totally make feel, like, seasons? Like, I always need to wear an extra sweatshirt when I watch The Ice Storm! Weird, right? Or, like, some albums are the same. For me, Bob Marley is spring. Whenever I put on Legend I just feel I'm on spring break in Jamaica like I was junior year of college. Have you ever been there? Oh my god, it is awesome! It was just me and my boys for five days: sleeping late, drinking, hanging out on the beach all day. And there were so many hotties— Wait, that sounded so childish. What I meant was, there were great people from all over, just meeting each other, hooking up... God, I'm sorry. I sound like such a fucking fratboy. I'm really not like that. I mean, I was in a fraternity, but I'm a regular, down-to-earth guy. I mean, the fact that I would admit to watching The O.C. is, like, totally proof of that. If I were some sort of macho frat dude, would I admit to watching a show that's—let's admit it, okay, Marissa— is kinda gay. I mean, it's totally the sort of show that some closet case would watch at the gym before having down low sex in the locker room, right? But, um, the fact that... What the hell was I saying, Maria? I mean, Marissa? Wait! Where are you going? I was gonna buy you a drink—and not in a cheesy way! Wait, come back. Fucking bitch. If we were in college she'd worship my di-dick. Damnit. I'm so lonely. Why am I so very lonely? Actually, I've never seen The O.C.; I'm sure it's pretty good. The O.C. airs Thursdays at 8PM EST on FOX. Earlier: O.C. crapola ID4 (More Years)
January 19, 2005
Dance Macabre
Ah, Park City in January, otherwise known as the Dance Season – that’s Sundance, Slamdance, and Nodance (now defunct). Those of you foolish enough to brave Park City’s bad hat weather and blue law strictures, however, would do well to catch the debut of Crispin Glover’s What Is It? That’s right, Glover’s long-awaited, first-in-a-trilogy, what-the-fuck, madhouse will enjoy three public screenings, all followed by Q&A Sessions with the creepy auteur. The film, as per imdb: The film features a cast consisting largely of actors with Down Syndrome, a snail with the voice of Fairuza Balk, and legendary publisher Adam Parfrey playing “Jealous Minstrel.” What is it? Indeed. Some help might be gleaned from Glover’s Apocalypse Culture II essay of the same name, in which he blames Steven Spielberg for Columbine, kind of. The trailer for “What Is It?” is available from Crispin Glover’s official site – it is, however, not safe for work. After the jump, witness an early poster for "What Is It?" featuring Shirley Temple nude, in Nazi garb. Clearly not safe for anywhere. Continue reading...
January 18, 2005
And what does Jim Crow wear to the Golden Globes?
Best Actor, White (aka "Drama"): Best Actor, Black (aka "Musical or Comedy"): Unintentionally Hilarious Photos: Golden Globes Edition
(Thanks TK) Thirteen Ways of Looking at a Headline
Rashomon, in case you were wondering, is Akira Kurasawa's 1950 classic in which the account of a murder-rape is told from four very different points of view. There's nothing quite like it -- an opinon borne out by newspapers' insistence on invoking the film whenever accounts of any given event differ, which is, like, all the time. A brief Lexis-Nexis search later and it becomes apparent -- the New York Times is by far the most egregious abuser of the "Rashomon" shorthand. Confer: Rashomon in Melbourne The Suspense Is Killing Me Five Faces of Antigone, From Surfer Babe to Widow "Rashomon" Meets "Gilligan's Island" Moody Loners Vs. Bad Guys Partly Mozart Followed by the Real Thing Corrections We could go on, and we will -- more "Rashomon's" after the jump. Continue reading...
January 14, 2005
Blind Item Guessing Game
Despite low culture's attorney's protestations, we're pushing through with our New York Times Op-Ed Page blind item guessing game, pesky legal troubles be damned. From yesterday's Maureen Dowd column: A few years ago at a White House Correspondents' dinner, I met a very beautiful actress. Within moments, she blurted out: "I can't believe I'm 46 and not married. Men only want to marry their personal assistants or P.R. women."Send your (nonlibelous!) theories to tips@gaw, er, just post them in the comments or something. The Krush Groove Asana
At least it doesn't look like his maids are going to make another appearance...
January 13, 2005
Though, after a great deal of effort on my part, I just can't get into Drea de Matteo
Apparently, The O.C. is all popular and shit, and a lot of people seem to like it. They're all, like, "We love The O.C.!" We, however, are alternative-minded types. We vote Nader. We drive Toyota Scions. We shop at fucking Trader Joe's and buy their cheap-ass wine. And then we don't get drunk, we get intoxicated. And, also, you know what? We watch Joey. That sounded more hostile than was intended. Actually, I've never seen The O.C.; I'm sure it's pretty good. The O.C. airs at 8PM EST on FOX. Earlier: When we had a bit more time than at the present, it turns out we were all just a bit too O.C.-centric.
January 12, 2005
Perfect For Airline Travel!
[via bOING bOING, via waxy, via Eye Beam, via Pop Gadget, so you've seen it]
January 11, 2005
Amber Alert: Andrea Peyser Demonstrates An Unusual Self-Awareness
Dax Power
In honor of today’s DVD/video release of the Dax Shepard vehicle Without a Paddle, low culture is proud to present the following unpublished excerpt from an interview with Ashton Kutcher, Dax’s Punk’d co-star. (The interviewer shall remain nameless.)
Kutcher: I haven’t seen the movie. It may have been. You better tell your friend to stop talking shit about my friend unless he’s an actor and he can outperform that. X: (chuckling) Do you ummm… are you doing like… your roles like a business person and like a producer? And now Ashton will finally have his chance to catch the film, described by the Boston Globe as “harmlessly cretinous.”
January 10, 2005
I Almost Drowned, But They Saved Me (and Then I Lost My Pants)
You gotta watch this dramatic real-time video (QT) of a guy being saved from the Los Angeles river from CNN.com. (Or, choose your preferred version here.) Now, try watching while listening to the music from The Benny Hill Show. And before you get mad at me, the guy was okay. Update: Turns out video is for CNN Premium subscribers only. Damn, but it was so funny. You've Come A Long Way, Big Willie
"Talking about Six Degrees [of Separation] with Premiere magazine a decade ago, Smith raised eyebrows in the p.c.-sensitive media by confessing that before he accepted the role, his friend Denzel Washington had warned him, 'Just don't be kissing no man.'" Adventures in the Skin Trade, Vol. 3
(Answer Key: John Goodman + Ricky Gervais = Michael Moore at Sunday's People's Choice Awards) Least Believable Pull Quote Ever
From the (barely visible) cover of February, 2005's Seventeen magazine: Everything Is Shit
With a new Amazon entry for the Jonathan Safran Foer novel Extremely Loud and Incredibly Close (via Maud), the literary set is treated to a sneak-peek at the wonderblah’s sophomore effort. And boy-o, does it look hot… From our Amazonian product description: Already we’ve got a Wes Anderson adaptation waiting to happen (Rushmost?). Maybe Jonathan Lipnicki is a little old – but wouldn’t he be perfect? Precocious, non-threatening and Tiger Beat enough to pull off this acrobatic feat of cutesiness. But wait, there’s more. Still from Amazon: Oh, snap. No he didn’t. Oh, yes, he did. But it couldn’t get any bigger, could it? It could, and it does: If only Foer had a chance to add the tsunami – this thing could have been really hot.
January 8, 2005
Tomorrow's Corrections Today, Vol. 6
"'Strange Love' is a documentary about Brigitte Nielsen, the Danish giantess from 'Rocky IV' turned dissolute nudist, and Flavor Flav, the wily Ritalin-deprived clock-wearing Public Enemy hype man from the South Bronx. "[Meth] Aiyyo Flav Related: Date of birth (location) This Year At the Movies: Have A Ball!
January 7, 2005
Made of Clay
The following are troubling sentences taken out of context from Clay Aiken's sure-to-be-smash hit, Learning to Sing: Hearing the Music in Your Life, his memoir-cum-self helper-cum-religious manifesto. All quotes courtesy Amazon's "Search Inside This Book." Page 5: She replied that a wife was someone who would cook for me and wash my clothes and love me, and I said to her, "I'm already married." Mom laughed and said, "To whom?" And I said, "You, Mama!" Page 38: I was so conflicted. Page 65: Little boys don't wake up and say, "Gee, my yanking that little boy's underpants out of his corduroys is mean-spirited..." Page 96: For some reason I've rarely been able to say "I love you" straight to his face. Page 126: I felt out of control. I was this big, wet mess, trying to crawl into an old woman's arms. Page 145: Jeff trusted me to run a camp of 150 kids. Page 197: That I never need to see another video with a pretty young girl dressed like a hooker. Page 224: I met some people who were Moravian. Page 229: Determing what faith a child will have is a decision that should be made at home, not at the YMCA camp. Lady Metroland's Guide to the Jet-Set
Rule 1: Whilst attending an event with Mohamed Al-Fayed, avoid photo ops at all costs.
[Big ups TK...]
January 6, 2005
This is the sound The O.C. makes
You're going to write the perfect three-minute pop song. You've been saying this to yourself since you saw Beck open for Beth Orton at that secret show he did at the El Rey for her a few years back, only, for you, it wasn't a secret show, because you knew about his playing an intimate acoustic set hours in advance. And when an excited hush fell over the floor when Beth Orton came out to announce her opening act, you smiled knowingly. Your friends said you glowered, but that was most likely because you thought Orton's Central Reservation was such a letdown. You have nothing against Beck. Besides, he's the old guard. You're all about Rooney, now, and The Walkmen, and labels like Sub Pop. You adored Eric's Trip way back when, and you've been listening to Minnesota's slowcore riot act Low well before they first appeared on "Music From the O.C. Mix 3: Have a Very Merry Chrismukkah". Fuck, you had that original EP before the word "Kranky" was being whispered by every other record-buyer at Amoeba. You know droning music, and you're not even Finnish like that Mika Vainio motherfucker. That shit's just noise. Static. Like Felix Kubin on fucking heroin. You know this because you got yourself a Nord Lead years ago, just so you could create your own take on the percussive mathematic chaos of labels like Schematic and Warp. You were going to outshine Autechre. But then you ended up having to work seventy-plus hours a week at your marketing firm during that product launch for Coke's newest clear soda, and you lost interest. You fucking hated clear soda. You did, however, develop a severe drinking problem, in that other sense of consuming fluids. And started to appreciate the way that vocal-based indie music better complemented your commute on the fucking 10 freeway as you rolled into work later and later after those long nights out, and you tuned off KCRW and KXLU and popped in the latest Doves record. That somehow led to your getting, finally, that old Unkle record from 1998, which you had ignored for so long, because you never liked DJ Shadow, even when he did his own production work, much less his manning the decks for that cross-eyed James Lavelle motherfucker as he did on this record...but then you heard Ian Brown sing on that remake of that one song, and Richard Ashcroft, and Thom Yorke, and you were hooked. It was like the Britpop fad from the mid-90s, all NME and shit, but, somehow, cooler. Like, Flaunt- or index-caliber. And so you bought the soundtrack to Jonathan Glazer's "Sexy Beast" because Unkle collaborated with South on it. And you grew to love South, too. Those beats were so slinky. And the guitars, so synthetic. You traded in your Nord Lead for a Fender Stratocaster and an amp. You couldn't really figure out which effects pedals to get, so you winged it, and fucked around with the sounds as they ran through your G4 laptop. And it all sounded like shit. It certainly didn't sound like Interpol's first record. You had somehow failed to capture that mélange of angst and self-loathing and morose despair that ran throughout "Untitled". Instead, you had penned a series of asinine ditties that sounded more like the fucking Shins, which was ok, except you weren't into Sub Pop just yet, so it wasn't ok at the time. You were a wreck. You hated yourself, and your friend Leslie, who had played drums on the record in certain parts, invited you over to her place in Los Feliz to watch this new Fox TV pilot for which she had done some of the casting. And when The O.C. began, and you heard those first few strains of Phantom Planet singing their rapturous hit "California", you were hooked. Really, it was, just...rapturous (and yes, you fucking hated the DFA up to this point, so re-treaded disco beats had been done to death as far as you were concerned, and you were instead eagerly seeking out guitar hooks). Phantom Planet, man...You still hate Jason Schwartzman. He was at the Wiltern once while you were watching Damien Rice play, and he just looked so fucking smug. Then he made some small talk with the bandmembers, and they ushered him backstage, and you really, really hated him. You fucking love Damien Rice. And you're going to write the perfect three-minute pop song about that. It'll be like that song that girl group wrote about David Duchovny in 1998, only less stalkerish. Probably more like the song Ben Gibbard wrote about Evan Dando in 2001 as part of the build-up to his later Postal Service success. You could totally do that. Three minutes. That's all you need. Now for some inspiration...sixty fucking minutes thereof. Actually, I've never seen The O.C.; I'm sure it's pretty good. The O.C. airs at 8PM EST on FOX. Earlier: You can't stop R.O.C.K.ing, can you? You just can't.
January 5, 2005
How Many Things Are Wrong With the Following PR Quotable?
From US Weekly, January 10, 2005: "Three days later, [Angelina] Jolie strolled around a market near Beirut, Lebanon. '[My son] Maddox is Buddhist, so I'm making Christmas a time where he learns about new countries,' she said recently."
January 4, 2005
Super Boys' Club
Comic Book Resource features its share of explosive comic book rumor-mongering (Magneto fears for the life of Scarlet Witch?!), but nothing can quite compare to the journalistic dynamite contained in Rich Johnston's most recent column. Specifically, That Bryan Singer wanted to cast an actor who was in the closet, and who would declare themselves to be gay in the lead up to, or during the release of the film. So that it would have a meta-textual element, over secret identities, and also give young gay individuals a positive role model in their lives. And presumably, not make stereotypical remarks about men dressed in tight colourful leotards. On, and then, Brandon Routh being cast in the lead. As the evangelical churches of the USA hold their breath, ready to start an onslaught of whipped up mob-hatred, Dan DiDio gingerly accepted the award on behalf of DC. "You know, we're appointing a Senior Vice President of Marketing? Something tells me I think we're going to need him..." Let's take a look at some of the evidence available for speculating on Brandon Routh's sexuality, and see if we can't clear things up. -According to his imdb entry, Brandon is sometimes credited as "B. J. Routh". B.J. is homosexual slang for a hummer. -Among B.J.'s television appearances? An episode of Will and Grace, a homosexual sitcom, titled "A Gay/December Romance." -B.J.'s official site is BrandonRouth.tv. In homosexual patois, TV stands for transexual. -According to some, largely unsubstantiated reports, director Bryan Singer is gay. The verdict? Get ready to start your righteous indignation...
January 3, 2005
So We Can Safely Assume She Won't Be Appearing In Brown Bunny 2...
From Reuters, "Bride and Prejudice" Star Mulls Screen Kiss, Sunday, Jan. 2, 2005: "Bride and Prejudice" star Aishwarya Rai, one of the top stars of India's prim film industry, says she won't rule out kissing in films when she moves from "Bollywood" to Hollywood -- although she says it is certain to create a minor scandal among her fans. Related: Your Ultimate Movie Guide
December 30, 2004
The O.C. Shall Set You Free
You've never seen The O.C., but you're sure it's pretty good. You're gonna watch it tonight, though, since there are two back-to-back episodes. You need to watch it, especially since your career is in the crapper and your New Year's resolution is to write a decent spec script and land an agent. Maybe then you can move out of Culver Fucking City and get a decent car like a Mini-Cooper or a BMW or, seriously, a Prius, please, a Prius, and maybe finally get a development deal with a major. Then, barring any further complications, get laid without paying for it. It wasn't supposed to be this way. When you moved to L.A. five years ago, you were bursting with ideas and potential. You were gonna be David E. Kelley, Joss Whedon, and J.J. Abrams combined. Now, look at you. You're writing questions for a kids' basic cable game show that unwisely has the word "Cyber" in the title. In '98 it seemed like such a great title, what with the web-television convergence plan the 29 year-old producer pitched: now, the website's been dead since 2003 and that 29 year-old producer drives a Boxter and is developing a show with Jon Lovitz for Gavin Palone. (Why won't that fucker not return your goddamn calls?) You still live in a one bedroom—and not even a big one by L.A. standards— and you're not in a union. You can't get a single agent on the phone and most of your friends with deals laugh and say they'll call you when they need a little 'cyber' touch. Assholes. It wasn't your idea: you weren't even part of the show until last year! That's why tonight's O.C. is so important. You're not gonna just watch, you're gonna study it, figure out what makes it tick and become an instant expert. It'll be like when you pulled all-nighters in school: you'd spend a couple of hours catching up on all the Folk and Myth readings you'd snoozed on while attempting another round of 'Poon submissions, then spend the rest of the night just banging out the paper. And some of them were great! One professor—okay, one adjunct—even suggested you submit your paper on The Family Guy ("In the Family Way: Stewie and Freud's Theories of Early Childhood Sexual Development") to a journal. You could've had a big career in academia, pounding out searing interpretations that turned conventional pop culture 'wisdom' on its head. You might've even gotten to write for the mainstream: Times op-eds, maybe some droll "Shouts and Murmurs" for The New Yorker. Instead, you're basically rephrasing Trivial Pursuit questions for 9 year-olds. You need to do something better with your life, something more meaningful. Like writing for The O.C. If you could just watch the show, get a sense for its rhythm, internal logic, and... that third thing the screenwriter of the Justine Bateman film suggested in that Learning Annex class that cost you $400, you can do that. (Where are your notes?) You need to hitch yourself to this show: It's like this year's Ally McBeal or Popular: It's the show, and only a quality O.C. spec script can change your life—can make your life. You can almost envision your plot already: it'll be something about a foreign exchange student from Sudan and it will address genocide and female genital mutilation. And a love plot. A love triangle. God, this is gonna be so good: your script is going to fully embody the show while simultaneously transcending it! Where's your notepad? This is too good to forget. After that, it's a top tier agency. Then a good writing gig. Then a side project and movie sale. Then a producer job. Invites to Stuff parties and the "Midsummer Night's Dream" party at the Mansion. Then, who knows? All this from The O.C.! Can you feel it? I can feel it! Tonight I will watch The O.C.; It better be pretty good. The O.C. airs Thursday nights at 8PM EST on FOX. Even when they're just reruns. Earlier: O.C.
December 29, 2004
These headline writers have water on the brain
From today's edition of the Los Angeles Times (December 29, 2004): "Tsunami Death Toll Hits 60,000", Tragic news, indeed. But the disaster's influence is also spreading throughout the realm of international news reporting. To wit, there's this example of borderline-tasteless syntax from the very same paper: "28 Die in Wave of Insurgent Attacks in Iraq",
December 23, 2004
December 22, 2004
Well, He Does Have Experience "Dropping the Ball"
From COLIN GLAD TO DROP NEW YEAR'S BALL, The New York Post, Dec. 22, 2004: "Secretary of State Colin Powell will return to the city of his birth and drop the famous Waterford Crystal ball in Times Square on New Year's Eve, Mayor Bloomberg announced yesterday. Yes, well, that's been his undoing.
December 21, 2004
The Curious Incident of the Pulitzer in the Night-Time
Why is the Times so obsessed with autism? It's like they're in their own little world, not looking out, just focusing inward. One subject matter. One human interest. Three different sections. Three different weeks. Four different dates. Four different writers.
December 20, 2004
Exercises in suitable captioning, where "suitable" means "tasteless", which in turn means, "What the fuck were they thinking?"
More proof that wire-service photo editors have a top-notch sense of humor, at least when it comes to fetuses and acts of depravity: The above image was attached to the latest A.P. wire story about that whole "I killed a woman and cut her unborn baby from her mangled womb" news item from last week. Seriously. That image right there. Of the suspect maternally holding a fucking chihuahua or some other hirsute little newborn. Thankfully, they clarify the presence of the dog with their accompanying caption: This is an undated photo showing Lisa M. Montgomery, a resident of Melvern, Kan. Montgomery was arrested late Friday, Dec. 17, 2004, and charged with kidnapping resulting in death in a case of a woman being murdered and her 8-month-old fetus cut out of her womb. The baby of Bobbie Jo Stinnett was recovered and was reported in good condition on Saturday. (AP Photo/Maryville Daily Forum) See? Embedded somewhere within those clauses is a full and rational explanation for using this particular photo of the woman. You just have to be one of those university-trained "close readers", perhaps. Me? I'm just a loving asshole who adores puppy portraits, and fuck if I don't get angry when such cute photos are tainted with the Anne Geddes-esque stigma of dead mothers and shortened pregnancies.
December 17, 2004
Adventures in the Skin Trade, Vol. 2
December 16, 2004
An Exclusive Excerpt from the New Osama bin Laden Tape
If it is not too unseemly for a man of my wealth and abundant religious and intellectual gifts to complain, I must say that the hardest part of being on the run in the mountains of Tora Bora is how often I miss my favorite infidel television program, The O.C. Why are you laughing? Who says that a righteous man, a man who seeks to break the back of the American Satan, cannot enjoy a few laughs once in a while, a little eye candy? I work 24 hours a day to destroy America and the secularist lambs that follow it like, well, like lambs. Can I not take one hour a week to bask in the comforting Southern California glow of The O.C.? Can I not spend a little Osama time in the land of perpetual summer time? Do you know what I go through just to see the show you infidels take for granted? It must be taped off a secure satellite feed by one of my operatives, and then smuggled inside his rectum as he traverses the unforgiving Afghan terrain to whatever cave or modest safe house I am inhabiting that day. All this, so that I may re-immerse myself in the travails of the Jew Seth Cohen and the Christian Ryan Atwood? (Don't even get me started on Chrismukkah: I love it, but I don't even know which part of that holiday I'd want to destroy first if I had the chance.) While I enjoy the jihad thing, the best part of my week is watching The O.C. while eating some sugar free SnackWell Cookies which have also been smuggled to my lair in someone's rectum. (What? I do not judge your infidel food—and I saw Supersize Me!) Now do you understand why I often appear cranky and irritable in the videos I send to Al Jazeera? I am usually mad because my holy soldiers are so often captured or killed by your army as they make their way to me with my tapes! I have missed whole plot arcs—and I would thank you not to tell them to me, I fully intend to see them eventually—and while reading infidel websites like Television Without Pity help, it is just not the same. I want my O.C., and without it, Osama becomes a grumpy Gus! Let me be truthful with you: I am very ill and the only thing that is keeping me alive at this point is The O.C.. I have been going through the motions of hating America for over a year now (frankly, you can all fuck yourselves, I'm so over you), but what keeps me going is this show, this popular culture phenomenon that we share together. It's actually quite nice to be a part of something, instead of always being on the outside looking in. I do not know you, but because of The O.C., I feel we could be friends. Maybe we can IM a bit after the show tonight, if you're not too busy? If not, I can come visit you soon at your home. Actually, I can almost guarantee you that I will be visiting you at your home soon. I hope you have some sugar free SnackWell Cookies. I do love them so. Actually, I've never seen The O.C.; I'm sure it's pretty good. The O.C. airs Thursday nights at 8PM EST on FOX. Earlier: Other thoughts on The O.C
December 15, 2004
Meet Your New Model Overlord
(And that Adrianne Curry has been such a rousing success.)
December 13, 2004
In the Crosshairs
As part of low culture’s ongoing commitment to taking the fun out of everything, we are proud to present our first (and possibly last (it’s very annoying typing this in)) New York Times crossword puzzle cheat sheet. Impress friends, lovers, or anyone who is actually impressed by this kind of crap. Continue reading...
December 10, 2004
December 9, 2004
The O.C.: It's way, way better than getting instant messages about that new red-headed girl that Grant likes
You need to set your away message right now because it's almost 8 o'clock and you have to watch The O.C. because it's Thursday and it's on right now. Kelsey says she'll text you later, and next thing you know, you're down in the den, sprawled out alone on the couch, your eyes glued religiously to the sights of Seth Cohen and Marissa Cooper being introduced onscreen as you strain to hear the sounds of Phantom Planet singing plaintively about what is totally your favorite state, and you totally said that to Mr. Roberts last week when he was running through the geography prep quiz in fourth period, and he chuckled because he's so old and doesn't even watch TV, probably. Whatever, because when they show Summer Roberts on the TV you always cringe! She looks just like your sister Justine, who graduated from law school at Berkeley two years ago, and it was called Boalt, and anyway she is so much older than you, and Mom always rubs that in, because Mom is 57, and Justine is 27, and you were Mom's "surprise" 12 years ago and so you're totally able to stay up later than both Mom and Dad because they go to bed so early. Like, they'll probably be asleep by the time The O.C.'s over. Justine's almost like your Mom anyway, because she always talks about how she was the one who changed your diapers and babysat you when you were a crying infant, and she totally wrote about that in her law school applications, about how that early responsibility had made her a strong leader, and you're so sick of hearing it, but you still love her because she's your sister. Also Mom keeps saying to be nice to her, too, because Justine is sterile and her uterus doesn't work properly and she can't have children of her own, so raising you comes a close second in her book, that's what Mom says, and you also overheard Justine talking about it with her last year when she visited over Christmas. And that's why Justine has a job at this place called UNICEF where she says they help kids in other countries. Maybe even Mr. Roberts would know where they are? Whatever! You're all about Newport Beach. Ryan is being such a jerk this week. The Summer Roberts girl's sweet like your sister too, but Kelsey always tells you every single Friday before homeroom how much she likes Summer on the show, and you're tired of your sister, and also Summer, too. Maybe Summer can't have kids too? Anyway she's too young and she's not going to have babies yet anyway. You hope you can have kids someday, unlike Justine, and you're going to rub it in her face when you do, and she's an old lady. You get bored when they cut to the stories about Sandy and Kirsten, though they seem like a cool Mom and Dad. Marissa is totally your favorite one on The O.C., because she tries so hard, you know? That's really important, you think. And you forgot to put your away message on, and you're still signed on, because you can hear IM's coming in on the computer in the hallway. It's probably just Grant, and you don't even like him anymore anyway. You totally never did, and that was all a big mistake anyway, he doesn't even watch The O.C. Actually, I've never seen The O.C.: I'm sure it's pretty good. The O.C. airs at 8PM EST on FOX. Earlier: Additional OC-centric material...
December 7, 2004
They can say that with such confidence, apparently, because the site didn't actually crash
As reported in today's Daily Variety, the "online premiere" of Fahrenheit 9/11, rabble-rousing director Michael Moore's Pixar-animated comedy starring the voices of Tom Hanks and Christina Applegate, drew a meager 89 viewers, according to information released by the briefly-downloadable film's website host. More specifically, "a rep for CinemaNow said 'Fahrenheit 9/11' special, which brought in $885.55 in revenue, was a 'success,' noting that the three-hour window in which it was available was unusual for the Internet." Damn you, Jack Valenti, for departing us so sadly, and so soon! With you gone, it seems as though the entire motion-picture industry's standards for "success" have waned considerably. Seriously, seriously waned. 800 fucking dollars? Because it's certainly not as though this CinemaNow website (whatever the hell that may be...I can't even be bothered to link to the fucking thing) likely had a staff of well-paid site producers and designers working days beforehand on this "premiere extravaganza", right? Right?
December 6, 2004
The Humorous Life of Brian
"There's definitely ways to try and capture that personality without taking away from what is a very serious newscast in very serious times... There are ways to find little moments of absurdity or humor in life and we're going to try and find ways to do that—but, we have to find the right way to do that," " NBC News chief Neal Shapiro Some suggestions: -Refer to the president as "Cuddles" -Five Words: Rip Taylor, White House Correspondent -Swap out hurricane clips with footage from Land of the Lost -Goodbye, bespoke suits. Hello, tuxedo T-shirt! -When analyzing reports with Tim Russert, pretend to be all stoned like Cheech and Chong -End each broadcast with an America's Funniest Home Video-type clip, possibly a "blooper" from the Iraq war or amusing footage of famine-torn nations. -New theme song by "Weird Al" Yankovic -Overdub foreign-language speakers with Peanuts-style adult "squawking" voices -Knock knock jokes. Lots and lots of knock knock jokes -Get Mo Rocca: Everybody finds that dude hilarious The low culture Guide to Jury Duty
Jury Duty isn't just your civic duty: It can be your civic pleasure as well. With these simple tips, your time in the jury pool can be productive, enjoyable, and above all safe. Failure to follow these suggestions may result in jail time, so be forewarned: What you are about to read could save your life. -Make sure you haven't eaten for at least twenty minutes before entering the jury pool so as to avoid uncomfortable cramps. -Similarly, make sure you've drunk something—preferably a strong, alcoholic beverage—before the proceedings begin. It will lend a festive air to the entire affair, which is good, since you will probably want to kill yourself the moment you arrive 'till several weeks later when the details of the case will come back to you in nightmares. (But in your nightmare, the killer will be your dad: Don't ask us, we're not shrinks.) -Don't bring a book or a magazine unless you want your fellow jurors to think of you as some sort of snob. Furthermore, displaying the ability to read will lead directly to the court officers not selecting you for trial. Best to show up with a lot of photos of your cats or your grandchildren, the better to facilitate conversations with those around you. If you must bring a book, bring a Bible: Everyone loves talking about the Bible with strangers. -It's easy to get laughs in the jury room. Everyone there is stressed out and wants to be somewhere else: It's a perfect recipe for comedy. When the court officer calls out your name and asks if you are able to serve, be sure to say something funny like, "Ready? I was born fucking ready!" Also, classics play well: If you can get a Whoopee Cushion through security, it's worth putting on the judge's seat. Your fellow jurors will thank you. -Many people try to get out of jury duty by claiming to be racists. While this is a good strategy, we recommend using it to get out of other things, like childcare payments and doctor's appointments. You shouldn't limit your mock pronouncements of racist ideology just to the courts. Speak them freely (on the subway, at the supermarket) and you'll start to see that you're not the only one who thinks that way. You may even be invited to join some cool secret societies. -Do not watch the clock. Everyone who's ever gone through high school knows that watching the clock during a boring activity does not make time move faster. (Only meth can do that.) Instead, stare dead into the eyes of the person closest to you. Make a game out of it: How long can you stare at them before they turn away? Now, can you double it? -This is so simple, it's the easiest to forget: Case out the room for single people of the opposite sex. (If you are gay, you should confine this search to the restrooms, which, as we all know, are hotbeds of municipal butt-sex. If you are a lesbian, you should've already gotten a jury exemption and be seeking a partner at your job at the organic food co-op.) The jury pool is a great pickup scene, mostly because you already have so much in common. You're potentially spending the next two weeks seeing this person every day: that's a perfectly acceptable length of time for a relationship. In fact, it's probably a little too long. -Finally, if you are selected to be on the jury, you should not pump your fist and gloat. Be respectful to your fellow jury pool members who were not selected since they'll be deprived of all the fun you're about to have. Not everyone gets into this party, but you will set yourself apart by being gracious and serving with all the dignity your buzzed, staring, Whoopee Cushion-having ass can muster. Jury duty is an honor. Don't make us regret living in a Democracy. Bulworth meets Bush Worthless
There's an old joke, often attributed to Woody Allen, that goes: Somehow, I'm guessing whoever said that wouldn't have said it about last night, when Beatty was honored by the Kennedy Center. (Check out Kennedy Center Salutes Six Artists, by John Files in The New York Times for a teeny-tiny photo of those fingers wrapped around Bush's.) Poor, poor Beatty finger. It's a long, slow slide from Capucine to Julie Christie to Madonna to Annette Bening to... Colin Powell. A sad one, too. Can a man's finger kill itself?
December 2, 2004
The O.C.: Don't even worry about coming out of this closet
You're looking good lately. Really nice, even. Those pecs...you're packed tight, man. Nicely chiseled. You're working out, aren't you? Yeah. You are. It's reassuring to know you can watch The O.C. every Thursday night while you're on the stairmaster at Bally's 24-Hour-Fitness, plugged in to little more than a set of earbuds and, don't you know it, an entire world of opulent gorgeousness. This is the sort of drama you dream about mindlessly as you polish the sweat from your glistening calves. Of course, the television sets lined up next to the one blaring FOX's hottest second-season property may try and distract you with their depictions of a smirking Bill O'Reilly or some aging Matt LeBlanc character study, but you won't be swayed. You understand guys like Tate Donovan, you really do. He looks a lot like that guy who comes in on Tuesdays. That guy. He lingers around the benches for about thirty minutes. Eyes you as he pulls up his socks around his shins. You're sure he's the most beautiful man you've laid eyes upon...at least at this gym, right? Ha. You know what I'm saying. You're a total pro. And Catherine keeps calling you from the car. You just know she'll be home before you, destined to get off early from her freelance gig at Leo Burnett. Why don't you tell her about this guy? This perfect specimen of O.C.-esque beauty laying out in front of you, his arms pushing and pulling on the bars of a free-weight machine, such that you're just positive what he's doing with those lifts could "plug-n-play" nicely with your own frame. You're glistening, again. Sweating. Excited. And Catherine keeps on fucking calling you, and you just let it go to voicemail. What the fuck, right? Let her bring something back from Koo-Koo-Roo or California Pizza Kitchen for the two of you to eat later that night. The fuck if you care, right? You're all over this guy. All over him. And he's reading you just right. Time to towel off, then. You nod at each other. It's not even like some obscure code anymore. You know the drill. And he doesn't even bother wrapping himself in a towel as the two of you leave the gym's shower and head to the back lockers. Again, you know the drill. And, fuck, it's a good thing Catherine doesn't, right? God, would your life be over, or what? And speaking of, you better finish up in here. Hurry. Hurry. Hurry. Right there. Sharp, so sharp. This may or may not be the world's longest commercial break, but you don't want to miss seeing the end result of Marissa's hooking up with the pool boy. Pool boys. So perfect. So very, very right. Actually, I've never seen The O.C.: I'm sure it's pretty good. The O.C. airs at 8PM EST on FOX. Earlier: Obligatory Pop Culture Entry to Prove We Haven't Become Humorless Prigs; O.C.D.; The O.C.: Your One and Only Friend; The O.C.: Your 'Not Guilty' Pleasure.
December 1, 2004
Great Minds Think Alike (And For Only About Two Minutes Before Slapping Up The First Joke They Come Up With)
Earlier: Entertainment Alert: Orange, Nov. 30, 2004. God, I Miss Clinton
It would've been so much easier to make a 'Royal Mounted Police' joke if we still had Bill. Sad.
November 30, 2004
Hack Comedy Writers, Fire Up Your Joan and Melissa Rivers Jokes
"Nobel Peace Prize laureate Wangari Maathai of Kenya will be feted at a Dec. 11 concert to be hosted by Tom Cruise and Oprah Winfrey that will air on E! "Festivities will be held in Oslo the day after the award ceremony, where Maathai will become Africa's first Nobel laureate for her contributions to the environment and women's rights. "E! has secured exclusive rights to the telecast and will show the two-hour concert Thursday, Dec. 23." (From, E! to broadcast starry concert for Nobel winner, Variety, Nov. 28, 2004.) Double hack score for implying that E! will be broadcasting the actual Nobel ceremony. Triple hack score for working in a Scientology joke, an Oprah "You get a Nobel! You get a Nobel!" joke, or a dig at Polyphonic Spree for being not unlike a cult. (Joss Stone joke, optional.) [via TVTattle] Wonder Boy
Congratulations to Michael Douglas on his "Walk of Fame" star! You've earned it, big guy. Now, who's up for pizzas at Spago? Bitten by the Humbug
Yes, Christmas begins before Thanksgiving. Yes, it's a marketed, commodified celebration of consumption. Yes, the true meaning of the holiday has been forgotten. (Some Jewish kid was born in a barn, or something...) Yes, it's just totally cheesy. But it's kind of awesome, too. Like, when hardcore heads get into the Christmas spirit and release holiday raps. Remember Run-DMC's "Christmas in Hollis," or Doug E. Fresh, The Treacherous Three, and The Magnificent Force's "X-Mas Rap" in Beat Street, or P. Diddy's "Bad Boy for Life (Santa Gave Me a Lump of Coal, Yo)"? Classics, all. Add to the hip hop Christmas canon the latest from the Canadian rap 'n' racism bible-approved Iowa-reared MC supergroup, Leslie and The LY's. Watch "Christmas Rap" and prepare to have your planet rocked. If the Missy Elliott-inflected lyrics don't make you smile, the Flash-meets-Rodney Alan Greenblat video will. And if that doesn't put you in the Christmas spirit, your soul is dead and you embody everything that is wrong with this country, and shame on you. Today's 'let's git' high concept pitch comes courtesy of Done Deal: Title: Jersey Dukes So, we're looking at James Caan, Jim Broadbent, Kiera Knightley, Vanessa Redgrave, jokes about bad English food, a scene where a New Jersey chef is flown in to make 'gravy' in an old Manor House kitchen, an uptight British dude handling a gun with ease (since he dueled back in Oxford), and a set piece inside Big Ben? Works for me.
November 29, 2004
An Eye For Trends
Related: Sammy Davis, Jr.; Murray Wilson. Don't Look Back
Gothamist is running a contest to promote Wes Anderson's cruelly under-hyped film The Life Aquatic with Steve Zissou this week. What caught my eye immediately was the excellent poster for the film (above left), an obvious homage to Milton Glaser's iconic Bob Dylan poster from 1966 (above, right). Since the Zissou image didn't link, I don't know its provenance, but I was surprised that there was no mention of Dylan or Glaser, since just last week, Gothamist was singing Glaser's praises in a piece about the new New York Magazine logo. I guess Glaser's just one of those artists whose work is so ubiquitous, it's become wallpaper for the culture. It's like "Happy Birthday to You": Everyone knows that song, but can anyone name its composer? It's a shame, too, since Glaser created so many excellent, memorable designs, like the beloved logo for Grand Union. Related: "When I went upstairs, my bedroom felt like an overwarm sickroom. The clearest remaining vestige of Tom was the 'Don’t Look Back' poster that he’d taped to a flank of his dresser where Bob Dylan’s psychedelic hair style wouldn’t always be catching my mother’s censorious eye." The Comfort Zone, by Jonathan Franzen, The New Yorker, Nov. 29, 2004. Isn't That A Clear Conflict of Interest?
High Court to Hear Medical Marijuana Issue. "Session" to begin promptly at 4:20. When Stupid Copy Editors Ruin Your Publicity Stunt, vol. 1
Aerosmith's Tyler Visits Women's Rehab Center Related: Aerosmith: You Gotta Move DVD, released Nov. 23, 2004. The New York Times: Obsessed with Vaginas
From The Most Private of Makeovers (Nov. 28, 2004): From Trying to Avoid 2nd Caesarean, Many Find Choice Isn't Theirs (Nov. 29, 2004): From Wes Anderson's Faithful Diving Team (Nov. 28, 2004):
November 28, 2004
Thank Heaven For Little Girls...
... And the dirty old men who love them.
New York Magazine helps Daniel Radosh live out his Huckapoo fantasy. I'd read the story, but the D.A.'s office would require me to register myself on some sort of list. Related: The Four Stages of Huckapoo: Curiosity, love, fixation, protection. Pardon me while I go scrub my soul. Mike Nichols: Look Homeward, Auteur
Culture critics across the spectrum agree: Mike Nichols returns to his roots with his latest film, Closer. But which roots? No one seems closer to agreement: Mike Nichol's latest movie, 'Closer,' adapted from a play by the British dramatist Patrick Marber, is about four people, arranged in crisscrossing couples, who spend most of two hours slicing one another to bits with witty and vengeful repartee. In this respect it is a lot like his first movie, 'Who's Afraid of Virginia Woolf?,' which in 1966 was adapted from Edward Albee's celebrated play, which to this day remains unequalled in its portrayal of heterosexuality as a form of ritualized verbal blood sport. Or: Thirty-three years ago, director Mike Nichols tackled love, sex, betrayal and relationships in a frank and unflinching fashion with 'Carnal Knowledge.' That film, which starred Jack Nicholson, Art Garfunkel, Candice Bergen and Ann-Margret, became a classic for its refusal to sugar-coat emotional tangles and for its utter lack of a sun-drenched, music-swelling happy ending.
The Blurbin' Fool Presents: Thanksgiving at the Movies
As anyone who's been disowned by his family and rejected by even his mail-order bride knows, the only thing to do on Thanksgiving when you're painfully alone is to see a lot of movies. It's so much easier to cry in a dark movie theater, but it's even better to laugh! Here are my blurbs for this holiday weekend's releases. Messrs. Ebert and Roeper, eat your hearts out: National Treasure: A national disaster! Kinsey: Hideous Kinsey! The Incredibles: Incredibly bad! Bad Education: You said it, not me! Alexander: Alexander the So-So! Finding Neverland: Lose it! Ray: Gay! After the Sunset: Ratner scores again! A roller-coaster ride of thrills and laughs: a witty tropical romp that's as cool as a Daiquiri and twice as intoxicating!
November 26, 2004
Yellow Alert... Orange Alert... Red Alert
Can't make this up: Go here to learn about the DHS's real parade on November 26.
November 24, 2004
The O.C.: Your 'Not Guilty' Pleasure
God, it's so weird being home for Thanksgiving: sleeping in that narrow little bed, feeling like you have to ask permission to go for a drive like you're a teenager even though you're twenty-nine. It's even weirder now that you're divorced. Everyone's being all cool and polite about it, which makes it a little easier to be here alone for the first time since high school. Your "funny" uncle hasn't made a single joke about wanting the money for that fondue set he got you and your ex from Crate & Barrel, and even your usually snide little sister hugged you a little longer and asked, "How are you, sis?" Sure, your mom cut out an article from The Times 'Style' section on "starter marriages" (never mind that the article was printed before your wedding hit the skids last winter in Aspen—has mom been saving it all this time?), and she keeps offering you herbal tea and wanting to talk. You can tolerate it, especially since she paid for your ticket home. But there's one hour Thursday night when they all better steer clear of you: 8 PM EST, when The O.C. airs. If any of those fuckers even tries to talk to you during The O.C., you're going to explode in a screaming fit, thrashing about and destroying your father's fancy new stereo and reducing your mother's precious Hummels to dust. For real: no jury in the land would convict a 29 year-old divorcée for killing her entire family on Thanksgiving night if they knew that all she wanted to do was watch The O.C. Shit. Now you'll need a good lawyer. Not one of those awful public defenders with dandruff and a baggy, hand-me-down Brooks Brothers suit. (Can't you get it tailored—it only costs like forty bucks?) You'll need one of those slick ones who do pro bono work, especially for still pretty women accused of crimes of passion. Maybe he'll even be sexy like Peter Gallagher on The O.C. After a long, public trial, dutifully covered in People and on CNN ("Whoa, is that Dominick Dunne in the audience of my murder trial?"), you'd be acquitted when your motive is fully explained: Not guilty by reason of O.C. It'll be hard to put the trial behind you (and, you know, the death of your whole family, including your "funny" uncle), but you've always been remarkably strong. You pride yourself on having only cried at work once—that goddamn toner got all over your skirt, it wasn't your fault—and even when your ex was playing all those sadistic mind games, you never once threw it in his face that you knew it would be a bad idea to marry a Jew. (Situational anti-Semitism: so weak.) Yes, you are a strong, independent woman, and now that your murder trial is behind you, you will fulfill your destiny by finding a nice man and bearing his children. But there's something you need to do first: you need to go to the video store and buy the DVDs of the last two seasons of The O.C., since you sort of lost track of the show while you were in jail. Today is the first day of the rest of your life, and The O.C. is there for you, unlike those dead jerks in your family. Now, who does a woman have to kill around here to get some service at this fucking Blockbuster? Actually, I've never seen The O.C.: I'm sure it's pretty good. The O.C. airs at 8PM EST on FOX Earlier: Obligatory Pop Culture Entry to Prove We Haven't Become Humorless Prigs; O.C.D.; The O.C.: Your One and Only Friend. Wow, What an Amazing Coincidence!
This Donald Trump's fiancee, Melania Knauss, says her appearance on last week's episode of "The Apprentice" has landed her a job modeling Levi's jeans. -DREAM OF JEANIE, by Michael Starr, The New York Post, Nov. 24, 2004. So, all it took was a product placement segment on a top-rated show hosted by her "billionaire" fiancé to get the gig? This overnight success story is sure to go down in legend like Lana Turner getting discovered at the Schwab's Soda Counter. It makes us all Related: Post "copy" "editors": It's You've Got Mail, not You Have... Mommy's Little Zealot
Michelle "Three Cheers for Internment" Malkin, who never fails to make me smile (mostly at the thought that I too can have a syndicated column if I work hard enough at being bigoted and mediocre), has a sweet little Thanksgiving-themed column today called Grace, gratitude and God. (It's my sincere hope that this becomes a perennial holiday column, something along the lines of "Yes, Virginia, there was an Iraq-al Qaida link.") After an endearing little homily about her four year-old daughter learning to say "grace" before meals, she tells us: In typical toddler fashion, my daughter is now absolutely fanatical about her new routine. Not only must we say grace before every meal, but also before each snack. And anytime we have a drink. And anytime her baby brother gobbles Cheerios in his car seat. Failure to give thanks to God is met with swift retribution. Our daughter has no qualms about chastising us in public—at restaurants, airports or Starbucks: Absolutely adorable! (And, Hmmmm... for some reason I'm craving Starbucks.) I won't make fun of Malkin's red state, red meat, red-baitin' (red shirt wearin') religion, since the rest of the column is all about the evils of Bible-bashing ("[S]nobs of secularism will no doubt disparage such simple-minded expressions of piety..."), but I would like to point out that Malkin is seriously remiss in the way she's raising her child. In fact, she's putting her precious life at risk every single day. Not once—once!—does Malkin mention teaching her god-thanking offspring to wash her hands before eating. Talk about a breakdown of traditional values: This is tantamount to child abuse! How can we expect to raise the next generation of good little Christian soldiers if they're brought low by bacterial infections? How can America remain the most powerful, compassionate, and ass-kickingly awesome country in the world if we don't teach the wee little ones to wash their hands before eating? (I happen to know for a fact that in the employee washrooms of sweatshops all over Asia and Guatemala there are "Employees Must Wash Hands" signs: Those are well-trained four year-olds.) So, Michelle, please tell the little one to lather up those hands before clasping them together in prayer. And don't forget to remind her that immigrants are especially dirty, and that even god cannot protect her if she should accidentally brush against one of those beasts. Amen Earlier Mal-Content: Why... Is Michelle Malkin the New Jadakiss?
November 23, 2004
No Comment(s)
Hi, loyal readers who couldn't get the full week off for Thanksgiving. (Or "Thanks-taking," as my friend Sam likes to call it.) We apologize to the three of you who emailed us to say you can't post comments, and the other three of you who noticed, but couldn't be bothered to send us a complaint. (Thanks for that, actually.) Once again, it's something beyond our control, and we're looking into the issue right now. We'd invite you to use our comments area to offer your suggestions, but (ha!) comments don't work. So, this Thanks-taking, when you sit down to enjoy the cascading bounty of the American horn-of-plenty, say an extra little thanks for all the terrible, hackneyed, totally worthless blogs that never seem to crash or have software problems. God bless them, for we know not why their sites function so well. Now, excuse us while we throw another small pox blanket over our server. Shaggy Dog Joke
I'll admit right upfront that I have not read all of Chris Bachelder's Lessons in Virtual Tour Photography (since it's 161 pages long and my brain has atrophied to the point where I can only ingest 150-word blog entries, soundbites on VH1 clip shows, and charts in Entertainment Weekly), but from what I've seen, it's some weird, funny shit. Download the .pdf version from McSweeneys.net and you'll get some great advice like this (from Lesson 5 "How to Have Sex With The Estranged Girlfriend"): 1. Do not, under any circumstances, expect or hope to have sex with The Estranged Girlfriend. You can’t just roll into town without warning in the middle of a weeknight and expect to entwine as in the days of yore. You’re unbelievable. You’re just so fucking unbelievable. Related: Bear v. Shark: The Novel, also by Chris Bachelder. It's Like Capote's Black and White Ball, Only for Losers
Parties don't get more glamorous than this: And, of course, Roger Friedman. What, Sylvia Miles had something else that night?
November 22, 2004
A World Gone Mad
Is Beyoncé technically even allowed to appear off-center in photos? Suddenly, nothing makes sense to me anymore. I Am Trying to Ape Your Art
Okay, so I should've written about this when the book came out a month ago. I would've, but we were busy trying to avert an electoral disaster. (Lotta good that did. I'm filing that experience along with college and my last two jobs under 'H' for 'Heartbreaking Failures.') So, let's chalk this up to the science of Amazon recommendations: If you listen to Yankee Hotel Foxtrot on your iPod, you might like carrying around Infinite Jest. (And, yes, you might be the coolest fucking person ever. At least in your own mind, man.) What's the Worst That Could Happen?
"NBC's Saturday morning block is getting a new series that plays like a kiddie version of the ABC primetime hit Lost. Discovery Kids on NBC has given the go-ahead to 13 episodes of 29 Down, which chronicles the adventures of a group of kids whose airplane crashes on a deserted island. Shooting in Hawaii, Down will join NBC's Saturday morning lineup—programmed by Discovery Networks—next year." [via TVTattle]
November 21, 2004
The New York Post: As Racially Sensitive as They Are Original
November 19, 2004
Bovs on your Mane
Cough, cough. I mean, well crafted, intelligent joke to justify posting this attractive woman's photo. Cough. Hooray for Product Placement!
National Treasure is so hot, you'll need a case of refreshing Aquafina water, from the good people at Pepsi. Update: Turns out the professional wise-asses at The Onion AV Club made nearly the exact same joke as the above—three days ago. Either those guys saw my post and then built a time machine and went back to steal my idea, or hack minds think alike. We got beat: I guess that's why those dude's have the big first-look deal with Miramax and I'm just here blogging. Oh, well. The Single Greatest Album Since The Stones' Sticky Fingers
1. Enter the Wang Pray for Publicity
Does anyone else think that in another life, this guy would be the best publicist in the business?
November 18, 2004
The O.C.: Your One and Only Friend
Yeah, you've kinda lost your edge. You're still listening to that Spin Doctors CD from college and you couldn't tell the difference between The Hives and The Vines if your life depended on it. (And back-channel al Qaeda chatter indicates that millions of Americans' lives may, in fact, depend on knowing the difference between these two bands.) That's what's so great about The O.C. You can feel cool again, plugged in. When you watch The O.C., you feel like one of the cool kids, instead of a paunchy, weak-kneed loser sliding into a wide, ugly middle age of quiet desperation, which is what you are. But, man, for that hour The O.C. is on, you're that kid in the front row at the pep rally, applauding for your incredibly cute girlfriend, the head cheerleader. Sometimes your dumb friends make jokes about her being the head cheerleader, but screw 'em, they're just jealous. You guys are a good couple and nothing's gonna come between you. I mean, not until college at least. College is gonna be great. No parents! No dumb rules or homework! Will you pledge a fraternity? Maybe! Will you finally get to have a threesome? Maybe! Will you make friends for life who will support you, care about you, hook you up with awesome jobs when you graduate? Maybe! Then again, maybe not. Those guys are so selfish. None of them return your calls and the last time you hung out with them, they made fun of your job, your Today's Man suit, and your studio apartment. Such snobs. Maybe you should call that girl you dated in high school, that cheerleader you dumped freshman year of college when you were sure you'd be getting tons of dorm room nookie. What, she's married now? To whom? That guy from your fraternity? Goddamnit! Those jerks! Well, there's always The O.C. Now you feel better, don't you, ya fuckin' loser? Actually, I've never seen The O.C.; I'm sure it's pretty good. The O.C. airs at 8PM EST on FOX. Earlier: O.C.D.; Obligatory Pop Culture Entry To Prove We Haven't Become Humorless Prigs. I Can All But Guarantee That This Photo (or a worse one) Will Be Used in Tomorrow's Post or Daily News
And the headline will be STERN FACED or SIRIUS EXPRESSION. The Source Awards
One of the most desperate tactics a journalist can resort to is using another journalist as a source. It's even more desperate when the journalist used as a source is from the antipodal publication to your own, a publication whose credibility your worthless paper would never endorse were you not in a bad bind and really needed to flesh-out an unformed rehash of a story. But it's really desperate when the journalist you use as a source is funnier and more effortlessly talented than you are, and upstages you with brio. Take today's New York Post, which features a not-so timely piece on whether or not Oliver Stone's Alexander is too gay. Written by the Post's giddy answer to Walter Monheit, Jr., "Captain" Lou Lumenick, it's called Light in the Sandals. (Get it? That's, like, a joke about fags.) After a few paragraphs of quoting from the trailer and citing articles previously published in Playboy and Entertainment Weekly (in the biz, we call this sort of shoe leather-preserving reporting "a rounder"), Lumenick gets someone on the horn: 'This film tries to have it both ways, like Alexander himself,' Musto said." See, this is the problem with resorting to this sort of lame, lazy journalism. In one well-turned, humorous phrase, Michael Musto steals his equally alliterative interviewer Lou Lumenick's article right out from under him. (I also like how Lumenick makes his source sound like some sort of anthropologist of gay Hollywood, endowed, as it were, with a grant from the N.E.H.) Lumenick probably sought out Musto for his years of experience dispensing soundbites like that on VH1 and any show that will cover his steep per diem (zip, as it turns out), but if Lumenick were a real journalist, he would've just stolen Musto's joke and called it his own. That's how the pros do it. Related: More gay Oliver Stone news from today's Post.
November 17, 2004
Southern Fried Gothic
Do you like to cry while you eat? Does every flavor you taste remind you of what flawed, complicated people your parents were? Are you a stout Southern gentleman with the temperament of a drill sergeant but the heart of a poet? Have we got a cookbook for you! Introducing, The Pat Conroy Cookbook: Recipes of My Life. You'll savor the bitterness of The Great Santini Steak Au Poivre. You'll marvel at The Lords of Discipline Dumplings. And you don't want to miss The Prince of Tides Salmon, salted to taste—just like your tears. Order now and receive a free canister of My Losing Season seasoning spread, guaranteed to make your meal a mass market masterpiece! Available now at a train station or airport bookstore near you. Their Friend to the North Shows His Support (and Almost Everything Else)
November 16, 2004
Pillow Talk: The First in a 12 Part low culture Series on Linen Innovations—Linenvations, If You Will
Truly, we are in a golden age of anthropomorphic pillows. Surely you've noticed that the best and brightest minds in the fields of science, design, and, upholstery have dedicated themselves to creating wonderful, almost human pillows the likes of which mankind has never imagined? Prepare to be dazzled: your head will literally spin at the sight of these amazing pillows. Luckily, it won't be hard to find somewhere to rest it.
Actually, they already exist. Scientists at Carnegie Mellon have developed an electrical pillow that allows grandparents to 'hug' their grandkids long distance through a series of vibrations and squeezing motions. This incredible pillow-based innovation permits grandkids to obviate unpleasant grandma kisses and avoid exposure to toxic grandpa odors. It also prevents too-tight grandkid hugs from shattering grandma's brittle bones. Unfortunately, this pillow also eliminates the silver dollars and hard candies traded as currency in the typical grandparent/grandchild hug transaction. (Hard candy pillows, anyone?) For overgrown male children who continue to dislike hugging gross female humans with their body hair and heart beats, the latest pillow breakthrough may be of some help. As recounted by the world wide weirdness curators at bOING bOING, the 'Girlfriend's Lap Pillow,' Japanese scientists have developed perhaps the most important pillow-based innovation of the decade. What's next for pillows? The sky's the limit, really. Might we see such innovations as a realistically rendered Diane Lane pillow? Or perhaps a fully articulated Mugatu-shaped pillow that emits a real fur and musk scents that's also edible? I have no idea. I'll leave it to the pillow pros. The future looks bright. Bright and downy soft. Pull up a pillow and rest your head, won't you? And It's Not Even Hump Day Yet
Did Slate, everyone's favorite (temporarily) Microsoft-funded journal of punditry and funditry, stick one of those sex patches to its crimson skin? How else to explain how horny the site is this week? Check out these heds: Come Again? A history of the orgasm completely misses the point., by Thomas W. Laqueur (Don't stop...) The Thinking Man's Guide to Sex: What could be wrong with She Comes First?, by Dan Chiasson (Slower, slower...) "Let's Get It On"…Again: The remix of Marvin Gaye's classic is better than the original., by David Ritz (Yes, yes, that's good...) Why Powell Had To Go: And how will Condi fare as his successor?, by Fred Kaplan (Um, less like that...) The See-Through Times: An internal memo promises to rub out anonymice and other credibility killers., by Jack Shafer (Ah, that's good...)
November 15, 2004
And then they wrote "In Bloom" after seeing tons of stick figures hanging in the woods
In December of 1987, three student musicians disappeared in the woods near Aberdeen, Washington while recording a demo. One year later their footage was found. ...then released sixteen years later by Geffen Records as "With The Lights Out", a 3CD/DVD box set by Nirvana, after years of disputes between surviving bandmembers and the widow of the deceased frontman. While it looks as though Kurt Cobain is doing his best Blair Witch impersonation as he stares into the corner (above, in a still taken from previously-unreleased video footage appearing on the accompanying DVD), bear in mind that this was years before the late 90's film phenomenon. Sometimes it seems like everyone ripped off Kurt. RELATED: The Blair Witch Project and "Why is Mike standing in the corner at the end of the film?"
November 14, 2004
Judging by the syntax of this headline, it seems as though someone at the Times is a little too excited about May 2005
The New York Times, excitedly reporting on American "progress" in the conquering of Fallujah by U.S. forces: U.S. Armored Forces Blast Their Way Into Rebel Nest in Falluja RELATED: Episode V, The Empire Strikes Back Russell Jones, 1968-2004
"Number one, I got shot. It made me understand that I do only have one life to live and that it can happen to me. And shit happens when you be in the wrong place at the wrong time. The bullet went through my back and it came out my front. It ruptured my spleen, but it didn't hit no bones or nothing. The doctors don't even know how that happened, so that's all praise due to Allah. It just lets you know that I was meant to be here. And anyway, I wasn't going nowhere because ain't nobody take me off this motherfucker till I'm ready to leave this motherfucker... Hell no. I don't play that dying shit."
November 13, 2004
What Makes Ratner Run?
Brett Ratner's talent, such as it is, is bullshit. The director, whose most recent piece of pandering, formulaic pap, After the Sunset, will probably be number two at the box office this weekend, could comfortably be described as a bullshit artist, or, more charitably, a complete and total bullshit artiste. If his critics are to be believed (and in this case, they are), his artistry doesn't lie in filmmaking, a craft for which he is frightfully unskilled, yet tenaciously and gainfully employed. Ratner has no particular intuition for camera placement, editing, or working with actors: His films are about as enjoyable as a vigorous session of C.B.T. What Ratner is good at—what he unquestionably excels at—is bullshit. Take the mini profile of him in Saturday's New York Times 'Arts' section, A Hollywood Early Bloomer, Bringing It All Back Home, by Lola Ogunnaike, which is chockablock with Ratner's bald-faced lies and egomaniacal bullshit. Continue reading...
November 12, 2004
Has This Been Optioned for the Movies Yet? It Really Should Be Optioned for the Movies.
"It is not a toy, they swear, but a serious piece of police gear, no matter how many Japanese tourists stood at a highway rest stop here snapping away in awe. "'It's a responsibility to drive it,' said Chief Inspector Laura Ciano of the Italian highway police.
"'It's not for fun,' he added. "Still, Superintendent Vincenzo Bizzarro wore a satisfied look on his face when he gave a reporter, fingers dug into fine leather seats, a small taste of what the force's new Lamborghini Gallardo patrol car can do: nearly 100 miles an hour in just a few seconds, with a row of tollbooths approaching awfully fast..." From, Whoosh! For Speeders, Speedier Justice, via Lamborghini, by Ian Fisher, The New York Times, Nov. 12, 2004. Somehow They Ruled Out Terrorists
"It wasn't clear if the off-message message was an inside job or the work of a high-tech prankster. A Transit Authority spokesman said the agency was investigating the incident." "Token booth clerk David Romero, who notified the TA command center of the bogus message, speculated that someone broke into the TA's computer system." When To Walk Out on Bridget: or, How To Tell You're Surrounded By Career Women in Their Mid-Twenties
You're watching Bridget Jones: The Edge of Reason, and Bridget's love interest, the supportive "human rights lawyer" Mark Darcy (as played by the normally acceptable Colin Firth) utters the following line in the middle of an argument between the two lovebirds: DARCY: I'm not angry at you, Bridget. I'm disappointed. (He smiles.) Disappointed that I can't go home with you right now. And the audience collectively coos a unified, "Awwwwwwwwwww..." Roger Friedman on Cruise Control (Get It?)
Roger Friedman, FOXNews.com's usually spot-on gossip monger (and by 'spot on,' I mean joyfully, hilariously bad, and by 'gossip monger,' I mean Miramax party fixture) has an item on Mission: Impossible 3 today. Since he (or the associate producer who formats his column for the web) phoned the headline in, I thought I'd offer some help. Here's Friedman's: Here are some suggestions: Minority Report on Cruise's Risky Business Do Outsiders Have All The Right Moves, or Is Cruise's Vanilla Sky Turning Into Days of Thunder as the Color of Money Taps the Legend to Hit The Firm Cocktails as He's Losin' It? Yeah, you're welcome.
November 11, 2004
O.C.D.
As everyone knows, today is a special day. It's a day when we take a little time to think about the brave people who give their all and pay the ultimate price for us to live better lives. No, I do not mean the veterans. (Don't you read the right side of this website? We fucking hate the soldiers and we're huge supporters of the insurgents: I have a picture of that dreamy Muqtada al-Sadr hanging in my cubicle.) I'm talking about The O.C., of course! Today is episode two of The O.C.'s second season, and I, for one, am excited. I'm so excited about The O.C., I can hardly think of anything else. This past week's news cycle is just a blur to me: Is Yasser Arafat alive or dead? Did someone in Bush's cabinet resign or get fired or something? Honestly, when I get the paper, I just turn to the TV section to see if there's an article on The O.C., like a cool lifestyle piece on people having parties to watch the show, or style pieces on fashion inspired by the wardrobe, or some sort of medical study on how watching The O.C. can clear up your skin. How come no one has written these pieces yet? What are journalists focusing on that's so much more important than The O.C.? Here's what I like about The O.C.: It's an escape, okay? I can put aside my own life for a little while and immerse myself in the lives of some truly amazing characters. You might find this hard to believe (especially coming from someone who puts his thoughts on the internet for the world to read—sans payment), but I'm happy not to think about myself for a little while. When I watch The O.C., I almost never think about that mole on my shoulder that's been getting bigger and becoming bumpier, or the fact that skin cancer runs in my family, and I don't have a doctor or health insurance. I don't have to think about the fact that I had to buy new pants one waist size larger than my last, or that the last time I did any exercise was in high school gym class, and even then, I mostly faked stomach aches so I wouldn't have to change in front of all those vicious jocks who'd snap me with towels and call me a "queer." (Me, a queer? I wasn't the one who was walking around half naked, patting my teammates on the butt and saying, "Good game, big guy." I mean, so what if I had a picture of that dreamy Moammar Qaddafi hanging in my locker? I have a soft spot for dynamic, photogenic despots, okay?) What was I talking about? Oh yeah, The O.C.. I also like that while watching The O.C., I can use my mind to manipulate space and time, opening a portal to an alternate universe better than our own. What? You don't do that? Continue reading...Make the Pain Stop
Hugh Grant Signals End to Acting Career I don't know if I can take any more bad news.
November 10, 2004
The Good News: Scientists Have Used Stem Cells to Clone Reagan. The Bad News: He's Gigantic. And a Cannibal.
Related: Separated by the art director?
November 9, 2004
Introducing: The Not Ready For Packaging Players
Five Stars: "Trivial Pursuit SNL Edition is fun. There's over 2000 questions about Saturday Night Live. Don't buy it if you have been watching it for less than 10 years because most of the questions are about old sketches, cast members and characters. The DVD part is a lot of fun because you get clues to the questions, your timed and the game goes a lot faster. If you like Saturday Night Live and you have been watching it for a while you should buy this game."[empahsis, mine]-Amazon.com user review of Trivial Pursuit: Saturday Night Live Edition I Learned It From Watching You!
"The mock petition concludes that without the protection of a government 'endangered' listing, 'man will surely succumb to the ravages of an effeminate, feng shui world gone mad.' [...] "The premise - that excessive grooming, smoothies and wimpy sports are draining masculinity from men - may deserve to be filed under hyperbole. But the underlying notion is that Maxim affirms certain behaviors in men before offering them to advertisers. As the Mantropy brochure says, 'Monthly doses of Maxim magazine, and strict adherence to the lifestyle outlined in its pages, have proven effective in curing even the worst cases of Mantropy.'" Earlier: I’ve heard that celebs get rid of under-eye bags with Preparation H. Is it true?Ask Dr. Maxim, June 2001, Maxim. Dating is Fine. Marriage, apparently, is problematic
"Does President Bush have a "mandate" for his second term? You would think that a man closing in on 60 million votes might be in a strong political position, but that's not what many influential liberals and leftists are arguing this week. "Mandate, schmandate, they say." - WHAT W WON, John "Norman's Son" Podhoretz, The New York Post, Nov. 9, 2004.
November 8, 2004
Did Someone Get Paid to Make This Graphic for AFP?
Because if they did, it was too much. Way, way too much. Further Thoughts on Wayne Llewellyn, President of Distribution at Paramount
From today’s New York Times:
"It could be the mood of the country right now," he said. "It seems to be the result of the election." But Alfie’s lackluster o.b.o. wasn’t the only thing to come out of this election. A look at some of November 2nd’s lesser publicized consequences: DVD sales of Farenheit 911 dropped significantly. The third season of Reno 911? Totally put on hold. Jonathan Safran Foer’s drunken boast – "I’m so getting out of this fascist country" – now repeated ad infinitum to friends. David Blaine’s healing powers significantly diminished. Street magic, however, is promised to continue. I might have, just totally randomly, you know, just hooked up with this other girl, but it totally stopped before, you know… I can’t believe this election. Syria? That shit’s on. And remember how I said you should move in with me? It’s just that after this whole election thing, I don’t know if that’s really a great idea. In light of the election. I’m in love with someone else. Election. Yes, And the Story of an Old-Fashioned, Dimwitted Egomaniac Who Tries to Save the World Alone Only to Fail and Realize He Needs the Help of Others Fits Our Mood Perfectly
"Paramount's "Alfie," a remake of a romantic comedy about a roguish womanizer starring Jude Law, opened to a dismal $6.5 million in more than 2,000 theaters, far below expectations... Wayne Llewellyn, the president of distribution at Paramount, said that the conservative ethos reflected in last week's election results might have hurt the film. "'It could be the mood of the country right now,' he said. 'It seems to be the result of the election. Maybe they didn't want to see a guy that slept around.'" Related: Weekend box office report God Is My Second Unit A.D.
November 6, 2004
November 5, 2004
Team Zissou Meets the PLO
[With apologies to Radosh who, unbeknownst to me, got there first.] Jude Law Is Really Hot
Is the remake of Alfie any good? Who cares, when you get to salivate over the universally acknowledged eye candy that is Jude Law, rendering film critics woozy with his piercing blue eyes and razor-sharp cheekbones. A sampling: The movie has only flattering things to say and is driven by images of Law looking never less than scrumptious. At any rate, Jude Law provides tasty eye-candy for an hour and a half. The other ' who shall be known as M2 ' just wanted to see Jude Law's naughty grin and sea-blue eyes, and to appreciate how dazzling he would look in his slim-cut retro suits, and... Law seizes the moment -- delivering Alfie's racy monologues to the camera with charm, wit and enough sizzle to melt cold steel. Millions of women would happily watch the aesthetically pleasing Jude Law read the phone book... ...Jude Law's beauty and easy charm go a long way to softening the edges...Seducing the audience can't be hard work for Mr. Law. Certainly Mr. Shyer seems besotted by his star, and it's easy to see why... Law, with his elfin grin and just-unkempt-enough-to-be-adorable copper hair, is served up as such a tasty treat of a man that every leggy beauty on the street casts a longing look his way. The new Alfie is so irresistible that he hardly requires contempt. This time he's a kinder, gentler (not to mention hotter) superficial, misogynistic, womanizing scoundrel...Perhaps he's simply too pretty on the outside to play someone so ugly on the inside. Previously: Why Are These Men Smiling? Upon Cancellation of Tough Crowd with Colin Quinn, a Look Back at Its Funniest Moments
That time the Italian guy said something nasty to that black guy and then the black guy said something nasty back to the Italian guy and Colin was all like, "We just tell it like we see it, people."
November 4, 2004
Obligatory Pop Culture Entry To Prove We Haven't Become Humorless Prigs
The O.C. is back! Dude, The O.C. is totally, totally back! And not a minute too soon. Nothing makes me forget the difficulties of being an adult than watching a bunch of attractive actors play out fantasy scenarios of the awesome teen years I never had. After a long day of commuting to work, being belittled and humiliated by employers, forced into small talk with ignorant coworkers, trips to the ATM to see you have less money than yesterday, skimming magazines and seeing images of a good life you will never be able to attain, and commuting home to your tiny, over-priced hovel for another night with the partner you've settled on, nothing speaks to you like The O.C., baby! Guys, isn't it so awesome that you can ogle the chicks on the show even though they're underage? It's like an hour-long suspension of all known statutory rape laws. They're so much younger than your wife or girlfriend, and it's a lot safer than talking to girls in AOL chat-rooms or flirting with your daughter's friends. And you can totally masturbate to it if you watch it in your den with the door closed. And ladies, isn't it so great that you get to be in love with that nerd character, even though when you were in high school, you would've wanted nothing to do with him and probably spent the majority of your day making his life a living hell? But compared to your insensitive, foul-smelling, hairy-backed manchild of a husband or boyfriend, the so-called man who makes love to you with the repetitive, passionless finesse of a Punch Press, that O.C. geek is like prince charming. You even cut his photo out of Entertainment Weekly. You are too cute! God, when did your life start to suck so bad that the completely fictional lives of imaginary rich kids become the ultimate escape? If you think about, you almost want to cry. You almost want to shoot yourself with a diamond bullet that would tear you apart, shattering the numbing boredom of your life, the endless trips to the gas station, the loading and unloading of the washing machine, the mortgage payments, the judgmental glares of all those people who think they're better than you even though you try your best to be a good person, the microwaved leftovers that are still cold in the middle, that feeling you have after three beers on a Sunday, sitting on the couch not quite drunk but dimly aware that this is it, this is all there is to your life. And you're, what, 32? Jesus. Yay! The O.C.! Yay!!! Okay, that was a complete failure. I've never even seen The O.C.. I'm sure it's pretty good. The O.C. airs 8PM EST, on FOX. We're Back (Like It Matters)
Hi. Hey, how are you? You look really good. Are you working out? Or, wait, it's your hair. It looks great! How did we not notice your haircut? It's so, so great. Us? We're alright. I mean, we're okay. Actually, we're not so good. You won't believe the week we had. First, our site went down. I know, it's nuts! Right before the election! Some software crap. Or server crap. Or some combination thereof. Messy stuff. Stressful, too. We're fine now, I think. I mean, we're still coughing up chunks of phlegm the size of walnuts, but we're gonna go back to work and stuff. We'll survive. Luckily, not much happened in our absence. Oh, that election thing? That's nothing. We're not even thinking about it. These new meds our doctor gave us create a cool, calm feeling inside us that makes this election look like... Well, it looks like everything else right now: sort of hazy, flowing like blue-tinted liquid glass that encircles our awareness of reality and encloses the burning rage and despair we feel deep down in the part of us that's still alive. It's awesome: you gotta get some medication, you won't be sorry. And we got our hair cut, too! Do we look good? Well, we'll be back to posting shortly, in between cutting ourselves and lighting fires behind our house. It's good to see you. We really love your hair.
October 29, 2004
Funny, That's What Those Thai Hookers Said, Too
"This matter has caused enormous pain... This brutal ordeal is now officially over, and I will never speak of it again."
October 28, 2004
The Who... Well, You Know
I know that pointing out the "irony" of The Who releasing an album called The Who Sell Out in 1967 and then selling out their every song to Madison Avenue and Hollywood is about as clever as suggesting that Alanis Morissette misunderstood the meaning of the word "Ironic." But The Who-ification of commercials, TV, movies, and trailers is starting to get out of control and it's time to put a stop to it. Is there a single commercial in production that's not considering using a Who song? Will we see these song/product synergies in the near future?
Really, Pete and Roger: We've all just "Had Enough." Balloon Man
Rhys Ifans' new film, Enduring Love, is a charming sequel to his even charminger Danny Deckchair, in which Mr. Ifans' relationship with ballooning is further explored. Up next for Mr. Ifans? Maria Full of Grace 2. Man Underwhelmed
You survived Christmas... You collected your Paycheck... But are you ready for Ben Affleck's next cinematic blast of explosive diarrhea, Man About Town? Currently filming in lovely Vancouver, Man also stars Oscar and Nobel Prize nominees Rebecca Romijn-Stamos, Amber Valletta, and Gina Gershon, and, oddly, Air America Radio's own Sam Seder. (Sam, Sam, Sam. Well, I guess you and Ben are having some good talks about John Kerry.) But if these names—and BEN AFFLECK—aren't enough to pump you up for this film, maybe its writer, director, and co-star will: Mike Binder! You know, he of the sub-sub-sub-Woody Allen knock-offs The Sex Monster and Londinium (straight to cable and straight to your funny bone!), and HBO's second funniest show (after Arli$$, natch) The Mind of the Married Man! (Why only one season, HBO? Now we'll never know if Binder's character Micky Barnes ever followed through on that apt metaphor for the entire show and got that full-release massage or not.) I for one cannot wait to see the one-two comedy punch of Binder and Affleck. Oh, and did I mention that it also stars the coolest teacher at "Manhattan High School," Howard Hesseman? Well it does! Truly, this will be a Man in full! Sure, The Red Sox Won. But Can Jimmy Fallon Break the SNL Movie Career Curse?
Roger "I Don't Just Flack for Harvey" Friedman reports: "[Y]es, that was Fallon caught live on Fox extravagantly kissing a blonde who looked a lot like Drew Barrymore on the field right after the Red Sox won the World Series...The reason for their appearance: Jimmy and Drew are filming a new movie called 'Fever Pitch' about an obsessed Red Sox fan and the girl he loves." Directed by the Farrelly brothers from a script adapted by Lowell Ganz and Babaloo Mandel. Heart, prepare to be warmed! The Scariest Part Is the Con-Ed Bill
Related: "...sweet crude oil down $2.71 a barrel to $52.46." Mmmm.... Sweet crude oil.
October 27, 2004
I am Jack's dated movie tie-in
Coming soon to your pretentious "anti-establishment" best friend's smoke-filled rec room: Fight Club: The Game from that bastion of anti-authoritianism, Vivendi Universal Games. (FOX must've passed on it since it destroyed Bill Mechanic's career.) So put down that dog-eared Hunter S. Thompson book and pick up your PS2 controller, you rebel. It's time to tear this whole fucking system down: from your couch! Yes, in fully-pixelated glory, it's a recreation of the dilapidated yard you grew to love so much with your repeated DVD viewings of David Fincher's Fight Club...you remember the film, right? It came out in, ummm, 1999? And there's that beautifully grimy, dimly-lit basement! It's almost as if Chuck Palahniuk himself is getting all up in your face, ready to pummel it into oblivion. God. There's Meat Loaf, in what surely has to be his first-ever appearance on an X-Box or PS2. And in the vein of a good self-help group session, video game fans are congregating and clamoring for changes to the way in which this particular one is played. From the manufacturer's forums: "Wouldn't it have been awesome if, after the fight, both fighters, completely covered in bruises and blood would hug each other? That would have been so much funnier and different than all the other crappy fighting gmes target to pre-adolescent rap-boys with Girls, Money and Power on their minds. Hey, man! The first rule of Fight Club is you do not reveal the queer subtext of Fight Club. The second rule of Fight Club is you DO NOT reveal the queer subtext of Fight Club. The third rule of Fight Club is take off your shirt and let's grapple. Eh, Not So Much
Is this another prank from those tricky Canadians at Vice? If it is, it's not so funny, but it's better than the whole "We're white supremacists" thing. If it's not... I guess that's why it's not funny at all. Notes Towards an Election Week Mix Tape
"The Final Countdown," Europe "Political World," Bob Dylan "Power to the People," John Lennon "It's the End of the World As We Know It (And I Feel Fine)," REM "Welcome to the Terrordome," Public Enemy "Help!," The Beatles "The Power," Snap "I Started a Joke," The Bee Gees "Whistle When You're Low," Cancer Boy "Did You Ever Have to Make Up Your Mind," Lovin' Spoonful "Manic Depression," Jimi Hendrix "Heroes," David Bowie "A Change is Gonna Come," Sam Cooke "Authority Song," John Mellencamp "You're a Big Girl Now," The Stylistics (for Dubya) Question: What's on yours? Despite This, You Should Still Vote
Earlier: Another counterculture icon for participatory democracy
October 26, 2004
It's Been A Long Campaign Season
We're all sagging a bit, but we can pull through, people! Chomsky Shrugged
Bipartisancurious Andrew Sullivan seems to strain credulity a bit with this passage in his endorsement of John Kerry: Does Kerry believe in this war? Skeptics say he doesn't. They don't believe he has understood the significance of September 11. They rightly point to the antiwar and anti-Western attitudes of some in his base--the Michael Moores and Noam Chomskys who will celebrate a Kerry victory. Frankly, we find it somewhat difficult to imagine the dour MIT linguist celebrating anything, especially the election of John Kerry, whom Chomsky endorsed, if anything, more reservedly and reluctantly than Sullivan did. My Big Fat Ancient Greek Word
How does a writer make himself or herself sound real smart? Use big words! "Lonnie Hanover, the club's publicist, began talking to the New York Daily News, the New York Post, and the New York Observer about the calls from Republican delegations and the big name entertainers' who would be specially imported for their ecdysiastic needs," Live Nude Girls: Undercover at the RNC, by Mara Hvistendahl, The Philadelphia Independent, Oct. 2004. [via Gawker] Thanks for making us all sound a little more literate, Mr. Mencken Suggested:: callipygous. Related: Ecdysiastic.com. Dino's List
The best part of the new Mr. Show with Bob and David season 4 DVD? The obligatory blooper reel of course. But more specifically, the really best part is the fetishy tribute to show writer, producer, and sometime actor Dino Stamatopoulos that shows him riding his chopper, mucking around in a lake, and flubbing his one line in the excellent Amadeus parody "Philouza." ("There's Philouza!") If Bob and David are the Lennon/McCartney of sketch comedy, Dino's the Frank Zappa: weird, obscure, beloved by a legion of creepy fans who obsess over his ouvre like members of a secret society— and then there are Dino's questionable Zappa-esque grooming choices. He's probably the funniest person you've never heard of. If a show was funny, Dino has probably had his grubby hands in it: The Ben Stiller Show, Late Night with Conan O'Brien, TV Funhouse. (Memo to Comedy Central: Put that show on DVD post haste!) He's even had his hands in some not so funny shows: Take MAD TV. Please, take it. Listen to the commentary tracks for Ben Stiller or Mr. Show and you'll see: It's Dino's world, we just laugh at it.
Related: Fun Bunch Comedy John Peel's a Dead Cunt
John Ravenscroft, aka John Peel, legendary Radio One DJ, is dead of a heart attack. Pirate radio DJ, punk patron and OBE, Peel, according to legend, was the first DJ to play a record twice in a row. Download mp3's of recent Peel Sessions here. Peel on Peel Sessions: Lies, Falsehoods, and Total Fabrications, vol. 2
The lies will out... At least six real-life crimes have been solved by actors from CSI. There are four yoga poses that cause instant death: powerful members of the yoga community will not release the names of which ones. If left in a bottle of Snapple overnight, a penny will completely dissolve. In 1973, General Motors patented an engine that runs on ground up kittens: The ASPCA has prevented them from ever releasing it. 3 out of 4 Canadians are criminally insane. 'Perf' Post Piece Sends Circ Soaring
Today's a red letter day for The New York Post. They finally printed the Platonic ideal of Post stories. No, I'm not talking about Steve Dunleavy's heartfelt tribute to his Iraq-bound son/critique of John Kerry. (Though, that piece is pretty close to ideal for The Post.) I'm talking about Chris Wilson's 'Gay' Dogfight, which manages to set-off almost all of the paper's hot-buttons and embody everything we look for in a 25-cent birdcage liner. To wit: ¶Violence: Nothing gets the morning blood flowing like some violence in the paper. The New York Times has some story about some crap in Iraq, but the post has this: "He just kept stabbing me. At first I thought he was punching me, until I felt all the blood dripping down. He kept saying, 'I want to kill you! Why don't you just die already?'...The scissors were open, so every time he stabbed me, it was like getting stabbed twice." ¶Celebrities: "They regularly groomed J.Lo's cocker spaniel, Boots, and Janet Jackson's Rottweiler, Reilly. They also primped P. Diddy's canine posse: Sofie, the Maltese terrier; Honey, the Shar-Pei; and Lady, the Shih Tzu." J.Lo and P. Diddy? And their dogs? Wow, wow, and bow-wow! ¶Hilarious Homos: "The former partners considered to be among the city's top pet groomers penned the 'Queer Eye for the Scruffy Dog' column for The New York Dog magazine." These guys are like real-life versions of Scott Donlan and Stefan Vanderhoof from Best in Show! ¶Puns: Not only does Wilson get to use puns like "the fur flew" and "animal attraction," but the alleged attacker and victim ran a company called Doggie-Doo and Pussycats, Too!. C'mon! You can't make up puns like that. Actually, I guess you can. ¶Quotation Marks: We get a 'double dose' of patented Post quote marks: Gay 'Dogfight' (hed) and Celeb groomer 'stabs' his lover (sub-hed). Why the quotes around 'stab'? I guess it's not a real stabbing if it's gay dudes. While this is a Platonically ideal Post piece, I sort of wish they could've fit in a slam at The New York Daily News circ numbers, John Kerry, and a trendspotting exposé about something six months old. Luckily, the rest of the paper comes to the rescue. So, kudos to Chris Wilson and the editors of The New York Post for this story: Keep up the great work and our 25-cents will be yours every single day, except Saturday when the paper's thinner than a fax sheet. And Sundays, when it's 50-cents, and twice as worthless.
October 25, 2004
Fan, Meet Shit
Related: Anyone else out there get sent home with a note from your elementary school principal warning your parents not to let kids watch The Day After when it aired on TV? Question for The New York Post Photo Department
Did you use this picture of the Olsen twins' Saturday Night Live parody of The Swan: a) To be funny? Is Ashlee Wired?
Previous thoughts on Ashlee Simpson.
October 24, 2004
But That's the Name of Scott Ritter's Book
Lizz Winstead's advice to Jon Stewart, from If You Interview Kissinger, Are You Still a Comedian?, by Damian Cave, The New York Times, Oct. 24, 2004: "Jon should be the guy who asks the satirical questions... He wouldn't have to nail someone and make them uncomfortable, but since Jon is so brilliant at being satirical, why not say to Richard Perle on the show, 'Did you ever think of calling your book 'Confessions of a Chicken Hawk?' " Related: One more Kissinger mention and my next coffee's free! Really Related: Winstead chatted with Kurt Andersen about this very topic in Mother Jones in May/June (it was a long chat): KA: Speaking of The Daily Show, I'm always impressed by how comfortably Jon Stewart interviews Kissinger or even Richard Perle. Yay! Free coffee time!
October 23, 2004
Dubya the Dread
What happened to you, Christopher? You used to be cool. Why I'm (Slightly) for Bush, by Christopher Hitchens, The Nation, Oct. 21, 2004. Related: Well, Comrade Hitchens has endorsed worse.
October 22, 2004
low culture Exclusive: Bill O'Reilly's Internet Bookmarks
Best. Google. Search String. Ever.
My favorite part is the little survey NBC41.com saw fit to include: Should these men have been arrested? Survey said?! No, they should be beatified.
October 21, 2004
Unintended Irony Alert
From imdb's Movie & TV News: From Kidzworld.com's Ricky Martin Bio Page: Move Over, Tragedy. Hello, Farce!
Perhaps the worst trip idea I've ever heard of: a 16 day Apocalypse Now-theme vacation in Vietnam, Laos, and Cambodia. Really, which is a worse experience to retrace: The fictional journey (random shooting, freak-outs, beheadings, explosions) or the cinematic journey (typhoons, heart attacks, bankruptcy)? Have fun! Don't forget to write! As creepy as this is, I guess it's better than The Sorrow and the Pity Parisian Excursion, The Silkwood Seniors' Weekend, or The Alive Andes Adventure. [via Green Cine Daily]
October 20, 2004
Worst Choke Ever
I'm not surprised, but now that it's actually happening, it's worse than I thought it would be. This is the worst choke since the drummer from Spinal Tap choked on someone else's vomit. EARLIER: Post-Imperial Melancholy 2BR, 1.5 BTH, WBFP, NO CLOSETS
McGreevey's Wife, Going Her Own Way, Buys a Home of Her Own Thank you! We'll be here all week! You Know, From Hookers or Kissinger or Whomever
"[C]alling me a d- -k or making fun of my bow tie is not gonna rattle my cage. It's not like I haven't heard that before." — Tucker Carlson, quoted in Page Six. Post-Imperial Melancholy
It is clear that the Red Sox will soon delight their long-suffering fans by reaching the World Series for the first time since 1986. We applaud them for their historic comeback, as much as it irks us to lose to them, of all teams. Undoubtedly, there are many readers who have no sympathy for the Yankee fan, and not merely the joyous citizens of the so-called Red Sox Nation. To fans of all other baseball teams, the Yankees and their fans appear much as Americans appear to the citizens of all other nations -- spoiled with obscene prosperity that they then, adding insult to injury, proceed not merely to enjoy, but to expect, at all costs. To the rest of the baseball world, the Yankees are the hyperpower, led by a boasting, undiplomatic, bloviating madman named George, using their tremendously disproportionate wealth to tilt the playing field in their favor and to insidiously appropriate the resources of the less fortunate. Continue reading...
October 19, 2004
An All-Star Cast
"Gary goes through the usual three-act gamut of rivalry (with a puppet whose resemblance to Seann William Scott is surely intentional), romance (with a puppet whose resemblance to Elisabeth Shue is probably not), self-doubt and redemption, much of it set to music." "[H]is performance as John, the actor-phobic Team member is the best of Aaron Eckhart's career." "The team's control-room chief, Spottswoode, a white-haired bureaucrat in the James Mason mold, never loses his stentorian cool, even when he's commanding Gary to, uh, go down for his country." "What's different is that, yes, the hero is a puppet, and you can see his strings. And he's not a fighter pilot, he's a Broadway actor, recruited by a Charlton Heston-like figure with an omnipresent highball to save the world with his ACTING by infiltrating an Islamic terrorist group." Yes, But He Was Still Funnier That Night Than Jimmy Fallon Was in Taxi
According to the (criminally Pulitzer Prize-free) reporters at Page Six: FORMER Saturday Night Live star Tracy Morgan had an embarrassing episode at Suede last Thursday night. A spywitness tells us the highly intoxicated comic stripped off his shirt, crawled around on all fours and vomited on the floor before concerned friends eventually carried him out of the club. It wasn't the first time Morgan melted down during a night on the town he's still banned from Madame X after a drunken debacle there a few years back. Morgan's manager did not return calls. Confidential to Tracy: Pull it together, man. Your destiny is not here. When Life Sort of (But Not Quite) Imitates Satire
low culture, January 22, 2004: The Believer, October 2004: For our younger readers, the man on the right is Howard Dean.
October 18, 2004
Why Are These Men Smiling?
You'd be smiling too if you slept with half the women in the world and your buddy slept with the other half. Hack Writers, Start Your Puns
Tomorrow, NBC premieres the latest entry in the Since most TV critics are filing their reviews with their editors right about now, I thought I'd offer them some help with their inevitable shitty puns and fat jokes. Feel free to use any of the following phrases in your articles or headlines, or um, become a better writer: ·Fat Tuesday When Oscar Met Jesus
Will Oscar Listen?, Sean Smith, Newsweek, Oct. 25, 2004.
October 15, 2004
A Woman Without Qualities
These titles were already taken, but are just as good: If I'm So Wonderful, Why Am I Still Single? Waste and Want: A Social History of Trash
October 14, 2004
Last Derrida Post Ever
We couldn't help but notice that since we issued our "modest defense" of Jacques Derrida, various arms of the media empire seem to have rethought their initial scorn towards the late French philosopher and his work. This critical reappraisal is most apparent in the New York Times, which offers this panegyric, revealing, among other things, that Derrida gave carnival masks to young children of American academics. The Guardian has a more diverse sampling of opinion from across the pond, some pro and some con. Less hagiographically sympathetic (and somewhat saucier) than the Times op-ed is Marco Roth's piece in the upstart literary journal n+1, which has the virtue of describing a hot chick with whom the author attended Derrida's lectures in Paris: ...I watched the raven haired girl who always wore a miniskirt and a fur coat, the sort of Parisienne I fantasized about meeting before my trip. She filled line after line of graph paper in a neat miniscule hand, never stopping. She seemed to be able to take him down verbatim. At the end, she would dash out of the hall. Where? To sum up, the new media consensus seems to be "Derrida: Not Necessarily A Pernicious Nihilist Who Threatened The Very Foundation Of Western Society And Cutlture." And, as always, dear reader, you heard it here first. EARLIER: Confessions of a Teenage Deconstructionist EVEN EARLIER: Jacques Derrida, 1930-2004
October 13, 2004
Why... Is Michelle Malkin the New Jadakiss?
The many questions of Michelle Malkin: How... many hate crime anecdotes does it take before the mainstream media spot a trend? But what... happens when the targets are the wrong kind of victim? What... happens when conservatives and Republicans are on the receiving end of discriminatory threats or harassment or worse? Hello..., reporters? Is... anybody home? Is... it my imagination or do I hear pins dropping in the grievance corners of America's otherwise victim-friendly newsrooms? Can... I get a hair appointment and pedicure before appearing on Scarborough Country on Friday? Will... The pedicurist be an immigrant? Should... I cancel it if she is? Why... is my Amazon rank so low? Holy Shit, We Need to Get Ourselves One of These Blog Things
First comes this excellent article from a newspaper called The New York Sun that not only tells us about blogs, but finally—finally!—explains that "jumping the shark" phrase our 15 year-old cousin always uses. (It has something to do with Happy Days.) There's also an excellent little primer about a show called Oz, which we're definitely gonna watch this week. The article, by a writer named Eric Wolff (remember that name!), is all about a website called Gawker, which we plan to check out after we have our morning coffee! It also answers the age old question: Who gives the best soundbites, Condé Nast editorial assistants, or 'cyber-hostesses'? (It's a draw! They both bring the noise and the bite!) Then there's this Tom Scocca piece from The New York Observer about a guy who runs a site called The Minor Fall, The Major Lift (definitely gotta check his stuff out) who was once annonymous but is now going by his real name, Alex Balk! Plus, he's now writing for The New York Times! Like other bloggers! (Memo to self: Pick up the Times this weekend on the way to brunch!) What's exciting about this (and warrants all these exclamation points!!!) is that we can now see that far from being an annonymous wag, this Balk fellow was actually hiding in plain site all along, submitting to a website called McSweeneys and playing along on the Slate News Quiz with Emmy-winning TV writers and producers! Next Major Lift, Hollywood!?! Phew! This entry has fairly knocked us out (we topped off our exclamation point quota in the second paragraph!), and now we're off to go figure out how to get one of these blogs set up. Our 15 year-old cousin is great with computers, and we think the "domain" JackieHarvey.com is still available! As they say in Latin, Excelsior! Rooting for the Overdog
As gratifying as it is to win these games, they have become so excessively fraught that to watch them is emotionally taxing in the extreme. I thought I'd be able to relax and get some work done when the Yankees opened up an eight run lead, but the Red Sox regrouped, metastasized, and emerged with a deadlier-than-ever assault. Clearly, they pose a threat that requires constant vigilance. Some day, they will win -- perhaps tomorrow. It's not a question of if, but when. It may be unpopular and controversial to put it this way, but I think we have to get back to the place we were, where the Red Sox are not the focus of our lives, but they're a nuisance. We're never going to end this rivalry. But we've got to reduce it to a level where it isn't on the rise. It isn't threatening people's lives every day, and it's not threatening the fabric of your life.
October 12, 2004
We Love Disney, We Love It Not...
Can a mindless paper be of two minds on a given subject? This is an ontological question worthy of the world's best existential detectives. But when it comes to a force as polarizing as the mighty mouse, who can blame them for being a bit schizo in their coverage? That, or the editors don't even read their own rag. Either way, Michael Eisner is going to be very angry... Then very happy... But then angry again... Followed by happy.
October 11, 2004
Confessions of a Teenage Deconstructionist
We all have our youthful indiscretions, those young and irresponsible things that we did when we were young and irresponsible. Senator Robert Byrd, for example, was in the Klan, while George W. Bush was a cheerleader at Andover, and, most seriously of course, John Kerry was a war hero. My own modest indiscretion is that I Was A Teenage Derridian. Yes, as a literature major in the early 90's, I was inundated with the "critical theory" associated with various continentals from Adorno to Deleuze to Foucault and most of all, Jacques Derrida. And let me make it clear that I was not merely the victim of all this theory; in fact, I eagerly sought it out. Indeed, some witnesses even report that I had Derrida's famous statement "il n'ya pas de hors-text" ["there is nothing outside the text"] stencilled upon my cap at graduation. [Long, boring article follows below the break.] Continue reading...Three years and zero washes later...
Where do you live, Jimmy Fallon? From left to right, the SNL wunderkind on the cover of Paper's November 2001 issue; and the star of Taxi featured as "Man of the Week" in the October 18, 2004 issue of Us With the Sports Illustrated cover curse, you merely lose games, but not friends and supporters
From Sen. John Kerry's remarks at the Second Presidential Debate, Washington University, St. Louis, Friday, October 8, 2004: Chris Reeve is a friend of mine. Chris Reeve exercises every single day to keep those muscles alive for the day when he believes he can walk again, and I want him to walk again. From "'Superman' Star Christopher Reeve Dies at 52," The Associated Press, Monday, October 11, 2004: Christopher Reeve, the star of the "Superman" movies whose near-fatal riding accident nine years ago turned him into a worldwide advocate for spinal cord research, died Sunday of heart failure, his publicist said. He was 52.
October 10, 2004
Jacques Derrida, 1930-2004
"My death, is it possible?" asked the late philosopher Jacques Derrida in his book Aporias.
October 7, 2004
What next, an NEA grant for Mapplethorpe?
Once, years before a hyperbole-prone Graydon Carter pronounced "the end of the age of irony", the more astute Tom Lehrer remarked that Henry Kissinger's 1973 Nobel Peace prize rendered political satire obsolete. One wonders what Tom Lehrer thinks of today's announcement that the the Nobel Prize in Literature was awarded to the perverted Austrian novelist Elfriede Jelinek. While not an act of cosmic irony on par with Kissinger's Peace Prize, it is, if nothing else, the last nail in the coffin for kinky books. Even if you are inclined to enjoy nauseating, degenerate art-smut like this (and if you are, you should be ashamed), you have to acknowledge that the authors of these nasty things should not be rewarded for writing and promulgating them. Most of Sade's horrid output was written in prison, and rightly so. Georges Bataille published the shockingly perverse "Story of the Eye" under a pseudonym and spent his wretched life as a creepy librarian, unwilling to face the well-deserved umbrage that even his fellow Frenchmen would have unleased upon him had he taken responsibility for his "work." Of course, we here at low culture regard this kind of cultural output as not merely beneath contempt, but in fact a danger to our American way of life and values, the sort of pernicious decadence that leads to the downfall of great civilizations. But even if we did care for this kind of thing, isn't it a fundamental element of these naughty books that they and their authors are "transgressive", that they are breaking the rules of society? And shouldn't society respond to transgression with censure and condemnation, not fancy medals and prizes? Indeed, in a year in which the world was appalled by images of grotesquely sadistic acts, is it not poor timing -- if not a bit perverse -- for the Swedish Academy to award its Literature prize to a pornographic writer who celebrates perversity?
October 6, 2004
More Notes Towards the October low culture Index
Mayor Michael R. Bloomberg, who donned a tan cowboy hat, joked that he was working on a song called "Mamas, Don't Let Your Babies Grow Up to Be Mayors." Number of jokes made by Mayor Bloomberg about writing country songs: at least 1. Additional number of such jokes desired by New Yorkers: 0. Total number of such jokes desired by New Yorkers: 0. The Most Embarrassing New York Post pop culture mistake since Jam Master Jay Spotted
"Fallon, who has zero screen presence, flounders around, dribbling forth what can only be improvised dialogue in the most embarrassing SNL vehicle since Pootie Tang." 'TAXI' DRIVEL, by Megan Lehmann, Oct. 6, 2004 Notes Towards the October low culture Index
Age under which commercial composer and tea salesman Moby says every celebrity seems like a "half-wit": 23 Year Harvard educated action figure model Natalie Portman was born: 1981 Rodney Dangerfield, RIP
I had the pleasure of interviewing Rodney Dangerfield two years ago. He was a great guy, a little out of it, but still as funny and nasty as you could hope for. I met Rodney in his Westwood apartment, where he lounged in a loosely held bathrobe - that night I saw more of Rodney Dangerfield than I expected, a softer, more fleshy, less circumcised side. I also met his wife, who was beautiful, blonde and half his age (placing her somewhere around fifty), but she was surprisingly sharp and impossibly nice. Rodney was in show business for more than sixty years and worked every gig imaginable, from singing waiter to The Dean Martin Show. He discovered Kinison and Hicks and countless others. In many ways Back to School is to blame for my own sub-par performance in college. And how many times can you wring your collar and declare "No respect" before it gets tired? Never. What follows are excerpts from the interview or the transcript. On Overcoming Depression: "When you're smart," Rodney says, "you've got no one to talk to. I've done everything for it, including forty-eight Austrians, OK? It's not easy." On Romance: "Listen man," he offers, "You can always find a chick with a nice ass. You find a chick who'll actually listen to you, and you can bring yourself to listen to? That's what you hold on to. If she has a nice ass too, that's not so bad either." I like Rodney's advice - it seems honest - but this comes only minutes after he's said, "I told my wife she's awful in bed. So she went out and got a second opinion. And then she got a third opinion, and a fourth opinion." And the inevitable follow-up, "My wife, she likes to talk during sex. The other night she called me from a motel." Continue reading...
October 4, 2004
The New York Times Redesign: Skewing Younger, Much Younger
Little Jackson Pollocks, Exploring in Oil Paints Which Was Painted By a Child? A Portrait of the Artist as a Young Girl Love and a Village Charmer w/ WOOD BRNING FRPLC
Before I moved to Manhattan, spent far too much time in graduate school learning to be erudite about le cinema and became the Cinecultist, I used to just be a movie fan. I loved certain films unabashedly and a tad obsessively particularly ones about the life of young, single New Yorkers watching them over and over again until the VHS tapes (remember those?) almost gave out. Nearly at the top of the list was, and still is, Warren Leight's The Night We Never Met (1993) starring Matthew Broderick and Annabella Sciorra. The premise is three strangers share an illegal time share in a West Village brown stone walk-up. The lease holder's a Wall Street type about to get married who's moved into his girlfriend's co-op but doesn't want to permanently give up the locale of his boy's club debauchery and so, rents out the space for four other nights a week. In this pre-Craig's List era, a broken-hearted struggling chef (Broderick) and dental hygienist from Queens (Sciorra) answer his assistant's ad and take the space for cooking/dating and painting, respectively. They only know one another from the names on a posted schedule of assigned days, but with a predictable switch of Tuesday for Wednesday, Ellen the hygienist begins to fall for Sam the chef, but thinks he's called Brian, who's actually the trader. Ah, the vicissitudes of love. Continue reading...
October 1, 2004
Shabbat Shalom, from your friends at the New York Post
Oy, we're kvelling over here about how many mentions of Jews there are in today's New York Post! Nu, it gives us such nachas to see that this city's true paper of record is finally recognizing Jews' valuable contribution to the city! First, there's an article on Jews in reality TV shows sensitively headlined Jew-Insult 'Apprentice' Fired Twice by Don Kaplan and Braden Keil (two nice Jewish boys, yes?). Strangely, this piece about Apprentice contestant Jennifer Crisafulli's anti-semitic comments ("It was those two old Jewish fat ladies!") is not on the Post website (conspiracy?), but you can read all about it here. (Why isn't this article online? Such a shande!) Then the Post saw fit to run a From the hilarious headline (New Jewcy.com Web Site's Offerings Are Strictly Kosher) to the article's pitch-perfect lede ("Call it knish kitsch."), this has to be one of the best, most spot-on pieces about Jews I've ever encountered! And I've read tons of Jewy crap! Since the very headline was a plug for Jewcy junk, you just gotta check out their website for hilarious T-shirts emblazoned with such clever, easily accessible Yiddishisms as Yenta, Kvetch, and Meshuggenah! It's shtetl fabulous—even for your shagetz boyfriend who gives your mother such tsuris and makes her want to plotz! Feh, it's enough to make you chaloshes! I just wish I could remember Jewcy's URL and help them make some more gelt. Oh, well, guess they get bubkis. Presidential Debate Highlights, as selected by Benji Harmon, 8 year-old pundit
(Or: The Debate was so fucking painful, I reverted to early childhood) "This nation of ours has got a solemn duty... We have a duty to defeat this enemy. We have a duty..." "Now, we're doing our duty..." "...active duty..." "We're being challenged like never before, and we have a duty..." " It will help change the world. That we can look back and say we did our duty..." "...the enemy attacked us, Jim, and I have a solemn duty..." "...active duty..." "I add two active-duty divisions..."
September 29, 2004
And, the Sentence of the Day Award Goes to...
Joe Hagan of The New York Observer: "By the time Mr. O'Brien came to the program, the sensibility had developed from comedy to irony, past self-awareness in a trilling triplicate, approximating the absorptive sophistication of a media-glutted viewership, having steamed past the grizzled Mr. Letterman who has more and more developed the aspect of an aging, crotchety pioneerold Davy Crockett in the U.S. Congress." From, Jay Leno Deferred To Culture Quake As Conan Gets It, Sept. 29, 2004 Unfortunately, we've run out of time for Hagan's acceptance speech. Who Writes Your Material?
Where on earth does hard-hitting editorial cartoonist Sean Delonas come up with his ideas?
September 28, 2004
At least they agree it was Central California
"Powerful Quake Strikes Central California" "Moderate Earthquake Shakes Central California"
September 27, 2004
♥
That's a heart. And it's for you. Well, it's for you if you plan to blog about I ♥ Huckabees this week. But be careful. It's easy to mess up this special tag and wind up with the wrong title, like: I ♣ Huckabees (Way too violent.) And, finally, a title that seems unlikely since Huckabees is opening in limited release against Ladder 49 and Shark Tale this Friday: I'd ♥ that, but I doubt we'll see it.
September 24, 2004
Meet Ivan: not the hurricane, but the weary dog lingering outside your gas station
"Weakened Ivan circles Gulf; expected to die", The Advertiser, Lafayette, Louisiana
September 22, 2004
New & Improved, Tastes Better, 33% More Tabloidy
You see this exciting, bold, vibrant graphic peeled from the cover of the most recent issue of Us Weekly (October 4, 2004), the issue that insouciantly proclaims that Britney Spears' much-hyped marriage last weekend to Kevin What-the-Fuckshisname was "staged" and "faux"? The circle, which appears alongside the magazine's logo in the topmost corner of the cover, boasts about there being "12 bonus pages" to the issue, which, I guess, is a worthwile, valuable component, except the "bonus" factor is somewhat diluted by the fact that each and every issue of Us has borne this same tagline since, ummmm...bear with me, here...the May 24, 2004 issue. May. Spring. We're talking flowers, not fall foliage. Or, for a better sense of perspective, the cover feature for the very first appearance of this "New! 12 Bonus Pages" promotional graphic was a large portrait of a beaming Jennifer Lopez and the headline, "New Ring, Big Trouble: Jen's flashing an 8-carat rock from married Marc Anthony. As his wife fumes, is Lopez headed for more heartache?" Well, we all know how that worked out. She got married. And what's new is old again.
September 21, 2004
Hipsters vs. G-d
Harper's Magazine has kindly translated from Hebrew a Hasidic Jew petition/prayer distributed during a January protest in Williamsburg, Brooklyn. The Jewish group was particularly distraught with the rising costs of housing in the neighborhood, a trend that they have affiliated with the trendy young people now populating that area of Brooklyn. This prayer goes a step beyond playa-hatin', it likens the hipsters to the plague: Master of the Universe, have mercy upon us and upon the borders of our village and do not allow the persecution to come inside our home; please remove from upon us the plague of the artists, so that we shall not drown in evil waters, and so that they shall not come to our residence to ruin it. The New Newspeak
For those who care to remember, HBO's Not Necessarily the News was a kind of embryonic Daily Show with John Stewart, offering its own skewed' take on Nancy Reagan, Mikhail Gorbachev and the Noid. While the show appears horribly dated from here, one segment is apparently timeless - Rich Hall's Sniglets, in which ordinary people (i.e. just like you and me) invented words that don't appear in the dictionary but should. Mostly this amounts to amusing portmanteaus that concern the refrigerator lightbulb or frayed shoelaces. But leave it to the original cats from McSweeney's to find a whole new application for Sniglets. It's called The Future Dictionary of America (not to be confused with Faith Popcorn's incisive Dictionary of the Future) in which cute, non-threatening writers like Jonathan Safran Foer and Sarah Vowell present new vocabulary words for the dystopic future that awaits us all. See if you can distinguish between the Sniglets and the works of capital L Literature. (Answers below.) Dopeler effect: the tendency of stupid ideas to seem smarter when they come at you rapidly. Idiolocator: the symbol on a mall or amusement park map representing "You Are Here" Giraffiti: vandalism spray-painted very, very high. Fictate: to inform a television or screen character of impending danger under the assumption they can hear you. Zzzunday: national holiday occurring once every 28 years, when a Leap Year coincides with a Sunday. Jukejitters: fear that everyone thinks that you picked the awful tune emanating from the jukebox when it was actually the person before you. Gertatious: having the adolescent fear that hanging one's arm over the bed at night will mean being dragged under. Answer Key: Except for Zzzunday, they're all Sniglets - I'm not about to shell out 28 bucks for a fake fucking dictionary.
September 20, 2004
Pointing out cliches is so...cliche
Let it be known that we adore, nay, cherish the pearls of wisdom put forth by columnist Frank Rich each and every Sunday in the New York Times. Yes, in the past, we may have thrown the gauntlet on occasion and gotten all up in his business, but we're willing to let bygones be bygones. And, like our new hero Frank Rich, we're willing to overuse and abuse a slew of conversational cliches in our writing. In Rich's latest missive, "This Time Bill O'Reilly Got It Right," (which appeared in the September 19, 2004 edition of the Times) readers are treated to a feast of such verbal banalities. To wit: "If a stopped clock is right twice a day, why shouldn't Bill O'Reilly be right at least once in a blue moon?"
September 17, 2004
Nothing's Sacred
Hey, world: Stop Playa-Hatin', okay? First, you piss in our PBR by telling us that the batteries in our iPods have about as much lifespan as a potato clock. Now, you rain on our dodgeball game by telling us that our bikes would be safer secured with a diary lock! Goddamnit! Why must you hate on our hipster lifestyles*? Are you jealous or something? What's next? Onion T-shirts cause cancer? Are you gonna tell us that The Killers abuse child labor laws? Oh, is blogging going to be characterized by the DSM V as a mental illness? Then I bet you'll tell us that PBR is already 70 percent piss! Thanks for sharing, you goddamn haters.
September 16, 2004
This fall, bad ideas just got a little...worse.
While it's long been held that Hollywood's best and brightest go to work in the studio system's various marketing departments, never before has this been more apparent than with the onslaught of this fall's round of catchy advertising taglines for upcoming entertainment productions. Incredibly, the folks in Burbank and Culver City and west Los Angeles are breaking radical new ground here with their ability to reduce the elaborate plotlines of, say, a thriller about a woman calling a cell phone to a simple, high-concept notion that even a third grader can comprehend. And in the wake of far too many two- and three-hour films coming forth from this town, that shows some skillful concision. What follows is a round-up of some of these slogans and, quite simply, a resulting assessment of the perceived quality of each film or television series... Cellular: "If the signal dies, so does she." Seriously? A movie this bad surely deserves a tagline this reductivistly imbecilic. The Mountain: "Conditions are about to get nasty." OK, judging solely from the one-sheet and various ads, there seem to be a bunch of twenty-somethings doing something adventurous in, umm, the mountains. But this tagline? Does this imply that, in addition to action and adventure and tumult, the show features its bitches getting it on with the dudes in a skanktastic style? Or maybe the characters have some sort of personality problems akin to the castmembers of "Real World Las Vegas"? Fuck if I know, because I'm never going to watch this show. Wimbledon: "She's the golden girl. He's the longshot. It's a match made in..." Oh! Oh! Oh! I know this one! Wimbledon! And - I'm totally guessing here - the tennis superstar played by Kirsten Dunst falls in love with the wizened underdog fleshed out by Paul Bettany. Or vice versa. One certainty: this seems to be a fairly conventional tagline structure for what must be a fairly conventional film. Syd Field would love this shit. Head in the Clouds: "In a city of glamour at a time of decadence they met. An aristocrat, a soldier of conscience, and an entertainer. Together they shared a deep passion." Thank you for the summary. Now I don't need to see this film, and neither does anyone else who read this little novella you pieced together here, Mr. Tolstoy. The Motorcycle Diaries: "Let the world change you... and you can change the world." The story of a young Che Guevara and his youthful travels throughout South America. See, by virtue of his traveling, the world changed him...and he became a leftist rebel. Because, presumably, he saw all the various turmoil caused by economic injustice and military coups and secretive interventions by the U.S. government. Not to mention, it stars that totally hot guy from Amores Perros who looks a hell of a lot like an even handsomer Tobey Maguire. So there. Shaun of the Dead: "A romantic comedy. With zombies." Short and punchy, but sort of...askew, right? Just like this film, I reckon! Well, if Moriarty liked this flick, then that's good enough for me. Mr. 3000: "He's putting the 'I' back in team." See, star Bernie Mac is a loudmouthed fellow, and he's arrogant, too. Also, sports are somehow involved in the storyline. Shark Tale: "The story of what happens when one little fish tells a great white lie..." So Dreamworks' animation division decides to rip off Finding Nemo. The very first Shrek had all those adult-oriented digs at Disney at Jeffrey Katzenberg's insistence. Jeffrey Katzenberg hates Michael Ovitz. And Michael Eisner, meanwhile, is slated to leave Disney by 2006. The two Michaels have historically argued over who prefers flounder and who likes trout, a schism which purportedly lead to the dissolution of their business relationship in the mid-90s. The Last Shot: "The true story of the greatest movie never made." Forgive the Horatio-Sanz-as-Gene-Shalit routine, but...I only wish Alec Baldwin and Matthew Broderick hadn't made this movie. Ha, ha, ha! First Daughter: "The girl who always stood out is finally getting the chance to fit in." Hmmm...the President's daughter finally gets to live a normal life? Because her dimwitted, lying, inept father was voted out of office this November? Or is that just wishful thinking? The Forgotten: "On September 24th everything you've experienced, everything you've known, never happened." How very metaphysical! It's like I never saw The Butterfly Effect! (Which I didn't, for what it's worth.)
September 15, 2004
Poster Boys
Designing movie posters isn't easy. Believe me, we've done enough parody movie posters around here to know. Trying to sum up a two hour film in one image while tapping into various mutually exclusive market forces—Teenage boys! Adult Women! Down-Low Homosexuals!—is hard work. And even though it's essentially a marketing medium, there are enough iconic examples of the form to make designers want to aim for the rafters. But listen up movie poster designers, there are some things that are beyond lame. Like squeezing the movie's past-his-prime director into the poster like an apparition: These eerie, out-of-context photos are like Banquo's ghost crashing an otherwise fine party. Take the poster for John Waters' latest, A Dirty Shame. What does Waters' creepy visage (the director himself is fond of pointing out how closely he resembles a child molester) add to the poster that Selma Blair's pneumatic prostheses or Johnny Knoxville's Gene Simmons-esque fake tongue don't? If anything, most young filmgoers have no idea who John Waters is and probably assume he's just another cartoon pervert in a cartoonishly perverted movie. And then we have Jersey Girl, the DVD and video box for which shows Kevin Smith looking as surprised as we are that he'd be involved in this sub-PAX daddy-daughter cutie-patootie 'comedy.' (The masked bandit over at Defamer already deconstructed this box to great effect in two recent entries.) It's only natural to make some connection between the quality of these films ("crammed with wince-inducing contrivances, false notes and fizzled jokes," The Times Stephen Holden wrote with noble restraint) and the desperate attempt to remind potential filmgoers of the directors' alleged marks of quality. Does the movie suck?, goes this line of thinking. Then let's slot in the creator and hope that at least the hardcore fans come out to see it. (And hardcore fans don't come much harder core than those of Mr. Smith's: someone somewhere bought this. He—certainly he—may have even watched part of it.) But what about the early example of Wong Kar Wai's excellent Chungking Express, the box for which is marked by the stubbled face of Quentin Tarantino who served as the film's "executive producer"? (Read: the cool director who convinced Harvey to distribute the film in America.) Adding QT to the design was bad, but hardly a red flag for the film, which ten years after its release is still enjoyable. (Faye Wong dancing around to her own cover of The Cranberries' "Dreams" and Tony Leung talking to his forlorn bar of soap are still great.) I just hope we've seen the last of this trend. God forbid this chump's carb face starts popping up on the posters for his next couple affronts to cinema.
September 13, 2004
Coming soon, unless LAX is DOA
Posting today's gonna be lax. "LAX", in fact! In honor of tonight's premiere episode of NBC's hour-long drama starring the forever-relevant Heather Locklear and the forever-handsome Blair Underwood, we're throwing aside creativity and getting a bit—you guess it!—lax! According to the press clippings for the show, it "explores the behind-the-scenes dramas and conflicts of both travelers and staff transpiring daily at the bustling Los Angeles International Airport." The show's characters are jockeying "to be named the new director of the airport while working together to solve everything from bomb scares, to VIP arrivals, drunken pilots and roaming pets—all beneath the din of a frantic "hub" with spokes that touch all corners of the world." We have such high hopes for this show we're already holding our breath for the inevitable Law & Order/C.S.I.-esque spin-offs. To wit: "SJC": Slated for a mid-season replacement slot. Covers the trials and tribulations of customs agents working at San Jose International Airport, in Northern California's little-known but most-populous city, as shady foreign businessmen try to steal trade secrets from Silicon Valley's bustling computer and technology industry. This series, incidentally, is set in 1996. "EWR": Another mid-season filler. For those of you not well-versed in our nation's many lesser-known airports, EWR refers to New Jersey's Newark International Airport. This gripping boardroom drama concerns the NY/NJ Port Authority's efforts to bring the consumer-class convenience of budget carriers such as JetBlue to little ol' Newark. "You know how much traffic we're losing to goddamned LaGuardia? We've got fucking Song and that's it," series lead Eric Roberts repeatedly barks to his underlings in the well-received pilot, which is, somewhat notably, the first drama about airports to feature heavily-excised language. "EYW": Air travel doesn't come easy when you're located amidst miles and miles of waterfront property with docks and piers extending as far as the eye can see...and the staff at Key West International Airport knows this firsthand. For years, a battle has been raging between local boat-rental companies and the cozy airport's ringmasters, but that battle just got a little more even with the arrival of drug baron Raoul Mendoza and his posse of depth-charge-dropping small-bodied Sandpiper aircraft. "IND": If there's one thing flight mechanics don't like, its a nasty labor dispute. And when the fictitious USAirlineways, which is in no way related to the real-life USAirways, files for bankruptcy and threatens to reduce its nonstop service between the titular Indianapolis International Airport and Boston, Pittsburgh, Charlotte, N.C., and Philadelphia, these laborers get mad. But what they don't know is that USAirlineways' chief labor negotiator is from Baltimore, and has carried a nasty Eric Dickerson-related grudge since that fateful day in 1984 when the Colts left his city to head to Indiana. (This pilot currently only exists in script format and has yet to be filmed.)
September 10, 2004
...And we threw this entire post together without using the word "tasteless"
In today's New York Times, writers Kevin Flynn and Jim Dwyer have assembled one of those contemplative think pieces about the events of September 11, 2001 that will presumably continue to be annual media occurrences for at least the next few years. Nothing wrong with that, of course, but in their "Falling Bodies, a 9/11 Image Etched in Pain", the authors engage in a multi-page examination of the cultural impact (or lack thereof) of those people who specifically perished by leaping to their deaths from the intimidating heights of the two towers of the World Trade Center. And it is a suitably sad and moving tale, though presented rather analytically. From a syntax standpoint, however, we have to ask: how did the word "defenestrate" not make one single appearance in this article?
September 9, 2004
And now, the easiest spec script sale in the history of man (from Done Deal): Title: Untitled Addario-Syracuse Pitch No title, stars, or director? I know I've bought my ticket already! Adjust the 'Ph' Balance, please
Hell just got a little bit more crowded, according to today's New York Times. Richard G. Butler, founder of Aryan Nations, died at age 86. (Not to be mistaken with Richard Butler, the former UNSCOM chairman who warned us about Saddam's phantom W.M.D.'s.) According to the Times's Daniel Wakin (Richard G. Butler, 86, Founder of the Aryan Nations, Dies), Butler, who had congestive heart failture, died in his sleep in Hayden, Idaho. No word on how much drawn-out, agonizing pain the old man endured or his karmic fate as a furrier's mink in his next life. The reason I point towards this piece is to address one of my biggest pet peeves: the misspelling of Adolf Sure, we all make mistakes, but this is one that seems to occur so often in publications it's like a strange, unshakable tick. One possible excuse may be Microsoft Word's spell-check preference for "Adolph" over "Adolf": Can anyone explain that? When "Adolph Hitler" appears on the web or squeaks through at an alt-weekly, you can almost overlook it, but because of its status as "the paper of record" a mistake like this in the Times makes it almost canonical, especially for copy editors who'll frantically Nexis/Lexis the spelling during hellish, late night closes for their jobs and make the same error. So, hypothetical, overworked copy editors: use The New Yorker, and ignore MS Word, okay? So, once and for all: It's Adolf Hitler. 'F' 'im—please.
September 8, 2004
Darling, you must tell me where you got that wonderful outfit!
September 3, 2004
September 2, 2004
This is Bushworld*
*This guy just lives in it.
September 1, 2004
Retards & Reporters
HAYSEEDS & HASIDS Hayseed
August 31, 2004
Conventionist: The Governator Speaks
From our perch in the upper balcony, Conventionist was able to get a strong feel for the enthusiasm with which California Governor Arnold Schwarzenegger's speech was greeted tonight - and this is in New York! Conventionist - while we don't generally get involved in political matters - is excited by the idea of the star of Kindergarten Cop taking the stage someday in the near future to run for national office. And while his accent proved to be a handful to some of the delegates from the so-called "Red States", they still whooped and hollored as the star of Red Sonja spoke of his support for President Bush's getting re-elected. (UPDATE: Gov. Schwarzenegger did not star in Red Sonja, that was Brigitte Nielsen. And readers have written in to tell us that there is an amendment preventing a foreign-born citizen from running for our nation's highest office. Conventionist still holds out hope that this can be worked out...are you listening, Mayor Bloomberg?) Conventionist: The Nominations are IN
The Republican Party delegates, as expected, have made it official: President Bush is the party's official nominee for the election. While Conventionist shies away from political matters, as an unofficial rule, we still hope that the race for the White House will be as exciting as it was for us to see the congregation of delegates from Pennsylvania gleefully cheer as their votes were cast, which officially gave the President the count he needed. Conventionist hasn't been this excited since our on-set visit to Aaron Sorkin's "West Wing", where we had the opportunity to have our photos taken with Allison Janney. (More photos available at BlueJake.) Conventionist: Laura Bush and the Floor Report
As expected, Conventionist toured the floor in full force tonight, and, lo and behold, not a single panda was in sight. You can imagine Conventionist's disappointment at this unexpected development...but Laura Bush's keynote address more than made up for this lack of Grand Ol' Pandas. Conventionist would like to think that, politics aside, all New Yorkers, and, for that matter, all Americans, would be able to rally behind what sounded like a real tour de force to these ears. And while some readers may have problems with Mrs. Bush's husband, it's important to bear in mind that she showed her true colors tonight, and they are red, white, and blue. Also, Conventionist recommends that all delegates see Radio 4 perform tonight at the Knitting Factory. Doors open at 9:00pm.
August 27, 2004
If It's Brown...
Dear Newspaper and Magazine Headline Writers, We gotta talk (er, 'write,' whatever). I know I've made fun of you guys in the past, and I know that's totally uncool. I was, like, in a bad place then, guys. I was just lashing at you for problems I was having with myself. Can you forgive me? But, listen up. You gotta stop using GALLO'S HUMOR as a headline for Brown Bunny reviews, okay? I'm talking to you, New York Post, and whoever the hell you are, Zap2it.com. And, this sort of hurts me to say it, but you too, New York Times Magazine: I loved you the most. Oh, come on. Don't cry. Please, please. Stop. I'm not just here to criticize, I'm here to offer help. If Vincent Gallo ever convinces international financiers to fund another film for him, you can use these headlines, okay? Earnest Gallo Whines They might not be perfect, but who is, right? (Pobody's Nerfect!) I still think you guys are great. BFF? Yours,
August 26, 2004
Shul of Rock
According to ScriptSales, Tina Fey and her agency, Endeavor, have just sold Curly Oxide and Vic Thrill for mid-six against seven. (Which anyone who's seen Adaptation. knows is 'industry speak' for "I know industry speak.") The story of "[a] Hasidic Jew and a grizzled rock musician [who] form a band," was inspired by a report on NPR and will inevitably star Adrien Brody (in a furry hat) and Colin Firth (in a name tag, since no one knows who the fuck he is). And the best part? While delivering some scripts upstairs, we heard that Brett Ratner might direct it! As that last sentence hinted, we just started our new day jobs in the mailroom of the mailroom at Endeavor. (We couldn't get into the mailroom proper without M.B.A.'s.) It's a little thing called workin' your way up the old fashioned way, by being abused, and humiliated - and urinated upon - for years. It's awesome, and a great use of our combined $245,000 educations. (How's that for a mid-six against seven, huh, boss?). And, we actually managed to scoop a copy of Curly Oxide and Vic Thrill's first-act outline from the main fax machine before Hector, one of the senior mailroom guys, busted us. We're gonna do our best to score the other two acts when Hector goes on his 3 PM Jamba Juice run, and, yes, that's Pacific Standard Time, for all of you who think anything of note happens in New York. In the meantime, check out this exclusive Tina Fey comedic buzz... Continue reading...Settings > Repeat > On
In today's excitingly fresh edition of the New York Times' Circuits section, reporter Rachel Dodes has put together a charming little piece about iPods and the way in which they've begun changing music fans' listening habits. In "Tunes, a Hard Drive and (Just Maybe) a Brain", she presents a cute anecdote about a Columbia University grad student who threw a delightful dinner party while entertaining his guests with music played in a random order from his library of digitized music files, only to have the partiers erupt into laughter when the Shuffle-Button-as-DJ transitioned from Guns N' Roses into Elton John, which was apparently quite embarrassing. "Such are the perils of using Shuffle, a genre-defying option that has transformed the way people listen to their music in a digital age. The problem is, now that people are rigging up their iPods to stereos at home and in their cars, they may have to think twice about what they have casually added to their music library. Well, it certainly hasn't heightened the risk that a not-so-long-forgotten article from the Times' family of newspapers might be repurposed by the parent company. Writing for the Boston Globe on April 7, 2004 - a whopping four months ago - writer Joseph P. Kahn entertained readers with his "iPod Shuffle revolutionizing listening habits", which, you guessed it, discusses iPods and the ways in which they've begun to change music fans' listening habits. Or, in his own words, since the "Circuits" section's editors felt a literal transcription to be unnecessary, "Even more wondrous than its sophisticated technology, though, is how the iPods and their ilk are changing the way music is being experienced, or reexperienced, by all sorts of audiophiles in all sorts of settings, from health clubs and school cafeterias to malls and subway cars. For what it's worth, we, too, are guilty of repurposing our own content, in the sense that we've already made light in the past of the Times' short institutional memory.
August 25, 2004
Swift Boat Veterans Against Borgnine
Is there even a market for televising women's sports? I mean, why would beer-swilling, loutish men ever want to watch these events?
"USA's Kerri Walsh, bottom, and teammate Misty May celebrate after beating Brazil in the gold medal beach volleyball finals during the 2004 Summer Olympic Games at Faliro Beach Volleyball Stadium in Athens, Tuesday, Aug. 24, 2004. (AP Photo/Adam Butler)" (Thanks to Jessica B.) Your Ultimate Movie Guide for the Week of August 27
As Friday approaches, discriminating moviegoers across the nation (or at least in New York and Los Angeles, which technically spans the nation) will have to opt between some stellar choices when they head out to see some of the various new releases that the studios are unleashing this weekend. In the interest of simplicity, we've reduced the available films to a concise list of two, both of which will realistically be of keen interest to this site's loyal readers.
August 24, 2004
A brief summary of the 2004 Olympics thus far, from the perspective of someone who has not been following the Summer Games
1. The U.S. basketball team lost in the first round to Puerto Rico, which is apparently some sort of American colony. This was very humiliating. 2. The American softball team took the gold. Softball is played by women. I have no idea what is happening in the baseball realm. 3. I think I saw something about some tremors or an earthquake of sorts striking Athens. That, or I might have been having flashbacks to The Day After Tomorrow. 4. The newly-sovereign state of Iraq sent a team of soccer players to the games this year, alongside one swimmer. I like to imagine that this waterbound fellow is the ultimate Pixies fan and is known to pump himself up before meets by singing "Ride a tire, down the River Euphrates..." He has not stated for the record, however, his opinion on Trompe Le Monde, though I'm fairly sure he would agree that "Alec Eiffel" is a great track. 5. I miss Greg Louganis. That was a human interest story that I could really wrap my head around.
August 19, 2004
Oh Yeahhhh! I've fallen prey to outsourcing
August 18, 2004
David LaChapelle can go saturate himself
September approacheth! The all-important ninth month of the year, the introduction to the fall fashion season, when Vogue annually releases their most important issue ever, with all its concomitant power to make or break fashionistas everywhere. And now, here it is: the cover image for their much-anticipated September 2004 issue, and, hold on a minute and put away your excitement stick, because there are fucking models on the cover. Quelle surprise! I, personally, was at least hoping for a shake-up of sorts, maybe some Vanity Fair-esque "celebrities", but, alas, photographer Steven Meisel is notoriously stronger behind the camera when dealing with your everyday stellar-looking pretty faces than those who are famous for being famous. Thankfully, we can bear verbal witness to Master Meisel in action due to the release of these exclusive, in-no-way-fictionalized on-set transcripts from the magazine's cover shoot. All 25 inches thereof. "Daria, darling, move left more...more...more. Don't you worry about being obscured by the barcode. I hardly know who you are anyway, but you're lucky to be on the cover in any form, and we absolutely need to fit more of Gisele in the shot here. Yes, of course. Ms. Bundchen is our star! Yes, my angel. This is the September issue...a triple-gatefold, honies, and there are nine of you, and as I'm sure you're well aware, you calculus-laden vixens, you, we need an evenly divisible increment of nine, or three ladies per panel. Believe me, if I could chop one of you in half and do a two-paneled 4.5er, I would. But it's Lancome's mathematics, ladies! And, if anything, I'm quite nearly positive that Lancome is the guy who discovered the constant ratio of a circle's radius to its circumference. How many times does pi go into a triple gatefold September cover, I wonder? And stylists! Stylists! Snap to attention. I need more pink! Rich, vibrant pink! Reds, reds, pinks, whites. Layer gorgeously, ladies, layer it. Shades of pink abound. Bathe in its glorious glow. Wrap yourselves, honies, wrap yourselves. Let these gowns absorb you, cherish you, encapsulate you...And stay on the tape line. Focus, ladies, focus. Gisele, put your mobile away. You can call that little man of yours when you are not on my clock. On, I say, as opposed to over, which is what he is. Who is that colored woman? Liya? Get her out of the first panel. This is Vogue, not National Geographic. OK, I'm sorry, you're right. Sorry. Ha ha, I joke! But I am serious nonetheless. This is September, after all, when I am most prone to racist humor. But you ladies knew that already. Now, move her. No, Karolina, you're in the second panel. No, no, scoot over. Your agency and I agreed to this. I don't care what she told you. No, I DO NOT CARE about Sports Illustrated. I swear, honey, you need to look more passionate as you clutch Isabeli's arm. It's passion, that's all. Keywords: Desire. Sensuality. Fabric. Threadbare. Discomfit. Petulant. Oblique. Garage. I would hope that each of you can simply clutch a goddamned arm for a few minutes, and continue to look gloriously still and inanimate in the process. I'm a modern-day Vermeer. Good gracious, where is Karen? Number nine? Anyone? Todd, go check her dressing room. Right now. Go, go, go. Gogogogogogo! Oh, she's still at Bing's pad, huh...Goddamn that rascal, I've had more of my shoots befouled by that man, directly or indirectly, than Gregory Crewdson's got issues with his F-stop! Ha, ha, ha! A little joke. September is also the month when I feel free to "dis" my photographic peers, because, yes, I am shooting Vogue magazine. All right, then, we'll put her in afterwards. How I abhor working digitally, but it's got to be done. My, how you lot infuriate me. I'm Steven fucking Meisel, and I'm almost of the mind to subject you to a delicious Meisel-brand ass-raping, but alas, I've got another E! network taping to attend at 3 o'clock this afternoon. Bon-bon!"
August 17, 2004
So, What Do You Do, Neil Strauss's Dirty Subtext?
Today, every unemployed New York freelancer's favorite website, Mediabistro (okay, second favorite after this), interviews renaissance man Neil Strauss about his latest as-told-to book, How to Make Love Like a Porn Star: A Cautionary Tale, by New York Magazine zeitgeist girl Jenna Jameson. Since the interview is sort of boring, I thought I'd help spice it up by selecting the hottest bits and excerpting them for you. So, herewith are the choice cuts sure to excite even the most passive reader: Tongues wagging... hard time... deviant... comes... oral... atop... mouth... came... came together... comes... Judith Regan asked me if I wanted to do it... hanging out... How did you get her to open up... we were both totally shaken... She couldn't even sleep that night... very intense... stripper... pimps... get in touch with the female... told Jenna to tweak anything she wanted... David Laskin, took me... mature... Britney Spears... I got started so young... opened... climbing into bed with Jewel... tangled... I'm stuck... restrictive... fucking as an art... This Is My Truth, Tell Me Yours
Last week the literary-minded blog world (the mind reels) got bent out of shape by Leon Wieseltier's review of Checkpoint in the New York Times Sunday Book Review. This week, however, those same watchdogs seem to have missed a more legitimate target - the Times' apparent inability to distinguish fiction from non-. This week's non-fiction Books in Brief section featured the presumably non-fiction title Borges' Travel, Hemingway's Garage. Per the Times, Mark Axelrod's book recounts some of literature's secret histories: Axelrod reports on the philosophical quarrels between Leibniz and Newton that fueled the competition between dueling cookie franchises Choco Leibniz and Fig Newtons Rembrandt invented the toothpaste that bears his name not only to avoid financial crisis, but, according to Axelrod, because he was tired of painting portraits of unsmiling subjects afraid to display their bad teeth. While the average cultural illiterate/Times editor might reasonably take Axelrod's stories for truth, perhaps the name of Axelrod's publisher - Fiction Collective Two - should have tipped someone off.
August 16, 2004
Seven ways to mend Open Water's open wounds
Since we consider ourselves humanitarians at heart, we're thoughtfully putting forth this helpful list of activities in which you may want to consider engaging, in lieu of seeing the recently-released hokum that is Open Water. Seriously. Any of these options serve as good, worthwhile alternatives. Hell, exhaust the list if you have to. 1. Bask outside near a neighbor's pool, or a city pool, or whatever. It hardly matters. Study the people flailing about in the water and try and pick out who you think might be the worst actors if you were to go into a career producing community theater workshops and needed to hire these people. While engaging in this impromptu casting session, it could be fucking raining or hailing and you'd still be better off. 2. Oh, and before you go to the pool, or beach, or whatever, take at least twenty to thirty minutes too long to get there, until you've bored your mates to death with some asinine and wholly irrelevant setup about how "you need your vacation time to escape this crazy job." Even if you're not on vacation, because remember, the only possible goal for this entire exercise is to annoy your audience, unless maybe you're merely padding the trip's length, in which case, it's still not OK, and you, my friend, are an asshole. And when you eventually arrive at the pool, sit around for a good while longer doing nothing more than engaging in some worthless exposition about how nice it is to not be working. 3. Stare at the pool longingly, and mull over the fact that maybe, just maybe, the water is well-heated, and if you were to slit your wrists and just lay there awhile, you might be put out of your misery. 4. Eh, fuck the pool. Throw a dinner/discussion party, and set the evening's topic to "Examples of Films Being Produced on DV Because They Don't Deserve a Real Film's Budget". If anyone brings up Anniversary Party as an example, come to its defense, and explain how you'd rather watch that film ten consecutive times than have to endure Open Water. 5. As dinner approaches, keep devising stalling tactics to fill up time. For instance, exclaim loudly that you think your leg is getting cramped. Oh, wait, look at that, that cleared up! Phew! Now, however, you're falling prey to motion sickness, even though you're seated at a table. Oh, that, too, passed. Wait! Hey, look, I think I saw a car drive by outside this window over here, oh, wait, it turned the corner and is gone now. Shit, I'm getting a cramp again. If your dinner guests start beating you about the face mercilessly, it's entirely forgivable because they clearly have some understanding of a bad narrative structure. 6. Think about that episode of Magnum, P.I. that was comprised solely of Tom Selleck being stranded in the ocean, having to tread water for hours on end while he endured a torrent of waves and other oceanic dangers for the duration of the entire episode. Make note that this particular episode of what would otherwise be bad network television comes off like fucking Antonioni or Kieslowski compared to Open Water. 7. Check out Maria Full of Grace or Code 46 and marvel at the injustice of studios' marketing initiatives. And fallen idol Pete Rose? He's just like the river Styx. No, wait, maybe Icarus?
San Francisco Giants manager Felipe Alou, after yesterday's win over the Philadelphia Phillies kept his team in playoff contention, whips out his copy of Edith Hamilton and waxes rhapsodic on classic Greek mythology: "The wild card is the purgatory of the lost," Alou said. "It's a place souls go and wait millions of years until redemption. We have had a tough time, but there was always the possibility of the wild card. There are so many teams in this purgatory."
August 13, 2004
August 12, 2004
You Shall Know Our Inspiration!
"In You Shall Know Our Velocity!, his first novel, Eggers tells another story of loss and its aftermath. After their childhood friend Jack is killed in a highway accident, Will and Hand decide to fly around the world, giving away the windfall money Will has recently received. And while their travels take them from Chicago to Dakar, Morocco, Estonia, and Latvia, the real journey is an interior one, into Will's tormented consciousness. He can give away his moneyand the occasions for doing so range from the hilarious to the awkward to the poignantbut the voices in his mind are another matter."— You Shall Know Our Velocity!, summarized on ReadingGroupGuides.com "This is the story of three friends (Green, Lillard, Shepard) from the big city of Philadelphia who go canoeing together out in the woods and mountains of Washington State after the death of a friend, Billy. Billy was obsessed with going there to search for the unaccounted-for $194,200 out of the $200,000 that famed airliner highjacker D.B. Cooper parachuted with quite possibly to his death in 1971 $5,800 of his marked ransom loot was found in 1980. Canoeing down the Columbia River, the trio soon finds that their canoeing experience goes wrong..., both horribly and hilariously wrong, as the river turns dangerous, and they have encounters with the crazy mountain men (Burt Reynolds) plays who live near the river..." —Without a Paddle, summarized on us.imdb.com In Pompano did Publa Porn, a Portly Pleasure-Dome Decree
I usually leave these sorts of high/low literary parodies to the professional, but something about this piece in The New York Times today made me think of a poem I read in high school. (Insert your own "deep romantic chasm" joke here, pervert.) [Al Goldstein's] company, Milky Way Productions, home of Screw and his long-running cable show, "Midnight Blue," went into bankruptcy last year. His mansion in Pompano Beach, Fla., with the 11-foot statue of a raised middle finger out back, was sold in June to pay debts. 68 and Sleeping on Floor, Ex-Publisher Seeks Work, by Andy Newman, Aug. 12, 2004. The saddest part is the photo, which doesn't appear online. Goldstein is literally half a man: he must've lost 200 pounds from his stately plump frame. It's like watching Orson Welles turn into Don Knotts in the end. Actually, maybe the "colossal wreck" of Al Goldstein reminds me of another high school-era poem.
August 11, 2004
Scott Peterson, the New Playboy Advisor?
Or at least a Maxim advice columnist. This guy has moves straight out of The Ladies Man: "Peterson first took her to an intimate dinner at a fancy sushi bar, where he paid extra for a private room, she said. He then asked her to come back to his room at the Radisson Hotel so he could change. He wasn't wearing a wedding ring, Frey said. "Once in the room, he suddenly produced a bottle of champagne and box of strawberries from his leather bag. "'[He] put one [strawberry] in each of our glasses,' Frey said. 'I remember eating one. They were a little bit sour.' "The pair then went to a karaoke bar, where they slow-danced, nuzzled affectionately and then shared a single, passionate kiss."
August 10, 2004
Funny Money
"Man Who Would Be Woody" Has publicist who would be Rubenstein
Coming soon to JTV: Straight Frum My Heart, a new reality dating show hosted by Keith Black, future relationships columnist for HEEB, and inspiration for a posable action figure (with tefillan grip!) from McFarlane Toys. You know Keith Black, the new Woody Allen, right? He's everywhere, except on Friday nights and Saturday mornings. He's even in the papers: "As a neurotic, bespectacled, highly therapized Jewish filmmaker from New York, Keith Black has more than a few things in common with his idol Woody Allen—except for one. THE MAN WHO WOULD BE WOODY, by Maureen Callahan, The New York Post, Aug. 10, 2004 Too bad his dream girl's taken. Oh well, you certainly can't buy publicity like that, right? Or this: Or this: Or these: Allen Encounter Adds Up to Black's 'Woody Short' Woody Wannabe Plays Many Roles with 'Script' [Links via Keith Black's website] Harold and Kumar Go On Friendster
For those interested in learning more about America's greatest civil rights triumph since the march from Selma, aka Harold and Kumar Go To White Castle, you might want to check out co-writer Jon Hurwitz's Friendster profile. Among his nine testimonials, there is the Asian Harold who offers: And then there's his Is it possible that we have located the ur-Harold and Kumar? Could this prove the Rosetta Stone to unlocking the secrets of this milestone film? Yeah, whatever.
August 9, 2004
I Want My Oy TV
Hoping to Build Network for 'Nice Jewish Boyz', by Jacques Steinberg, The New York Times, Aug. 9, 2004 Some jokes are just too easy to makeeven for us. A Berg type film
Witness an emerging trend in Hollywood marketing: if your film in some way involves Peter Berg (perhaps best known as the actor-turned-Very Bad Director of Very Bad Things), we can be sure that the trailer's typographic design will feature a simple sans-serif font (in the vein of Helvetica Neue) partially obscured by blurry type in the background. We'll wait to see Berg's imaginatively-titled Hip-Hop Cops in 2005 to see if the trailer adheres to the Good 'n Berg (Style) Bible.
August 7, 2004
It's Raining Men!
Update, Aug. 8, 2004: As 'Wicker Park' approaches, we present this definitive and comprehensive list of good, quality films starring Josh Hartnett
August 6, 2004
HOT Literary Accessory: Axes
No Way, Boss. Everyone likes you. 'Cause you're great!
Guys, you know when your girlfriend asks you if you she 'looks fat in this' and you have to be like, "No way! You look fantastic!" But sometimes she does kinda look fat in that and maybe a guy on the street will say something like "thick" as she passes and you have to be like, "That guy is insane! You do not look fat at all!" But you're sort of relieved that someone else got to say it and not you? (Gals, this is probably like when your boyfriend asks about his endowment and you have to spin like Ari Fleischer at Equinox.) Anyway, that's what it must be like to review a film critical of your boss for the newspaper your boss owns and operates. Poor Meghan Lehman drew the short straw and had to review Outfoxed: Rupert Murdoch's War on Journalism for The New York Post, while her colleague Lou Lumenick got to see Code 46. (Mysteriously, Outfoxed's website is down! Coincidence?... Probably.) With a headline like FAIR AND BALANCED, THIS DOC'S NOT, you can kind of guess what the critic is going to say without even reading the review. Lehman's conclusion? "Unbalanced." But my favorite part is this little rah-rah nut graph towards the end: Fox News Channel consistently beats CNN and MSNBC, yet Greenwald approaches not a single viewer to probe the reasons for its popularity, nor a single current employee. Yay! (I'll leave it to this guy to confirm or refute that claim.) Related, in today's Post: BIZ LEADERS HAILED AS HARLEM HEROES "Post Publisher Lachlan Murdoch received an Excellence in Journalism Award..." As his father would say, "Excellent." Prattling, ranting, and shopping: these are things women do.
Thursday. Some say it's the new Friday, and Friday is the new Saturday, and so on and so forth, but I say Thursday is still yesterday. Yesterday, my friends, was quite a day. From the FEMALE PERSPECTIVE, of course. You want the grit and gristle of womanhood? Here it comes: What would give you insight? Um, how about a trip to that affordable mecca of disposable fashion, H&M? Yes! That's right: females like to shop. And when you're this particular female, you shop on a budget. The Swedish superstore is the solution! Retail therapy is a cheaper version of Klonopin, after all. Unfortunately, H&M was doused in pink. Yep -- pink shirts, pink pants, pink fucking socks from floor to ceiling. Suffice to say, Peptowhatever is in. Not that I have a problem with pink. I just don't like looking like a precious, vomitous mess. At least not on Thursday. Instead, I bought a brown shirt. And I bought it to look "hot" for you "men" so I don't have to "buy" my "own drinks." Until the pay scale is completely equal, this is how it will be. At least it's all out on the table.
August 5, 2004
This is not my beautiful wife
So, in some strange twist of fate, my internet "presence" has landed over here at the lovely low culture where, I suppose, I am expected to lend a female voice. Meanwhile, JP will be launching diatribes of undetermined nature over at my old and neglected site, The Blueprint. Female voice. Interesting. Inevitably, such a directive will lead to talk of menstruation -- and I'm not sure I'm ready to confess to you all that I'm two weeks late. That being said, I'll be here and there today but more present tomorrow, at which point I'll have a better understanding of what it means to be a woman, thanks to some handy lessons from Matt and JP. Mann at Work
As everyone knows, Tom Cruise goes 'dark' in Michael Mann's Collateral tomorrow. Paradoxically, his hair went 'light' to do so. (Shades—light shades—of Leland Palmer?) Cruise plays Vincent, a hitman destined to be described by lazy critics as "cooly efficient," who dragoons Jamie Foxx's Max into being his wheelman during a long night of Los Angeles mayhem. Most of the hits appear to take place in LA's East Side, preventing Mann from bringing us any more death in Venice. (Sorry, I couldn't resist.) Cruise is the most dapper, put-together hitman you're likely to see this year. (Generally, it's a bad idea to wear $400 shoes when you're killing people for a living.) Violating Pat Kingsley's embargo against any and all innuendo around her star client, Mann described Cruise's character to Lynn Hirschberg in The New York Times Magazine as "rough trade in a good suit." Watch out for that word trade: in Mann's world, it's everything. Having not seen it, I can't tell you if Cruise pulls it off. But I can tell you I have all the faith in the world in Collateral's actual cooly efficient hitman: Michael Mann. Mann is the auteur of professionalism, a focused, precise observer of focused, precise men at work. Think of Robert De Niro in Heat, reading metallurgy textbooks to further his knowledge of impact-resistant safes, or Will Smith as the most intuitive, innately intelligent sweet scientist in Ali. I always think of the eighties when I see Michael Mann's films. Maybe it's because of Miami Vice (a show I watched so obsessively as a kid that I think I believed I'd grow up to wear white pants with espadrilles to work as an adult). You can practically hear the sax solo from Glen Frey's "You Belong to the City" as the actors—usually men, but sometimes the criminally under-employed Diane Venora—smolder in the foreground and neon lights blur behind them in Mann's films. (Mann used the song in Miami Vice, but it wouldn't be out of place in Collateral, especially the part that goes "Nobody knows where you're goin',/ Nobody cares where you've been/ 'Cause you belong to the city/ You belong to the night/ Livin' in a river of darkness/ Beneath the neon lights.") Even The Insider, which was about corporate intrigue and journalistic ethics, not crime and brutality, looked and felt like a fresh police procedural, another Mann against the world epic. Nick James, who literally wrote the book on Mann's Heat, pointed out the visual rhyme between that movie's black suited gentlemen bank robbers and ur-eighties artist Robert Longo's Men in the Cities series of drawings. Men in suits; men in the zone. It's not Longo I'm reminded of when watching Mann at work, it's another eighties icon of cold masculine artistry: Mike Tyson. Before he turned into a circus sideshow act, Tyson was also seen as a technician, a man who did his job with ruthless precision. As artist/writer Keith Piper tells it in his Step Into the Arena monograph, "The story of the latter half of the 1980's is the story of the ascendancy of the specialist, and within this ascendancy Tyson has come to represent the supreme professional." Kobena Mercer, an art theorist and sometime Piper collaborator went so far as to describe Tyson as "a Reaganite cyborg, a fighting machine indifferent to anything outside the corporeal elimination of his opponent." (Tyson himself called his sport "the hurt business," rationalizing his passionless brutality as a job in which he's "Getting hurt, giving hurt I got [sic.] no illusions about boxingnone. This is a brutal business," according to Donald McRae in Dark Trade: Lost in Boxing.) A 'brutal business.' Sounds a lot like Vincent's gig in Collateral. Perhaps by pairing this character with an actor of similarly focused, cobalt ambition (Cruise is nothing if not a Reaganite cyborg, an acting machine), Mann has finally found an on-screen embodiment of his aesthetic and r'aison d'etre. Well, maybe that's the explanation for Cruise's gray blow-out. Someone Got a New Publicist
"MICKEY [(page) sic.] Dolenz, the ex-Monkee now starring in 'Aida,' celebrating at Un Deux Trois with co-author Mark Bego on the second printing of 'I'm a Believer: My Life of Monkees, Music, and Madness.'" –Page Six, 4/5/04
–Michael Musto, La Dolce Musto, 4/3/04 Have you heard this much about this guy in the last three decades? Frankly, we'd rather hear more about his once and still hot daughter, Ami, because she's out of control.
August 4, 2004
August 3, 2004
DNC and Out in Beverly Hills
As any first year journalism student worth his or her Bartlett's knows, someone once said, "The job of the newspaper is to comfort the afflicted and afflict the comfortable." What's usually left off from that quote is the second part: "Attend lavish parties thrown by the comfortable, enjoy the free drinks and delicious appetizers, then stab your hosts in the back with the little stick on the chicken satay." Take Eric Alterman's September Atlantic article, "The Hollywood Campaign." Alterman seems to have spent most of spring lingering on the periphery of every industry party in Bel Air, Malibu, and Beverly Hills, visiting the sets of shows like The West Wing, and generally acting like a quiet, very judgemental member of every lefty stars' entourage, taking notes between sips of vintage wines. It certainly reads like a fun assignment, much better than William Langweische's last few reports for the magazine. But the east coast red meat-loving lefty's time among the west coast lotus eaters seems to have bred some contempt in Alterman, the liberal liberals love to hate. His piece, replete with one of those oh-so-Grosz Steven Brodner caricatures of stars like Barbra Streisand and Robert Redford, is one of the most condescending portraits of Hollywood values since Nick Nolte plunged into Richard Dreyfuss and Bette Midler's pool in Paul Mazursky's Down and Out in Beverly Hills. The comparison to Mazursky's film is especially apt, since Alterman draws similarly broad and contemptuous portraits of the people he encountered out in La-La-Land. Here's Alterman on Laurie David, environmental activist and wife of Larry David: A pretty, brassy Jewish girl from Merrick, Long Island, whose close friends describe her as "pushy," David is one of those people who carry energy as if it were a communicable disease. So, she's a JAP? Not just that, a hypocritical JAP: "Laurie David, who dedicates herself to fighting for improved fuel-economy standards and reviles the owners of SUVs as terrorist enablers, gives herself a pass when it comes to chartering one of the most wasteful uses of fossil-based fuels imaginable: a private plane. (She's not just a limousine liberal; she's a Gulfstream liberal.) " So, she's a hypocritical JAP? Add to that, cheap: Before joining ACT's finance committee, David sought entre with a donation of $100,000. A number of Hollywood activists think she is taking a larger than warranted role, given that her wealth would allow her to be far more generous. These people, none of whom are willing to be named, told me that David tried to get away with giving ACT a mere $10,000, but was told that ten times that amount would be the minimum for the role she planned to play. I'm sure Laurie's famously press-averse husband (squirm through Scott Raab's Esquire profile or James Kaplan's New Yorker piece to see just how little he likes being interviewed) is pleased he granted Alterman all that face time now. Here's Alterman's description of political consultant Marge Tabankin: In a town known for its obsession with thinness, Tabankin looks not unlike a kinder, gentler Bella Abzug, with warm green eyes and an inviting smile. Yes, but is she jolly? And does she wear muumuus, Eric? It's not just women who come in for a bashing for their unpleasant adherence to ethnic stereotypes or their weight. Alterman has some things to say about Hollywood's liberal men, too. Take screenwriter/checkwriter Steve Bing, who gets the old compliment followed by insult treatment: And then there is the dashing Steve Bing, who manages to maintain his boyish, almost adolescent good looks despite a few lines on his face and a head of closely cropped gray hair. A film producer and real-estate heir, he has been nicknamed "Bing Laden" and called a "spermicidal maniac" by London tabloids, owing to his various romantic entanglements. (When the actress Elizabeth Hurley announced that she was pregnant with Bing's child, he issued a news release claiming that she had chosen "to be a single mother" and stating that their relationship was a non-exclusive one. He began proceedings to force a DNA test, which resulted in his accepting responsibility for the child. Bing also sued the billionaire corporate raider Kirk Kerkorian for invasion of privacy after Kerkorian had an employee grab some dental floss out of Bing's garbage in an attempt to prove that Bing was the father of his ex-wife's daughter.) Wait, did I drop my copy of The Atlantic and pick up Vanity Fair (circa July 2002)? With its sprawling scope and condescending tone, Alterman's piece evokes another, far superior, critique of wealthy liberals: Tom Wolfe's oft-referenced (but, based on the references, little read) Radical Chic & Mau-Mauing the Flak Catchers. Both pieces portray the wealthy as guilty, eager to please, easily fleeced babies swaddled by all that money. Yes, it's fun to mock these people (South Park made great sport of Rob Reiner last year and has also bashed Barbra and ripped Redford), but it's too facile, too laden with envy and aspiration to hit the mark. Here's what Alterman concludes about the incongruity of millionaires and billionaires feeling disenfranchised in Bush's America: On occasions when I've mentioned such contradictions and blind spots to smart Hollywood fundraisers, the response has been not so much explanation or excuse as a plea for indulgenceas if one were, after all, dealing with children, children who are very good at sharing. Harsh, to be sure. Hopefully these "children" will forgive their mean new friend Eric, who came to their parties, behaved politely, and then said such hurtful things about them in the schoolyard the next week. As any parent will tell you, some kids play nice, and others never will. After fifteen pages of Alterman's letter from Los Angeles (homeboy should change his title from 'senior fellow at the Center for American Progress' to senior longfellow!), I was reminded of another famous quote about journalism that every first year student can recite by heart as well. It's from Janet Malcolm's The Journalist and the Murderer, and it's so succinct, so canonical, it should be written in calligraphy on every J-school diploma: Every journalist who is not too stupid or too full himself to notice what is going on knows what he does is morally indefensible. He is a kind of confidence man, preying on people's vanity, ignorance, or loneliness, gaining their trust and betraying them without remorse. Like the credulous widow who wakes up on day to find the charming young man and all her savings gone, so the consenting subject of a piece of nonfiction writing learns—when the article or book appears—his hard lesson. Journalists justify their treachery in various ways according to their temperaments. The more pompous talk about freedom of speech and 'the public's right to know'; the least talented talk about Art; the seemliest murmur about earning a living. And let's not forget that delicious chicken satay. Mmmmmmm. Those are nice. Young Men of Respect
First off, let me start by saying that I mean no disrespect by this post. I hope that the young Gotti boys—"The Hotti Gottis," as their website calls them—understand that this is a joke and don't get too upset. I watched your mom's show last night and thought it was great: like The Osbournes, but with fewer dogs and no satanic home decor. But you fellas reminded me of some brothers from another mother, and I just wanted to point it out.
Whoa! I don't know whose wallpaper I should download, the Gottis' or the Lawrences'.
August 2, 2004
An Open Epistle to One Night Shyamalan: 'Tis true, thine Village is but a mess, and rightly so
Ah, neighbor! Fear not that I shall spoil the contents of this tale, this Village, by Mr. M. Night Shyamalan, who is of the East Indian Colony descent. To spoil this particular collection of moving images would be to sully and tarnish what may, in other circumstances, be considered the very first adult-oriented dramatic work by Mr. Night (but, wait, shall I refer to him as Mr. Night? Or Mr. Shyamalan? Do tell....where has my Manual of Victorian Protocols and Civilised Behaviors gone?). Alas, it's already been predestined that this work has been sullied and tarnished by prior hands...the hands, in fact, of The Village's very creator. For what was, during the course of its first two acts—and, dare I say, well into its third—a fairly well-tailored, though not strikingly philosophical, manifestation of an adult morality tale conveying the struggles of a responsible people moving towards the 20th century, rapidly descended into ill-suited pablum of the worst bearing. It's the twist, you see, that did this so. The twist. A common gimmick, a device of unscrupulous origins, better served by carnival barkers and those who peddle ill-advised medicinal herbs and the like (and others of such questionable ilk and lower standing). A truly gifted story-teller should, nay, would know when not to wield such gimmickry. I put forth these opinions not because I believe that this or any other thing was so because I thought so, but only because I did think so and I want to be quite candid about all I thought and did. These were my thoughts about The Village. I thought I often observed besides how right our story's guide was in what he had said (and what he had drawn for us onscreen), and that the uncertainties and fears on my part, that he would behave as he had in the past, and undermine my newly-restored faith in his skills as a narrator, would cheapen this current work so... And then, his twist. His cursed twist, brought forth unto his audience like a wanton harlot, ravaged by storytellers of lesser merits, and thrown to the pack of judicious scoundrels who perhaps feared having to sit through two hours (by my pocket watch) of well-considered ideological narrative. I've imparted to his nature this bit of ill-gotten reliance on commonplace conventionality, and I thus entreat him to explain his motives. And I may render a new line of consideration, as well: Where were the Negroes amongst the townspeople of this Covington Village? Pray tell, why would this assembled gathering of families and individuals take flight from the ravages of urban life, with its concomitant looting and violence and savage rapes and murders aplenty, and not one of those hailing from this Philadelphia region of the Pennsylvanian state would not be of the peach-hued variety? (In my many travels, I have heard the rhymes of that city's great Roots band, and they are not of the peach-hued variety.) Who, then, goes into the woods and hides from "hordes of destruction" but those with fear and prejudice coarsing through their hearts? Why, White Supremacists, they might be called, and rightly so! And should the dusky-hued venture into such a town, would they not find themselves dangling from trees, cheeks bulging forth like overripened fruit? Strange fruit, indeed. I ask of you, in the absence of modern lighting, do not flaming crosses illuminate a town such as this? Mr. Shyamalan, you have some explaining to do. I should hope to receive your rejoinder, post marked with the utmost haste, delivered upon my doorstep and stamped with your signet within the fortnight. If not, I can only conclude one thing: not only do twists you bring about, but you be twisted yourself. It's uncanny how much her experience mirrors my last breakup
From "Suddenly single: Paris Hilton: Why I Split with Nick," an interview in the August 9, 2004 issue of Us: "I was getting my makeup done [for a photo shoot for an upcoming cover of YM magazine], and it just hit me: I love Nick, but I need time alone. I called my psychic [L.A.-based Cipora Rekrut], and I asked her opinion. She thought I should be alone, and I agreed with her...I went straight to the Kabbalah Centre [in L.A.] and told everyone about the breakup and got a new [red string kabbalah] bracelet." A Vast Literary Conspiracy
Jonathan Demme's updated version of The Manchurian Candidate opened to $20M at the box office this weekend. The film was preceded by much conspiracy-mongering about what sort of left-leaning hobbyhorse Demme and Paramount chief Sherry Lansing rode in on and if their film about the country's first "corporate owned V.P." bears any resemblance to anyone in real life. Well, it turns out there is a covert agenda floated forth in The Manchurian Candidate, but it's not what you think: It's a vast conspiracy aimed at making freedom-loving American people do something we are constitutionally averse to do: read. Demme's film is lousy with literary cameos. Check it out: Walter Mosley (Bill Clinton's favorite author) plays a congressman Of course, this being a Demme film, there are tons of other cameos from friends and colleagues: Roger Corman (also an author!) appears as a former president, a promotion from FBI Director in Demme's Silence of the Lambs. Artist/professor/fellow Lambs cameo-maker Jim Roche pops up, as do rocker Robyn Hitchcock, and the dude who plays Fuse TV's own presidential candidate, Haymish Fuse. None dare call it conspiracy! We are through the looking glass, people. Who will stop the reverse vampires?
July 28, 2004
As any David Lynch fan will tell you, it really stands for "Beware of Bob"
From "Sick Bag Note Caused United Flight To Turn Back", July 28, 2004: ...An air sickness bag with the letters "B O B" scrawled on it had been found in a toilet on board. One suggestion: aviation officials ought to have paid closer attention to the phrase "FIRE WALK WITH ME" that was scrawled on the bag's flipside.
July 26, 2004
43, 42 Years Later
Last week, the reliably over-reactive Matt Drudge posted an urgent news flash for his legions of readers: "RICH: 'MANCHURIAN CANDIDATE' MORE PARTISAN THAN 'FAHRENHEIT 911' Thu Jul 22 2004 20:56:59 ET" THAT MORE OR LESS TURNED OUT (whoa, sorry, was momentarily stuck in all-caps/shouting mode) to be the news item in its entirety, in that Drudge's pithy exclamation consisted solely of a handful of quotes from "Pop culture takes on the fear game," an article by the New York Times' Frank Rich (whom we absolutely adore, by the way) that appeared in Friday's International Herald Tribune. Here's the particular passage that got Drudge so worked up: "[The act of turning the Bush-Cheney administration into an object of fear] can be seen at full throttle in Jonathan Demme's remake of the classic cold war thriller 'The Manchurian Candidate,' which opens in the United States the morning after the Democratic convention ends. This movie could pass for the de facto fifth day of the convention itself. Aw, Frank, Matt...you guys needn't get so riled up about the undercurrent of hostility towards this year's race for the presidency that has apparently surfaced in Demme's remake. In fact, there were already a slew of winks and nods to the current 2004 campaign running throughout John Frankenheimer's original 1962 film. Prescient, indeed.
Let's hope the real convention ends better than the one in the film!
July 21, 2004
Hilary, darling, that look is sooo Sofia's last film
(With thanks to Kristina Dalberg.)
July 20, 2004
Look out, Sasha Frere-Jones and Simon Reynolds...here comes Victoria Murphy of Forbes Magazine
Following in the wake of the "controversy" surrounding Jadakiss' provocative lyrics ("Why did Bush knock down the towers?") in his hit single, "Why?", Fox News' irascible hip-hop maestro Bill O'Reilly invited Forbes Magazine's senior reporter Victoria Murphy on to his Monday, July 19, 2004 edition of the O'Reilly Factor to discuss a tangentially-related matter, Microsoft's usage of the rapper in an X-Box promotion. But when you're a 23-year-old reporter, why confine yourself to talking about boring, adult-oriented things like "marketing initiatives" and "public relations controversies" when you can wax rhapsodic on pop music and its performers? MURPHY: This rapper's probably a one-hit wonder anyway, and it turns out it probably wasn't such a smart decision, but Microsoft is a smart company and what they want to do is sell more software, not promote some rapper's political ideas... RELATED: One random fan's Amazon selection of Jadakiss and the LOX's various platinum- and gold-selling records.
July 19, 2004
(Gotta Get) Back in Time
TIME Magazine's July 26, 2004 issue, Vol. 164, Number 4 ...in which the cover-story editors draw from the ten-year-old script for Jon Favreau and Doug Liman's Swingers, liberally quoting Vince Vaughn's Trent character. ...in which the "The Arts" section profiles Clara Peller, noted for her catchy quip, "Where's the beef?" ...in which we learn about Ms. Pac-Man, the surprisingly successful spinoff to everyone's favorite coin-operated arcade game ...in which the movement to impeach the President for his knowledge of an illegal break-in at the Watergate Hotel is examined ...in which the "Nation" section document's the cultural obsession with the Lindbergh baby trial NEXT WEEK'S ISSUE: ...in which the "Science" section profiles Gumma, the universe's very first single-celled organism, and noted neurotic, in an article headlined "Mitochondriac"
July 14, 2004
That's not reverb, that's delay you're hearing from the mic
Today's New York Times Metro section runs a piece about the city's night spots and the hipster embrace ofget this, kidskaraoke. In "'Sweet Caroline' Never Seemed So Good: So Uncool That It's Hip, Karaoke Enjoys a Comeback", Times readers commuting via the downtown 1/9 trains had the opportunity to learn about this thriving new subculture amongst the city's ironic set: "Clearly, given the demographics, this is not the karaoke of crazy drunken uncles who worship Neil Diamond, nor is it the more studied karaoke first pioneered by Japanese businessmen. Instead, it is more akin to the swing-dancing craze of the 90's - a form of urban group expression that satisfies a longing for community." While an instinctive critique of the paper may be expected to run along the lines of, "Why doesn't this paper cover these phenomena when they're more relevant, and hire younger, more plugged-in writers and reporters," it turns out that a better and more applicable critique may be along the lines of, "What the hell happened to their older staff, those people who actually remember what the paper has published in the past?" To wit, observations from "Noticed; Karaoke: Once More, With Irony" in the paper's Style section (a mere six years earlier, on July 5, 1998), which noted "a reawakened interest among New York hipsters in the sing-along pastime imported from Japan. ...Just when it seemed the loose-tie recreation of the 1980's had been safely put to rest in church basements and suburban strip-mall bars, karaoke is being revived by young downtown scene-makers, along with so many other retro relics of the Reagan era. They are frequenting new karaoke clubs, as well as infiltrating traditional ones with a largely Asian clientele." Well, be it 1998 or 2004, one thing is certain: it must be cool if the Bush twins are doing it. Blonde, and bigger than ever before
Blonde Items: WHAT hairy havoc have Jennifer Lopez, Beyonce Knowles, et al wreaked upon the world of up-and-coming black and Latina starlets? WHEN did Christina Milian, brunette teen songstress and star of last year's Love Don't Cost a Thing, have her handlers reconstruct her image and give her a post-Beyonce blonde re-do? WHY did no one realize that "Dip it Low" is a strong enough pop single on its own merits that its vocalist did not need this egregious white-person-accessibility reinvention? WHEN did we forget about that scene at the beginning of Spike Lee's Malcolm X where the young leader of the Black Power movement becomes embarrassed by his usage of hair-straightening products? WHY has Angela Davis never fronted a pop group?
July 12, 2004
Father Figure: The Origin of Ron Burgundy
After Will Ferrell's Anchorman: The Legend of Ron Burgundy took in an estimated $28 million and landed in second place at the weekend box office, we took it upon ourselves to help flush out the work of producers for esteemed shows such as ET and Access Hollywood and get to the bottom of things: just who is Ron Burgundy, Anchorman? After flipping through a copy of the June, 1979 issue of National Lampoon (or, to be honest, the version archived on the Lampoon's website, since we don't actually collect old magazines like a goddamned packrat), realization set in that we were gazing upon the Genesis of an Institution, and the Dawn of Buffoonery. The following images are taken from a feature entitled "Emergency Fathering", written by John Hughes, Tom Corcoran, Gerrald Sussman, and Judy Corcoran. Are we looking at illustrated archival documentation of the Ron Burgundy's baby years, which might in some way explain the character's later behavior as an adult? But wouldn't that make Ron a youthful 25 years old today? And, wait, isn't the film itself set in the 1970s? Oh my god, I totally cannot process all of this. Maybe it's merely cinematic inspiration? Only John Hughes knows for sure. I, meanwhile, am off to go watch Wonderland and then Boogie Nights. Or vice versa.
July 6, 2004
Clearly it's this pun that's the tramp
ON NEWSSTANDS NOW: i-D Magazine's July 2004 issue, left, and V Magazine's Summer 2004 issue, right Post Pile-on, Continued
Greetings, New York Post reporters! You've got a sympathetic ear here, and we'd like to remind you that when your peers decide to ridicule you for your constant butchering of the facts, remind them that any and all errors and inaccuracies can and should be blamed on the Islamist Web sites of the Army of Ansar al-Sunna that tipped you off to the (non)-beheading of an American hostage this weekend, and, presumably, also let you know that Dick Gephardt would be joining the Kerry ticket. Those goddamned terrorists, sullying and tarnishing your respected brand like that! From the very restrained and downright reserved article entitled "NO END TO EVIL: CREEPS BOAST OF MARINE MURDER", which was garishly splashed across the cover of this weekend's New York Post, July 4, 2004: Bloodthirsty Iraqi terrorists yesterday claimed to have beheaded captive American soldier Wassef Ali Hassoun and vowed to release a videotape of the savage slaying in the first decapitation of an American Muslim hostage. And from today's decidedly trashy and sensationalistic New York Times, "Abducted Marine Is Free, His Brother Says", July 6, 2004: A United States marine held by an Iraqi militant group is alive and has been released, the marine's brother said today. Well, guys, you lose some, and you lose some. Do we defeat true men?
Yes, it's an easy target. And yes, we've already harped on for some time about how the New York Post is very, very error-prone. But today's Post has three egregious errors, and we thought it pertinent to point them out, in fulfillment of our duties here at low culture as Honorary Ombudsmen of the Paper of Disrepute. 1. From STERN'S LADY IN LAD MAG: "Almost as good is a celebration of the enduring comedy "Nerds," which this year turns 20." Let's see: either they're reporting on an obscure, under-appreciated documentary depiction of the creation of the Willy Wonka-themed candy of that name, or they left off a key "Revenge of the" preceding modifer. But, hey, everyone loves a good shorthand now and then, right? 2. While not an error, per se, the paper's HARVEY SET TO BOLT MIRAMAX on Page Six seems a bit, erm, unlikely. "Under the plan being considered, Weinstein would leave to start his own movie company and Miramax would distribute his films, sources say. Harvey's brother and Miramax co-founder Bob Weinstein is expected to stay at the company, where he runs Dimension Films, a Miramax division that focuses on medium-budget action and horror films." Fans of studio politics everywhere understand that while Harvey's a boor, Bob is merely churlish, and boors hardly ever stand down for churls. 3. Oh, and there's also some big hullabaloo about some error they may have made regarding the cover story above...Something about a cabinet pick, or an election or something? DEVELOPING...
July 5, 2004
That leaves about five percent of them who can reasonably lust after Lindsay Lohan or Orlando Bloom
While fans of lawsuits and/or insipidly lowest-common-denominator clothing chains may best know about West Virginia from its run-in with Abercrombie & Fitch last year over the company's sale of T-shirts with the mocking phrase, "It's All Relative in West Virginia," it may be time to update your repertoire of insults for the 35th state in the union. Mull over this disturbing factoid from the Associated Press, which comes via President Bush's visit to the southern state on the fourth of July this past weekend. Making a pitch for votes in a state where 200,000 veterans comprise 15 percent of the population, Bush praised veterans for "setting a good example for those who have followed ... in Afghanistan and Iraq," said Bush. Thirty-six percent of all male West Virginians fought in World War II, 16 percent in Korea and 20 percent in Vietnam. Now, that last line seems ridiculously erroneous, and most probably involves some sort of grammatical error in relation to the first sentence of the paragraph sampled above. Because, otherwise, that means roughly 70 percent of West Virginian men are approaching retirement age. And if that is in fact true, be on the lookout for next week's hard-hitting TimeOut New York cover story, "WV to NY: Young and single West Virginians hit big on the New York bar scene!"
June 30, 2004
Woolf in Fred Segal's Clothing
From left to right, Nicole Kidman and her Oscar-winning prosthetic nose, and the egregiously untalented Ashlee Simpson. Poor, poor girl. Check her pockets for rocks before she goes to the MTV Beach House.
June 29, 2004
Mini DV's mobility, on the other hand, caused Chelsea Walls to seem poorly framed
And then there's this, below, taken from New York magazine's current profile of Ethan Hawke as leading man/single man/bohemian: There's a manual typewriter on his desk; he wrote both his books on it. The computer has destroyed fiction,' he declares. Paragraphs get so perfectly sculpted they lose all their juice.'
June 28, 2004
I think I recognize that actress...and her gamine-faced expression, too!
Three years ago, indie film fans across America saw Amlie and, apparently, fell in love with the film's lead actress Audrey Tautou...or at least that distinctively peculiar facial expression of hers. How else to explain the marketing of her subsequent films and the rash of look-alike film posters and DVD slipcases for movies in which she appears? Anyway, you may also want to check out He Loves Me...He Loves Me Not, and if you're wondering how on earth you'll find this dark gem of a film in your local video store, fear not. Just look for Mlle. Tautou's inquisitive visage. Or, better yet, take a practice run below...You'll have to wade through films in which she merely plays a cameo, but that should be obvious by examining the ratio of Tautou-Face to the package's Total Surface Area: The book was written by Yale University's honorary "Christopher Pike Professor of English"
From the case's promotional copy for the current DVD (re-)release of Disney's 1993 film A Far Off Place, which is noteworthy only in that it stars a younger, pre-Election, Reese Witherspoon: "A classic adventure in the literary tradition of Holes" Ray Charles, in turn, clearly inspired underground hip-hop artists such as Louis Logic and Prince Po
An actual letter to the editor which appeared in The Nation's July 12, 2004 issue, amidst readers' comments on the magazine's "tribute" to the many under-reported negative aspects of Reagan's presidency: Boston - You omitted one salient fact: Ronald Reagan was responsible for creating the best marijuana in the world! When Reagan initiated his "war on drugs," the marijuana growers were hard pressed to beat the Feds. They had to re-engineer their plant, and they did so in one of the greatest breeding undertakings ever--no recombinant DNA, just conventional breeding technology. In a few years the marijuana plant was a dwarf plant that lacked the typical acrid odor, thereby allowing it to be grown indoors. Along with these changes came additional benefits--the best and most potent sinsemilla marijuana in the world. Bravo, Mr. President.
June 24, 2004
It's Must Repent TV!
In yesterday's New York Times, the paper's Hollywood scribe Sharon Waxman shows how the success of Mel Gibson's The Passion of the Christ has given the former action star a newfound ability to effectively greenlight and produce a number of his own projects. (In addition to turning water into wine on cue.) Waxman writes that "Mr. Gibson's Icon Productions will have no fewer than three prime-time television series on the networks' fall schedule: 'Clubhouse' on CBS, 'Savages' on ABC and 'Kevin Hill' on UPN." When detailing the nature of these projects, however, Ms. Waxman, regrettably, left out specifics regarding the shows' content, save for a few bullet points here and there. What follows, then, is our exclusive insider guide to Icon Productions' fall television lineup, praise be He: CLUBHOUSE Marc Donato portrays a New York teenager who becomes a batboy for the Yankees. Sounds sort of tedious and Wonder Years-ish, right? Wrong...this tale's been Gibsonized! Herod, or "Harry", as he's better known in the clubhouse, first acquired fame in the New York tabloids as the product of an immaculate conception at North Central Bronx Hospital fifteen years earlier. The adolescent Harry, who now notoriously has quasi-biblical powers, comes to the attention of Yankees owner George Steinbrenner, who, in the series opener, is embroiled in a payroll accounting scandal, and in an effort to redeem himself in the eyes of God (and the New York media), hires young Harry to provide redemption for not just "this tired old Jew," but the entire team of sinners, as well. And, thankfully, things shape up for the team pretty fast under Harry's guidance. When not providing the home plate umpire with new baseballs, or making sure Alex Rodriguez's batting gloves are well-oiled, Harry has the opportunity to counsel Jason Giambi on the perils of ingesting "Satan's Unnatural Poisons" in his effort to hit more home runs, and coaxing team captain Derek Jeter into giving up his womanizing ways after a nasty encounter with Satan's Temptress, played by the enchanting Rebecca Romijn. And when the Subway Series reprises itself during sweeps week, Mets catcher (and notorious homosexual) Mike Piazza learns that a good man is, indeed, hard to find, and subsequently falls in love with Harry's aunt, Seraphia, a former lesbian also cured by God's love. SAVAGES Keith Carradine plays a single, working-class dad raising five sons. Pretty straightforward, huh? Well, need we remind you that this, too, has been Gibsonized? Keith plays Papa Barabbas, a former missionary in Peru, who has adopted five Incan boys as his own and now must go about raising them in the suburbs of Chicago, all alone. Diehard missionaries and men of God, after all, can't take a wife, which wreaks havoc on his blue-collar neighborhood after Barabbas forcefully renounces the advances of special guest star Bonnie Hunt. And on the homefront, despite Barabbas' background in converting South Americans to Christianity, things are both difficult and hilarious for him as he tries to get his boys to stop speaking to each other in their native Quechua dialect. His sons, however, grow more and more flustered as they struggle with urban colloquialisms such as "What's up?" and "True, dat." KEVIN HILL Former up-and-coming actor Taye Diggs settles into the role of a high-powered lawyer forced to become a father figure overnight when his cousin tragically perishes, leaving him with custody of a baby girl. Mel Gibson, a noted misogynist, initially balked at the idea of adapting the films Mostly Martha and Raising Helen into a television series, until the newfound mini-mogul realized he could retain the central character's ineptitude and inherent feminine dishonesty by transposing her character traits onto a whole new sort of "other," a black male protagonist. (On-set reports indicated that the Lethal Weapon star actually had trouble distinguishing Taye from his former co-star Danny Glover, until a representative for Mr. Diggs courteously stepped in and insisted that Gibson please stop calling his lead "Danny".) Regardless, hilarity ensues when papa Taye, in the course of changing diapers, erroneously runs out of Pampers and has to "make do" with a copy of the Ten Commandments. God bless that baby's bottom!
June 23, 2004
June 22, 2004
We hear...
From the New York Post's Page Six, June 22, 2004: ". . . THAT Vince Vaughn, Wyclef Jean and Lauren Bush were among the well-heeled celebs who accepted a goodie bag worth $35,000 at Entertainment Weekly's "Must List" bash the other night . . ." That's great, because we hear. . . THAT a starting salary for Entertainment Weekly's editorial assistants is in the neighborhood of $27,000.
June 21, 2004
All the way from Velvet Goldmine to Napoleon Dynamite
Existing screenwriters/directors to whom Napoleon Dynamite writer/director Jared Hess owes a debt: Alexander Payne, for his usage of the "everyday", contemporary America as a cinematic template. Wes Anderson, for imbuing the quirkiness of characters with a celebratory yet sentimental qualitythough not going nearly as overboard as Anderson ultimately does in this regard. Todd Solondz, for nastily ridiculing the above notions of "the everyday" and "those who are quirky", as well as "those who are lunkheads", "jocks", or otherwise boring as all fuck; knocking them all down a peg or two, and somehow giving an anti-hero hailing from the geeky dregs of mundane life a reason for the filmgoer to actually empathize with them. Chris Smith (of American Movie and Home Movie fame), for successfully (and effectively) conflating such ridicule and empathy. Todd Haynes, for utterly nailing the ability to appropriate for appropriation's sake. Adam Shankman (of Bringing Down the House infamy), for relying on some really regrettable racial stereotypes. Wow...whites, blacks and latinos are different, get it? Haha!
June 18, 2004
Airing all this weekend on the USA Network...
Another weekend, another new crop of films to consider seeing...but how to sift through the varied options and spend your hard-earned $10.25 wisely? Thanks to media consolidation, however, there's a new option, one where you don't have to spend any money at all. In fact, the studios don't even have to spend anything either if they just make these movies with C-list stars for a D-List cable network. Big spending producers, read on and prepare to save your millions.
Pseudo Imaginary Trend, Continued: Fictional Characters Named after Writers
As reported here earlier, using the names of writers for movie characters is a growing pseudo imaginary trend in Hollywood. The creeping influence of literature is probably unavoidable, since screenwriters, as a group, are such a well-read lot. (A West Coast friend of ours actually called us once from Book Soup to tell us Brett Ratner was buying the collected works of Isaac Bashevis Singer—and this was way before that writer's centennial! And, presuming the books were in Hebrew, the director even attempted to read them from back-to-front!) Anyway, the trend continues with the release of Steven Spielberg's The Terminal, in which pink-cheeked national treasure Tom Hanks plays a character named after pinko Nation editorial director and publisher, Victor Navasky. (This is not the first time Navasky has seen his name named on film: he's also the nomenclatural inspiration for Greg Kinnear's character in You've Got Mail.)
June 17, 2004
Tomorrow's Corrections Today, vol. 4
Slated to appear on the New York Times' Corrections page, June 18, 2004: Because of an editing error, an op-ed by Maureen Dowd in yesterday's Opinion section, "Smack That Cheney-Bot!", accidentally revealed that the Vice President is a robot. The corrected article should have merely implied this fact. The Times regrets the error.
June 16, 2004
2004 Us cover subjects
Here it is, in black and white
While sports fans everywhere are abuzz with news of the Detroit Pistons's more-or-less unanticipated victory over the Los Angeles Lakers in the NBA Finals, we here at low culture readily acknowledge that the only thing we love more than sports are drugs, and, in the beloved tradition of Darryl Strawberry, preferably both at the same time.
June 15, 2004
"My Life" by Bill Clinton: Exclusive Extract!!!
Finally, the real story! What follows is an exclusive, embargo-shattering leaked excerpt from our 42nd president's memoirs, including, hopefully, the inside dirt on everything you ever wanted to know about the Clinton presidency but were afraid to ask Ken Starr!!!! From Chapter XXVII: "1995: A Hope for European Renewal": In the wake of Finland's accession to the European Union in 1995, I recall spending an entire afternoon with President Martti Ahtisaari, sitting there for hours on end in the White House's State Room. There were the usual interruptions, of course, as Betty would scurry in and out of the chamber with information on the progress of our normalization efforts with Vietnam, but for the most part, we were left undisturbed.
June 14, 2004
The Strange Time of our Times
Dubious claims made in Sunday's New York Times Magazine: Lest you jump to the conclusion that they attend a finishing-school where ladylike deportmant is instilled along with a wobbly grasp of the 3 R's, both girls are ninth graders at Brearley, a Manhattan girls' school that prides itself on its high academic standards and is renowned for producing independent-minded young women... Q: You're the daughter of the novelist Alice Walker. Why did you decide to take her name instead of your father's, who is a lawyer? "Andrea's work has been about exposing the mechanism of the whole art system," explained Dan Cameron, senior curator at the New Museum... "It underscores the paradox of ownership and pushes it into a realm that hasn't been so pointed before." Now he's releasing his first solo album, "The Slow Wonder," under the name A.C. Newman - his initials "sound more rock, like AC/DC," he explains - having received a grant from a Canadian foundation to record it. Carl Nelkin, a 43-year-old Dublin-born Jewish aviation-law consultant, has been trying to improve the situation by "marketing Ireland as a destination for Jewish people to move to." "Golf is the new rock 'n' roll," says Tim Southwell, editor of a new magazine called Golf Punk.
June 11, 2004
Hit over the head(line)
We couldn't get 'rid' of the nagging suspicion that there was a film opening this weekend that we were 'racing' to see, until it hit us at perfect 'pitch': The Chronicles of Riddick is in theaters today! Since it's almost the weekend, headline writers from the AP to USA Today have, apparently, taken the day off, leaving us scratching our, well, 'heads'. As such, here's a quickie instamatic guide to the headlines of the film's various reviews. 1. Use puns which reference the lead actor's surname, which just happens to be a specific form of fuel. Bear in mind that many engines run on fuel, and incorporate this secondary idea as well: Diesel fuels sci-fi action 2. Engage in wordplay with the lead character's name: Riddick Riddled With Silliness 3. Pare your entire review down to one declarative sentence for your headline: 'Riddick' delivers sci-fi fun 4. Go the laziest route possible: Review: 'Riddick' big, boomy, bad 5. Or, finally, write for the New York Times and dazzle us with your mystically opaque headline, existing somewhere between Judith Butler and Carl Sagan:
June 10, 2004
I don't like Pepsi, either
Twentieth Century Fox, meet award-winning director Chris Cunningham
June 9, 2004
Girls Gone Anti-Bush!!!!
Following up on our earlier post that asked, "What is the deal with photographers only shooting pretty girls at protests and rallies?", here are the latest images from the G8 rallies. The Rich (and the Fantanas) Are Different From You and Me
Are you confused by the seemingly endless onslaught of boldface names? Who are all these Binky's, Basso's and Baron's, and how do they keep busy when not being photographed at the kind of lavish society galas you could only dream of attending? Fret no more, social upstart, our friends at New York Social Diary have premiered a new feature that promises to answer all these questions and more, The NYSD List. Not to be confused with the Quest 400, David Patrick Columbia'a other New York social circuit resource, "The NYSD List" is generous enough to provide brief bios of these beautiful and/or rich people. Try to figure out if the insipid copy below is a high-society profile from the "List" or if it's actually from the brief bios provided for the (fictional) Fantanas, those saucy spokegirls from the Fanta campaign. Answers below. A. [A's] parents made her study ballet from the age of three. She has appeared in countless versions of the Nutcracker SuiteAlthough she still loves ballet, her heart is really into modern dance B. [B,] who is tall, blonde and royal looking, often visits New York where she is at present preparing for the publication of her book, The Serpent and the Moon C. She loves a good time too, (natch) and is the possessor of that irresistable smoky-voiced laughter that can get anyone talking D. If there's such a thing a femme fatale, or even if there's not, the closest thing to it is the beautiful [D] E. Her passion for life is infectious. She is upbeat, sunny and a little daring - it's no wonder that people want to be around her. F. [F. has] lots of friends and like a lot of the Brits she mixes em up with lots of Euros thrown in...party boys and girls, slackers, yakkers, and of course, the aristos G. [G] is always amused that the [man/woman] in [her/his] life is named after a vegetable. Answer Key
June 8, 2004
Because Bowfinger was such a biting satire of Hollywood...
Paramount, the studio that cruelly brought us Tomb Raider 2 and The Italian Job, has released yet another teaser trailer for their ill-advised remake of The Stepford Wives, only this one has apparently rubbed a handful of prudes the wrong way. Or rather, one particular woman, which in turn lead to a report on this mini-phenomenon by her local television station, which lead to this post, which lead to your being reminded that a film entitled The Stepford Wives is being released soon, hey, this weekend in fact, and hey, maybe I'll go see that, huh? Hmm, unless I'm going out with my neighbor. I really ought to check my Blackberry. Anyway, here's hoping the studio's P.R. executives are thanking the uninspired marketers who, in this latest teaser, decided to convey the nightmarish prospect of a nation of "Stepford Wives" by including a brief shot depicting President Bush's National Security Advisor Condoleeza Rice as a Grace Jones-esque topless model and Senator and former First Lady Hillary Clinton as an everyday homemaker (which really isn't that far removed from Laura Bush, though, right?). "It's just inappropriate, and it needs to be stopped," said the Kansas City woman who brought up the initial complaint. And in hopes of gauging the reaction of a wider audience than just this one woman, the news report mentioned above solicited additional quotes on the matter, like any good entertainment reporter working for a local news outlet should be doing. Pat Gray, who works with Northstar Marketing Group, said the ad shows bad taste toward Rice and Clinton. OK, fair enough. But, realistically, people are reacting negatively to the wrong shot in this wannabe-notorious trailer. In fact, it's the very last shot, which we excerpted below, that really should be serving as discouragement: (Thanks to Rory MacDonald.) Entertainment (So Last) Weekly
Entertainment Weekly, in its continuing commitment to bring you news you've already read elsewhere, outdoes itself in this week's "Secrets of Harry Potter" spectacular. To get an idea of just how warmed-over this shit gets, let's flip through EW's front of book together: First up we've got EW's interview with Dick Wolf, "Making the Brand" by Allison Hope Weiner: We won't even trouble you with the A as you probably know what Wolf has to say already. That's because his answer appeared in the March 4, 2002 New Yorker, "TV on the Cheap" by James Surowiecki, and even then it was old news: Or how about "The Sopranos Pop Quiz" in which EW's Alynda Wheat wonders if The Sopranos' Little Carmine is meant to parody George W.'s various malapropisms. [] B. "Of course no one wants all-out conflict, but historically, historic changes have come out of war." [] E. "The fundamental question is, Will I be as effective as a boss like my dad was?Until I am, it's gonna be hard to verify that I think I'll be more effective." But then what of weblog The Bonassus which took note of the very same (and not quite self-evident) parallel over a month ago? Little Carmine: The point I'm trying to illustrate is that of course no one wants all-out conflict, but, historically, historical changes have come out of war. The tortured syntax. The stupidity. The belief that the father's successes were in fact failures. The eminence grise with heart trouble and a belief that multilateral institutions are for the weak. I'm telling you, man, it's George Bush, man. And it continues. There's EW's piece/graph about Kate Hudson's falling fortunes that appeared nearly verbatim in USA Today's Life section on May 25. And there's "Weather, or Not" EW's hard-hitting two-column-inches look at the reality of The Day After Tomorrow's portrayal of climate change - we could likely provide several hundred pieces "investigating" the same issue. While imitation may be the sincerest form of etc., when it's EW doing the "imitating," it just feels dirty.
June 7, 2004
A personal remembrance from Ronald Reagan's costar, Bonzo
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June 3, 2004
June 2, 2004
June 1, 2004
Next time, consider whipping Mandy Moore for two-plus hours
How not to mobilize your base during an introductory roll-out: Weekend box office, May 28-30, 2004: Saved! Weekend box office, February 27-29, 2004: The Passion of the Christ
May 27, 2004
Jake Gyllenhaal's So Hot, He Melted the Ice Caps!
From US Weekly's review of The Day After Tomorrow, appearing in the June 7, 2004 issue: "Global warming has never looked so cool!" Former low culture executive editor Matt Haber sent this e-mail to Santa Monica Daily Press gardening columnist Stu Moran with a copy to Poynter
Dear Mr. Moran, Since the Editors' Note in low culture yesterday cited stories published while I was executive editor, I understand your interest in my thoughts on the subject. First and foremost, I agree with the editors' statement that the stories were published in a reasonable effort to share with our readers the best knowledge that we had at the time. We relied in that period on a group of music and style reporters who worked tirelessly to keep up with developments in the search for Julian Casablancas' fiance. It is inevitable that blog entries of this kind -- usually based on information from interested parties in the Lower East Side and elsewhere -- are incomplete and in some cases reflect the agenda of the sources. Follow-up, as the editors' note correctly observed, is always in order. Personally, I do not agree with the contention in the editors' note that problems in the Julian Casablancas engagement stories came about because some editors felt pressured to get scoops into the website before the necessary checking had taken place. I cannot read the minds of others in this regard. My feeling is that no editor did this kind of reckless rushing while I was present. Any of the 30 or so people who sat in our site meetings during the run-up to the Casablancas proposal and the first phase of his new relationship can attest to the seriousness with which everyone took this story. As for my part, I can tell you positively that in 25 years at low culture and in 21 months as executive editor, I never put anything into the site before I thought it was ready. Somewhat to my surprise, I was not contacted by anyone at low culture prior to yesterday's commentary. Had I been I would have repeated my concern that editors' notes do not give readers the facts, analysis and context they need about disputed stories. I found this editors' note as vague and incomplete as some that have preceded it. I believe low culture remains an indispensable Web site because of the values it stands for. I continue to believe that the site also needs to be sharper competitively. The performance of Gawker and Lindsayism on the Casablancas stories shows that this need continues, and I was heartened to see the comment in a letter to the staff from Mr. Cimbalo and Mr. Tremblay about the continuing need for hard reporting and for setting the record straight. All best regards,
May 26, 2004
From the Editors: low culture and The Strokes
Over the past several months this website has shone the bright light of hindsight on decisions that led Julian into Juliet. We have examined the failings of gossip and music industry intelligence, especially on the issue of the Strokes' aural charms and possible connections to international women. We have studied the allegations of official gullibility and hype. It is past time we turned the same light on ourselves. In doing so -- reviewing hundreds of posts, or rather, one, written during the prelude to Julian's engagement and into the early stages of the co-occupation of an apartment -- we found an enormous amount of journalism that we are proud of. In most cases, what we reported was an accurate reflection of the state of our knowledge at the time, much of it painstakingly extracted from gossip sources that were themselves dependent on sketchy information. And where those posts (or, well, that one post) included incomplete information or pointed in a wrong direction, they were later overtaken by more and stronger information. That is how news coverage normally unfolds. But we have found a number of instances of coverage that was not as rigorous as it should have been. In some cases, information that was controversial then, and seems questionable now, was insufficiently qualified or allowed to stand unchallenged. Looking back, we wish we had been more aggressive in re-examining the claims as new evidence emerged -- or failed to emerge. Some critics of our coverage during that time have focused blame on individual reporters. Our examination, however, indicates that the problem was more complicated. Editors at several levels who should have been challenging reporters and pressing for more skepticism were perhaps too intent on rushing scoops onto the website. Accounts of other suitors were not always weighed against our strong desire to have Julian taken off the singles' market. Articles based on dire claims about the Strokes tended to get prominent display, while follow-up articles that called the original ones into question were sometimes buried. In some cases, there was no follow-up at all. We consider the story of Julian's engagement, and of the pattern of misinformation, to be unfinished business. And we fully intend to continue aggressive reporting aimed at setting the record straight. On an unrelated note, Judith Miller has been fired from her position as low culture's Satire-but-Not-Credited-as-Such reporter. In Movie News
Highly anticipated disaster flick The Day After Tomorrow opens the day after tomorrow. On Friday, the day after tomorrow, when The Day After Tomorrow opens, the day after tomorrow will be Sunday.
May 25, 2004
Hanoi Madge
Both come complete with anti-war rhetoric and thigh-toning exercise!
May 24, 2004
Food Fight
Your Diet Is Driving Me Crazy, by the unfortunately named Cynthia Sass, hits retailers this week; the book is designed to help couples and families cope with the trauma of having a dieter in their midst. And so it has finally arrived - the meta-self-helper - a title intended to solve the problems that arise when someone else has chosen to solve their own problems. But Your Diet shouldn't come as much surprise - in our endlessly bootstrapping culture, it's more shocking that noone has thought of the meta-self-helper before. Imagine the endless opportunities to piggyback on the endless procession of self-help literature: (I Don't Want to) Go to South Beach, or, Why Should I Care About the Color of Your Parachute?, or, for the kids, Why Doesn't Daddy Sweat the Small Stuff?. And let's not forget the chance for talk show topics like "Dr. Phil Is Ruining Our Marriage," "How Could You Possibly Watch LoveLine?" or, "If Men Are from Mars and Women from Venus, Then Where Do I Belong?" Yes, Your Diet has ushered in a brave new era for dubiously-licensed and syntactically-challenged physicians everywhere. It's only a matter of time before societal ills, unhappy marriages, unsightly fatties and the concerns about those concerns, are a thing of the past. Nice cover, but this one is more tweaked
Left to right, "Dress Your Family in Corduroy and Denim" by David Sedaris, and "White Guys: Studies in Postmodern Domination and Difference" by Fred Pfeil. Make of that what you will.
May 20, 2004
May 19, 2004
But, realistically, Michael Moore would, no, could have never made this film
From a sampling of reviews for Morgan Spurlock's "Super Size Me": Portland Oregonian, Karen Karbo: In the tradition of the contemporary muckraking documentary -- of which director Michael Moore is the most recent accomplished practitioner -- "Super Size Me" entertains serious sociological and political questions. Boston Globe, Ty Burr: Morgan Spurlock's outrageously amusing "Super Size Me" is the redheaded stepchild of Michael Moore and "Jackass," a low-budget nonfiction stunt with a sharp point of view, a sheaf of alarming statistics, and the willingness to entertain us until we cry uncle. Like "Bowling for Columbine," it's less a documentary than a provocumentary, and, like Moore, Spurlock is a born showman. Chicago Tribune, Mark Caro: Spurlock is a lanky thirtysomething Manhattanite taking a Michael Moore-type approach to a subject previously surveyed in Eric Schlosser's non-fiction bestseller "Fast Food Nation." USA Today, Claudia Puig: Riveting and darkly comic Super Size Me is a whip-smart documentary in the tradition of Michael Moore's Roger & Me. Dallas Observer, Robert Wilonsky: The movie was a big hit at Sundance and beyond; it's turned Spurlock, an aspiring filmmaker and graphic designer, into Michael Moore, an agit-prop star proselytizing about the greed of a company that doesn't care about the content or impact of its unhealthy and potentially deadly product. Like Moore, he tries repeatedly to talk to someone at McDonald's corporate headquarters about the nutritional value of its food, and of the results a monthlong diet has taken on his body. But he's given the brush-off in a game of never-ending phone tag, and it feels like a page lifted from the Moore playbook of how to make a company look decidedly evil. The Onion (A.V. Club), Nathan Rabin: An irresistible combination of muckraking activism and populist entertainment, Super Size Me takes a page out of the Michael Moore playbook by using a David-vs.-Goliath-style personal quest as a starting point for an irreverent and impassioned critique of a pressing social issue. Village Voice, Dennis Lim: Indeed, Spurlock, whose affable-doofus persona is somewhere between Johnny Knoxville and Michael Moore, was responsible for MTV's cash-for-stunts series I Bet You Will, and is preparing an SSM-modeled show called 30 Days. Washington Post, Michael O'Sullivan: A gonzo documentary in the Michael Moore mold -- but without Moore's grating presence -- "Super Size Me" is an anti-junk-food screed that manages to entertain even as it informs and alarms. New York Times, A.O. Scott: Mr. Spurlock, originally from West Virginia, works in the good-natured, regular-guy populist style of documentary rabble-rousing pioneered by Michael Moore. He is a bit less confrontational than Mr. Moore (as well as thinner), but he similarly relishes letting polite, well-scrubbed corporate flacks entangle themselves in bureaucratic doublespeak. No, write your own column
"Write your own Thomas Friedman column!" "CREATE YOUR OWN THOMAS FRIEDMAN OP-ED COLUMN: DISORDER AND DREAMS IN [COUNTRY IN THE NEWS]" Pal Joey
Joey, NBC's answer to the scheduling hole left by "Friends," was screened at the network upfronts on Monday, and low culture was there. We've provided a brief synopsis below, and we're certain you'll agree - "Joey" is a hit. Cold Open Act One Joey insists that his sister Gina (Drea de Matteo) not show off her large breasts. When Gina asks why it's OK for her friend (Ashley Scott) to wear the same top, Joey explains that when her friend wears the top "It's sexy," but when Gina wears the top, "it's just, ewwww." Joey finally lands a big audition with the "big-time director Frank Draco," for a big action movie. But when Gina's son loses the script, all hell breaks loose. Act Two Joey, still without his script, tries to ad-lib for "big-time director Frank Draco" - but the audition descends into a monologue about meatball subs. Needless to say, it doesn't go very well. As Joey leaves the audition, "big-time director Frank Draco" asks his assistant to get him a meatball sub. Joey returns to his sister's apartment in poor spirits, and not even Gina's bosomly friends can cheer him up. When his nephew (who lost the script) returns home from school, Joey begins to violently beat him. Gina, infuriated, throws Joey out. Act Three When Gina won't return Joey's calls, he decides to go out on the town to cheer himself up. At a flash Hollywood bar, Joey meets a woman he recognizes from "adult films." Joey is reduced to Jerry Lewis-like inanities, but she takes a liking to him anyway. Joey returns to the adult actress' Canoga Park track housing, where she turns him onto crystal meth. "Whoa," he opines, "for the first time in my life, I don't want to eat!" Joey quickly descends into a haze of meth addiction - his sister and cousin want nothing to do with him. It isn't long before Joey begins sucking dick for cash. "Just pretend it's a meatball sub," he tells himself, before descending on the crotch of a particularly unsavory man. Credit Roll
May 18, 2004
"Cannes-Do" Marketing
In preparation for the film's July release date, Paramount has begun to reveal its marketing materials for Jonathan Demme's upcoming "The Manchurian Candidate", which is, of course, an oh-so-necessary remake of the John Frankenheimer-directed Cold War original. Their campaign includes the release of teaser ads for the film appearing at the currently-in-progress 2004 Cannes Film Festival, as shown here and re-created above. Advertising for a summer blockbuster at the Cannes Film Festival, alongside what was once ostensibly a gathering for artsy films...something seemed very "off" about this particular marketing ploy, until we stumbled upon the solution, below. Idol hands, frenetic fingers
This week's issue of Broadcasting & Cable breaks a scandal that most assuredly affects America's core values of fairness, equality, and democracy. (NB: if that lead sentence had been published in the entertainment section of some mid-level newspaper reaching a metropolitan audience of about 50,000 people, you might have seen a greater effort to unimaginatively give the impression that this "scandal" is in some way connected to recent events in the Abu Ghraib prison, but alas, you've instead been subjected to this awful, self-reflexive introduction. Sorry.) Deborah Starr Seibel's "American Idol Outrage: Your Vote Doesn't Count" offers a fair share of anecdotal evidence that, contrary to the seemingly democratic voting process promoted by the producers of the beloved show, millions of fans' votes are disappearing into the ether. And speaking of vacuousness, the article, subtitled "An in-depth look at America's most popular show reveals a seriously flawed voting system," might have better read, "An in-depth look at America's most popular show reveals a seriously flawed America." How else to explain some of the quotes and actions attributed to one Dee Law? But as the show speeds toward its May 26 conclusion with three songbirds left, the 40-year-old Pennsylvania homemaker couldn't care less about the outcome. A Clay Aiken fan, she lost faith in the process after making a shocking discovery last year: No matter how often she tried, she couldn't place her vote. Shudder. Anyway, putting aside a range of misanthropic feelings for the moment, we at low culture would like to take this moment to actually assist (yes, help) those poor sad-sack losers who have chosen to devote two nights of their week to feverishly clutching their handset while shrieking inconsolably as Diana Degarmo erupts into so-called "song". Below, we've coordinated (all in one place, and sorted by manufacturer or service provider) a series of links to speed-dialing instructions at various telephone manufacturers' websites, such that hardcore Jasmine Trias devotees (or fans of Fantasia Barrino, or Diana Degarmo, or Crystal MacAzure, or Jacinta DuPres, or who-the-fuck-ever) can learn to get more votes in during those precious two hours. Brother Oh, fuck it. However immoral this may be:
May 17, 2004
Unfortunate Irony Alert
From Reuters, "Shrek Finds More Beauty in Being Ugly in 'Shrek 2'": "Shrek 2" zeros in on a cultural obsession with image, and there's no better place to do that than in Hollywood. From The Sun, "Diaz Sends for Zit Squad": Beauty Cameron Diaz sent an SOS after bursting out in zits before the Cannes premiere of Shrek 2. Re-Doubled Trouble
In our typically paranoid and narcissistic state, we couldn't help but notice that a May 14 "Entertainment Weekly" piece detailing New York Minute's various appropriations' bore a striking resemblance to our own New York Minute piece from a month earlier. Of course our take on the Olsens' film did lack that trademark EW snark, but still, Amy Feitelberg's piece echoes low culture's a bit too close for comfort. Decide for yourself. From EW: Is this deja vu, or do the Olsen twins have us seeing double? Their new New York Minute is littered with scenes from cinema past. ''I stuffed it full of every fun reference I could imagine,'' says director Dennie Gordon. ''Because when parents take their kids to see a movie, they still want to have as much of a giggle as the kids do.'' Let the laugh riot begin. There's Something About Mary The First Wives Club The Matrix Legally Blonde Moonstruck Ferris Bueller's Day Off Now read our original piece - it describes the film's allusions to Ferris Bueller, Moonstruck, The First Wives Club and There's Something About Mary. We missed The Matrix (it wasn't in the trailer) and described the Legally Blonde scene as a Beauty Shop ripoff. Perhaps Ms. Feitelberg was paying homage to our homage to New York Minute's homages. Or maybe she's just a lousy plagiarist (who should really choose to copy better material).
May 13, 2004
Introducing: the low culture Subtext Finder
We live in a world full of sneaky journalists and duplicitous editors who hide the subtexts just below the, um... well, the text. How is a reader supposed to understand what an article is actually about if everything is all coded and coy? That's where The low culture Subtext Finder comes in! Using our patented formula, we unearth a given article's subtext and bring it to you, the reader. Today's sample: A Mobile Link for 90 Mutual Friends from The New York Times' Circuits section. Using our formula, this article would be renamed Cool New Tool to Get You Laid. Now, read the new article with the subtext in the text (and in bold): Gone are the nights when Brian Battjer left barhopping in New York to chance.
May 12, 2004
Candy Flipping
Either Dany Levy's minions are easily fascinated or they should think about changing their meds. Daily Candy, Levy's digest of overpriced baubles and prime evidence of why Americans deserve to be hated, has charted endless novelty items over its three years of existence, but few of them seem deserving of the intense interest with which Candy invests them. Indeed, available evidence would suggest that Candy's writers suffer from OCD with a side-order of ADD. A sampling of their various obsessions': Failed Half-Hour The Oblongs Brownies Tee Shirts
May 11, 2004
Oral Report
The Guardian reports that encouraging teenagers to engage in oral sex could prove the most effective means of curbing teen pregnancy. Not only does low culture applaud such bold initiatives, but we would like to provide a few of our own. Teenagers need never be "troubled" again. First the problem, then the solution: Gang Violence - Encourage your teen to become a sulky loner As Lots of Time Goes By
From the Associated Press, May 8, 2004: Is it possible that no one thought to open a Rick's Caf in Casablanca before? Now if only we could do something with that Lawrence of Arabia movie.
May 7, 2004
With Friends like these...
low culture exclusive: must credit low culture (or not): On Thursday, May 6, 2004, while fifty million Americans tuned in to see the end of Friends on NBC, what were Chris Rock and Jerry Seinfeld doing? Eating hotdogs and watching the Mets battle Barry Bonds and the San Francisco Giants from behind the visitors' dugout at Shea Stadium. Finally, an explanation for that whole sitcom-star subplot of Larry David's "Sour Grapes".
May 6, 2004
May 5, 2004
What does Jack Black's gut have to say for itself?
Though moviegoers were most likely spending last weekend at the multiplex watching writer Tina Fey's monstrously mediocre "Mean Girls", odds are at least a small handful of devoted Ben Stiller and Jack Black loyalists turned out to see director Barry Levinson's latest debacle, "Envy", as $6 million dollars were somehow channeled to the film's producers by way of the box office. An even smaller handful of internet enthusiasts subsequently posted reviews of the film on the IMDB, including this gem, which was apparently written by Ben Stiller's conscience: "This is the worst movie I have seen in several years. Very dumb story, dumb humor, painful acting, hard to watch. This is the type of movie that should be destroyed instead of inflicting it upon audiences. Ben Stiller has proved himself to choose very bad movies and I thought perhaps Jack Black would have made it a good movie but he did not. I am making it a policy that I will boycott movies that have Ben Stiller in it. If Ben Stiller is in the movie it is likely a bad movie and this is probably the worst movie he has been in. Movie stars do a diservice to the audience by working on junk like this and perhaps if they don't care about their reputation and put out junk like this the audience should boycott movies they are in. There is absolutely no excuse for a piece of junk like this movie. They should pay me for waisting my time on this." Chan On Fire
Has Steve Coogan's young and promising film career already jumped the shark? After turning in a near-perfect performance in the near-perfect 24 Hour Party People, what is Coogan's next move? Appearing opposite Jackie Chan, of course, in Disney's summer release Around the World in 80 Days. Coogan will star as the eccentric Phileas Fogg and Chan will play his French manservant Passepartout (at least if the film remains true to Verne). In other words, it's the same surefire comic dyad that has served us so well in Rush Hours 1, 2, and yes, 3; Shanghai Noon and Knights; The Medallion; and The Tuxedo. Before managing to effectively raze Clare Forlani's and Jennifer Love Hewitt's careers into the ground, Jackie Chan transformed the occasionally funny (and occasionally irritating) Chris Tucker into an unfathomably execrable onscreen presence. But not content to stop there, Chan went on to reveal that the potentially annoying Owen Wilson is, in fact, the intolerable wet blanket we suspected all along. And so we beg you Mr. Chan, don't take Steve Coogan down with you. What about David Cross or Hank Azaria? You can have them, they're all yours - just not Coogan. Twenty Years Ago in low culture
"Although Harrison Ford is ostensibly the film's star, there is little doubt that Indiana Jones and the Temple of Doom belongs to Ke Huy Quan, aka Short Round. Only thirteen years old, Quan brings a complexity and passion to the role that is sure to stand him well in future years. Ladies and gentleman, meet the next Marlon Brando"
May 3, 2004
Too Rich or Too Thin?
Where have all the destitute skinny people gone? There was a time, not long ago, when poverty at least ensured a reasonable Body Mass Index, but as today's USA Today reports, that golden era of weight loss is over. In an interview with self-proclaimed grocery guru' Phil Lempert, USA Today breaks down just how expensive all those fad weight loss trends can be. South Beach diet's Phase 2 averaged $12.78 a day, ranging from $11.16 to $14.90. The Thrifty Food Plan from the USDA averaged $6.22 a day, ranging from $6 to $6.61. (The government's calculation is slightly lower.) The answer is clear - until the government begins to subsidize Atkins and South Beach dieters, we may never see another factory waif again.
April 30, 2004
It's Legally Blonde Meets the Bell Jar!
That Courtney Love of the lit world, Elizabeth Wurtzel tells Fox 411s Roger Friedman that she plans to attend Yale Law School come September. In a low culture exclusive, we have obtained Wurtzel's successful application essay. Enjoy. Question #10: Please add to this application whatever additional material you believe will enable admissions readers to make a fully informed judgment on your application. The admissions file readers especially welcome statements that enable them to understand the contribution your personal background would make to the student body at Yale Law School. Extremely Personal Essay The joke's on me, but it's gonna be okay It's been hard, I won't deny it. And no, it's not alright. I have been portrayed by Christina Ricci in a feature film that will never see the light of day. I mean, Christina Ricci? What about Scarlett Johansson or Kirsten Dunst or even Charlize Theron? No, Liz, we're going to have you played by a fat, whiny actress who can't even open a film. You can imagine what that's done to my self-esteem. [Matt, big ups for the heads up]
April 28, 2004
Today's Journalism Lesson from the New York Post
Turning a press release into an article or caption is easy and fun. First, take a press release, say, for example, Gretchen Mol to Play the Title Role in Killer Films' THE BALLAD OF BETTIE PAGE; Financed by HBO, Film is Directed by Mary Harron, and Written by Harron and Guinivere Turner (from March 31, 2004). Now, using your mouse, select the portion of the text you want to use and select 'Cut' from your 'File' menu. (There is a shortcut for this, but we only recommend that seasoned writers attempt to use that.) Using the example press release, select the following text: The most successful pin-up model of the 1950s, Page's legendary bondage photographs made her the target of a Senate investigation into pornography, and turned her into one of the first American sex icons. You may also want to scroll down in the press release and copy this portion: The cast also includes Lili Taylor ("Casa de los babys"), David Strathairn ("Twisted"), Jonathan M. Woodward ("Pipe Dream"), Cara Seymour ("Gangs of New York"), Tara Subkoff ("The Cell") and Kevin Carroll ("The Secret Lives of Dentists"). Open a text-editing document and select 'Paste' from the 'File' menu. Now comes the hard part: editing. You'll want to add the name "Bettie Page" in that first sentence. You'll also want to shorten the second paragraph a bit. Also, you might want to write your own topical hook in the beginning, since this press release is a bit old. Congratulations, you have an article or caption. To see the fruits of your labor, check out GORGEOUS GRETCHEN A CONEY EYEFUL in today's New York Post: Actress Gretchen Mol dazzles yesterday as she struts her stuff while on location shooting "The Ballad of Bettie Page" in Coney Island.
April 27, 2004
Dying Young
Alright, this posting is a few days late (in the blog world an eternity), but Toby Young's Slate diary was too infuriating to go ignored. For those of you unaware, Slate's diary is kind of like MTV's Diary for old people who are nowhere near as famous, and Toby Young is a bald media gadfly who has made a name for himself by being obnoxious. Based on Young's entries, however, he's taking his trademarks - contrived spite and pseudo-impudence - up a notch. There's Monday's diary in which Young very nearly asks Matt Damon and Ben Affleck to sue him. That's because Young's novel-in-progress, Starmageddon, actually uses the duo as characters! And from the sound of Young's new novel, it's pretty clear he's designed the plot to hit as many media flashpoints as possible - the Holocaust, celebrity culture, post-Apocalyptic America, and right-wing demagoguery. Young is practically daring you to ignore this book. And then Tuesday's diary, in which Young offers this remarkable insight into L.A. (he's been there a little over a week): Among other revelations Young dishes up: celebrities get big trailers; these celebrities also receive other big perks; Young used to live with Euan Rellie, aka Mr. Lucy Sykes (he also used to live with Sophie Dahl - presumably he didn't find these apartments on Craig's List). Onto Wednesday's diary entry and more juicy L.A. dirt! Apparently, people in Los Angeles like to drive S.U.V.'s. And somehow Young gets even more repellant - he and his wife honeymooned in Los Angeles. Thursday's entry - comparing L.A. restaurants with London restaurants - actually isn't so bad, so let's just ignore this one entirely. I'm not sure what happens in Friday's installment. I got through the first paragraph before the bile - the product of disgust and, yes, low-level envy - started to choke me. Years ago, I met Mr. Young several times at MaryLou's - insofar as you met anyone at MaryLou's - and he seemed pleasant, if a bit self-promoting. Who would have thought the guy would get sober (relatively) and then turn into an asshole?
April 26, 2004
The Right Address, Parents, Education, et al.
From the Times' Sunday Styles: # of photos of Carrie Karasyov, nee Doyle, featured in New York Social Diary: 14 # of photos of Jill Kargman, nee Kopelman, featured in New York Social Diary: 18 # of photos of Jill Kargman, nee Kopelman, featured in Wire Image: 4 While we could mutter at some length about how satire is traditionally used to skewer those more powerful than you, we will refrain from commenting on making fun of those who dare to aspire toward one's own lofty perch. [Oddly, Jill Kargman's apartment was also featured in Sunday's Real Estate section.]
April 23, 2004
Tru(deau) Life: I Want a Famous Face
Although some voices have deemed this weeks Doonesbury too violent for the comics page, others have praised its realistic (though cartoonish) depiction of wartime Iraq. But where discord is sown, low culture offers peace. What follows is a revised Doonesbury for the week of April 19-23, 2004, designed to appeal to more popular tastes and delicate, war-resistant sensibilities. Its sure to please everyone, and unlike the war itself, offend no one.
April 22, 2004
Separated at Pitching Meeting
Ah, Spring, when a young humor writer's thoughts turn towards... James Brown? Don't ask us why, but for whatever reason, The Godfather of Soul, the Hardest Working Man in Showbiz inspires some of April's best humor writing. Take for example, this item from this week's Onion, Why Can't This Family Ever Have A Funky Good Time by one "Tomi Rae Brown": Maceo! I said Maceo! Uh, Maceo! Don't just keep saying "what," boy. Go get that pecan pie out the kitchen. Take it into the living room. We gonna have a funky good time, and I don't want you starting off before everyone. Bring the pie here. Right here. Everybody grab a piecedon't be greedy now. We family, after all. There's enough of this pie to go around. That's right, y'all. Enough pie for all! Pecan pie! Mother-made pie! Good pie! Damn good! Funny shit, right? We were laughing so hard, we almost forgot about Papa's Got a Brand New Play that ran in Spy Magazine back in April 1995. That was funny, too: Steve: Oh Baby, Don't You Weep. I Can't Help It (I Just Do-Do-Do). (1964, 1965) Yes, the Godfather giveth. And giveth. But only in April, apparently. Page Six's union sympathies: International Brotherhood of Typo Writers
From the New York Post, Page Six, April 22, 2004: The union has set a May 2 deadline for reaching a new contract. "I came out of the meeting thinking there could be a strike," said one writer. Four typos in one sentence! Nice work, guys. In a non-union shop, the Post would have substituted "David Koepp" for their "David Kepp," "Tony Gilroy" for their "Tom Gilroy," "Brian Koppelman" for their "Brian Kopelman," and "James Schamus" for their "James Shamus." Sloganeering
Pottery Barn claimed yesterday that its stores in fact do not use the You break it, you buy it' policy. While this should prove adequate to blow the lid off that lying buffoon Bob Woodward, what will become of Colin Powell's catchy slogan for geopolitical strife? low culture provides some alternatives: Ikea Rule: Some assembly is required
April 21, 2004
low culture's Only American Idol Post Ever
For American Idol contestants, the competition has officially turned cruel - and we're not talking about Simon's poorly scripted barbs. No, the indignities these kids suffer is the result of Idol's Theme Weeks,' in which songs are culled from one songwriter's oeuvre. Could it get more sadistic than forcing Idol finalists to sing music from Neil Sedaka and Barry Manilow? Aside from the obvious fact that the music's as bland as gets, six of the seven remaining Idol finalists are nowhere near white. And no one is going to mistake Week 12 songstress Elton John for a black man anytime soon. Making George Huff sing country music, as Idol did on Week 10, doesn't help anyone. Sure, there might be some entertainment to be gleaned from watching a Southern black man singing about redneck America, but American Idol sure as hell isn't the venue.
April 20, 2004
Girly-Boys Gone Wild
It is clear -- the time has come for the MetroSexual Anti-Defamation League. As this casting call should reveal, those simpering, moisturizing girly-boys are about to be subjected to the sadistic imaginations of reality show producers. Have we learned nothing from Playing It Straight? WHAT KINDS OF GUYS ARE WE LOOKING FOR? We want to hear about any guy you'd consider extremely UN-manly -- the guy who needs to get in touch with his more primal side (and has a sense of humor). It could be a mamma's boy, metrosexual, or minivan-driving carpool dad. Think George Costanza, Frasier Crane or Raymond without the whole everyone loving him part. Any version of modern emasculated man will be more than welcome. Be creative and have fun with it! To spark your imagination, here are a few examples: Ladies, it could be your Guys, it could be Interested applicants or angry wimps can find more information here. We're assuming the show will air on FX.
April 19, 2004
Whack Attack
Ever since Sylvia Plath tortured Esther in The Bell Jar, female magazine editors (FMEs) have been a favorite staple of television and film alike. Perhaps inspired by Tina Brown's previous incarnation as a success, screenwriters have turned to the FME with increasing frequency in recent years. And with Friday's release of 13 Going On 30, featuring yet another FME, only one question remains - what have they named the fake magazine where Jennifer Garner is fake employed? If history is any indication, we can be certain of one thing - it will have an awful title. Confer: How to Lose a Guy in 10 Days - Composure Magazine Unfortunately, the best fake magazine title ever committed to celluloid doesn't make the FME cut. That honor goes to the Three Stooges short-lived gig as photographers for Whack Magazine. Whack's' slogan? If it's a good picture, it's out of Whack.' Tina Brown's worst dinner party ever
Artwork taken from the April 19, 2004 issue of the TIME 100 ("our list of the 100 most influential people in the world today"). And sitting next to Hillary Clinton in the foreground...what the hell did Jeff Jarvis do to get invited? Tomorrow's Corrections Today, vol. 3
Slated to appear on the New York Times' Corrections page, April 20, 2004: Because of an editing error, an article by Julie Flaherty in yesterday's Business section, "Many Started Web Logs for Fun, But Bloggers Need Money, Too," accidentally misstated the number of internet users who read Web logs, or blogs. The article claimed that blogs "are frequented by only about 10 percent of people who use the Internet." The corrected sentence should have said, "are frequented by only about 10 people who use the internet." The Times regrets the error.
April 16, 2004
Dorff on Britney
If you were dating Dorff, you'd kill yourself too. [Click on Dorff for the full video.] I'm Lovin' Shit
In a major press conference yesterday, McDonald's, alongside Health and Human Services Secretary Tommy Thompson, unveiled a new line of "Go Active" meals - the fast-food giant's response to having created a nation of fatties. Not only will these adult "Happy Meals" contain bottled water, McDonald's will also include a brochure encouraging adults to walk more. With this bold move McDonald's has made it clear - the obesity epidemic ends here. Or as Secretary Tom Tom put it, "It's important to recognize companies doing the right thing." If McDonald's adult campaign is anywhere near as exhaustive or successful as their children's crusade, we may be certain that "Go Active" will have absolutely no impact at all. The What's On Your Plate program encourages kids to stay fit through a variety of techniques intended to teach them "how to maintain a balanced diet and enjoy a healthy lifestyle. By talking to kids in their language, [it] tackles important questions such as, 'Is it ok to eat cake everyday?' and 'Why does mom want me to eat all different foods?'" That's right, the important questions. "What's On Your Plate's" mascot is Willie Munchright, who looks more like he should feature in an animated version of Super Size Me than any anti-obesity campaign. Pasty and pale Master Munchright has dark bags under his eyes; he also appears to be losing his hair. He's a kind of Edward Gorey vision of the average McDonald's consumer. But with answers like these appearing on the McDonald's website, who could be surprised that little Willie's HDL might be a little high? Q: What role does fast food play in obesity? On May 6, "Go Active" meals will be available in McDonald's nationwide. And if these exciting steps forward really do change America's eating habits, we can all look forward to a summer filled with even more toned hardbodies than usual. As Seen on Cinemax After Dark...
From an interview with Alexandra Robbins, author of Pledged: The Secret Life of Sororities:
April 14, 2004
Banking on the West Bank
From Ad Age, April 12, 2004: Commercial messages have seeped into the plots of movies, the very fabric of TV shows and video games, and even into the plots of novels. But that may have been just the beachhead. Now a growing number of marketers want to persuade the nation's print magazines to open the text of their editorial pages to product placements. From The New York Review of Books, April 29, 2004: The Disintegration of Palestine Since mid-December 2003, the Israeli army has intensified its incursions, seeking suspected terrorists, militants of Hamas, and munitions makers. In a campaign as curiously powerful as an Altoids mint, the Israelis have destroyed or badly damaged two mosques, three churches, and hundreds of other buildings and homes. Walking through the old city I saw shops, insecticide factories, and pharmaceutical factories, all turned into heaps of rubble. An entire city block that housed a soap factory has been leveled. It is a landscape that only a Range Rover could handle - its Dynamic Stability Control and Electronic Air Suspension offering the driver a smooth and stable ride over the leveled homes that once sheltered militants and innocent families alike. This is drama as powerful as the WB's breakout hit One Tree Hill - but Nablus' drama doesn't feature that show's hunky Chad Michael Murray. On a street in the Balata refugee camp, where I met many undernourished children, a boy of six was eating a sandwich - perhaps one of Quizno's deliciously toasted subs - on his doorstep when a soldier shot him dead for no reason. The Israeli army promised to investigate the killing, but so far has issued no findings. Like Visa Cards, the Israeli Army is everywhere you want to be. I left Nablus on the road to Qalandiya, about twenty miles to the south. At a junction, soldiers at a mobile checkpoint suddenly appeared, and my shuttle taxi was ordered to stop. An Israeli soldier with a pistol advanced on us, ordering us out of the car, followed by another soldier with an assault rifle pointed at our heads. Clearly, the Israeli army attempts to offer the kind of protection that only Soft & Dri's Cool Gel could provide. When our group set out again for Qalandiya, the Palestinians with me were silent. Were they resigned to such humiliation, or was their anger so deep that they could no longer express it? The only certainty on which I could rely was the knowledge that Clinique's Repairware Day SPF 30 Intensive Cream would protect my complexion from the cruel sun of Israel. Abed Rabbo is not optimistic. "I don't know whether the initiative will succeed," he told me in Ramallah. We'll keep trying. I want the United States to be involved under the road map' and consider the Geneva Accord to be the embodiment of the third phase of the road mapa final Palestinian state. [As I shaved this morning, using the glorious Mach 3 razors offered by the great and glorious Gillette, I realized that] I'm against any provisional borders. We want to go straight to the final phase. [Do you have any of those Cool Ranch Doritos left? Truly they are delicious.] We think that interim solutions cannot succeed. [You have the Guacamole Doritos? I didn't even know they made those. Oh, it is as if Allah himself resides in my mouth!] The chief virtue of our plan is its clarityit's comprehensive and without ambiguity.' Al-Omari and his associates argue that the accord signifies a new and realistic approach for the Palestinians to follow. Chappelle's Show - still Dave, still Dangerous - Wednesdays 10:30 pm, only on Comedy Central. Many Palestinians had clung to the old fantasy of liberating all of Palestine, eliminating Israel, and allowing a huge return of Palestinian refugees to their homeland. Unleash your style with Garnier Fructis Super Stiff Gel! The new plan looks not backward but forward, relinquishing absolute justice (a large-scale return) in favor of self-determination and independence in a state that would constitute 22 percent of historic Palestine. Al-Omari said, "There is no going back to Haifa." Is it inconceivable to make real the language of the Geneva Accordthat Israelis and Palestinians will "establish relations based on cooperation and the commitment to live side by side as good neighbors, ENLARGE YOUR PENIS NOW!!! aiming both separately and jointly to contribute to the well being of their peoples"? Nearly everything one sees in the Occupied Territories casts doubt on this Carb Blocker is THE ONLY All-in-One Carb/Fat Blocker vision. Only the fact of the accord itself having been negotiated and signed offers a glimpse of hope.
April 13, 2004
Frankly, baffling
From "Rage Inside the Machine: MTV News star Gideon Yago incites young voters" by Joy Press, in the April 13, 2004 issue of the Village Voice: "Suddenly I was reading Tom Wolfe, Joan Didion, Jack Kerouac, H.L. Menckenall these writers who saw America as half monster, half angel." Incidentally, Carson Daly's favorite book was "Boob Jubilee", at least until he tried to read it. He might be a "problem child" if he's 30 feet tall and made of plastic
The cover of New York magazine's April 19, 2004 issue, alongside this snippet from Yahoo! News: Danish Crown Prince Frederik and his fiancee Mary Donaldson look at the Ron Mueck sculpture 'Boy' at The Aros Art Museum in Aarhus, Denmark Wednesday April 7, 2004. AP Writer is Unimaginative
Completely, totally, the worst headline ever run over a wire service, from an article by Christy Lemire, AP Entertainment Writer: Review: 'Kill Bill - Vol. 2' Is Stylized Note: Yes, writers rarely come up with their own headlines. You're so damn insider. She Must Have Meant a Different Russia
From Russian Fashion Week: From the Times Sunday Styles, In Russia, Class for the Masses': Subtle, like Amanda Lapore. New York Second
At last, the trailer for the upcoming Mary Kate and Ashley Olsen feature, New York Minute, has been released on the web. In keeping with the whole Two of a Kind theme, the trailer reveals, in stunning detail, just how frighteningly secondhand these gags are. Keeping in mind these are just from the trailer, here are a few examples. Eugene Levy announces himself as a Nassau County Truancy Officer, drives a light blue Plymouth, and obsesses over his own white whale of a wayward student. Aside from the obvious Ferris Bueller ripoff, how did Eugene Levy become the de rigueur wacky old guy in teen movies? A dog flies through an open window - a scene that might be familiar to any one of millions who have seen There's Something About Mary. There is a fairly offensive looking Beauty Shop sequence, although New York Minute does manage to beat the Queen Latifah project to theatres by a couple months. Eugene Levy crashes to the ground while attempting to stage dive. Presumably this is different from School of Rock's opening because Jack Black is fat and Eugene Levy is not. While standing on scaffolding, Mary-Kate and Ashley drop precipitously down the side of a building, an almost shot-by-shot ripoff of The First Wives Club. Insult to injury, as the girls plummet to earth, the Olsens' towels remain suspiciously in place, certain to disappoint some. MaryKateAshley slaps AshleyMaryKate, declaring, Snap out of it!' -- more than recalling Moonstruck's big moment. Admittedly this scene appears to be more reference' than theft,' though who in the fuck among the teen demo is going get that? The trailer ends with Levy singing the theme from Cops, a la Bad Boys II. And the best part of all this appropriation'? One of the screenwriters is actually named Bill Collage.
April 12, 2004
Gibson Resurrects Passion B.O.; Hair Next
Mel's got it covered—the box office, that is. This past Sunday, The Passion of the Christ's box office benefited not only from some great timing, but nimrods like this: "I waited until today because today is the day that Jesus rose from the dead," said Linda Brown, 40, of The Bronx as she headed into the AMC Theatres Empire 25 in Times Square. "I thought it was appropriate to see this film instead of going to church." And all we can say is, Thank god! Our screening of The Whole Ten Yards was wonderfully—blessedly—empty. And with the lack of laughs, it was quiet as a church. Queer Eye for an Eye
The Bible is the new bible of the self-help movement. In yesterday's Times Magazine, Rob Walker examined the phenomenal success of The Purpose-Driven Life, a Christianity-based guide to improving yourself. In turn, Sunday's New York Post gave readers a first look at The Maker's Diet, a weight-loss tome based on rules set forth in Leviticus and Deuteronomy. And for those religious gym bunnies, there's always The Lord's Gym (via Slate), a fitness center founded on Christian principles. Indeed the influence of the Bible can be found in the unlikeliest places -- the new self-helper from Queer Eye for the Straight Guy, for example. Surely those godless sodomites don't find inspiration in the Bible, right? Wrong. Just compare the two: On grooming: Hair is the most visible thing we can play with to change our appearance, so start on top. It's crucial to find a stylist you trust -- not only will they help you with a cool new haircut, they can also be a great source of expertise on how to style and care for it. Wine tasting: If it's corked, it will smell moldy, or taste like vinegar, or be revolting in some other fairly obvious fashion. If you think there's something terribly wrong with it, ask the wine steward to taste it. On skin care: Look for a moisturizer that's free of fragrance and hypoallergenic if you have sensitive skin that's easily irritated. Lotion is the most common form of moisturizer, good for normal or combination skin. On lighting: I'd be happy with a dimmer on every light in the house -- they're crucial to modulating the mood of a space. On decorating: Go window-shopping -- wherever furniture is sold, just walk around and browse. On belts: Personality starts in the crotch region. But you knew that. Get a vintage leather strap and find a belt buckle that says something about your personality. On the thank you: If someone holds the door open for you, say thank you. No one will ever say that being too polite is rude, so when in doubt, express your appreciation. On despair: In the last year, American men have come to know and expect that the dramatic arrival of five impeccably dressed gay men at their door can mean only one thing: Their life is about to get more fabulous.
April 9, 2004
Now put him to sleep
From the New York Daily News' Daily Dish, April 9, 2004: Carson Daly is getting long in the tooth - old, that is - for the MTV crowd.
April 8, 2004
Tomorrow's Corrections Today, vol. 1
Slated to appear on the New York Times' Corrections page, April 9, 2004: Because of an editing error, we misidentified the author of an op-ed which appeared in Thursday's paper about Nirvana's Kurt Cobain and the growth of alternative rock music. The article was written by former Secretary of Labor Robert Reich, not Sonic Youth guitarist Thurston Moore. The Times regrets the error.
April 7, 2004
Basic math for Observer reporters
In this week's Observer, author Jake Brooks reveals his close reading of Mark Ebner and Andrew Breitbart's recent trash-tome Hollywood Interrupted, as he rehashes one of that book's chapters for a follow-up piece entitled "You've Got Chutzpah! E-Girl Mines AOL Data for Hollywood Gold" about "an America Online customer-service representative named Heather Robinson who allegedly mined her employer's database for the e-mail addresses of numerous actors, producers and movie-industry operatives." The article goes on to examine the ways in which she flouted her online persona to sexually titillate and seduce these selfsame operatives. But a close reading of Brooks' close reading reveals some room for, shall we say, "inaccuracies" on the part of Ms. Robinson and her story. "It's going to be more a take on how these celebrities and politicians helped me. Mark [Ebner]'s chapter was more of a darker version," said the 25-year-old Ms. Robinson with a staccato laugh. "This one is going to be more lighthearted," she added, "showing how I went from a customer-service rep at AOL to selling a screenplay and now producing my first screenplay." Fair enough. It's 2004, right, and she's 25 years old. Continuing, we learn that According to Ms. Robinson, for the period of roughly a year and a half in 1997 and 1998, she used her position at AOL to gain access to private information regarding celebrities, then sought them out. Hmmm. OK, so in 1997, at the tender and inexperienced age of 18, she was a customer-service representative for AOL. Sounds like a bit of a stretch, potentially, if, in fact, AOL, the largest internet service provider at that point in time, was hiring recent high-school graduates to talk customers through installation issues and dial-up problems. Oh, but we learn more: She went by the screen name HooterR. Her member profile, which can still be found on AOL, identifies her as a single wine-lover splitting her time between Tucson, Ariz., and Santa Monica, Calif. And her personal quoteof her own makingsounds like the slogan from an old 70's T-shirt: "God Created Women with Breasts to Hold Beer." Again, this is an 18-year-old. Old enough for agents to sleep with, certainly, but not to be pouring champagne all over her bosom before they climb on top of her. Though she was still apparently old enough to sell her first script, The Perfect Man, which is scheduled to start production on April 26, with Hilary Duff in the starring role. It's about a teenager who lies and steals to create a fictitious suitor for her single mother. The movie is loosely based on another of Ms. Robinson's adventures in the virtual worldthis one with real legal consequences. When she was 16, Ms. Robinson was arrested, along with a high-school friend, for purchasing a diamond ring for her mother that cost close to $4,000 with stolen credit cards. Because her friend lifted the plastic and doctored the ID herself, Ms. Robinson was charged only as an accomplice. And since she didn't have a prior record, the charge was reduced from a felony to a misdemeanor, and she was sentenced to 120 hours of community service. So she was arrested and charged as an accomplice to stealing credit cards at the age of 16...all the way back in 1995, a mere two years before being hired as a customer-service rep for AOL. This alone is almost enough to cause one to become a proponent of outsourcing these sorts of tech-service jobs to India, right? Meanwhile, with Hilary Duff slated to star as Ms. Robinson in the former AOL employee's first upcoming autobiographical film, we have the perfect suggestion for the role of Observer writer Jake Brooks in the eventual first-person adaptation of the events following the production of this film: Hayden Christensen. The New A&F
Abercrombie & Fitch has released its Summer catalogue, their first since the execrable National Coalition for the Protection of Children and Families managed to have the magalog shuttered. After the Christmas Issue was pulled, the Spring Break' issue never even made it to the stores. But in good news for the corporation, it looks like the reinvented, post-boycott A&F catalogue isn't going to ruffle any religious-right feathers. Below, a brief comparison between the two. exposed female breasts in Spring Break': 19 homoerotic embraces in Spring Break': 7 body hair visible in Spring Break': negligible male buttocks in Spring Break': 10 black models visible in Spring Break': negligible dolphins pictured in Spring Break': 0 Miserable Scripts Love Company
Hollywood, it would seem, has caught spring fever. Both of these "Honeymoon with..." movies were logged today on Done Deal. Title: Honeymoon With Harry And Title: Honeymoon With My Brother Truly, love is in the air.
April 6, 2004
You must mean "Red"
Quickly: what color is Hellboy? "...skin the inflamed, velvety hue of a baked ham," "...red as sin," "...big order of tandoori chicken," Hard Boiled Eggers
As part of low culture's continuing commitment to you, the reader, we hoped that a summary of Dave Eggers' newest novel might come in handy. Taking our cue from The Guardian's Digested Reads and inspired by our dedication to you, the reader, we intended to provide brief summaries of the untitled novel as it is serialized in Salon. We at low culture, however, never quite anticipated how boring that task would prove. Enter Microsoft Word's AutoSummarize' feature. After plugging Episodes 1 through 18 into a Word doc, we simply let our PowerBook do the reading for us. What follows is the 275 word AutoSummary - it's not entirely coherent, but perhaps it will be of service to someone, somewhere. "Bastards!" said Sergei.
April 5, 2004
Quest Love
Quest Magazine (not to be confused with the bimonthly about living with neuromuscular disease) features in its April issue The Quest 400, their annual list of Manhattan's social elite. The 400, like all of Quest Magazine, does not concern itself with the sordid worlds of show business or pro sports (too many minorities, presumably). No, we are offered only an alphabetized list of Manhattan's Botox-Boomers, old-money layabouts and John Jacob Astor descendants. The list was compiled by Quest editor David Patrick Columbia, also known for the dangerously compelling New York Social Diary. Unfortunately the good Mr. Columbia finds no need to explain why or how he determined who gets on the list and who's left out. In fact, all we get is a White Pages of people with last names like Biddle, Hearst and Pulitzer. Its complete lack of context recalls The Spy List -- Spy Magazine's mysterious column listing only a series of proper names. As tribute to both of these formidable publications, we are proud to present Montgomery Clift I Hate Him and Want Him To Die
The endlessly irritating James Frey is at it again. Today's issue of Black Table asks some writers for their thoughts on Kurt Cobain -- he killed himself (or did he?) ten years ago today. Frey's contribution is a little three-act about his ever-shifting opinion of Nirvana. From Act III: On the first anniversary of his death, I went with a friend to a house in Wicker Park, Chicago. An altar had been set-up with Cobain's picture, some candles, a hypodermic, a bindle of dope and a small pile of letters addressed to him. A Nirvana disc was in the stereo. There were 10 or 12 people, several were crying... My nausea had become unbearable, so I skimmed ahead. Spotting "lame," I felt some relief. But it was not to last: At that moment, I stopped thinking Nirvana was lame. I stopped thinking Nirvana was a creation of MTV. I realized Cobain spoke for a lot of people, changed a lot of lives, touched an untold number. I bought In Utero the next day, listened to it. I realized maybe Cobain spoke for me as well. Frey's little sampler of idiocy brings to mind Martin Amis' essay on John Lennon from Vising Mrs. Nabokov. Amazon won't let me "Search Inside The Book" and I can't find my copy, so I've got to paraphrase here. Speaking of the maudlin vigil held after Lennon's death, Amis writes that if Lennon were still alive, he'd probably be the first person making fun of these people.
April 4, 2004
Metaphorically Piquing
In "Conan's Late Start", which appeared in the April 4, 2004 New York Times Arts & Leisure section, author Bill Carter examined Conan O'Brien's as-yet-unfulfilled late night legacy, particularly his concerns and those of his agents in regards to his 11:30PM time-slot destiny. Not much is revealed, however, save for the fact that comedians and their agents confine themselves to describing their lives exclusively in the context of a torrent of metaphors. Documentation of a funnyman's feelings is best kept to a minimum, apparently, unless filtered through the detached voice of an analogous narrative. To wit: Conan on returning to Rockefeller Center after taping in Toronto: "It's like when you go back to third grade and suddenly you notice the water fountain is like 4 inches off the ground." Conan on his future: "It's the elephant in the room that no one is talking about." Conan on comparisons to Letterman's circumstances a decade ago: "With me at 12:30, you can still feel there's order in the heavens somewhat." Conan on late night as his true passion: "I've got the bit in my teeth with this show and I'm very determined to take it as far as it will go." Conan on easing out Leno: "My agents can say that and they do. But I have no control over them. They're Rottweilers that I bought. Their job is to attack." Conan on the NBC executive who nearly cancelled his show: "But if John Agoglia somehow fell to the bottom of a coal mine and I was the only one who knew about it, I'm not saying I wouldn't alert the authorities, but I might take my time about it, maybe wait a week or two provided he had plenty of fresh water." Conan on his legacy with American youth: "You make an emotional connection, sort of the way Led Zeppelin made an emotional connection with people at a certain age, and for the rest of their lives all they want to do is put on a Led Zepplin record." Gavin Polone, Conan's manager, on the crowded late night marketplace (while indirectly indicating why he's a manager and not a writer): "You might have three companies that need new jetliners at the same time, and we'll be the only company actually building a jet," Mr. Polone concludes. "Other people may be building washing machines. But why go to a company offering washing machines when you need a jet?"
April 2, 2004
The Prince & Me & not Us
After due diligence on the part of our friend Sharon in the P.R. department at Paramount Pictures, we at low culture were once again given access to the media goodie bag and allowed to see a pre-release screening of Julia Stiles' latest film, "The Prince & Me." It's a good thing, too, because we were part of the flock of fans who showed that we "could do it, put your back into it" when we watched this beautiful young Columbia University undergrad take on the mantle of interracial love -- and interracial dancing -- when she charmingly swept America off its feet in 2001's "Save the Last Dance." Well, she's back, and this time, she's traded in Ice Cube's lyricism and the concomitant "street cred" for Freddie Prinze, Jr.'s cool, calm, and collected flirtation with royalty. First-time helmer Martha Coolidge's compelling narrative loosely concerns the trials and tribulations of an average American girl's behavior when she's forced to choose between her deeply-embedded principles and that most elusive of sentiments, true love. Of course, this is all "fancy-talk" for saying that she has to choose between a crush on her favorite boy, and the fact that he lied to her by not letting her in on the fact that he was an heir to the throne of Denmark (and yes, there are more than enough self-referential Hamlet jokes sprinkled throughout the film for all you fans of both classic Shakespeare and youth-oriented films). Stiles takes on the role of college student Paige Morgan with much aplomb, and her experience as an actress shines through on her initial scenes with the young Prinze (who far outshines Eddie Murphy's rendition in the original film) when they meet at a Greenpeace rally on the steps of the school's library. It turns out that the Prinze has more than just a passing interest in environmental regulation, though, because he sweeps Paige off her feet with his passionate rhetoric regarding the damage caused by oil spills in the Baltic Sea. Paige, of course, passes off this worldliness as a part of his exchange-student persona, but quickly falls in love with his debonair presence and the humanizingly endearing way he quirkily drops the T's and W's from his words when speaking aloud, as all Danes are wont to do. But, as with all instances of true love, there's a catch: the Prinze, through a series of escalating misunderstandings exacerbated by his two roommates' miscommunication, had neglected to inform Paige that he was, in fact, royalty, before taking her virginity. This understandably upsets Paige a great deal, and she calls him a Danish imperialist, which only complicates things further, because the Prinze's father is in court at the ICC at that very moment for war crimes committed against the neighboring Swedes. The Prinze is crestfallen, as he has spent his entire life modeling himself on becoming all that his father (deftly played by James Caan in a stirring cameo) stood against, including a value system that apparently rules out sleeping with girls with misshapen faces that haven't aged well as they've exited their teenaged years. The film's winsome examination of collegiate love-with-princes strikes a heartwarming note when the audience realizes that things will, of course, work out...such is the nature of fairy tales, and such is the nature of true love. Jennifer '98 Lee
Jennifer 8. Lee is the New York Times comer known for her networking skills the New York Sun has gone so far as to suggest that Lee is the second coming of Katharine Graham. And though the comparison may be apposite, it's unlikely the legendary Washington Post editrix ever used Yahoo Groups to help report her stories. While the Harvard98 Yahoo Group typically traffics in less-than-rousing political banter and questions about housing in Dallas, subscribers are occasionally met with queries from Jenny 8. herself. Most recently Jenny inquired about people scared to eat fish because of mercury levels; it's fair to assume we can expect a Times article on that very topic in the near future. Don't believe it? Well consider the following email sent to the Harvard98 group on April 12, 2003: From: "Jennifer 8. Lee" And then treat yourself to her article in the New York Times four days later, In U.S., Fear Is Spreading Faster Than SARS, datelined April 16, 2003 and reported by Jennifer 8. Lee. From the article: Back in Seattle, though, concerns among co-workers led several employers to ask the participants to work from home Still don't believe it? Well screw you. This is not the first time Jenny 8.s Harvard cronies have assisted her. Wonkette has bravely exposed the shadowy cabal of former classmates who have helped make Jennifer 8. Lee the heir to D.C. royalty. The master's house continues to burn. April Fool's "Hipster Fuck-for-all"
Things we gleaned from various comments, here and elsewhere, after posting our super-special, super-personal, and perhaps all-too-misguided, April Fool's Day edition: "i was getting kinda up in arms at the vacuousness of the posts" And then there was an exquisitely enjoyable comment, which we're paraphrasing here, after its having been apparently deleted from the relevant Gothamist post, explaining the author's thesis that "April Fools jokes, by their very nature, need to be funny, and unfortunately, Low Culture is not funny." Seriously, though, "hipster fuck-for-all" is the best-ever grouping of words we've ever come across.
March 31, 2004
Boring Stiffs
The New York Post this week reveals the stunning excerpts from model turned D-lister Michael Bergin's forthcoming memoir The Other Man, in which he details his romantic dalliances with Carolyn Bessette Kennedy, aka Mrs. JFK Jr. Perhaps the most shocking detail of all, however, is just how boring this stuff is. Typically extramarital affairs are racy material, cf. Unfaithful, or even Fatal Attraction. An extramarital affair with a Kennedy (through marriage or not) should be explosive. But instead of Marilyn Monroe sex romps or Chappaquidic debauchery, all we get are passages bordering on the obscenely banal: But suddenly, none of that mattered; suddenly we were making love. Carolyn and I were locked in each other's arms, and it was everything I remembered it to be and more. It brought back all the craziness. Or this erotic gem: All we needed was the red futon. And then... We walked through the door, straight into my room, and began kissing and taking off each other's clothesAnd we made love. It wasn't about sex with us. It was lovemaking as I had never experienced it before.
March 30, 2004
Sex and the Sunday Comics
Ladies, treat yourself to a lo-cal binge on the comic strip Cathy. In many ways our Cathy is the original Carrie Bradshaw - perpetually whining, pathologically self-aware, and ultimately interested in only the four c's of diamond buying (that's cut, color, carat, and clarity if you didn't know). But Cathy is more than just ur-SATC - she's newly engaged. Indeed that Mr. Big of the comics page, Irving, has finally proposed. And Cathy said yes! Although she might not have the fantastic support group that Carrie did, her ever kvetching mother is sure to provide all the doubt and dialogue that the three viragos of SATC managed to shriek. And while you can't buy Cathy's clothing, wouldn't a collectible print of Cathy's journey to wedded bliss prove the perfect alternative? With this record-length will they/won't they finally resolved, we can finally shift our concerns to other comics: will Heart of the City ever play doctor with sci-fi geek/sidekick Dean? Will Mallard Fillmore ever agree with those liberal professors? And can the Lockhorns ever get along? Indeed the mewling, man-hungry women of SATC may have retired, but the comics page is here to save the day.
March 29, 2004
We Will Never Forget
How many high-concept romantic comedies can one moviegoer take? Two, apparently - 50 First Dates and Eternal Sunshine of the Spotless Mind - although we'll just have to wait until Friday for The Prince & Me. Clip and go with low culture's handy guide to all those heady laughers and never get confused again. Island setting: Former comedian turned serious actor in lead: Female lead with body issues (chubby): Unattractive, humorous male sidekick: Former Hobbit in supporting role: Long-term or short-term memory loss? Literary aspirations: Piece of crap? Ass Backward
March 28, 2004
Ear-ly Itchy and Scratchy
From CNN, March 26, 2004: GARMISCH-PARTENKIRCHEN, Germany (Reuters) -- A four-eared German kitten has been given a new home after a German animal shelter was deluged with requests to adopt the animal born six months ago with the genetic defect. From CNN, nine years earlier, October 25, 1995: MASSACHUSETTS (CNN) -- Researchers in Massachusetts have created something that sounds more like science fiction than science fact. They've taken a prototype human ear made of polyester fabric and human cartilage cells, and implanted it on the back of a hairless mouse.
March 26, 2004
Scooby Doo 2: Monsters Unleashed, Sight Unseen
This may come as a surprise to some of low culture's readers who expect us to hide behind our patented cool and ironic stance, but we were huge fans of Scooby-Doo. Well, guess what, Jack: We were lucky enough to be invited to an early screening of the film, and ta da: we're even bigger fans of Scooby-Doo 2, which has to be director Kinka Usher's finest film since, well, Mystery Men. Fans of the cartoon series' bizarre juxtaposition of guest stars will love the pre-credits teaser. In a hilarious yet timely scenario, Shaggy, Fred, Daphne, and Velma are testifying at a congressional hearing about the mass brain-washings on Monster Island (from the series' first film). Scooby's there, too, but he's forced to dress up like a bedraggled Vietnam vet (shades of Born on the Fourth of July?) in an army jacket and wheelchair. (It's funnier than it sounds--especially when Scooby barks "Yooooooou can't hannnnnnndle the truuuuuuuuuf!") After several probing, incisive questions from the unseen congressmen (that make Fred and Shaggy sweat and brings out Velma's brainy side and Daphne's flirty side), we see exactly who is asking these questions: The Harlem Globetrotters, the living members of the "Addam's Family," Joyce DeWitt from "Three's Company," boxer "Sugar" Shane Mosley, and the ubiquitous Steve Buscemi (in his black Reservoir Dogs suit). Of course, with a film this fun, the soundtrack couldn't be more of a gas! Featuring the pop stylings of Hilary Duff, Willa Ford, and Warner Music's promising young siren Bonnie McKee (not to be confused with Sony's lesser songstress Nellie McKay), the movie's raucous tunes had the youngsters who accompanied us to the screening dancing in the aisles. Other highlights include Sarah Michelle Gellar's star-making turn as Daphne (I'm telling you, if Harvard-educated director James Toback hasn't heard of this ingenue yet, he will have by now!). Imbuing a character of such heretofore-renowned vapidity with an emotional resonance not seen since Emily Watson's perfomance in Breaking the Waves, we're left to wonder how other, less-experienced actresses considered for this same role (read: Elisha Cuthbert) might have fouled up a particularly tense scene in the film's climactic lighthouse sequence, which combines the thrills of So, I Married an Ax Murderer with the laughs of Hitchcock's Vertigo. But what really makes this scene a cinematic classic is its heart: when Daphne fights the ghost of the monster's computer virus, she's doing so to avenge the death of her beloved Fred, who was killed (there's even a suggestion he may have been raped!) by the ghost of the monster's computer virus's creator (Whoopi Goldberg, almost unrecognizable under pounds of latex and make-up). When Gellar's Daphne busts into a Matrix-type 'bullet time' roundhouse kick, the audience not only cheers, they weep. Including, again, those youngsters seated next to us. Of course, we'll miss Fred in any sequels, but there's a suggestion that the wizard (deftly played by The Sweet Hereafter's Ian Holm) might be able to reanimate him using the sacred stones. We'll be waiting for Scooby-Doo 3: Space is the Place to see if the geniuses behind this awesome series can "doo" it again. Scooby-Doo it again, that is! (Confidential to Sharon at Warner Brothers' PR: Thanks!)
March 24, 2004
The Web of Babel
Like a website designed by Borges with OCD, Slate has taken its organizational impulse to a new level. Increasingly minute divisions in Slate's content are filtered into increasingly nebulous departments - presumably someone thinks this is useful. Just a cursory look at some of these headers strongly suggests that someone on the masthead has lost the plot. Decide for yourself: The Boxes: Categories Suggesting Daily Content: Content from Somewhere Else: Slate Knows Best: Redundancies: And a Fraction of the Rest:
March 23, 2004
Boo-Ya
While Boohbah, PBS's newest toddler TV/marketing juggernaut, should prove a valuable resource for indolent parents everywhere, Boohbah's online component definitely demands a more vigilant adult supervision. The website itself is harmless fare - offering children, stoned collegians, or the easily entertained endless hours of good Flash fun. But it's that url, specifically the Boohb' of Boohbah,' that could prove a thornier proposition. low culture has researched the possible misspellings that any otherwise well-intentioned six-year-old might encounter while searching for his foreskinned cartoon buddies. Some of our results: Boohbah.com -- A charming website for kids that fosters creative thinking.'
March 22, 2004
Al Franken: (Great) Liberal Ass
SNL castmember Laraine Newman on Al Franken's butt: "He had this very defined musculature. His butt was like a cut basketball. Which, you know, you don't normally see in comedy writers.'' How to get a head (or two) in Hollywood
The worst movie job ever: Cydney Cornell, hair stylist to Freddie Prinze Jr. and Sarah Michelle Gellar.
March 21, 2004
The week of our discontent
...was not spent reading John Steinbeck, but rather, sorting out a whole slew of nasty technical troubles that arose with the lovely low culture database. Regardless, it's all better now, like a world without first-run episodes of Curb Your Enthusiasm that do a ghastly job of tying in painfully long segments from The Producers and an overacting (or is it underacting) husband-and-wife duo in the form of Mel Brooks and Anne Bancroft. But that's all behind us, now. Oh, and confidential to MovableType: Fuck you, buddy.
March 11, 2004
Naming names
Spartan is the name of David Mamet's new movie. It's called Spartan, this movie. It's out Friday. This David Mamet movie, it's got stars like Val Kilmer, Derek Luke, and William H. Macy. He's no first-timer, William H. Macy. The story, well, the plot, is about a kidnapping. This plot is intense. The story, too. The plot and the story, they're both very intense, they're very fucking intense. And the title. Spartan. This title got us thinking. It's a play on words, this title. A description of the main character, right? But also Mamet's style, the style everyone calls Mametian. Which is easy to make fun of, right? But at least he's being honest about it. What if other directors did the same? These other guys, see, they'd put it all out there, honest to the world. Brett Ratner: Base
March 10, 2004
Our last-ever post on matters concerning the Grey Album, we promise
This, despite the fact that the latest Rolling Stone rehashes the EMI-versus-artistic freedom issue yet again. That's roughly three consecutive issues of America's most revered rock, er, lad, er, rock magazine that have documented DJ Danger Mouse's travails of late (isn't there some expression about "beating a dead mouse" or somesuch cliche?). Nope, this particular post is for those obsessive souls who took their LPs of the Beatles' White Album and played John Lennon's incoherent utterances backwards, until they were able to discern that Paul was, in fact, dead. Get out your copy of Danger Mouse's Grey Album or, if you downloaded it, work with the MP3 files directly. Acquire a freeware audio editor. Take the eleventh track, "Interlude," and reverse it. Sit back and pray as you listen to the track which follows, whose lyrics we've helpfully transcribed for you: "6...6...6...Murder, murder Jesus...6...6...6... Of course, we all know that "asterisk" sounds awfully garbled when spoken either forward or in reverse, so you may want to substitute those asterisks mentioned above for the letter G. Just a su**estion.
March 8, 2004
Water-cooler thoughts on the return of the Sopranos
"I had forgotten some of the story, but it was good to get back into it again." Employee #1 "Well, I have the DVDs, so I remembered the plots. I don't really watch the DVDs much, though." Employee #2 "Yeah, I forgot to watch it." Employee #3 "I think they purposely made it boring to scare off non-fans." Employee #4 "You know, it was good, it was a first episode...laying the groundwork for a new season. But hey, did you see Curb Your Enthusiasm? Do you watch that? So fucking hilarious!" Employee #2
March 5, 2004
Identical Spins
All too often, we witness debates about who's cooler, the Hilton sisters or the Olsen twins: it's a perennial (and perenially boring) topic of debate by pop pundits, which unfortunately usually breaks down to which set of sisters are hotter. (Frankly, we here at low culture feel that the Hiltons are hotter: no, not Paris and the one with the boring name. We mean Daisy and Violet Hilton, from Tod Browning's Freaks: talk about two hot, well-connected chicks!) What's more interesting, however, is intra-sibling competition, the kind of squabbling and scrapping that those of us with brothers and sisters know very well. (What, you were an only child? No wonder you have so many issues and so few friends.) Now, imagine if that competition began before you were even bornlike, in the womb! Imagine fighting for space, air, and nutrients before you even knew you were competing: that's some intense rivalry, right? It's the sort of thing that might even continue into your 'tween years when your mom and dad set up your vanity Web site so all the world can decide which one of their kids is better. (What, your parents didn't set up a vanity web site for you? They probably also neglected to get you immunized, because, let's face it, they clearly hated your sorry ass.) Take the Web site devoted to Dylan and Cole Sprouse, the Italian-born but now very all-American young actors who starred in Big Daddy, and play Ross Geller's son Ben on Friends. (Hey, these guys also have indie cred: they're in The Heart is Deceitful Above All Things, Asia Argento's adaptation of JT Leroy's short story collection.) Judging by the "versus-themed" graphics sampled above, which Dylan and Cole's parents have incorporated into DC Sprouse.com, brotherhood is even more competitive when the brothers are budding stars. With that in mind, we're settling this debate once and for all. Like the Civil War, this is brother versus brother: who will win, Dylan, or Cole? Continue reading...
March 4, 2004
Mustang Viggo
Hidalgo opens tomorrow in theaters everywhere. Based on the trailer, the film appears to be about the passionate bond between scruffy Viggo Mortensen and his strikingly beautiful horse. Haven't we seen this movie already? Wasn't it called A Perfect Murder? What's the deal with Viggo and ungulates? It's not just the Spence-educated variety, it's the real ones, too. The director's edition DVD of The Lord of the Ring: The Two Towers restores several scenes that show the deep bond between Aragorn and his horse, Brego. This is no mere directorial indulgence, it's apparently vital to the Rings trilogy. According to the copy on the back of the Aragorn and Brego collector's toy: Aragorn found a kinship with Brego, the wild horse of Rohan's late Prince Theodred, who had been cut down by orcs at the Fords of Isen. Brego was traumatized by the loss of his lord, but Aragorn's gentle hand stayed the beast's fear, and in time he came to bear the king in exile as faithfully as he had once borne the Prince of Rohan.Well, that clears that right up. Ladies, if you love Viggo (that means you, Alex K.!), be sure to wash your hair with some Kiehl's Equine Shampoo before galloping off to see Hidalgo. At least one person in the relationship should have clean, shiny hair. Related: Hidalgo also features C. Thomas Howell. It's been a long while, gentle friend, beloved soul man.
March 2, 2004
Return of the King
The Sopranos returns to HBO this Sunday. The show's been on hiatus for fifteen months, but returns just in time to save the world. Maybe you've heard about the little culture war going on in America right now: frightening religious evangelism at the muliplexes, a bigoted election year proposal for a new Constitutional amendment , Clear Channel pulling Howard Stern from radio stations under pressure from the FCC, seemingly endless debate about a pop singer's exposed breast. What we need right now is something to unify us, something we can all get behind. The Sopranos may just be the thing. What we also need is a strong leader, someone who understands the moral ambiguities of this world but has the clear(ish) vision to (mostly) know the difference between right and wrong and who even occasionally does the right thing. Someone who has a leadership philosophy personally cobbled together from Sun Tzu and "that book Prince Matchabelli," rather than handed to him by Karl Rove and Hop on Pop. Re-enter Tony Soprano, and not a minute too soon. Tony may seem like an unlikely hero, but who else do we have? (Superman? Guy's a total fuckin' square.) In Tony, we get a hero these times deserve: He's powerful, but gentle, decisive, but racked by insecurities. Tony's complicated, off-center sense of morality is the perfect antidote to the simplistic manichean world views of our elected officials and the supercilious 'talking heads' who attempt to contextualize them for us on TV. Tony knows this world is fucked, which is why he feels it's up to each of us to define our own destinies. As he told his shrink in the first episode of the series "It's good to be in something from the ground floor. I came too late for that, I know. But lately I'm getting the feeling that I came in at the end. The best is over." If that's not a "God is dead" for our century, what is? (Ask Anthony, Jr. who said "God is dead" and he'll tell you "Nitsch".) Through his actions and the ways he deals with their consequences, Tony shows us that we all in our own ways upset the moral ecology: if there's a shit storm all around you, you better look in the mirror before you shake your fist at the sky. With the return of The Sopranos, we'll all finally have something to talk about besides the election, terrorism, the economy, and conflicting interpretations of family values. (Well, those of us willing and able to pay for HBO, at least.) And Slate will bring back its panel of shrinks to analyze the show for us, instead of relying on pundits to read the entrails of the body politic. Soon, Tony and Carmela will return to magazine covers and supplant that other power-hungry dynastic clan. And what a great day that will be. Besides, this culture war's gone on long enough, hasn't it? Let's bring on the entertainment. It's gotten to the point where no one can even remember why the war started in the first place. As Tony once said, "This whole war could have been averted. Cunnilingus and psychiatry brought us to this." That's almost a little kinda true, right? The Sopranos airs Sunday at 9PM EST on HBO.
March 1, 2004
Exclusive: low culture blogs the Oscars®!
low culture asked Matt Haber's dog to blog the 76th Academy Awards ("The Oscars®," to those in the industry) in real time. Here's her report from the biggest night in show biz:
8:32: Nothing in the bowl. Do I want water? Okay, a little sip. 8:33: Uch, I'm so itchy. 8:33: Ahhhhhhh... Scratching feels so good. 8:35: I wonder if there's anything left in my bowl. 8:35: Damnit. Do I want water? 9:00: I'm not sleeping, just resting my eyes. I'm not even tired 9:52: Itchy ear, itchy ear! Okay, that's better. Maybe I should rest my eyes some more... Continue reading...
February 27, 2004
Slipped Right Through His Fingers
"Bankrupt boxer Mike Tyson is financially down for the count, saying things have gotten so bad that he's struggling just to put food on the table." Whenever I read about Mike Tyson's travailsrape convictions, ear-biting, arguments with reporters, acrimonious divorces, fist-fights in a Brooklyn hotel, facial tattoos, bankruptcyI always think of the scene in Barbara Kopple's phenomenal, empathic 1993 documentary Fallen Champ in which Tyson, age 15, has a breakdown between bouts at the 1982 National Junior Olympics in Colorado and sobs to his trainer Teddy Atlas: "Its all right now Im Mike Tyson everybody likes me, yes, everybody likes me Ive come a long way, Im a fighter now, Im Mike Tyson." Just beneath the tabloid spectacle of Tyson's public decline is a very real tragedy. Unfortunately, Tyson is such an unsympathetic figure that it's hard to feel bad for the guy. Sadly, his story's gonna get a lot worse before it ends. I disliked Big Fish, too, but I wouldn't call it 'crud' (Or 'Enthralling,' actually)
"Billy Crudup, who starred in Big Fish, has managed to make crud enthralling." Unabashed Stars Break the Shackles of the Name Game, by Virginia (insert your own lame joke about my last name) Heffernan, The New York Times, Feb. 27, 2004.
February 26, 2004
Absolutely Our Last Passion-Related Post (Today)
The early reviews are in: 'Jews Killed Jesus' Sign Causing Controversy: Pastor Refuses To Remove Or Change Saying On Outdoor Marquee, ABC News, Denver [Thanks, Krusty!] "Huzzah," He Lied
How do you know a publicist is lying? His lips are moving. Check out this hilariously deluded comment from Mel Gibson's PR man, Alan Nierob (whom we're told is "himself the child of Holocaust survivors"), in Sharon Waxman's New Film May Harm Gibson's Career (The New York Times, Feb. 26, 2004): "I think Hollywood appreciates good art and will embrace the talent of a filmmaker." C'mon, Alan! Even you can't believe that. Lewis Black Can't Lose (Actually, he has. And he's still pissed.)
If you thought Lewis Black was just that overly-caffeinated, disheveled comedian who does Back in Black on The Daily Show with Jon Stewart, swing on by The LA Weekly to learn about his early career as a playwright. (In Love, Pissed, by David Shulman). Like any writer, Black's got a little creation myth about the moment he was first prompted to put pen to paper. Like his comedy, it's half bitter, half funny as hell: Id been living with an actress... And she went over and did a major motion picture in England. Wed been together three years, and now we were in Skid Mode. So she goes over there [England], and I dont hear from her until she calls me up and tells me shes met the man shes going to marry. And Im like, Are you out of your fucking mind? Because this is a girl without a mainstream romantic bone in her body. Less than a year later, shes marrying the guy. All my friends went to the wedding. And I didnt... I really loved her family. We got along really well, and I heard that all the family talked about at the wedding was me, and how they couldnt believe she was marrying this other guy. So all I did was go, Wow what if I had shown up? And that was really what the play became about. His lose is the audience's gain, I guess. Black's show, One Slight Hitch, is playing now at the Falcon Theatre in Burbank. S-I-T-C-O-M Men
The mainstreaming of Method Man and Redman continues with the announcement that the rappers will star in a new sitcom for FOX. (Fox Parties with Boyz N' the Gated Hood, Hollywood Reporter, Cynthia Littleton and Nellie Andreeva). Setting aside for the moment the awful, dated headline, here's the story of the show's premise: The untitled Method Man/Redman project, now in production in New Jersey, is one of the heat-seekers on Fox's comedy development slate this year... The project, described as a kind of edgier take on "The Fresh Prince of Bel-Air" theme, was the brainchild of Method Man, the Wu-Tang Clan member who figured that his idea for a TV series couldn't be any worse than a lot of the stuff he has seen in primetime in recent years. I'll withhold my judgment until I see it, mostly because Method Man is so fucking awesome. I still listen to Tical all the time and whenever I hear Meph's growling, blunt-smoking frogman voice on a Wu-Tang album or side project (his verse on Raekwon's "Ice Cream" is a classic), I marvel at just what an amazing MC he is. Redman's pretty great, too: Dare Iz A Darkside is the rare CD that holds up ten years after its release. And Redman's sense of humor is evident in some of his more playful rhymes. I've never seen How High, but I know from their videos and their short-lived Right Guard commercials that Method Man and Redman have great comic chemistry. (Maybe not the best taste in material, as a series of deodorant commercials suggests, but hey, they've got kids and college is expensive.) It's also interesting to see how the mainstream usesand is usedby edgy rappers. Snoop Dogg set the template for transforming a frightening rap persona into a cuddly pose. (Even your mom says "Fo' Shizzle" nowadays.) Ice Cube is following suit with Barbershop and Barbershop 2: Back in Business. By this time next year, Method Man and Redman may be trading small talk with Regis and Kelly: time will only tell. It'll be interesting to see how this show is positioned by FOX. Can they make it into another Bernie Mac Show or will they drop the ball like they did with Cedric the Entertainer? [via TV Tattle] Kael, Kael, Spin, Spin
Shane Black, the poster boy for overpaid Hollywood hacks, is set to write and direct his first film for producer Joel Silver. According to Done Deal, the specifics are as follows: Sounds like another classic Black film, fitting somewhere between The Last Boy Scout (a tough-guy private eye and a frustrated ex-quarterback try to solve a murder) and The Long Kiss Goodnight (a tough-broad former secret agent turned amnesiac mom and a frustrated detective try to solve the mystery of her past). What bothers me is the title, which is boosted Pauline Kael's second book of movie reviews. Kael explained her title this way: The words "Kiss Kiss Bang Bang," which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies. This appeal is what attracts us, and ultimately what makes us despair when we begin to understand how seldom movies are more than this.(From Spicy Quotes) One of Hollywood's highest paid, most notoriously mediocre screenwriters lifting a title from the most respected film critic of all time? Not cool. Not even a little ironic. Also, done, done, done, and done before. Since she was smarter than I'll ever be, I'll give Pauline the last word, with this sideswipe at Black and Silver's Lethal Weapon, by way of complimenting Jonathan Demme:
February 25, 2004
Man on the Cross Street (Passion Survey #1)
We interviewed a completely random selection of movie goers exiting the 12PM screening of The Passion of the Christ at the Jerusalem Multiplex 16 to get their opinions on this controversial film.
Mensch on the Street (Passion Survey #2)
We interviewed a completely random selection of movie goers exiting the 12PM screening of The Passion of the Christ in Brooklyn to get their opinions on this controversial film.
They Found It At the Movies
"In his prerelease screenings, Mr. Gibson invited mostly conservative evangelical clergy. They in turn responded by reserving huge blocks of movie tickets for their congregations. When the film opens today, expect theaters around the country to be turned into temporary churches."
February 24, 2004
Co-opting the Friedman
The pissing contest between FOX 411 gossip columnist Roger Friedman and The New York Times' Hollywood reporter Sharon Waxman has spilled over into Cynthia Cotts' Press Clips column in this week's Village Voice. To be honest, Friedman's doing most of the pissing, complaining that Waxman is boosting his exclusives without attribution. He complained to Times Public Editor, Daniel Okrent, who decided that Waxman had done nothing wrong. Buried at the bottom of Cotts' story is this nugget: Sometimes Friedman gets it right. But anyone who starts crowing about inaccurate and unethical reporting will eventually have the spotlight turned on himself. Other scribes express varying degrees of affection and pity for Friedman. One calls him "marginal, with delusions of grandeur"; another says he wants "to be respected." Reminds me of this passage from Peter Biskind's Down and Dirty Pictures: Perhaps fittingly, Waxman writes today about factual inaccuracies in Capturing the Friedmans. Doll (Private) Parts
Disclaimer: The link to this story is absolutely not safe for work! (Especially if you work at a toy store.) Grant Stoddard, Nerve's jolly human guinea pig, makes love to a Real Doll in his "I Did it For Science" column month. The photos are way disturbing, especially the fact that the doll looks so much like Britney Spears. Can't they make a doll whose eyes close when it's horizontal, like those dolls kids play with? Dirty Dancing: Rewrites
A riddle for the ages: How many screenwriters does it take to make a hit? Apparently eight. Coming this Friday, Dirty Dancing: Havana Nights, written by: 1. Victoria Arch Can't you just see them all in one big room, laptops networked together, ideas flying left and right? Teamwork: it's a beautiful thing. Of course, all of them combined couldn't come up with a line as quotable as "Nobody puts Baby in a corner!" Collect 'Em All!
The New York Post's The Passion of The Christ Collector's Edition Covers: Related: Coming soon, Mad Max: Fury Road, to be produced by Mel Gibson's Icon Productions and released by 20th Century Fox. Brett Ratner, Character Witness
Brett Ratner talking about Michael Jackson's underage accuser: "[The boy] would sit in my director's chair. When I told him to get up, he'd tell me to go to hell... He used to tell me, 'Brett, I don't like the last shot' while he was watching us make the movie. He's telling me how to make my movie! He's more street smart than I was at that age. If someone tried to fondle him, he'd punch them in the face. He's an adult. I think the jury will see that." (From Roger Friedman's FOX 411 column, Feb. 24, 2004) So the kid thought Ratner couldn't make a movie? He's obviously a child prodigy. From this point forth, I believe everything he has to say.
February 23, 2004
Drive, He Spanked
Driver nabbed while watching porn movie ALBANY, N.Y., Feb 20 (Reuters) Andre Gainey found out the hard way that in the state of New York it's illegal to drive while watching porn. Police said the 35-year old man from Clifton Park, New York, was watching a adult movie called "Chocolate Foam" on Tuesday night while driving his Mercedes Benz in the town of Schenectady when he was spotted by an officer at a stop light... [Courtesy of the brilliant Javier, who very rightly wondered why we needed to know the video's title.] "Why Are You So Awesome?"
Remember the old SNL skit where Chris Farley (R.I.P.) had his own talk show? If Chris had had a better vocabulary, it might've been a lot like this: The Business: Kevin Smith interviews Tom Cruise. (Arena, Feb. 2004)
Another slow news week
"Since we know you're wondering, let the record show that every weirdly combed follicle you see is his. Trump swoops up his bangs to prove it. "I don't say my hair is my greatest strength in the world, but it's not terrible," he says, though perhaps it would look better if someone other than his girlfriend cut it," The World According to Trump, by Keith Naughton and Marc Peyser, Newsweek, Feb. 23, 2004 Related: "The numbers are stark and staggering. In the past three years, 232,400 jobs have been lost in the city. Every employment category except health care and teaching and educational services has taken a brutal hit... And the jobs could be gone forever," Where Have All The Jobs Gone?, by William Sherman, New York Daily News, Feb. 23, 2004.
February 22, 2004
We've Met Before, Right? You looked different then.
"'The Zippies Are Here,' declared the Indian weekly magazine Outlook. Zippies are this huge cohort of Indian youth who are the first to come of age since India shifted away from socialism and dived headfirst into global trade, the information revolution and turning itself into the world's service center." Thomas L. Friedman, Meet the Zippies, The New York Times, Feb. 22, 2004. "What we have here is a major player in the premillennial cultural meme pool, and a loose-knit movement of folks who aim to change the worldwhile having the best time of their lives. Cyber-crusties, techno-hippies, post-raversthe British media have tried pinning various compound names to its members... But one name stands out, maybe because it was designed to. And for the moment it's sticking: zippies. It stands for Zen-inspired professional pagans..." Zippies!, by Jules Marshall, Wired, May 1994. Related: Zippy the Pinhead
February 21, 2004
The big difference between foreign and American films
Jean Rouch, 1918-2004
Jean Rouch, an Ethnologist and Filmmaker, Dies at 86, by Alan Riding, The New York Times, Feb. 20, 2004: "Jean Rouch, a French explorer, ethnologist and film director who played a significant role in forging the cinma-vrit style, died on Wednesday night in a car crash in the west central African nation of Niger, the French Embassy there said. He was 86. "Mr. Rouch (pronounced roosh) was attending a film festival in Niger, where he first worked as a civil engineer more than 60 years ago. Reuters reported from Niamey, the Niger capital, that Mr. Rouch's wife, Jocylene Lamothe, the Niger filmmaker Moustapha Alassane and a Niger actor, Damour Zika, were also injured in the accident." I still remember how uncomfortable I felt watching Les Matres fous (The Mad Masters, 1955) in college. The images of Hauka priests undergoing spirit possession were terrifying but also sort of funny and strange. The film provoked a heated discussion: Was it racist? Was it anti-Colonialist? The participants in the ritual were imitatingparodying, actuallythe personalities of their colonial occupiers. According to Kristin Thompson and David Bordwell's Film History: An Introduction, "By day the cultists are dockers and cattle herders, but at the ritual, one becomes an army captain, another the governor, a third an elegant French lady. Rouch's doctoral thesis argued that in parodying their rulers, the Hauka release their feelings of imperialist oppression. 'The violent play,' the film's commentary warns, is only the reflection of our civilization.'" This is very different from most depictions of Africa during that era in documentaries like Gualtiero Jacopetti and Franco Prosperi's Africa Addio (Goodbye, Africa, 1966), which I wrote about last year. Jacopetti and Prosperi used shock and terror to frame Africans: their sympathies are clearly not with their subjects or Africa. Rouch was different. As Daniel Pinchbeck (Out of Africa, Art Forum International, Oct. 2000) writes:
(A slightly more contemporary American analog would be Jennie Livingston's Paris is Burning (1990) in which gay African American and Latino men perform in voguing competitions by vamping down the runway parodying the businessmen and rich people the world will never let them be.) Rouch is one of those influential filmmakers who's slipped through the cracks. His filmsparticularly Moi un noir (Me, a Black Man, 1959)influenced the French New Wave and the cinma vrit movements. Unfortunately, his work is hard to come by outside of academic conferences, but perhaps they will find their way to DVD in the future. Also worth seeing is Manthia Diawara's Rouch in Reverse, which takes on the filmmaker's work from an African's standpoint. They're so cute when they're little
I know what you're thinking: How will you live without Sex and the City? Better, probably. And with more laughs, too. But for those of you who can't get enough of SaTC and want more than the easy to swallow (har har) half-hour doses you get on cable, you can start waiting on line now for the big screen version. (As if each episode didn't already feel two hours long.) In the meantime, print out these photos and place them in your wallet if you love the show so much.
Not Pictured: Kristin Davis, who was born fully-grown.
February 20, 2004
Lords of the Bling
I'm just as surprised as you are that one of the most incisive critiques of hip hop capitalism would come from MAD Magazine, but it's a crazy world, right? On newsstands this month, The Lords of the Bling movie poster. I was sad that there wasn't room for Farnsworth Bentley as Samwise Gamgee ("Mr. Diddy, look out for that giant spider!"), but it's pretty perfect as it is. Related: Black Book has Jay-Z on the cover of it's special "Bourgeois" issue, also out this month. (Coincidentally, Hova's upcoming MTV books/Pocket Books memoir is also titled Black Book.)
February 19, 2004
2004 is shaping up to be a funny year
David Gest and Diana Ross may marry - reports In related news: Writing Staff of Saturday Night Live Experiences Collective Spontaneous Orgasms During Idea Session UPDATE: ROSS: I'M NOT GEST'S FIANCE, New York Post, Feb. 20, 2004. Sad. The (Former) Sorcerer's Apprentice's Apprentice
Michael Eisner's month just got a little worse, but every bad comedy writers' has just gotten better: Jeffrey Katzenberg may star in a Los Angeles-based version of The Apprentice for CBS. That should bring some seriousness and dignity to DreamWorks after this week's release of Euro Trip. [via TV Tattle] Nailing the Marketing Plan
"Replicas of the nails used to hang Jesus on the cross have become the red-hot official merchandise linked to Mel Gibson's controversial new movie,The Passion of the Christ." 'JESUS' NAIL SALE, by William Neuman, The New York Post, Feb. 19, 2004 Anyone remember the old Bill Hicks routine about how pissed off Jesus would be if He came back and saw all His followers wearing crucifixes? Like He wants to see one of those ever again. This is probably the worst movie tie-in since the official Exorcist crucifixes or the Elephant Man pillowcases. [Photo courtesy of The New York Post] "Oh, Happenstance!"
But they did approve the use of "Wrinkled Crinkled Wadded Dollar Bill" for a national chain of strip clubs
Johnny Cash's Family Upset About Use Of His Song LAUNCH Radio Networks Johnny Cash (news)'s children are squelching an ad agency's idea to use the Man In Black's hit song, "Ring Of Fire," in a commercial for a hemorrhoid-relief product. A producer with Fort Lauderdale-based company Big Grin Productions approached one of the song's writers, Merle Kilgore, with the idea. According to reports, Kilgore thought the idea was funny, but it was no laughing matter once Cash's children got word. The song was co-written by the late June Carter Cash (news), and both Cash and Carter Cash's children are reportedly angry about the prospect. Might we suggest?: Bruce Springsteen, "I'm on Fire"; The Beatles, "Fixing A Hole"; Dolly Parton, "I'm Burning"; Blue yster Cult, "I'm Burnin' For You"; Andy Dick, "Little Brown Ring"; Donna Summer, "Can't We Just Sit Down"; Van Morrison, "Brown Eyed Girl".
February 18, 2004
Stupid like a FOX
LOS ANGELES, California (Hollywood Reporter)Sherman Hemsley of "The Jeffersons" fame is lending his voice to the title character in Fox's updated version of "Mister Ed." How "urban" can a show about a talking horse be? Is Mr. Ed one of those inner-city horses we see all the time nowadays? And what the hell happened to Sherilyn Fenn? First she played Pacey's Mrs. Robinson-esque boss/stalker on Dawson's Creek and now she's playing opposite a horse? What did Audrey Horn do to deserve this? I almost regret having had a crush on her when I was 14. [via TV Tattle]
February 17, 2004
Billionaire Boys Club
This was a great weekend for wealthy, overgrown man-boys in the media. Everywhere you looked, serious, august news organizations were indulging very spoiled, very rich men who've built their own Xanadus the same way boys build forts out of sofa cushions and bed sheets. First up, The New York Times Magazine, which flatteringly profiled the fun-lovin' Maloof brothers. (The Flying Maloof Brothers by Hugo Lindgrenwith photos by Tabitha Soren!) According to Lindgren: (That 'lad magazine' reference inadvertently echoes Julia Chaplin's A Night Out With: The Maloof Brothers; Boys and Their Toys from The Times 'Style' section last November when she said "If FHM or Maxim could invent their dream bachelor, he would no doubt be something like the Maloof brothers.") What could be more fun than being a Maloof? They own a casino, a hot nightclub, a sports franchise, andboo-yah!they're friends with Britney Spears (despite the fact that they're all 15 or more years older than her). What could be more fun than being a Maloof? Why, being Mark "Cubes" Cuban, of course! Cubes was profiled by Steve Kroft on 60 Minutes this weekend. (Self-Made Maverick). Here's the nut graph: Now, at 45, he is living out his fantasy. And the best part of being a billionaire, he says, is shooting hoops with NBA stars in his own arena even though a lot of people thought he was too goofy to be an NBA owner. Too goofy? This is the man who had the brains and sensitivity to take the Kobe Bryant rape case seriously: "From a business perspective, it's great for the NBA. It's reality television. People love train-wreck television..." he told reporters back in August. We like Gulfstream V-wreck television even better. I thank god it wasn't Ed Bradley, my favorite 60 Minutes correspondent, sent to trail around behind the screeching, fine-paying owner of the Dallas Mavericks. Luckily, it was Kroft who played wiffle ball with Cubes in his gaudy McMansion's chandelier room (fun!), caught him mixing up the word "millions" and "dollars" (endearing!), and visited the converted industrial space that houses the Mavs operations office, which Cubes affectionately described this way: "Its a sweatshop here and were proud of it... You cant see the chains attached to their ankle[s]." (Witty!) How disgruntled would you be if your boss said that about you just after appearing on TV in his private jet and mansion? I bet you'd think it was hilarious. (This is the most annoying segment from CBS News since Bob Simon played Waylon Smithers to Felix Dennis's Monty Burns on 60 Minutes II back in November.) But the thing that grated the most about Kroft's Cuban profile was the subject's high-pitched, smug giggle, which punctuated every statement he made like a rimshot. (Presumably even that Kobe Bryant statement above.) After the fiftieth time hearing that laugh, I finally realized why its jingle, its cymbals' song sounded so familiar. It was the same sound heard by Nick Carraway in Fitzgerald's The Great Gatsby when he listened to Daisy Buchanan and concluded "Her voice is full of money." (But were her legs pinned back ceaselessly like a Safeway chicken?) Spending so much time with the Maloofs and Cubesmen with bank accounts in the eight digits and emotional maturity in the singlesI was reminded of another Gatsby quote, one that sums up the 21st Century's billionaire playboys even as it speaks to the early 20th's: I've got no beef with self-made men, but I wish they'd stop acting like boys and actually become men someday. ADVENTURES IN THE SCREEN (ADAPTATION) TRADE
Getting your article optioned by a film producer is the goal of any good journalist. Just ask New York Times Magazine writer (and frustrated blogger bugbear) Peter Landesman, whose article, The Girls Next Door has been optioned by Roland Emmerich. What, you didn't read Landesman's article? Doesn't matter, sucka: it's gonna be made into a movie. (Which you can also not seebut the ads will be everywhere!) Here's the trick: make it easyexceedingly easyfor the low level D-girls who read it to see the film as they read your article. Short of sub-heading your piece "It's Pretty in Pink meets Set It Off!," here are some simple tips for getting your article optioned, using Jim Windolf's great Raiders of the Lost Backyard, the story of three boys and their amazing quest to recreate Raiders of the Lost Ark shot-by-shot from this month's Vanity Fair: Make your subjects 'types' (or better yet, stereotypes): Write a funny set-piece that jumps off the page and onto the screen: Create some colorful atmosphere and supporting characters, maybe a role for Henry Gibson: Throw in some teenage romance for the girls: Show conflict, the better to create meatier roles: Make a cameo for a famous person who can also exec. produce the film: Toss in an uplifting ending that will make audiences cheer!: It's Rushmore meets Waiting for Guffman! Too bad those Culkin boys are all old now. Hey Hollywood, option this story now and let's see it next summer!
February 16, 2004
Breaking: Insult Comic Dog Causes Civil War in Canada
An Insolent Puppet Roils Canadian Politics by Clifford Krauss "[T]the seemingly harmless if crass remarks of a puppet created a blaze of protests on the floor of the House of Commons and became fodder for national politicians seeking to win Qubcois votes. Canada is in the midst of the biggest political scandal in more than a generation, but the foul-mouthed puppet was still front-page news and heavily covered on national television..." Aren't Canadians supposed to be, like, comedic geniuses or something?
February 14, 2004
Back, Again
See also: Snead, James A. "On Repetition in Black Culture", Black American Literature Forum 15/4 (1981): 146-54. Related: Marcellus Wallace. "What a great day in Druggachusetts!"
Reruns columnist Emily Nussbaum does a fine job breaking down the (lack of) appeal of Sid and Marty Krofft and their bizarre menagerie of anthropomorphic felt creatures in The Evil Geniuses of Kiddie Schlock in this week's Times 'Arts & Leisure' section. Nussbaum calls the Kroffts "TV hucksters" (no argument there) and posits that: Yep, that's pretty much it. Part of me wishes she'd gone a bit further and delved into Sid and Marty's equally surreal lives, the failed theme park in Atlanta, the treehouses, the illnesses. (It was all covered in H.R. Pufnstuf and the Strange World of Sid and Marty Krofft: The E! True Hollywood Story.) Another part of me knows that these guys, and their dated, schlocky programs don't deserve it. What did surprise me, though, was the omission of The Altered States of Druggachusettes, Mr. Show with Bob and David's dead-on parody of H.R. Pufnstuf's (not-quite) druggy subtext. Written by Mr. Show's own evil genius, Dino Stamatopoulos (who also sang the skit's theme song) and actor-writer Jay Johnston, it's a wild journey through the looking glass, just after the looking glass was used to cut some really potent coke (to chase all the LSD and pot, naturally). It's also, in its own way, the true skeleton key to Sid and Marty Krofft's insane oeuvre, and well worth the cost of the Mr. Show season 3 DVD.
(Sorta) Related: Mayor Bloomstak
February 13, 2004
Painted from Mammaries
Tomorrow's Valentine's Day. (What, you forgot? You must be that insensitive clod dating Bridget Harrison. There's always Duane Reade...) Anyway, if you're a straight fella living in New York and you find yourself in that awkward first few weeks of a relationship and you're concerned about the significance of this Halmarkiest of holidays you've got some options. Here's one you probably hadn't considered: check out the John Currin exhibition at the Whitney, which is in its last two weeks. (The museum's open from 11-6 on Saturdays.) If you're dating one of those high strung liberal arts college types, she'll have a ball with Currin's voluptuous grotesques (or are they grotesque voluptuaries? I never can tell): she'll also have fun seeing all the other women in the gallery slumping forward slightly, de-emphasizing their busts and shrinking from the male gaze. (If she's gettin' up there in the years, she'll also love his depiction of the elderly.) You'll have a great time staring at Currin's painstakingly-realized pin-ups and feeling the awkward sensation of seeing your basest male fantasies writ embarrassingly large. (If you prefer your base male fantasies writ smaller, check out the much less respectable Art Frahm collection over at Lileks.) The nice thing is that entire show comes pre-ironized for everyone's protection. How can you take the images to heart when they're presented as retro-jokes, replete with descriptions that evoke naughty jokes in old issues of Playboy? Take the card next to Girl on a Hill (1995): "[Currin] longs for the golden-hewed grassy hilltops of Northern California." Now laugh together at the fact that everywhere you look are golden-hewed hills. Then you can laugh at the fact that a good portion of the pieces are held in private collections in Beverly Hills and in the WASP ghettos of Connecticut. (And if you're extra lucky, maybe you'll see a woman with crutches staring balefully at this image, like I did last month.) This is fun! Mounds of it. Of course, if your special lady is one of those uptight "feminists" who can't take a joke, well, you're in the wrong place, pal. You can expect to go home alone tonight, andhow can we put this delicately?play air guitar to your Strokes CD. (The John Currin catalog only costs $50, but a copy of Juggs will run you, like, $7.) Happy Valentine's Day. Sidebar: Speak Mammaries. Tits are big right now. Huge! First came Currin. Then Mary Louise Parker and the other stacked starlets at the Golden Globes, followed closely by Janet Jackson's tempest in a C-cup at the Super Bowl. Then there's the back-channel chatter among bloggers about one of our own that's crossed the line from ignorable to Orange-alert levels. (Guys, do we need to discuss the difference between fetishizing mostly-underage celebrities who are hidden behind publicists, handlers, and bodyguards and fetishizing a real live person who might find your repeated, and entirely unfunny references to her 'rack' off-putting and even frightening? A little respect and we won't have to resort to Antioch-like rules, okay?) Up next, A Dirty Shame, John Waters' next film starring Selma Blair as Caprice Stickles, a head-injury victim endowed with breasts the size of watermelons. It's only February and it's the best year Russ Meyer's had in a decade. Hotter than a venti americano
If you thought Seattle was full of flannel-clad aging grunge rockers and the sexiest person there is Michael Kinsley dressed as Gorton's fisherman (left), swing on by The Stranger's Web site for their annual Valentine's Day Seattle's Sex Bombs spread. As expected in a city where coffee runs hot and cold out of the faucets, there's Sexiest Baristas (four of 'em), but there's also a Sexiest Republican who makes Ann Coulter look (even more) like a she-beast. (Equal Time Regulations stipulate that The Stranger show a Sexy Deniac, too.) Then there are the Sexiest Movie Theater Employees, who look like the girls from t.A.T.u., only they weren't cooked up in a post-Soviet lesbi-teen lab in Siberia. Sexiest Waiter? Someone out there wrote, "I'd like to lick Alfredo sauce off his ass-crack." Like 'em smart? Check out Sexiest Physics Majors. Sexiest Retail Clerk? Babe check, aisle nine! You get the idea. Go check 'em all out for yourself. Flights to Seattle can be booked through your travel agent or online. Bad Ideas are $3 Mil a Dozen
From The Onion A.V. Club interview with Joe Eszterhas by Nathan Rabin: Joe Eszterhas: Male Pattern Baldness was about a guy who lives in the Midwest and works in a steel plant, who finds himself in a battle with all the precepts of political correctness. He's just an ordinary guy who goes up against all the sort of politically inspired and enforced social rules that we've looked at in the past 20 years. Everything goes to hell for him. He loses his wife as a result. He loses his son, and he has to take anger-management classes. Ultimately, he can't take it. The tone of the piece until now is comedic, it's dark, and it has a really striking comedic tone, to the point where Betty Thomas, who directs comedies, after reading it decided that she was going to make it. Suddenly, near the end of this piece, the comedic tone startlingly ends and he goes on a rampage and kills four or five of his workers and kills himself. The movie ends with an epilogue of irony. Betty's take and the studio's take when I sold the script was that it was very hard-hitting, and was certainly going to be very controversial. It proved to be so controversial, finally, in the studio's view, and also Betty'sshe felt that it was an assault on political correctnessthat they opted not to do the picture, and it's still up on the shelf. I do think that it would have startled some people, and I think it would have made us take a hard look at the effects of political correctness.
February 12, 2004
Amber Alert on CNBC tonight
Sexual predator Scott Ritter is appearing tonight on Dennis Miller at 9PM EST on CNBC, raising the stakes on the trend Miller started by playing host to alleged serial groper-cum-"People's Governor", Arnold Schwarzenegger on his first show. Why, just last week Miller was ranting about Carlie Bruscia's alleged killer, Joseph Smith, and saying he was a pathetic mistake of a human being. What does that make Ritter? A victim of an overzealous legal system? Just another guy who wandered into the wrong chatroom and offered candy to the wrong baby? This is the first funny thing Dennis has done on that dead-air show. Next week on Dennis Miller: Claus von Blow on prescription drug reform. The low culture interview: Stanley Bostitch Model B440 stapler
Everybody's Got Something To Hide Except EMI And My Monkey
From MTV.com: "A representative for EMI Records served the cease-and-desist orders to Danger Mouse and stores such as Fat Beats and hiphopsite.com. EMI Records controls the sound recordings for the Beatles on behalf of Capitol Records Inc. The publishing side of the Beatles' catalog is owned by Sony Music/ ATV Publishing, a venture between Sony Music and Michael Jackson. (Earlier thoughts on The Grey Album...) We got ideas
From Ad Age, Feb. 10, 2004: OLD NAVY OPENS REVIEW FOR $130 MILLION ACCOUNT "NEW YORK (AdAge.com) Gap Inc.'s Old Navy unit has opened a search for its first-ever advertising agency to handle creative duties..." Here are some whiteboard ideas you can have for free. The good stuff's gonna cost you at least $100 million: Made For Kids, By Kids! Oh, so it'll be unfunny, unread, and contain at least one reference to The Beastie Boys
From today's Page Six: Pseudo Imaginary Trend of the week: Fictional Characters Named after Fiction Writers
With tomorrow's release of Fifty First Dates, the Pseudo Imaginary Trend of fictional characters named after fiction writers finally comes into its own. Since we here at low culture consider ourselves pseudo imaginary experts on the Pseudo Imaginary Trends (up your nose with a rubber hose, Entertainment Weeklyor Entertainment Weakly as we like to call it when we're feeling nasty!), we took it upon ourselves to point out the obligatory three recent(-ish) instances that form any Pseudo Imaginary Trend. Even one this pseudo and imaginary.
Start with a ponderous "academic"-sounding quote from Harold Bloom and close with a tepid kicker ("What's next, Ashton Kutcher as 'John Updike'?") and send me my check, Rick. It's tenuously hilarious! Except that it's not.
February 11, 2004
Finally, a happy ending for David Gest
Bride and widow in single ceremony NICE, France (AP) Dressed in a demure black suit, a 35-year-old Frenchwoman has married her dead boyfriend, an exchange of vows that required authorization from President Jacques Chirac. Under French law, Christelle Demichel became both bride and widow in the ceremony, which was performed Tuesday at Nice City Hall on the French Riviera. [via the idiosyncratic mind of Sarah Weinman] The 'S' in Harvard stands for 'Sex'
From The Harvard Crimson, Feb. 11, 2004: After flipping through the pages of Squirm, a Vassar College erotica magazine, the Committee on College Life (CCL) voted to approve a student-run magazine that will feature nude pictures of Harvard undergraduates and articles about sexual issues at its meeting yesterday. [via Romenesko] The Post's Widening Editorial Reach
Um, when something isn't quite subliminal, what do you call it? Liminal? Really, really obvious? Gross? Related: Fromunda.
February 10, 2004
Super Dave's Latest Stunt
I distinctly remember his show from when I was a kid. At the time, I think I actually believed he was a real stuntman who just messed up a lot. You can buy a Super Dave video here. Einstein's also the brother of Albert Brooks. Yes, the poor guy was born Albert Einstein. Parents and their high expectations: Sheesh! Checkout "Dropout", Pre-Sellout
When not busy geeking out to Pitchfork's coverage of all things indietronic, we're likely debating whether it was Hood or the Notwist who first inspired Radiohead's post-rock reinvention in 1999. Or maybe it's something along the lines of whether or not Basic Channel's music deserves a genre classification of its own, or the merits of declaring Philip Jeck as the ultimate electro-acoustic composer, or pronouncing L.A.'s Stones Throw to be the most underrated hip-hop label in operation today. In other words, it's unlikely that we'd ever get behind a major-label record of any stripe. But here's some major-label-styled hype for you: it's only the second week of February, and already the leading contender for 2004's album of the year has been released. Available today on the racks of all sorts of record stores across the country, in outlets as diverse as Kim's and Amoeba to FYE and Sam Goody (and likely to sell just as well in each type of these aforementioned shops), Kanye West's College Dropout has been released on Jay-Z's Roc-A-Fella imprint, home to such musical all-stars as Beanie Sigel, Memphis Bleek, and, ummm, Samantha Ronson. This would be considered "staying in the family", since the 26-year-old West is heretofore best known as the producer of some of Jay-Z's biggest hits off of 2001's The Blueprint. Relatively invisible up to this point, he's also spent the past two years becoming one of pop music's most likely hit-makers, engineering the hooks and beats for a remix of Britney Spears' collaboration with Madonna, Ludacris' "Stand Up" and Alicia Keys' "You Don't Know My Name", as well as the definitive summer anthem for 2003, Talib Kweli's "Get By", which I most recently heard played out at a New Year's Eve party thrown by members of Silverlake's indie-guitar-and-electronics scenesters. That means crossover appeal. Continue reading...Neil Strauss: Renaissance Man
Author...Comedian... Ladies Man...Adult movie actor...* What's next? I'm betting co-songwriter with The Matrix * Not online despite aggressive Googling: Back-up 'funky robot' dancer for Beck (SPIN, circa 1996)... Jewel bedside interlocutor (Rolling Stone, circa 1998)... Oh, you're such a martyr, Jim
"It was uncomfortable up there on the cross. Very windy. I almost blew over." Jim Caviezel quoted by Cindy Adams, The New York Post, Feb. 10, 2004
February 9, 2004
Catch Me If You Care
Catch That Kid snuck into theaters Friday with the stealth of an assassin. Usually, when a studio (in this case, 20th Century Fox) has a big budget action film, the add campaigns have all the subtlety of a SWAT team kicking in your door with guns drawn and screaming "Into the multiplex NOW, motherfucker!" I haven't seen a single commercial for Catch and I've read maybe one review. Perhaps the reason FOX is playing it so cool is that Catch That Kid already came out in 2002 and was a huge success. Then again, that was in Denmark. Catch That Kid is a remake of Klatretsen (AKA, Catch That Girl), which won a handful of awards and delighted kids all over Europe with its Spy Kids-like tale of a tween bank heist. (Kids these days! First they're nicking comic books, then knocking off whole banks!) Some studio could've simply dubbed Klatretsen and released it in America. It might've been a minor hit in theaters and had a decent run on DVD, but that would've been too cheap an undertaking and would've cut too many middle men and women out the process. We're living in the startlingly barren Roy Lee era, where all it takes to be a "producer" is the reflexes to buy the American remake rights of successful foreign films and put together a deal with studios so bereft of talent and creativity, video games are considered primary texts to be treated with respect and care. (Ballistic: Ecks vs. Sever is probably the nadir of this phenonenon, but definitely not the end. As long as there are Joseph Kahns and Brett Ratners, there will be films not worth seeing anytime soon.) Of course, there have always been remakes of foreign films, but it was the exception, not the norm: Akira Kurosawa's Samurai film Shichinin no samurai (AKA, The Magnificent Seven) was remade as a Western starring the Mount Rushmore of machismo, Steve McQueen, Yul Brynner, and Charles Bronson six years later. But Catch is different, if only for the speed of the remake. It took about eighteen months from the release of Klatretsen to bring Americans Catch That Kid: that's about how long it takes a big company like FOX to develop and shoot a movie. Catch is directed by Bart Freundlich, the not quite respected indie director and husband of Julianne Moore. Since it's first big budget, Hollywood film, he dragged James LeGros (who appeared in his first two movies, The Myth of Fingerprints and The World Traveler) as a security blanket. That "kid" in the title is Kristen Stewart, whom you may have seen as Jodie Foster's diabetic daughter in Panic Room. Stewart, at 14, is either too androgynous or not yet touched by the glamorizing brush of a stylist to arouse the, um, interests of the Web's various Humbert Humbert manqus, which is why I find it strange that the poster attempts to make her look like Jennifer Garner's Mini-Me. The key to Stewart's appeal in Panic Room and Cold Creek Manor was her diffident tomboy-ishness, especially in comparison to her grotesquely-fetishized under-18 peers in Hollywood. Stewart's like a young Jodie Foster, before that actress took a turn with Taxi Driver. It'll be interesting to see how her career develops in the next few years. Catch That Kid ranked number 6 at the box office this week, which doesn't bode well for other Scandinavian films sure to be remade for the American market. Will the American version of Lilja 4-ever starring Hilary Duff and directed by Larry Clark still fly? Time will only tell. We're also sicksick!of powerful women in Hollywood doing favors for their 19 years older, Oscar-winning boy toys
A Director, Married to the Studio When Variety published the news last week that the veteran director William Friedkin was attached to a new movie at Paramount Pictures, eyebrows went up in Hollywood. Not just because it is rare in the age-obsessed movie industry for a 69-year-old director to score a major studio assignment, but also because Mr. Friedkin would be making yet another movie at the studio where his wife, Sherry Lansing, is the chairwoman. The more salient question: Why would Sherry Lansing hand her husband such bad scripts like the ones for The Hunted, Rules of Engagement, Jade, and Blue Chips?
February 7, 2004
Well, you can always rely on Amazon
N.B.: Not to be mistaken with Philip Roth's Letting Go, which cannot ship before Valentine's Day. Just in time for Black History Month
While the cover may lack diversity (yes, I am aware that Salma Hayek and Lucy Aside from some ads that feature Black models (Naomi Campbell and Tyson Beckford are still workin' it after all these years!) or deeply-tanned white ones, there's Brett Brooks, the DJ at Fred Segal (and Winona Ryder's old roommatehe works at a deparment store, she loves department stores, together, they're a sitcom!) on page 192, Jamie Foxx done-up as Ray Charles on page 220, a caricature of Rudy Ray Moore, aka, Dolemite on page 332, Janet Jackson as Lena Horne on pages 322-323 (Black performers dressed as older Black performers= hot!), and Janet's beloved and besieged brother, Michael (save your jokes: Michael Jackson is Black), is featured in several photos (one even show's him wearing a trucker hat that appears to say "Black Man") accompanying Maureen Orth's examination of his child molestation charges beginning on page 384. But by far, the part of the magazine that reflects the greatest diversity is Graydon Carter's editor's letter in which he lists the names of every U.S. armed forces member to die in Iraq. Of the 502 people listed, I'm betting a large percentage were African American. Well, that's one way to slip some Black folks into the "mix."
February 6, 2004
February 5, 2004
When animals attackDennis Miller!
Rummy Walks Like An... Well, you Know
Foreign types with the hookah pipes say Slouching towards Hollywood Babylon
The publicist for Hollywood Interrupted: Insanity Chic in Babylonthe Case Against Celebrity deserves a raise for landing his or her clients, authors (and "veteran journalists" pace The Post) Mark Ebner and Andrew Breitbart in Page Six and Rush & Molloy today. But perhaps pitching this book as a no-holds-barred slaughter of Hollywood sacred cows is a tad hyperbolic. Judging from the names bold-faced by the Page Six crew, the targets read more like slow-moving fish in a very small barrel: Robert Evans? Dude was a punchline before he was even a joke. Courtney Love? Any moron can squeeze a laugh out of her. Michael Ovitz? The guys who sell star maps on the side of the road have more juice in Hollywood than him nowadays. Heidi Fleiss? C'mon, fellas, try a little harder. It almost makes you respect the courage and conviction of Joe Eszterhas. What I'm really looking forward to is the brave, bold chapter that eviscerates Michael Cimino: boy, is he too big for his britches, or what? And Joan Crawford: I hear she's like, a total bitch-on-wheels. Kenneth Anger, watch your back! The Tanner Wars
I've read a bunch of reviews of Tanner '88 from Emily Nussbaum in The New York Times to Joy Press in The Village Voice, and "Dana Stevens" in Slate, but none of them pointed out the most interesting thing I saw in the first episode: the name Sidney Blumenthal in the credits as "political consultant." Sid is the journalist-turned-Clinton Warrior-turned-pundit loved and hated in equal degree among Washington journalists and power brokers. Actually, who am I kidding? Sid is mostly hated. He's clashed with Matt Drudge (admittedly not a hard thing to do: I'm sure even Matt's dry cleaner hates him, probably for all the egg yolk stains), he's fallen out big time with old pal Christopher Hitchens over whether or not he floated out the "Monica Lewinsky as stalker" story over lunch, and has in many ways lived up to the nasty nickname given to him by the Right: "Sid Vicious." What Sid is, more than anything, is a Democratic berserker, especially in his current writing for Salon and The Guardian. (Should Sid succeed in helming a U.S. edition of The Guardian, we can expect some very muscular prose in defense of the Dems: Expect asses kicked and names taken weekly.) That's why it's not entirely surprising to see Sid pop up as part of Jack Tanner's dream team in '88. Tanner (played by Michael Murphy) is the ultimate baby boomer wish-fulfillment candidate: handsome, modest, able to speak with equal passion about public service and his favorite Beatle (John, of course). He was a Democrat who would feel perfectly at home discussing policy in The New Republic and the impact of Woodstock in Rolling Stone. In other words: He's Bill Clinton. I can't imagine how excited Sid must've been when Clinton emerged just a few years after Jack Tanner's "Presidential run" ended, but he must have felt that exhilarating, confusing mix of emotions we sometimestoo rarely!feel when our dreams come true. All of Jack Tanner's speechifying, very human foibles, and striving for integrity were suddenly, thrillingly manifest in that smart, sincere, ever so slightly louche sax-playing Southern good ol' boy from a town called "Hope" (well, Hot Springs, actually). It reminds me of the famous conversation between anchorman Tom Gurnick (William Hurt) and writer Aaron Altman (Albert Brooks) in Broadcast News: Tom Grunnick: What do you do when your real life exceeds your dreams?
February 4, 2004
Meatball, R.I.P.
I've never been a big Adam Sandler fan, but I loved his dog, Meatball. The photos and videos of Adam and Meat on Adamsandler.com used to be one of my favorite internet time wasters. They're a genuinely touching glimpse inside the human/companion animal relationship. The videos show Meatball as Adam's constant companion: a gently rapacious, deadpan presence on Sandler's film sets (he appeared on screen in Anger Management and Little Nicky), in his house, and even, in one clip, on an airplane. Meat loved food. Meat loved basketball. Meat loved kittens. Meat loved sleeping. Meat loved Adam most of all. How can you not love Meatball's regal, ugly mug and his snorting, mucous-y breathing and lumbering gait? Meatball is such a beautiful, goofy, honorable mutt. Meatball died the other day, and I'm sure Adam and his wife and friends are grieving deeply. The human-dog thing is some profound shit (just ask Harvard professor and dog lover Marge Garber) and, as a dog owner myself, I can't yet begin to imagine what it would be like to bury one. Even when I can't stand my dogwhich is oftenI still know that her need for me is total, and my reliance on her is deeper than I can articulate. If you have some free time on your hands a good enough internet connection, I recommend you look at some of the great Meatball videos on the site. Some are completely ridiculous. Others are more serious. One was even directed by Paul Thomas Anderson and co-stars Luis Guzman. (Guzman staring-down Meatball with his goofily intense eyes and Meatball returning the stare is a small comic gem.) Meatball was born to be a star, not least of all because he attempts to literally chew the scenery in almost every clip. Watch a few and I'm sure you'll become a Meat lover, too. How to steal someone else's husband after 35 using what I learned editing the Harvard Business Review
Welch Makes Another Major Book Deal by Hugo Lindgren Armed with a proposal that ran just two and a half pages, John F. Welch Jr., the former chairman of General Electric, sold the world rights yesterday for a how-to business manual to HarperCollins, a unit of the News Corporation, for an estimated $4 million. Doesn't this book already exists? Wasn't it called Find a Husband After 35 Using What I Learned at Harvard Business School. And it was written by Rachel Greenwald? They also cut the full-frontal blow job from Chlo' Sevigny
Gibson to Delete a Scene in 'Passion' by Sharon Waxman LOS ANGELES, Feb. 3 Mel Gibson, responding to focus groups as much as to protests by Jewish critics, has decided to delete a controversial scene about Jews from his film, "The Passion of the Christ," a close associate said today. [Via LAObserved] Art Directors of the World: Chris Rock is Not a Clown
Please stop depicting him as such. Thank you.
February 3, 2004
One Dimension, at most
"[Dimension] broke the glass ceiling. Instead of looking up at it and wondering, What goes on up there? they found out. [The Weinstein brothers] love money. It was, Oh my god, isn't this wonderful. And it came in so fast it was mind-altering." Jack Foley, former VP of Distribution, Miramax as quoted by Peter Biskind in Down and Dirty Pictures, page 173) They apparently also found the rock-bottom, and went right through it: Title: Girls Gone Wild Anyone care to guess the cast? Debra Messing, perhaps? Maybe Lea Remini? Or maybe Kari Wuhrer. "What Me, Junkie?"
Related: Check out how much MAD has changed (under editor John Ficarra) since you were ten. The 'usual gang of idiots' are carrying switchblades: I think they sell hoagies
From Roger Friedman's FOX 411 column, Feb. 3, 2004: Of all the Super Bowl ads on Sunday, my favorite was the one for Monster.com. Kudos to the creators of it who used a little known piece of music from the early '80s called I Dig You by a group called Cult Hero. Until I heard it on Sunday I thought I was the only person in the world who knew this record ever existed. I dont know what Monster.com is, but it must be smart Sidebar: Can any superfans confirm this Cult Hero/The Cure thing?
February 2, 2004
Justin and Janet and Mick and Tina
This is for all you kids who are excited about the fact that Justin Timberlake "accidentally" tore off Janet Jackson's costume during the half-time show at the Superbowl. I want to tell you it's already been done way the fuck back in 1985 by Mick Jagger and Tina Turner at Live Aid. Oh, and they pretended it was an accident, too. But they did for all those starving kids in Africa, not for Viacom. Zakk Moore: "surfer-Dell guy-meetsDude, Where's My Car?guy"
I gotta admit, I'm a total sucker for feature articles about nobodies who are on the cusp of becoming somebodies or just don't quite make it and remain, well, nobodies. I could live a long and happy life If I never read another Vanity Fair cover story on Gwyneth Paltrow again, but it would be a depressing life if I could never read another article like Dave Gardetta's Desperately Seeking Spicoli in the new Los Angeles Magazine. The story of aspiring actor Zakk Moore's journey from John Deere country (Quad Cities, Illinois) to minor "surfer dude" character actor in the town known for its love of John Deere trucker hats (Hollywood), Zakk's saga is the same one we've heard a million times before. Will he wind up on VH1's Driven like Iowa's own Ashton Kutcher, or will he be the next Courtney Gains doing regional theater and straight-to-video? Only time will tell. Continue reading...Sympathy Letter: Owen Wilson
"Owen Wilson's comic crime caper 'The Big Bounce' bombed with $3.3 million, finishing at No. 12 and averaging just $1,439 in 2,304 cinemas." You Got Served wins box office I guess he really is the minus man. Grey on Grey
Enough, now. Whether you're a writer for Rolling Stone, or a producer at MTV.com, or some ad-agency employee in Detroit, or, ultimately, Ben Greenman writing for the New Yorker, you really have to calm down a bit regarding your anticipatory coverage of one particular underground hip-hop release. I've been patiently biting my tongue for the past month, now, after having received a copy of Danger Mouse's supposed magnum opus (the oft-celebrated, though not-yet-released, Grey Album, his mashup of the Beatles' White Album with Jay-Z's 2003 Black Album) over the December holidays, but, finally, it was Greenman's most recent "Talk of the Town" piece that pushed me to write this. If, after all the incendiary hype documented above, you've been eagerly awaiting the album's unofficial bootleg release sometime in the coming weeks, trust me, don't. While a significant portion of Greenman's material seems to have been culled from the same press release as was featured in this week's Rolling Stone, the New Yorker piece nonetheless does a reasonable job of detailing the record's handful of tracks that do, in fact, have any listenable value. Notably, this includes Jay-Z's "99 Problems" laid over the Beatles' "Helter Skelter," as well as Danger Mouse's reconstruction of the Beatles' Mother Natures Son. Also appearing on the album, however, are a number of strong reworkings, including the album's opener, featuring a mlange of Jay-Z's vocals and the Beatles' delicate psychedelia. There's also a blend of the backing track from "While My Guitar Gently Weeps" dubbed under Jay-Z's lyrics, as well as a tasteful reworking of "Encore," one of the better tracks off of the Black Album. Except all this hype misses the bigger picture, that is to say, well, Jay-Z sucks. Do yourself a favor: temper your expectations a bit, download the Grey Album from your favorite RIAA-antagonistic file-sharing service, listen to it a few times, enjoy it, even, and then go out and purchase Danger Mouse's much better 2003 full length album, DM & Jemini - Ghetto Pop Life, out on the UK-based Lex Records imprint. While a number of British publications called Ghetto Pop Life last year's best hip-hop record, they might very well be right (despite the British musical press' contentions that the Strokes are, in fact, good). Featuring sharp, crystalline production (as opposed to the tinny, vinyl-sourced White Album material), ample hooks, and lyrics that manage to be sharp, clever and yet fun all at once, the album hearkens back to early-90s era Tribe Called Quest or De La Soul material. Better yet, you can preview full-length tracks at Bleep.com. You want retro-oriented hip-hop? It's 1993 all over again. But they'll play obscure cable access shows like Late Show with David Letterman and Last Call with Carson Daly
From The New York Post's On The Newsstand column: From Matador Records' Interpol Web site: From BBC News, Jan. 9, 2004: "The Darkness' jump comes as they begin to promote the album in the US, with an appearance on David Letterman's chat show on CBS lined up for Friday."
February 1, 2004
January 30, 2004
Present: Accomplished
Yes, he got a cake. A very, very nice one, too. But what about the prezzies for the Vice Prezie? What do you buy the man who has everything (including a democratic Iraq and a soon-to-be shrunken deficit)? How do you buy a present for a man who has given us all so very much? We here at low culture agonized for weeks over what to give Vice President Dick Cheney for his birthday today. It was hard, but we finally figured it out (with a little inspiration from someone who's full of great ideas). We also got one for his bestest buddy, too! Happy Birthday, Dick, wherever you are! Fan Letter: Owen Wilson
Our long, cold, Owen Wilson-less winter has finally ended: today, Owen hits the screen with The Big Bounce. Reviews indicate that the film is pretty lame, but everyone speaks highly of Owen, so that's one reason to see it. A remake of the 1969 Elmore Leonard-adapted piffle starring Ryan O'Neal, The Big Bounce boasts the sort of checkered parentage that births so many films these days. Directed by George Armitage, who started his career writing Gas-s-s, a druggy dollop of dreck for Roger Corman, but who's gone on to direct some great, dark comedies like Miami Blues (which he adapted for the screen) and Grosse Pointe Blank, one of the best comedies of the 90s. (Miami Blues and Grosse Pointe Blank are both "daytime noirs": mostly brightly lit comedies about conflicted, charismatic psychos.) Big Bounce's other daddy is billionaire Hollywood hanger-on Steve Bing, who most recently wrote and produced the "slightly-better-than-a-stick-in-the-eye" comedy Kangaroo Jack, starring a rapping, CGI-'roo and the fat kid from Stand by Me. As embarrassing as Kangaroo Jack is, Bing's highest profile, biggest budget production so far has been Elizabeth Hurley's bastard child, Damian. But forget all that: If we're gonna see Big Bounce, we're gonna see it for Owen. The Wonderful Wilson boys get a lot of press and love from fans: The ladies love Luke, the freaks sweat Andrew "Futureman", but everyone's gotta admit, Owen is the genius of the family. Continue reading...
January 29, 2004
"World Champions Sexy"
From the warped minds of Tim Heidecker and Eric Wareheim comes the next European reality TV show to be optioned by Mark Burnett. Or maybe not. "Taste your own lipsyou be the judge!" When these guys are famous, you'll say you linked to them when... Sidebar: Other Tim & Eric movies. A Real Live "Rapper": Yours for only $129.99
Another day, another Post assault on hip hop: "The Post accompanied Dizzy on a mission to deliver a birthday greeting to Michelle Burkholder, a 26-year-old assistant shoe buyer for Saks. "'We always do special things for each other's birthdays,' said Stefanie Rogers, who'd hired Dizzy. 'And this seemed like something totally different.' "On arriving at Michelle's office, Dizzy took off his jacket to reveal a huge silver crucifix, then launched into his rap: "This one goes out to Michelle Burkholder/ Back in Minnesota / Her momma used to scold her/ Now look where you're at/ You're a shoe buyer for Saks! . . . "And you look good Boo/ Sportin' your Jimmy Choo shoes/ No one can do it quite like you do/ In them 7 jeans/ Struttin' it up/ Flash a bling-bling/ Start shakin' your stuff." Buy your own hilarious rapper here: Rap-a-gram. (Available in "Pimp" and "Thug" models, as well!)
January 28, 2004
Insert your own Public Enemy Title Here
"Here's a letter to the New York Post Sidebar: I left out the headline, because I couldn't decide between the following:
January 26, 2004
The Daily Grinding Show
Finally! Tonight's the night that the soulless pod person formerly known as Dennis Miller premieres with his new CNBC show and I couldn't be more ambivalent about it. Part of me wants to see if this shaggy dog still has some bite, another part of me wants to see him put-down. Miller was the ur-eighties hep cat comedian when I was growing up. His intelligent, wildly-associative riffs (or "rants," as he came to call them) were oases of wit in a televisual landscape dotted with bad prop comics and even worse observational comedians standing in front of the exposed brick wallsfiring squad styleof two-drink minimum comedy shitholes across the country. While I'd like to believe that Miller was once a lefty, I know that's not true. His politics, like his famously unruly hair, was all over the place. I recently caught Miller on an old episode of Late Night with David Letterman on Trio (which rebroadcasts Letterman's juvenilia as "Classic Dave" every weeknight at 10PM EST) which disabused me of any fantasy that he was once a liberal. Dressed in a wide-shouldered black and gray checked jacket over a black button down (yes, I Love the Eighties), Miller went on a mini-rant about the Ayatollah Khomeini, replete with stereotypical "Indian" accent. (Hey, old Dennis: Khomeini was from Iran, where they have an entirely different accent you can mock for a cheap laugh.) But what Miller had back thendespite difficulty pinning-down his exact politicswas an anti-authority attitude, an anger at the elites that dominated the eighties from Reagan to Boesky to Milken. Miller's pre-9/11 outlook can be charitably described as anti-authoritarian/libertarian, but we all know that that's changed. (For a better analysis of Miller's conversion, check out Rick Chandler's Miller's Crossing over at The Black Table.) Since Miller has jumpedswooned, actuallyinto bed with the G.O.P., he's morphed into something like Lenny Bruce in reverse. Think about it: where Bruce shredded pieties and tore-down the hypocrisies of the 50s and early 60s, the new and improved Miller defends the status quo, and uses his comedic platform to bolster those in power. Forget speaking truth to power: Miller whispers sweet nothings in power's ear and even writes jokes to come out its mouth from time to time. The shaggy mutt with the wily look in his eyes and the occasional fangs has become a lapdog, happy to roll over and have his tummy rubbed by the President. Dennis Miller premieres tonight at 9PM EST on CNBC. Sidebar: If you're thinking CNBC is the network day traders watch between killing sprees, you're wrong. It's now the home of several comedy shows (intentional and otherwise) hosted by has-beens. Some dead drunk may have once said that there are no second acts in American life, but there are, and they're on CNBC. How long 'till this guy has his own entertainment and politics show and tosses softballs to his cousin on-air?
January 23, 2004
Punky Poopster
From A Man With a Past Best Forgotten Goes to All Lengths to Remember by Dave Kehr: "The complicated plotting [of The Butterfly Effect] soon spins wildly out of the control of the filmmakers (their last credit: Final Destination 2) and begins producing unintentional laughs, as when Evan wakes up to find himself the newest and prettiest resident of a prison full of predatory neo-Nazi homosexuals." Also known as "Dan Savage's favorite scene." C'mon, stop jerkin' him around
God, does it ever suck to be American Sucker, David Denby right now. Not only is every blogger worth their RSS Feed making fun of his Web surfing habits, and reviewers are giddily slamming his book all over town. Now even his own employers are mocking him. How else to explain the placement of this image of the uncharacteristically nekkid [link not safe for work!] South African siren Charlize Theron along with his review of Monster? Can't you just see some mean coworkers tearing out this photo, dabbing it with rubber cement, and leaving it near his desk? New Yorkers can be so cruel. Catamite Aphrodite?
Michael Jackson to contribute to the soundtrack? Title: The Manny
January 22, 2004
A Very Short History of Extremely Tall Things
The End. Parsley, Sage, Rosemary, and Weed
Art Garfunkel arrested on marijuana charge HURLEY, N.Y.Art Garfunkel, part of the folk music duo Simon and Garfunkel, was charged with marijuana possession after police pulled his limousine over for speeding in upstate New York. He was just smoking back-up for Paul Simon. None of this would've happened had he just forsaken that damn limo and kept on walking . Related: No one ever mentions that Art Garfunkel did some pretty good acting work. He was great in Carnal Knowledge as the winsome Sandy against Jack Nicholson's fulsome John and he was decent as Nately in Catch-22.
January 21, 2004
Pee-Wee Presents... Clones
How psyched was I that Paper Magazine decided to buck newsstand trends and go with a coverboy who's not only not promoting some new piece of shit project, but who also has the distinction of being so uncool he's positively cool? It's heartening in this day and age of publicist-driven entertainment coverage to see a magazine stick its collective neck out and put someone on the cover like Paul Reubens, AKA Pee-Wee Herman. This one's not for the trendsetters: it's for the fans, man! I didn't pick the issue up, so I don't know if they talk to him about his voice over work in Disney's new film, Teacher's Pet, but who care, right? It's Pee-Wee friggin' Herman, and he's awesome! Capturing the Shopsins
Our big cool (imaginary) friend Elvis Mitchell reports from Park City about I Like Killing Flies, a film we mentioned a few weeks back. (On the Menu at Sundance: Quirky Chef and Dancers, The New York Times, Jan. 21, 2004) Here's director Matt Mahurin on his star: "Kenny would be pontificating about his ideas about life and death and sex and politics and even food... And when you went in, you would enter whatever family drama was going on that day." Check out the last few anonymous comments attached to our original Flies piece to see one person who'll definitely skip this film. Psychotic Break
Like the late great Nell Carter before him, ABC News's mustachioed muckraker John Stossel wants us to Give ['im] a break! His new book, available at your local airport newsstand, right next to Bill O'Reilly's Horton Hears a Who's Looking Out For You, is modestly entitled Give Me a Break : How I Exposed Hucksters, Cheats, and Scam Artists and Became the Scourge of the Liberal Media.... Lifting a page from Spike Lee and Ralph Wiley's By Any Means Necessary: The Trials and Tribulations of the Making of Malcolm X..., Stossel's elliptical title continues inside of the book: "With a Million Motherfuckers Against Me." Since Stossel "hate[s] waiting around time" ("Please do not make me wait unnecessarily") here's my super-speedy impression of the book: crap. But did she save Latin?
The Onion A.V. Club's Nathan Rabin interviews the hilarious and lovely Amy Sedaris this week. Since Amy (along with collaborators Stephen Colbert, Paul Dinello, and Mitch Rouse) created one of the most pathetic losers ever to (re-)attend high school, it's interesting to catch a glimpse of her own school days: O: What was your high-school experience like? She sounds like a regular old Max Fischer, huh? The only thing missing is the little one-act play about Watergate. Related: Max Fischer grew up to become Joel Stein, right? Sic transit gloria, indeed. Vote Y-E-S for V-I-N!
And now, that other endearingly nasty compassionate conservative offers his State of the Union address: "I want to thank you guys for inviting me here today. Its a big honor... In my whole life, no ones ever invited me or included me in any Republican event. As a matter of fact, I used to go to the Rush Limbaugh show with my best friend Johnny Ramone and a couple of other friends, and Rush never acknowledged us. So Im thrilled to be here. "Theres a picture of me at 6 years old campaigning for Richard Nixon. Ive always been the same. Always. I was against hippies... Ive been on 125 magazine covers worldwide during my careerwhich is a lot for an unknown person who doesnt have a careerand Ive written about 200 articles in all kinds of magazines, and Id like to let you know that there is media bias in an extreme way against the Republican Party...I would like to end my speech today by just saying, in terms of Europe, you know the United States has a great Presidenta, very, very great Presidentwhen the French hate him!" Read the whole story for the painful story of how liberal bias (and that commie-Calvinist Paul Schrader!) prevented Buffalo '66 from winning anything at Sundance and for this little gem: "the Republican Party needs hipsters. If it wants to broaden its base, it needs hipsters." Yes, but they'll settle for Vincent Gallo.
January 20, 2004
It's a Wonderful Night for a Sundance
Dateline, Park City, Utah The temperature is dipping below zero tonight at the Sundance Film Festival, but the scene is heating up here at the Miramax/Metamucil party in honor of My Baby's Daddy. While technically not part of the festival, the movie has the distinction of being the eighth highest grossing film in the country this past weekend. Truly, this is a great moment for Miramax, the little New York indie that helped put this little Utah town on the map. No wonder Harvey Weinstein, Miramax's Ozymandias-like president, is feeling magnanimous tonight. The big man has taken it upon himself to greet every guest personally: he offers a firm handshake to every man, a courtly kiss on the cheek to every woman, and in a display of his wonderful sense of humor (this is the man, after all, who snapped up that modern classic, Happy, Texas at the fest five years ago), he's putting every journalist present in loving headlock. To answer your two top questions: Yes, and Old Spice. Continue reading...
January 19, 2004
Ron O'Neal, 1937-2004
Known to a generation of blaxploitation filmgoers as Youngblood Priest, the drug-dealing antihero of Superfly (1972), O'Neal was one of those actors in the rare (but perhaps unwelcome) position of instantaneously attaining icon status, even before he managed to attain a real career on screen. In the coming days we're sure to see obituaries for O'Neal that either take his Superfly role entirely too seriously or that, more commonly, frame it in the sort of ironically-racist inverted commas that encaseand obscureso many blaxploitation films of the 70s. It's easy to watch a movie like Superfly and laugh at the occasionally stilted acting, the tricked-out 70s clothing, and the glorification of urban decay, but it's another thing entirely to see that O'Neal gave a great performance in that film. Continue reading...
January 16, 2004
You're Wlcm', Mr. Brl
"[Brl] has said in past interviews that he'd love to start a blend of Wallpaper and The Economist ('I think my heart is in news,' he once told Canada's National Post)." Greg Lindsay, WWD, Jan. 16, 2004 [via Gawker] Sexy Time
I know the week is almost over and this item is practically four days too latein blog time, that's like slapping a "swing culture" cover on your magazine two years latebut I just got around to seeing the cover of this week's TIME Magazine today. (I don't read TIME and I haven't been to my dentist's to thumb through it in over a yearsue me.) Anyway, what the hell happened to staid old TIME? Once a bastion of bland, sober news coverage and tepid lifestyle features about Too Much Homework! (insert your own "darn" in that sanitized headline), TIME has suddenly, inexplicably morphed into a porn magazine! Don't believe me? Check out this week's cover package on Love, Sex & Health. There are features on spicing up your love life (replete with references to Time inc. editor-in-chief Norman Pearlstein's wife, Nancy Friday's book of erotic fantasies My Secret Gardenavailable in your mom's sock drawer, or wherever paperbacks are sold); a piece on pornography (not written, as you might've expected, by Joel Stein); and, amazingly, an article on S/M. In the latter, writer John Cloud explains in the typically TIME-esque obvious/patronizing mannerbut with a surprisingly decent pun that: It turns out that you call it "S and M" only if you don't do it or if you experiment only occasionally with those handcuffs you keep hidden at the back of the nightstand. If, on the other hand, you are seriously involved in the sadomasochistic subcultureif, say, you have attended one or more of the nation's 90 annual sadomasochistic events ("Beat Me in St. Louis," for instance) and own not only handcuffs but also a spanking bench, a flogger, some paraffin wax, an unbreakable Pyrex dildo and various other unmentionablesyou call it, simply, SM. Grandmas all over America take note: Only people who don't do S/M pronounce it with the 'and.' Also asked by writer Michael D. Lemonick: Do Gay Couples Have An Edge? Well, not now that they're in TIME, they don't. TIME hasn't been this edgy since they scooped god's death in 1966. Steal this magazine from your dentist's waiting room and stash it under your mattress today. Neurotics, hand-washers, and obsessive counterslend me your wet wipes!
Suddenly, neurosis is hot v. hot! How else to explain today's strange pop culture confluence? The return of USA Network's one good show, Monk, starring the insanely brilliant Tony Shalhoub as a detective with O.C.D. and Along Came Polly, starring Ben Stiller as an uptight neat-freak whose world gets turned upside-down (or at least a bit messier) by bra-less free spirit, Jennifer Anastassakis. (I once saw a German video called Along Came Poly, but I assume it's unrelated.) I cannot go on enough about how excellent Tony Shalhoub is in everything he does. (He was even good in that execrable waste of celluloid, Life or Something Like It, starring Edward Burns' accent and Angelina Jolie's big hair.) Shalhoub has personally supplied some of the most quotable lines in the Coen Brothers' canon: "Talk to another writer... Jesus, throw a rock in here, you'll hit one. And do me a favor, Fink: throw it hard."; "I litigate. I don't capitulate." He's great in small roles in big movies like Men in Black and even better in big roles in small ones like Big Night, but Monk is all his. Monk is one of those show's that so good, you can't believe it made it out of development without the addition of a talking dog or a sassy robot butler. The supporting cast of MonkBitty Schram playing Sharona like a grown-up Dead End Kid, Ted Levine (aka, Buffalo Bill from The Silence of the Lambs) lurching around as Capt. Stottlemeyer with a world-weary lugubriousness, Jason Gray-Stanford dorking it up as Lt. Randall Disher, Jimmy Olson reborn as a copand the sharp writing make Monk (to echo the estimable blurb artistes of TV Guide) the best show you're not watching. It's on Friday nights at 10PM EST. Weirdly, Monk has been compared to a 1998 movie starring Polly's Ben Stiller: Zero Effect also about the comic conceit of a detective (Bill Pullman) with Obsessive Compulsive Disorder. (An attempted TV version with Alan Cumming had, well, zero effect and never made it past the pilot.) I don't know Polly from Adam, but the commercial (and its use of the Bellamy Brothers' "Let Your Love Flow" accompanying a toilet overflowing with shit) annoys me every time it's onwhich is a lot. Stiller's done better, he's done worse. I still like himespecially since he portrays himself as the most conceited Hollywood asshole ever on the new season of Curb Your Enthusiasm. (Probably a self-parody that hews very close to truth.) Stiller rises above even the worst material, and I'll always respect him for it. Monk or Along Came Polly? Watch 'em bothbut don't forget to wash your hands. It's cold and lonely
I have seen this Sunday's Bridget Harrison column in The Post and it is about how hard it is to be single when it's cold. There will be a clever pun about "ice" (diamonds, specifically rings) and ice (water in its solid form); there will also be a references to "heat" and "sheets." Oh, and the lead will be "Baby, it's cold outside." The headline will be Sex and the Sub-zero Girl.
January 15, 2004
You Can Have My Chainsaw when you pry it from my bloody, torn-up leg
Instant karma got rocker-cum-animal lover Ted Nugent: Ted Nugent Injured in Chainsaw Accident Animals the world over sigh in relief as they live to see another spring. But what about the children? What.. about... the... children? And here we thought he was an axe man...
I'm waiting 'till it's on HBO
Matthew McConaughey is hip? When did that happen? Title: Dirty Little Secret (From Done Deal) The Mouth Says Bush '04, but the shoes scream Howard Dean
If a conservative is a liberal who's been mugged, what unspeakable thing happened to this man?
January 14, 2004
Must-Blog TV
In response to being included in New York magazine's "Best of New York" balloting this year, the proprietor of greg.org posted a rather sheepish and self-deprecating series of analogies to a few of his competitors in "Best New York Blog": "I'm afraid if there's a weblog equivalent of Sweeps Week programming, I ain't got it. At best, I'm IFC to Gawker's Fox; Sundance to Gothamist's NBC; Jon Favreau to Jarvis's Aaron Brown; James Lipton to Aaron's that guy from Full Frontal Fashion. I'd better start drafting my congratulations speech now." With that in mind, we took his cue and flushed out his analogies a bit more, even daring to venture outside the five boroughs of New York (it is still called the "world wide" web, right?). Continue reading...Movies for Dumb Kids
low culture's Special Education and Popular Culture Correspondent Nikki logs this report: "In the high-stakes heist at the heart of The Perfect Score, due in theaters Jan. 30, six young thieves conspire to steal the biggest prize of all: the answers to the SAT." USA Today, Jan. 13, 2004 Tagline: "The SAT is hard to take. It's even harder to steal." Other films coming soon: The Queens Regents (alternate title, Bored of Regents): It's Elementary: My Big Fat Jewish Bar Mitzvah: A Tale of Two Two Year Olds: Rainbows and Waterfalls: Funny. The Clintons Called him that, too
"Recently, Ms. Wentworth greeted a guest, the comedian Eddie Griffin, with 'How ya doin', girl?' "'Uh, where is she?' he replied, looking around. "'Oh, I call everybody "girl,'"' Ms. Wentworth said. 'Even my husband.'"'Splain It, Ali!, by George Gurley, The New York Observer, Jan. 14, 2004 America, Prepare to get Kahn'd
Torque opens this friday after some minor delays. Apparently the geniuses at Warner Brothers decided that not only would no one want to see a movie about a stubbled, pretty boy biker framed for murder, but also that no one would take a movie with a name like Torque seriously. Warner Brothers had a big marketing powwow, discussed the shortcomings of the film, the challenge of selling the same tired story once again, and they decided, after interminable minutes of debate, What the fucklet's throw this piece of shit at 1200 screens and see if it sticks. I predict a $20 million opening weekend. Torque is helmed by Joseph Kahn, a director with the distinction of sharing Spike Jonze, Michel Gondry, and Chris Cunningham's music video pedigree while possessing none (not a whit) of their visual or storytelling talents. Kahn has directed clips for Eminem, U2, Moby, Britney Spears, Christina Aguilera, and Garbage, so you know he's ready to graduate to the big time and direct some big screen, um, garbage. After all, it's every music video director's god-given right to tackle a major motion picture: Spike and Michel have found successful second careers on the silver screen. Earlier, David Fincher, Antoine Fuqua, F. Gary Gray, Hype Williams, and others made the leap with varying degrees of success. What do those losers have that Joseph Kahn doesn't? (Talent for one thing.) What Kahn has, which those guys never will, is the insane envy of his former high school classmates. Check out what someone named Cinema Lover wrote on the IMDB's message board: I went to high school with Joseph Khan back in the early 1990's. We were both at Jersey Village High School in Houston, TX back in the early 90's. (Cinema Lover? Playa Hater is more like it!) Maybe Kahn won't win any gold statuettes for Torque, but he already has something a whole lot better: the glare of the green eyed monster. (Oh, and all that Hot P*ssy!) I'm betting that like its Diesel-burning older brothers The Fast and the Furious, XXX and the stinky cinematic skid marks 2 Fast 2 Furious and Biker Boyz, Torque is a visually-dazzling but completely incoherent exercise in rapid-fire editing, leaden sub-porn film acting, and relentless product placements. Boo-ya!
Actually, who am I kidding? Head is a piece of shit. But it's probably better than Torque and at least it's been remembered 36 years years after its release. Oh, and you can be sure Bob Rafelson's high school classmates are eating their hearts out over all the p*ssy he got in the 70s, what with being a reputable film director and all. Damn, I feel small even pointing it out.
January 13, 2004
You're a good man, Harvey Weinstein
With the recent release of Peter Biskind's Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film, Miramax boss Harvey Weinstein has been coming in for some serious bashing lately. It's easy to take shots at Harvey: if ever there was a big, slow-moving fish in a barrell, it's Miramax's bully-boy king. But what about Harvey the Nice Guy? Harvey who tackles even the smallest of tasks. Harvey who relieves his overworked underlings and does things like calling to ensure that packages made it to their recipients. Harvey who just called to say "I love you." To find that Harvey, you have to read Sharon Waxman's article Lobbying for Golden Globes Is a Hollywood Ritual in today's New York Times: Three days before the close of voting on the Golden Globe nominations last month, the phone rang at the home of a member of the Hollywood Foreign Press Association, the people who vote on the awards. If you think that sounds like Bad Harvey-style intimidation, you are wrong! Very wrong. According to Amanda Lundberg, a Miramax spokesperson quoted by Waxman, Harvey was just "confirming their receipt of late-arriving cassettes, which in our case was Bad Santa. If members told him what they thought of the movie, he didn't ask for it. It was an unsolicited comment." Take that, Harvey haters! He was just being polite, on-the-ball, and decent. Why would we ever expect anything less from him? Celebrity Nerd Showdown
It's revenge of the nerds night on Bravo. How else to describe the lineup on Celebrity Poker Showdown of Willie Garson, David Cross, Richard Schiff, and Paul Rudd. (One of these things is not like others, it's true: but despite Rudd's good looks, his status as every indie girl's heartthrobhe was soooooo adorable in Wet Hot American Summer!!!makes him a nerd by proxy. They're also playing with Nicole Sullivan late of Mad TV who's also something of a nerd.) Maybe the producers of Celebrity Poker Showdown were inspired by Ben Mezrich's geeks versus card sharks bestseller, Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions. Or maybe they've run out of good-looking stars who know the rules of the game. One thing's for sure: a lot of makeup was required to get the shine off three-fifths of the players' pates tonight. Tune in at 9PM EST to see which nerd triumphs and which cry all the way to the Tri-Lam house. Palm Friction
What is the deal with Quentin Tarantino and masturbation? Why does the musky odor of onanism hover around the Kill Bill director like the visible stink lines that emanate from Peanuts' Pigpen? Last week in "The Year in Movies," Slate's raucous film critic caucus, the conversation between David Edelstein, A.O. Scott, J. Hoberman, Sarah Kerr, and Manohla Dargis practically devolved into a circle jerk about whether or not Tarantino is jerking off on film. Sarah Kerr of Vogue spanks Tarantino first in an entry headed "Quentin Tarantino's Masturbation": On to Kill Bill for a moment. Jim, do you really think Tarantino is a victim of the system? I think we're a victim of his not writing a screenplay, indulging in a quite boring obsession with his leading lady, and essentially masturbating on screen, with the gall to invite us back for a second installment. I hated Kill Bill not in a tsk-tsk, scolding way but because it induced boredom to the level of panica desire to flee the theaterand self-pitying rage that work required me to stay put. David Edelstein, Slate's resident critic and "Year in Movies" host busts off his own critical nut graph, dense with particularly loaded imagery: As is often the case, Sarah, you nail Kill Bill but you end up on the wrong side of the equation. You say that Tarantino is "essentially masturbating on screen, with the gall to invite us back for a second installment." I say it's rather entertaining to watch this guy's masturbatory fantasies, especially when they're epic. N.B.: This is NOT a general principle, but for some artists, masturbatory fantasies and art are very close-knit. (Let's assume he's referring to Brian De Palmaa filmmaker whose very name recalls a naughty reference to masturbationwhom Edelstein has taken a number of well-deserved whacks at over the years. The fact that all those reviews contain references to math or trigonometry may bespeak the critic's own particular fixations, but that's neither here nor there.) Manohla Dargis shoots her own load with her response: "I don't want to watch anyone's masturbatory fantasy unless I've specifically skulked in and out of my neighborhood video store or am watching pay-for-view in my lonely Lost in Translation-style hotel room and have nothing better to do." Since "The Year in Movies" ran every day last week, the Slate crew continued their critical beat-down of Tarantino's cinematic beat-off sessions for another two days, always with the smirking, knowing tone of those who know that there's a thin line between criticism and its pathetic cousin, wankery. So, I ask again, what is it about Quentin Tarantino that makes dirty minds of all these high-minded folks? Certainly it's the 10 minute sequence of Uma Thurman's feet in Kill Bill and the fact that Tarantino is not only unabashed about his love of exploitation flicks (veritable booby parades when not displaying acting so bad it could be used as a "how-not-to" teaching tool for aspiring thespians) but celebratory to the point of ecstasy. But maybe the real stain comes from creepy comments like the ones Tarantino made while stroking Lost in Translation at the New York Film Critics Circle Awards (here quoted by Page Six): "At some point, I got a crush on the movie... I've seen it five times and every time I've seen it I've had a little date with myself." So, Quentin, here's some free advice if you want to avoid being seen as the film world's answer to Alexander Portnoy: keep it in your pants, man. Maybe people won't think you're such a wanker.
January 8, 2004
Coming Soon to a Theater Near Iowa
"The Love Story of 2004!" -CNN "Almost as hot as Howard Dean!" -Ain't it Cool News
January 7, 2004
Sarah Silverman, narcoleptics' best friend
"Ms. Silverman also confirmed that her friend [Lizz Winstead] is narcoleptic. 'Did she tell you that?' Ms. Silverman asked. 'She has no problem taking pills to make her stay awake. Otherwise, shes out by 9.' Ms. Winsteads condition was diagnosed about 15 years ago," Lefty Radioheads Bite Back by Rachel Donadio, The New York Observer Jan. 7, 2004. "[Jimmy Kimmel] did not own a jacket, and besides, he's mostly colorblind. He is also narcoleptic, but that's another story," In the Land of the Insomniac, the Narcoleptic Wants to Be King by Bill Carter, The New York Times Magazine, Nov. 3, 2002. Older and Wiseass
Comedian and free-range provocateur Mort Sahl is interviewed by Stephen Thompson in this week's Onion A.V. Club (which may or may not be a reprint of an older interview). Having recently watched the 1989 documentary Mort Sahl: The Loyal Opposition as part of Trio's "Uncensored Comedy Month," I was expecting some great insights from the man who pioneered radical political humor fifty years ago at a time when most comics were still wearing tuxedoes on stage and asking us to please take their wives. (You can watch a Quicktime clip of him in action here.) With his everyman uniform, relaxed posture, and ever-present newspaper under his arm, Sahl was the living embodiment of Norman Rockwell's painting Freedom of Speech, questioning, mocking, and needling pieties of the Right and the Left. As shown in the documentary, Sahl sort of went off the rails after JFK was killed, reading lengthy excerpts from The Warren Commission Report onstage. Eventually, he retreated into a satellite-TV equipped fortress of solitude where he continues to read dozens of news magazines a month, keeping up on current events but keeping his opinions mostly to himself. Unfortunately, The A.V. Club interview is sort of slow going and, in some passages, a bit incoherent. I'm not sure whether this was due to difficulty editing down a long interview, or if Sahl's thoughts ricochet at such odd trajectories that following them is impossible. Also, Sahl repeatedly contradicts himself: despite Thompson's admirable attempt to nail Sahl down on why he's written jokes for Ronald Reagan and George Bush (it's not specified if they're talking about Bush 41 or Bush 43), he somehow wriggles free and never quite answers the question. ("Reagan had a pretty ready sense of humor, although they were basic jokesanti-Communist jokes and all. So I just found it easier...") Reading the whole thing, though, I was able to pan a little gold. Here's Sahl talking almost directly to his closest contemporary progeny (both in intellectual and linguistic nimbleness and political Rightward slouching), Dennis Miller: I dare say that if most comedians today, the gifted ones, were to sit down and write, they'd learn more about their craft. But what happens is they get out there before they learn what their viewpoint is, if any. They're all sort of pseudo-Republicans. In case they make money, they're Republicans. In the unlikely event they're successful. [Laughs.] And here's Sahl talking to Conan O'Brien, Tina Fey, and David Letterman: You've got a society that not only isn't courageous, but even the apprehension of discomfort makes them roll over. Three years later, the late-night comedians are still making fun of George W. Bush being dense, right? One last thought from Mort before he disappears back into isolation: "The relentless liberalism of the comedians is awful, too. We could use one good Leftist instead of all those liberals. [Laughs.] Or one good Rightist, if he had a sense of humor. The righteousness is what kills me in a lot of these people. They're so right about everything, and so pious. Where did the fun go?"
January 6, 2004
(Hopefully) Revealed: Contents of the Egyptian Burrito
As readers of Calvin Trillin's amusing New Yorker article, "Don't Mention It" (April 15, 2002) might recall, Shopsin's is an extremely eccentric little restaurant where you can experience Cotton Picker Gumbo Melt Soup or Pecan Chicken Wild Rice Cream Enchilada, or literally dozens of other dishes you will never see anywhere else. (According to blogger Rachelle Bowden there are over 100 soups on the menu which is available as a PDF file on their Web site. It's 11 pages long and denser than a Dr. Bronner's Soap label.) In addition to the weird menu, there are the weird rules. Writes Trillin: For years, a rule against copying your neighbor's order was observed fairly strictly. Customers who had just arrived might ask someone at the next table the name of the scrumptious-looking dish he was eating. Having learned that it was Burmese Hummusone of my favorites, as it happens, even though it is not hummus and would not cause pangs of nostalgia in the most homesick Burmesethey might order Burmese Hummus, only to have Eve shake her head wearily. No copying. That rule eventually got downgraded into what Ken called "a strong tradition," and has now pretty much gone by the wayside. Shopsin's is about to go huge as I Like Killing Flies, a documentary by photographer, graphic artist, and music video vet (and notorious O.J. Simpson Time Magazine photo manipulator) Matt Mahurin is now part of The 2004 Sundance Film Festival's Documentary Competition. I hope I Like Killing Flies gets distribution, since I'm curious to see it and learn more about the inner workings of Shopsin's and Kenny and Eve Shopsin, the owners and sole employees. I'm a bit surprised they agreed to the film, since Trillin paints a portrait of Kenny as, how shall I put this, a tad publicity shy: " I've managed to write about Shopsin's from time to time, always observing the prohibition against mentioning its name or location." (Later in the same piece, Trillin admits that Kenny softened towards the press after he was forced to briefly close and relocate his restaurant: "[N]ot long ago Kenny told me that it was no longer necessary to abide by the rule against mentioning the place in print." Phew!) Here's a prediction: We can expect articles on Kenny and Eve Shopsin cropping up in The New York Post, New York Magazine, Time Out New York (a cover photo of Will Ferrell behind the counter at the grill, perhaps?) and elsewhere in the months following Sundance. I hope Shopsin's can weather the publicity storm. But then again, after doing their own thing for so many decades, it's probably pretty gratifying to see people lining up outside their restaurant. I just hope everyone remembers to turn off their cell phones and keep their parties under 4. I give this quote three stars
Further proof that critics sometimes actually speakand thinkin blurbs, The Times' A.O. Scott goes back to his lit crit roots in Slate's annual "Year in Movies": I happened upon this piece, in which Louis Menand breezily mocks the conventions of year-end list-making (without, of course, deigning to suffer what he rightly calls the "anguish" of making his own list). The piece is funny and well worth reading, if a bit glib. Somehow I think that if articles had posters, this quote would be shortened to "'Funny! Worth Reading!'Slate". (Of course Peter Travers said of the same piece: "Astounding! Will Make You Stand Up and CheerEven if you're reading it on the Toilet!"Rolling Stone) On Behalf of the entire News Corporation Family, we offer our condolences
REGIS FELINE BLUE AFTER HIS GLAMOUR PUSS PURRS HIS LAST Regis Loses a Cat The Real World: Dystopia
Unfortunately, Goldman has been dead since 1994, so we settled on this passage from his long out-of-print book Disco: That everybody sees himself as a star today is both a clich and a profound truth. Thousands of young men and women have the looks, the clothes, the hairstyling, the drugs, the personal magnetism, the self‑confidence, and the history of conquest that proclaims the star. The one thing they lacktalentis precisely what is most lacking in those other, nearly identical, young people whom the world has acclaimed as stars. Never in the history of show biz has the gap between the amateur and the professional been so small. Nor ever in the history of the world has there been such a rage for exhibitionism.(As quoted by Cornerstone Magazine) Meet the new Real World cast, two of whom (Jacques and Cameran) were 7 years-old when the original show premiered in 1992.
January 5, 2004
They Really Got Him
Kinks' Ray Davies shot while thwarting robbery attempt Singer-songwriter Ray Davies of the Kinks was shot in the leg while chasing thieves who snatched a purse from a woman he was with, police said Monday. He was not seriously injured. Robot Invasion!!!
2004 promises to be the year that science fiction fans have been eagerly awaiting since, oh, the 1950s. You know, the year that humankind is conquered and then enslaved by mechanized pseudo-lifeforms. I mean, what else are we to make of the recent onslaught of media appearances by robots? News: NASA rover finds Earth in Martian sky Technology: Sony Introduces World's First Running Humanoid Robot Entertainment: Will Smith stars in Alex Proyas' "I, Robot" Oh, and this has nothing to do with anything, of course, but last month, Al Gore endorsed Howard Dean for president. More Sex Please, We're Increasing Our Hit Count
No Sex Please, We're American: Brian De Palma, Paul Verhoeven and William Friedkin can't make erotic thrillers in Bush's USA Earlier: No Sex Please, We're British Curlers No Sex Please, We're French Tourists No Sex Please, We're Medicated et. cetera... 2004: the year 'and/or' broke
"NOTE: We are no longer using the following words: 'desultory,' 'heretofore', 'nonesuch', 'ineffable', 'meretricious', 'Vietnam', and 'utilize'. We are also discontinuing the usage of the construction 'and/or.'"Timothy McSweeney's Quarterly Concern issue 1; 1998 Out Now: McSweeney's 12: Unpublished, Unknown, &/or Unbelievable, 2004*
January 4, 2004
The Wedding Photo
January 2, 2004
Just Give Back the Painting
Wow, and I thought the drunken, marauding fool at the New Year's Eve party I attended was an asshole. Over in Seattle, some jagoff comported himself (or herself) even more offensively as this anonymous writer tells it: Somehow you came to my party, drank my booze, pissed in my toilet (or on my lawn, who knows), talked to your buddies in my living room, and spent some time in my hallway, where you stole from the wall a painting that my friend had made. I know the Polaroid of the painting left in its place was the punch line to your self-serving humor, but we're not laughing here. The Polaroid is the tip-off that this person is probably gonna pull the lame stolen gnome gag (as seen in Amlie). Do us all a favor, buddy, and just give back the painting. Please. Sunday, Cranky, Sunday
I have a friendlet's call him "the Other Matt"who refuses to watch HBO's Curb Your Enthusiasm because it's "too decadent." I guess Other Matt feels that the comedic travails of "Larry David"the crankiest multi-millionaire in Hollywoodall revolve around the perils of money: how hard it is to give people gifts, buying a new house, or hosting a benefit party. Of course, he's right: what Seinfeld did for venality, Curb does for profligacy. But that's just the TV Larry David, not the real guy. As readers of The Nation know, Larry is "a long-standing reader" and pitch person for the lefty magazine. Larry's real-life wife, Laurie, is a committed environmental activist (which may explain why AAA was made the unlikely villain in one episode). Laurie and Larry recently came in for a Drudge-led conservative drubbing for attempting to host a benefit called the "Hate Bush 12/2 Event." Rich Hollywood liberals? Guilty as charged. Decadent? Probably not. Say what you will about the decadence of on screen Larry; the offscreen one is fighting the good fight. Okay, he may be trying to screw his former colleagues out of Seinfeld money, but... okay, there's no 'but.' That sucks. But my point was... what was my point? Oh, that Curb Your Enthusiasm is one of the best shows around and that far from being an exercise in decadence, it's a slyattention HBO publicists and print-ad writersbrilliant (!) critique of wealth. The way the show skewers rich people's house envy, trouble dealing with working people (particularly those in industries meant to make their lives easier: salespeople, parking lot attendants, cable repairmen), and the limits of their liberal guilt perfectly nails the contradictions of dumb wealth that falls right into the lap of those who seek it least yet changes their lives the most. (This is clearly an obsession for David, who explored the same theme in his feature film debut, Sour Grapes and again in the perpetually-in-turnaround Envy.) The money not only corruptsthat's obviousbut it also simply confuses. What is the great Susie Essman's character, Susie, if not completely confused by her husband, Larry's manager, Jeff's money? The only sane person on the show is the one who seems most at ease with her wealth. Larry's wife, Cheryl (played by the lovely Cheryl Hines), doesn't feel aspiration pushing her from below and status pushing down from above. The one thing that comes naturally to Cherylbut seems to elude all the other characters (not least of all, Larry himself)is class, with a lowercase 'c.' It's the one thing all the money in Hollywood can't buy, and she alone seems to understand this. Why, that makes Curb Your Enthusiasm downright radical, don't you think, Other Matt? Did I mention it's funny as hell? Curb Your Enthusiasm begins its new season on HBO, Sunday night at 9:30 PM EST, following a half-hour infomercial for shoes. Related: Alessandra Stanley unleashes her enthusiasm (within reason) in The New York Times. Curb your enthusiasmplease
Speaking of cable season premieres, Bravo, that other bastion of upper-middle-brow entertainments, brings back the unctuous James Lipton for another season of Inside the Actors Studio. If ever there was a show to love to hate, it's this one, with its alternately gushy and self-serious host and some of the most banal, unedited conversations with celebrities found outside the pages of Interview Magazine. If Lipton didn't exist, Ali G, Mr. Show, and Will Ferrell would have had to invent him just so they could each take turns skewering him. Time will only tell if the corporate overlords at NBC (which gobbled up Bravo last year like a basic cable canap) will find some synergistic use for Lipton, the New School Dean and professional starfucker. Already we've seen Will Ferrell do James Lipton with James Lipton, but it could be a lot worse. Think of what the writers for Friends would do with the guy. ("Our guest tonight... in the Actors Studio... is a man known to millions of admirers, myself included, as Dr. Jake Ramor... His real name is Joey Tribiani, and he is de-light-ful!") I almost (almost) wanna see him interview Tina Fey with his strange sing-sony cadence: "Every Saturday night at 12:10 or 12:15... depending on how the host drags... a fetching young woman in glasses comes into our home and makes us laugh at the world and ourselves. Unless you lack what Jung called anima, you know that that fetching woman's name is Tina Fey and she is brilllliant. She is our guest tonight in the Actor's Studio." (Frankly, Lipton probably calls Jeff Zucker twice a week to inquire about these synergistic opportunities but the shows' producers fend him off.) This Sunday at 8PM EST, Lipton goes head-to-head with Russell Crowe. Here's a prediction of how the signature closing interview might go: Lipton: What is your favorite word?
December 31, 2003
Dorf on Stage
The City of New York: So Mean
"That would be mean to all the people who live there. It'd be right in front of their windows. They paid a lot of money for those apartments." In Sutton Place's Backyard, Private Oasis on Public Land, by Charles V. Bagli Richerspooner
So, I'm getting a jump start by appeasing the personor personswho continually (think: weekly) types Rich Girls "star" Jaime Gleicher's name through our search field. We've never written about Rich Girls, so that search always came up blank. Well, anonymous Jaime fan, Happy New Year! Rich Girls ended its first season last night on MTV. Much critical ink has been spilled about the show, but to my knowledge, no one has yet to compare it to Silver Spoons, the NBC sitcom that ran from 1982 to 1986. In addition to showcasing the comedic talents of Ricky Shroder, the dance skills of Alfonso Ribiero, and the unclassifiable brilliance of one Corky Pigeon, Spoons also gave its viewers TV's most realistic glimpse into the lives of the young and impossibly wealthy. Make that TV's formerly most realistic glimpse. Here's a side-by-side comparison of Rich Girls and Silver Spoons: any similarities to actual rich persons or events is purely coincidental. Continue reading...
December 30, 2003
A Foolish Consistency is the Hobgoblin of Little Magazines
"You know what Id like the Nature Channel to do a special on? The extinction of machismo. It seems like my whole fucking generation is a bunch of faggots and it bums me out. And Im not even talking about the 'Chuck and Buck, suck and fuck,' take-it-in-the-ass type of faggot. Through therapy and Queer Eye for the Straight Guy Ive learned to tolerate those dudes. My problem is the fashion-victim art fags in the clever hats and too-tight T-shirts and corduroys that think because they dress like a pansy and paint or take out-of-focus photographs they are beyond getting their teeth knocked down their throat." ibid., page 95.
December 29, 2003
The Good L Word
Well, for once, I wanna compliment one of these unsung wordsmiths for a job well done. I just saw a poster for premium cable also-ran Showtime's newest series, The L Word and found it surprisingly, pleasingly clever. "Same Sex. Different City," the ad says, above the sort of airbrushed promotional photo we've come to expect from ads for everything from TV programs to perfumes to clothing lines. I was impressed by how deft the copy was, how effortlessly it compressed so many ideas. I genuinely thought it was well done. I can't say anything about the show itself, which stars the once phenomenally hot Pam Grier who's gone on to become something of a hip directors' shorthand for "badass older chick." It also features Mia Kirshner, who was decent in Atom Egoyan's Exotica, but seems to have been overlooked in favor her more talented A-list doppelganger, Jennifer Connelly. Anyway, I don't get Showtime, so I'll have to take your word for whether or not this show is even watchable. I actually had the channel for a short time when Time Warner Cable was making amends for leaving me in the dark for over a week and I didn't see much worth my money. I did, however, manage to watch the entire first season of Out of Order back-to-back in a fit of Huffmania. (To belabor the puns, I found it rather Stolzifying.) I wasn't too impressed with the series' tone of self-seriousness cut with self-awareness: it was just too knowing for me to care about, too melodramatic for me to laugh with. Also, I found the way Donna and Wayne Powers bit the hand that fed them by mocking F. Gary Gray and his hacky Italian Job annoying: if you guys were too good to (re-)write such a shitty script, you should've skipped the assignmentif you sold out big time to do it, just keep it to yourselves. (According to this week's Times, Out of Order was not renewed.) The L Word premieres January 18th. Reviews TK... 'Lows' blows
Great, relaxed, off-the-cuff discussion on "The Lows" from Elvis Mitchell, A.O. Scott, and Stephen Holden on the film front. I much prefer this sort of approach to the obligatory year-end wrap-up to the more drawn out, rather blog-ish approach of The Village Voice's Take 5 critics' poll or the ho-hum "best of" list found in nearly every magazine you can imagine. Here, for example, is a glimpse into the private life of a full-time film critic and father from Scott: [I]t's a terrible thing, I think, to have a film critic for a dad. My sonlike some of our readersdidn't trust me when I told him Cat in the Hat was no good. I was with another critic, who tried to explain to his daughter why it was a bad movie. She just burst into tears, as if he'd taken away one of her toys. I also appreciated the fact that they all respected the Zooey Deschanel restraining order. As much as I enjoyed "The Lows," I have one complaint: stop the Larry Doyle bashing. Continue reading...
December 23, 2003
The Notorious S.N.L., Ready to D.I.Y.
Never heard of him? Me neither. But I wish I had sooner, since his homemade shorts are incredible. This multitalented filmmaker makes jacks-of-all-trades (and credit hogs) like Robert Rodriguez and Steven Soderbergh seem like lazy bums. According to the Egg segment on him, Sid lives in San Diego and is 94 years old. He's been conceiving, shooting, and editing his unique independent films for decades. (A fuller bio can be found here.) Continue reading...Luck be a Ladykillers
It looks amusing, more in keeping with their 'impossible caper' flicks than their recent foray into Brian Grazer country, Intolerable Cruelty. (I can think of one thing right about that title.) It looks like it has the broad slapstick of Raising Arizona, but it also appears to have that film's late period Fellini-ish love of laughing at odd looking people. Which is sad, since the Coen's have moved on from that with beautifully-shot period pieces like The Man Who Wasn't There, creepy 'comedies' like Fargo, and groovy hodgepodges like The Big Lebowski. (The latter of which, scene-for-scene, is still one of the best movies of the last decade and even more relevant since the capture of Saddam Hussein.) Sure, O, Brother, Where Art Thou? had its share of mugging and hillbilly teeth jokes, but shot, as it was, to look like a sepia-toned screen gem, you kinda accepted the insensitivity of its humor as part of its period charm. So, I'm crossing my fingers for the best, and holding my breath until March 26.
December 22, 2003
Ripped from the Headline (to the right of this entry)!
From Done Deal: Title: Untitled Washington-Williams and Thurmond Story Duck!
December 19, 2003
Denby Damned
A friend writes: Radosh has some great fun at David Denby's expense over at his own site today. I'd like to add that based on the excerpt, Denby's forthcoming book American Sucker seems to be the saddest bit of self-exploitation of one's sex life by a New Yorker writer since Elizabeth Wurtzel welcomed us all to her Prozac Nation (population: 1). But then I remembered Lillian Ross' book, which I was sure was called Put It In Here, But Not Here: My Life with William Shawn and The New Yorker, which a visit to Amazon quickly corrected. Earlier thoughts on David Denby from low culture. New Kosher words
Piggybacking on Gawker's list of words for the New York Media Elite to drop from their vocabularies in 2004 ('Memo from Gawker's Ombudsman'), I'd like to add the following: Henceforth, the term schadenfreude is to be replaced with sauerkraut, which, in addition to being easier to spell, means just about the same thing. We thank you in advance for your understanding and compliance. I'm waiting for the paperback
You don't have to be a boxing fan or one of Muhammad Ali's many intellectual courtiers to recognize that the man is a cultural and political icon, the likes of which we will never see again in our lifetimes. (Full Disclosure: I met Muhammad Ali at an airport when I was 6 years-old and still consider him among my best friends. I also wrote my thesis on him.) Alas, I will not be buying the $3,000, 75-pound Taschen book. Not now; not ever. Man, that stingslike a bee, it does. Unintentional Fresh Guy™ in the News
[Fresh Guy™ is the universally-recognized intellectual property of How Fresh Is This Guy? and its partners. Used in good faith without permission. Each day's a gift.]
December 18, 2003
Celebrity Worship
Having trouble deciding whether to go see Lord of the Rings: Return of the King or Mona Lisa Smile this weekend? If artist Luis Royo had his way, you could see both at the same time. Royo is just one of the amazing artists in this gallery of celebrities re-imagined as fantasy/sci-fi heros. All the A-listers are here: George Clooney, Courtney Cox, Isabella Rossellini, and Will Smith all come in for the rippling pecs-swords-and-dragons-treatment. It's pretty great. Of course, once Pat Kingsley gets wind of this, she'll probably complain that Jodie Foster, for example can be drawn from much more flattering angles. My favorite? Steven Spielberg. Agoraphobia
Ask any farmer what to do with a litter of kittens you don't want and he'll tell you to snuff 'em out right away. You can't be sentimental: you don't need all those mewling, hungry mouths around the barn, and you sure as hell don't want another generation of strays spraying up the place and picking fights. The same can be said for Web sites: some are best put down in their first weeks. Take Agora Magazine, a downy newborn culture and politics magazinenot a blog, never call Agora a blogso young, its eyes aren't even open yet. But it's claws are already out and it's more than ready to scrap. Started by Sam Munson the nephew of second generation neo-Con ne'er-do-well John "Norman's Son" Podhoretz, whose New York Post columns are the second funniest read in the paper after Garfield, Agora takes a cranky Nabokov quote at the top of its page as its mission statement: Now I shall speak of evil as none has It's all pretty much downhill from there. Continue reading...Jump the Skank
"Four years after she starred in American Beauty, Mena Suvari is back again with the film's Oscar-winning writer Alan Ball as the newest cast member on his HBO series, Six Feet Under." Alan, look outthere's a shark! Good thing you jumped it. Phew.
December 17, 2003
Wow, I was just saying Brett Ratner couldn't be more annoying. Boy, was I wrong!
Brett Ratner, Hollywood's "hyperactive, self-promoting no-talent" (per the geniuses at LA Innuendo) is getting serious. Seriously serious! Seriousto the max! Spielberg doing Schindler's List serious! Seriously. The auteur behind the reportedly hilarious "Asian people talk funny/Black people love the dance" epics Rush Hour 1, 2, and 3 and the cynical stab at a "perennial" holiday favorite (annual Christmas-time broadcast=ka-ching!) The Family Man is set to direct something called Josiah's Canon. (Don't even get me started on Ratner's hubristic remake of Michael Mann's Manhunter.) According to Done Deal, Josiah's Canon tells the jeeringI mean searingtale of: A Holocaust survivor [who] leads the world's foremost team of bank robbers. The criminal mastermind sets his sights on an supposedly impenetrable bank in Switzerland, which holds special appeal: It purportedly houses gelt deposited by Jews prior to the Holocaust. Awesome! It's The Italian Job with Jews! Topkapi with yarmulkas! I can hear the film's big catch-phrase already: "Zai gezunt, motherfucker!" Rat, might I recommend this guy for the lead? He's already done the Hasidic Jew thief thing. The reviews are in: "stinks like rotten meat"Langston Hughes
P. DIDDY'LL BE 'RAISIN' HELL ON BROADWAY THIS SPRING by Michael Reidel "Rap mogul Sean 'P. Diddy' Combs will star in a revival of 'A Raisin in the Sun' this spring on Broadway, The Post has learned." Weirdly, Jerry Blank will be co-starring as Mama. Let's hope these plans will just dry up... or explode.
December 16, 2003
The New Sunshine Boys
Here's an amusing excerpt (reproduced on Greg Mariotti's super-duper PTA fan site, Cigarettes & Coffee): PTA: If Bush invited you to the White House, would you go? Von Trier's Dogville opens in the U.S. on March 19th. Even more of those amazing animals!
December 15, 2003
Oh, those amazing animals!
"[D]uring the search a spider hole was detected..."General Sanchez "[F]or operational purposes these locations were identified as Wolverine 1 and Wolverine 2."ibid. "Breakthrough Capped a Renewed Effort to Ferret Out Leads"New York Times sub-head. "[O]ne council member said was filled with 'rats and mice'..." Ian Fisher "On Saturday night, I stuffed myself on lamb chops and potato pancakes at a holiday party at the home of Don and Joyce Rumsfeld."William Safire "[I]f the pot broke or cracked, the guerrilla could be attacked by poisonous spiders or snakes..."ibid. Sidebar: I think I know someone who's happy about all these critters in the news today. J.M. Coetzee Is Crazy
Just because you've won the Nobel Prize doesn't mean you're sane. In fact, it's likely the opposite is true. But recent Nobel laureate J.M Coetzee outstrips even the typical idiosyncrasies we have come to expect from our literary geniuses. Of course, there is Coetzee's creepy author photograph - monastic jawline, tropically open collar, glazed expression. This is the most frightening silver fox I have ever seen. In personal detail, Coetzee is slippery, a quality that is politely referred to as academic reserve. The first two volumes of his memoirs, Boyhood and Youth are written in the third person. Coetzee delivered his Nobel lecture in the authorial voice of Robinson Crusoe. Take a look at his latest masterpiece, Elizabeth Costello. It's exhibit A in any case against Coetzee's tenuous relationship with reality. But J.M Coetzee is not alone. In fact, he shares company with a wealth of crazed writers using the first initial J.' Consider: J.G. Ballard - Author of various perversions, cf. Crash, Why I Want to Fuck Ronald Reagan,' and The Assassination of JFK Imagined as a Downhill Race.' J.T. LeRoy - Cross-dressing former truck-stop whore. Friend of Winona. Purveyor of raccoon penis bones. J. Peterman - Presumed author of maniacal colonialist fantasias. Bankrupt clothier. J. Edgar Hoover - Cross-dressing FBI director. Author of rambling, paranoiac memos. Suspected Mad Magazine as part of the international Communist conspiracy. J.K Rowling - Witchy woman. Wiccan propagandist. Single mother. J. Lo - Wrote the following treacle for her anthem Dear Ben' : I love you, you're perfect/A manifestation of my dreams.' J.R.R. Tolkien - Creator of an ornate alternate universe. Smoked pipe. J.D. Salinger - Recluse. Maintains questionable dietary habits. Made his nineteen-year-old girlfriend cry, anorexic. And compare those oddities with the eminently staid writers using, for example, the first initial A': A.M. Holmes - Comely Connecticut housewife type. WASP. A.S. Byatt - Reserved British writer of studied period pieces. Self-described post-modern Victorian.' A.R. Ammons - Real-estate salesman turned poet. Bald. Affirmed the magnificence of creation. A.A. Milne - Creator of the marvelously sedate Winnie-the-Pooh. Active religious and pacifist figure. And then of course there's the lethal combination A' and J': A.J. Benza - Obscurity, ain't it a bitch? "Hey, ya, Grandma!"
So, Outkast's "Hey Ya!" is now officially the new Kool and the Gang's "Celebrate," right? From The New York Observer's "Power Punk" call to arms to the music behind commercials for Bravo's Celebrity Poker Showdown to the soundtrack of this Times 'Sunday Styles' article, to being embraced by Polaroid, the song is more ubiquitous than Cris Judd at the Playboy Mansion. As soon as the sheet music is available, you'll be treated to the spectacle of your Aunt Mitzy chanting "Shake it like a Polaroid picture!" along with the awful band at the next wedding or Bar Mitzvah you're dragooned into. Eventually, you may even be able to get Andre and Big to play at the gig themselves. I guess their title is a little better
From today's Page Six: "We hear... THAT real estate queen Barbara Corcoran pitched Goldie Hawn on starring in the movie version of her memoir, If You Don't Have Big Breasts, Put Ribbons in Your Pigtailsas her mother. Goldie's daughter Kate Hudson would play Barbara." A quick Amazon search reveals that Barbara Corcoran's book is actually called Use What You've Got, and Other Business Lessons I Learned from My Mom. Then again, if the words "Big Breasts" appeared in the title, its Amazon.com Sales Rank might be better than 20,312 like that runaway bestseller, The Big Breasts of Madison County. A World Gone Mad
Did you ever think you'd live to see the day that The New York Post would have a more restrained cover than The New York Daily News?
December 14, 2003
Cagelings in Canada
Pulitzer Prize winning Angels in America playwright and screenwriter Tony Kushner will not be writing the script for Cagelings in Canada, but he will be executive producing the project along with Angels director Mike Nichols. The film will deal with a host of 'hot button' issues ranging from domestic partnership for gays and lesbians, senior citizens buying prescription drugs in Canada, the legalization of Marijuana, and the briefbut terrifyingSARS epidemic of the early 21st Century. "This film's gonna have it all. And maybe some more," said HBO Films Associate Senior Assistant of Marketing and Worldwide Distribution Todd Wentworth. "Seriously, people. Angels in America made you think, and cry, and even laugh. This one's gonna do that and it's gonna make you stand up and cheer, dance in the aisles, and wanna fall in love. If you loved America, wait 'till you get to Canada!" The projected six-hour film will be written by a team of writers that will include Marci X screenwriter Paul Rudnick, Oscar-winning A Beautiful Mind screenwriter Akiva Goldsman, and to get the women's perspective or whatever, multiple Oscar-winner Ruth Prawer Jhabvala. Other writers to be announced. Directing the sure-to-be star-packed film will be a veteran of Angel-themed films, McG, who will bring his unique visual flair and personal interest in America's neighbors to the north to project. Says McG: "Well, I'm definitely gonna bring my unique visual flair to this project. Only this time, I'm gonna make sure it's more unique and more flair-y, you know? Also, I'm totally interested in Canada, like, personally. Hockey, beer, um, socialized medicine: anyone who knows me knows these are my main obsessions. Also, this movie will let me, like, continue the messages of my earlier films like Charlie's Angels and Charlie's Angels: Full Throttle and that message is that we all love to have a good time, just rock and roll and have fun! But we also have to worry about dangers like satellites being hooked up with GPS-enabled Nokia phones or seniors getting affordable drugs and partnerships among gay guys and lesbians being legally recognized. And I don't just mean the good looking lesbians, either. This is about civil rights, not about being one of those hot Vivid Video-type lesbians." Stars and budget will be announced at a later date. R.I.P., Keiko
Free At Last? New Row as Keiko Dies. I guess Susan Orlean's Keiko book will be even more depressing now. Poor big guy: he was only 27. Affleck is the Mother of Invention
Inspired by the super-prolific Thomas Edison, Homer decides to beat the inventor at his own game, hanging up a poster that shows all of Edison's inventions and vowing to discover even more useful stuff like...the make-up gun and an electric hammer. Anyway, Homerand Thomas Edisonmay have some competition in the inventions department from a very unlikely source: Ben Affleck. If you take The New York Times Magazine's word for it, the fluke Oscar winner and J-Lo multimedia side project is also an amazing innovator, responsibleor at least the inspirationfor two new 'ideas' chronicled in the magazine's annual "Year in Ideas" issues. Does the co-creator of Project Greenlight belong up there in the inventors pantheon with the creator of the light-bulb? Let's see. Last year, writer Adam Sternbergh credited Affleck with inventing Flirting by Full-Page Ad: basically, hitting on his then-married co-star Jennifer Lopez in a Hollywood Reporter ad. "You have shown kindness, dedication, diligence, humility, graciousness of spirit, beauty, in courage, great empathy, astonishing talent, real poise and true grace... It has been nothing but an honor and a pleasure to work with you," Affleck wrote in the March 2002 ad. We all know what followed. This year, Affleck pops up again in another Sternbergh entry entitled Body Language Reveals All. Writes Sternbergh: In a typical issue of US this summer, Greg Cynaumon, a psychologist, analyzed a photo of Jennifer Lopez and her on-agan-off-again fianc, Ben Affleck, and dissects the meaning of Lopez's miniskirt. ('She's saying: "Look at what you were thinking of giving up!"') Who knew Ben was such an innovator? I guess that's how he'll so convincingly play an engineer in Paycheck later this month.
December 12, 2003
Your job package: 10 vacation days, 3 religions...and 23 holidays
While Gawker has been marveling at the extent to which this past week has been "the week of the Jews," proud New Yorkers can rest assured that their cultural institutions pull weight worldwide. After Jewish-focused features and cover stories in publications as diverse as, well, Time Out New York and New York magazine, it seems those notorious anti-semites in "Old Europe" have taken a cue and gotten smart to the New York publishing world's "hip factor". Officials in France are now considering "breaking centuries of European tradition by making an Islamic feast and a Jewish holy day official school holidays...'France will be the first non-Muslim country to recognize Eid al-Fitr and the only country apart from Israel to celebrate Yom Kippur,' said Patrick Weil, a member of the special commission that proposed the new holidays." Expect this to make the cover of The Economist next week (they're sooo "yesterday's news"). With Best Friends Like These, who needs Paparazzi?
[Via Fark.] 'Will Be Brilliant for Food'
Times were tough for the content gurus after the dot-com collapse. How could magazines, TV networks, publishing companies, and newspapers absorb all that talent? And why would 'old media' want to hire the very same people who dissed them and made sport of them at ever turn? Clearly, the era of the content guru has passed. Not so fast! Check out FreeVibe.com, the anti-drug public service Web site run by National Youth Anti-Drug Media Campaign. I haven't seen a site so "rich" in "content" since "1998." For those nostalgic for Icebox.com's Zombie College, FreeVibe.com has its own Flash animated serial called Summit High. Like streaming media? Check out the Anti-Drug Ads section. Miss the community areas of old sitesthose bustlingly moderated democracies of the Webthere's the Share section where you can tell your own stories. But my favorite area of FreeVibe.com by far is their Stoner Greeting Cards, which combines the The Modern Humorist's "Grating Cards" with a hectoring, Public Service Message tone. They're sort of insane ("Hey little brother, / I just wanted to say,/ I'm sorry I forgot to pick you up yesterday./ I was home, listening to music, and getting high/ (and boy, when you're baked, time does fly)." reads one), but they're also sort of great. Maybe what I like about them is the imaginary "concept meeting" I can see in my mind: the erstwhile, much lower-paid Content Guru sitting with his designer and developer (whom he must know continue to be paid decently for their specialized expertise and their smallerat least relatively smalleregos), going through the motions of brainstorming. Content Guru is drinking a Starbucks coffee he bought himself, trying to explain the idea, maybe occasionally drawing a diagram on the white board. But he's just going through the motions. He's really wishing there could be some sort of Cyber Suds party this weekend. He's also thinking that Christmas is coming soon and that he hasn't seen a bonus since the dawn of the new millennium. Maybe his mom was right: he should've just stayed an assistant at that trade publishers: the other assistant he started with is now an associate editor, while Content Guru is freelance, paying COBRA from two jobs ago, and barely able to cover his credit card debt. But the Dow did great yesterday, Content Guru thinks. Maybe he can burn a disk with these 'Stoner Greeting Cards' and some other stuff and be ready for the next boom. Content Guru looks out the window and thinks, Yeah, that'll be awesome. Until then, he can do work on this anti-drug site and go home every night and smoke weed with his roommates.
December 11, 2003
This Isn't It
The Strokes' second album is a virtual double for 2001's Is This It in every still-winning respect: the guitar combat of Nick Valensi and Albert Hammond Jr.; the switchblade flick of the hooks and bridges; the acidic magnetism of Julian Casablancas' voice. In fact, the Strokes can go on like this foreverthe Ramones did it for a quarter-centuryas long as the songs stay this good and the attitude doesn't dry up. Before you go renaming East 7th Street Julian Casablancas Place, check out the band's really, really early stuff. Back when their name was slightly different and their sound... well, their sound was out there, man. And they made their own cover art, to boot! Talk about indie cred. Earlier thoughts on The Strokes from low culture. Like A Virgo?
Why can't I be a power punk?' you mewl over a nearly empty box of Snackwells and your newest fact-checking assignment. Have you ever considered you might just be born under the wrong sign? New York Observer's long-awaited assembly of the 50 Baby Bigshots Who Run the City,' offers few surprises, but under closer scrutiny is it actually possible to detect a pattern to their choices? Sure, if you were born in Manhattan, if you're white and at least vaguely attractive, you have a fair shot of making 2004's list. But what distinguishes the average Dalton grad from the premier power punk? After a thorough low culture investigation, we've managed to distill that special something - being born between August 23 and September 22. Alongside glowing profiles and troubling caricatures, the Observer is kind enough to offer exact date-of-birth for all of its minor majordomos. Aside from knowing when to send out birthday cards, or simply alerting you when next to avoid the private rooms at Lotus, what is the value in providing these people's DOB's? Careful statistical analysis has revealed that a whopping 20.4% of New York's young and powerful are Virgos. That's right, a sign known for its need to receive attention, adoration and gratitude is about to take on the mantle of power in Manhattan. Another 13% of those potent punks are Aries, a group who tend to be self-centered and willful. Add optimistic Sagittarians into that equation, and with only three of the twelve star signs represented, a jaw dropping 44.8% of all New York's tough tyros figure in. And if you're an Aquarius, forget about ever attaining New York Observer's lofty climes. Only one of these mighty minors was born under that unfortunate sign.
December 10, 2003
What Smoking Ban?
David M. Childs' Freedom Tower low culture's Guide to Giving
Sure Dany Levy does a great job attending to the shopping needs of the countless Carrie Bradshaw manques, but who is there to reach out to the rest of us? In this season of gift giving, who knows what to buy those harder-to-reach demographics - the morbidly obese, the neo-neo-cons or post-punk scenesters? low culture is proud to present our first annual guide to giving. Continue reading...The low culture Invoice
From the December 15, 2003 The New Yorker: Each hinge unfolds while at the same time pivoting, so that its relationship to the other hinges remains the same.' Paid to author John Seabrook: $100.00 Based on informed speculation as to per-word rate. Sample has not been edited for clarity.
December 9, 2003
William, no! It's only one bad review!
The Village Voice's Sterling Clover bravely ignores the fact that William T. Vollmann is armed to the teeth and delivers a very nasty (and very Snarkwatch-worthy) critical beat down to the author's 3,298-page epic Rising Up and Rising Down: This is the sort of book that doesn't really exist, but only gets used as a gag in other books. But Rising Up is maddeningly real, at its worst the world's most erudite dorm-room bullshit session given the Cicero treatment and weighed down by numbing cynicism toward belief and hope of all sorts, naive tossing-about of the "social contract," irritating misuse of the concept of reification, and an epistemological nightmare of means and ends. (For those among us who can only stand to read the book reviews in People, Clover is giving Vollmann a D-minus.) Let's hope this doesn't turn into one of those New York Review of Books Letters Page feuds that makes all parties come off like Pro Wrestlers. Movies = Moving Pictures
As if it weren't easy enough for This American Life creator Ira "L.L. Cool G." Glass to get laid, he's gone and added the title "film producer" to his credentials, the better to snare those non-NPR listening groupies. Glass will be producing Unaccompanied Minors, a film based on a segment of his show. According to Done Deal, the comedy will be about "a child [who] experiences being snowed in and stranded at Chicago's O'Hare Airport the day after Christmas, along with a lot of other kids from divorced families who spent the holidays flying from one parent to the other." Sounds like a film with heart and hardy laughs! It's Home Alone meets that Wyclef Jean video "Gone Till November." But will the film be interrupted every 20 minutes for a Public Radio pledge drive?
December 8, 2003
Author/Actor
Today's profile of Still Holding author Bruce Wagner in The Times (Speed Dialing S for Satire by Bernard Weinraub) got me to thinking about the prolific novelist/filmmakers earlier career: character actor. If you grew up in the late 80's, you may remember Wagner's teeny-tiny roles in "Savage" Steve Holland's teenage comedies One Crazy Summer and How I Got Into College. In the former, Wagner played Uncle Frank, a man holed up in his room all summer trying to win a radio contest. (The movie costarred Demi Moore, John Cusack, and the awesome Curtis Armstrong.) In the latter, he played A, the hypothetical "player" in every S.A.T. question opposite B, played by Mr. Show alum (and the voice of SpongeBob SquarePants) Tom Kenny. (Also in the film: Anthony Edwards, Lara Flynn Boyle, and the late Phil Hartman.) Wagner had a few other minor roles after that, but he mostly stuck to writing; if the reviews are any indication, he made the right choice. Here are some other well-known writers who've tried their hands at acting: Norman Mailer appeared in Ragtime and played Harry Houdini in Cremaster 2 (perhaps not a "film," per se, but you can watch it on a screen). Maya Angelou was in Roots, Poetic Justice, and How to Make an American Quilt. Kurt Vonnegut had an amusing cameo in Back to School as himself. Gore Vidal appeared in Bob Roberts, Gattaca, and Igby Goes Down. Please feel free to use our comments to share others I've overlooked. Hampton Stevens, your go-to guy on all things women and italics
From New York Magazine, Dec. 15, 2003: From The New York Observer, Oct. 27, 2003: "I'm sitting at the Free State Brewery and this gorgeous girl from the North Shoreperfect and petite, looks like Alyssa Milanois walking across the room. As usual, heads turn, jaws drop. She owns the place. As she passes, the guy I'm sitting next to leans in and whispers, My roommate slept with her. Floppy woo.' He said he felt like he was like having sex with a glass of water. From then on, her spell on me was broken." Sidebar: Bonus Hampton Stevens links: Hampton Stevens meets Camille Paglia; And he'd fuck Ann Coulter.
December 7, 2003
At Risk Kids
In this week's Times 'Arts & Leisure' section, Elvis Mitchell takes on every pop culture savvy parents' nightmare: the child-in-danger film. Mitchell's essay, For Parents, the Fear Factor Grows does a good job explaining the genre using some recent examples like The Missing, Mystic River, and 21 Grams, explaining that these films portray how "Childhood innocence is caught in the undertow and shattered on the rocks." Curiously absent from the piece is the oeuvre of Steven Spielberg, a director who has virtually built his career around children in danger. From the enslaved kids in peril in Indiana Jones and the Temple of Doom (1984) to those kids surrounded by hungry Velociraptors in Jurassic Park (1993) up through Haley Joel Osment's little lost robot boy nearly being doused with boiling oil while pleading "Don't burn me! Don't burn me!" in A.I.: Artificial Intelligence (2001), Spielberg has brought us some of the scariest images of children in danger in film history. The director has played the child-in-danger motif every which way, from tragedy (the little girl in the red coat in 1993's Schindler's List) to farce (the friendliest spirit of a dead kid ever in 1995's Casper). Luckily for Spielberg, he managed to dodge the ultimate kiddie danger bullet by not casting Michael Jackson in Hook (1991): of course, he may have also gotten hexed for life for it. There've been a few mainstream articles and academic papers that refer to Spielberg's child-in-danger fixation, but not many. It seems that the director's mainstream appeal, abundant talents, and unrivaled power in Hollywood distract reviewers from the unseemlier aspects of his big budget entertainments. But just beneath the surface of Spielberg's plastic fantastic films is a barely contained sadism that's frequently aimed at kids. The least mainstream (yet most focused) examination of Spielberg's sadism comes courtesy of Apocalypse Culture author/editor Adam Parfrey's alternately kooky and cogent 1993 essay "Pederastic Park?". Parfrey, for sure, goes too far in his assessment of Spielberg (and the side-by-side comparison of Hook and some truly disturbing pedophile fictions Parfrey somehow "found" in the published version of his essay place the author himself in the rather queasy company of those whom he critiques), but he does get at a certain repressed strain of sadism (often sexualized) in Spielberg's films. Here's Parfrey summing up Jurassic Park: King King, The Lost World, and Godzilla, three monster epics cannibalized by Jurassic Park, achieved their thrills without resorting to on-screen menacing of tots. Indeed, only on milk cartons can we find children so physically raped as the celluloid juveniles of Jurassic Park. The film's sadistic tone is established early on, when a fat child challenges the paleontological theories of protagonist Sam Neill. Neill turns on the boy, and in low, menacing tones, he demonstrates to the child how a prehistoric nasty would mangle and devour him. Adding a distinctly Peter Kurtenish frisson, Neill slashes near the child's belly and crotch with a large, sharp claw. Crispin Glover, who has a chip on his shoulder the size of Chad against Spielberg (he sued him after Spielberg used a Glover look- and act-alike in the sequel to Back to the Future, which Glover co-starred in and Spielberg executive produced) has also logged in his own bad Steven essay (also for Parfrey, in the book Apocalypse Culture II). Echoing Parfrey (and severly abusing the Socratic method) Glover wrote in 2000: Does Steven Spielberg focus much of his fantasy life on young people? Did he portray children wallowing in sewers filled with fecal matter in Schindler's List? Did he use children to finger-paint an adult in Hook?... Are the inclinations of Steven Spielberg above suspicion by the media-fed culture? Was Steven Spielberg very friendly with Michael Jackson? Wasn't Michael Jackson supposed to play Peter Pan in Steven Spielberg's version of the story? Now that Michael Jackson is no longer held in favor by the mass media, does Spielberg associate with him? Sure, Glover is a well documented whack-job and Parfrey's been called everything from "sick" to "fascist" so you might not want to take their word for it. Then again, neither of them pretends to be Mr. Family Entertainment. Spielberg should know to avoid such themes, especially since he reportedly swore off using children in dangerous F/X shoots after John Landis created some real life child-danger when two kids (and actor Vic Morrow) were accidentally killed during the making of Twilight Zone: The Movie in 1983, a film for which Spielberg also produced and directed a segment. (Interestingly, the segment Spielberg originally intended to shoot for that film involved kids terrorized by a bully.) You'd think after a tragedy like that, Spielberg's appetite for depictions of child endangerment would go away, yet anyone who saw Hook or A.I. knows that's not the case. As coincidence would have it, there's a new version of Peter Pan coming out on Christmas Day. Steven Spielberg was not involved with the production in any way. He's busy producing Jurassic Park IV, coming to a theater near you in July 2005. It'll be fun for the whole familybring the kids. Time to Cine File a restraining order?
Must The New York Post always unleash its film editor, V.A. Musetto (left), on every dewy starlet who appears in an independent film? Can't they find someone other than their resident Cine File to interview these would-be ingenues so we can be spared nauseating passages like this one from his recent dateI mean interviewwith Emily Grace, star of What Alice Found: The show-everything [nude] scene must have been difficult, Cine File suggested over brunch with Grace at French Roast in the West Village. (She ordered pasta, he an omelet.) ("And would you date an old man with a beard?" Cine File asked off the record, of course.) This year alone, Musetto has had face time with Erika Marozsan ("The role requires a lot of nudity by Marozsan, and Cine File wondered if she found it difficult to bare all in front of strangers..."); Ludivine Sagnier ("Sagnier, whose erotic performance in the French thriller 'Swimming Pool' has people calling her 'the new Bardot'..."); and 13 year-old (!) Keisha Castle-Hughs ("a natural-born actor.... Keisha is terrific as tomboy Pai, who has to fight for love from her male-chauvinist grandfather, who marginalizes her just because she's female..."). In the past, he's enjoyed the company of Summer Phoenix ("The exotic-looking 24-year-old actressyoungest member of the acting clan that includes siblings Joaquin, Rain, Liberty and the late Riverhas appeared in 10 movies..."); Orla Brady ("Over lunch at Time Cafe in the East Village, Cine File points out that the movie [A Love Divided], which opens here on Friday, portrays the Catholic Church in a bad light..."). There are more, but I feel icky all over as it is... Your low culture Advocate, Isabelle Asterisk, Introduces Herself
When low culture invites you to be the first person charged with publicly evaluating, criticizing and otherwise commenting on the website's integrity, it's hard to say no: this is a pretty invigorating challenge. After meeting with Matt, Jean-Paul and Guy, I appreciated that this would be an especially difficult task. Their atrophied sense of integrity and largely incoherent rambling suggested that this would prove a far more difficult task than I first imagined. I'd never heard of low culture before I received their email, and I'm still not quite sure what they do. But I'm here to help. So who am I? I am both liberal and conservative. I enjoy reality television and scripted half-hours. Palestinians and Israelis? They're both right. And I never met a fundamentalist I didn't like. I am married, live on the Upper West Side, recycle and compost, and I send my children to public school. I am one with myself. I am two with nature. I desperately want you to like me. Can I buy you some coffee? If you're worried about worker's rights, I'll brew some of my own Concerned Coffee. But if you think that whole thing is overblown, we'll go to Starbucks. It's no big deal. And if you need help moving or anything, I'm the girl for you. Since my appointment was announced, my friends have all offered their heartfelt congratulations. They seem to think it will do me well to get out of the house. Here's wishing good luck, and good will, to us all. But more good luck, and good will, to you.
December 5, 2003
Proposed SNL skits for Al Sharpton and Sharpton's notes to writers
With apologies in advance to Uncle Grambo's best buddies, Nummer and H-Bomb, we at low culture were impatiently scouring the basement of Rockefeller Center this afternoon, trying to decide between Pret à Manger and Hale & Hearty for lunch, when we settled upon this top-secret nugget of gold on NBC stationery: a series of notes regarding SNL writers' proposed skits for this week's episode, and guest host Al Sharpton's responses to them. Not promising. 1. "Al as President of Hair Club For Men-'I'm not just a client, I'm the President'" [This could work. Maybe.Rev. A.S.] 2. "Shattered Glizz-ass: Finesse as Jayson Blair, and Sharpton as Times managing editor Gerald Boyd" [First, that Snoop language is so done, and second, journalistic navel-gazing is worse than Rudolph doing VersaceRev. A.S.] 3. "Sharpton as Baptist Minister-turned-informercial pitchman" [Infomercial? Can't we make fun of something contemporaryRev. A.S.] 4. "Outkast: Sharpton as Big Boi, and Finesse as Andre 3000" [I'm aligned with Russell Simmons, not L.A. ReidRev. A.S.] 5. "Sharpton as Tony Soprano" [David Chase is so 2000. I'm all about 2004Rev. A.S.] 6. "Sharpton as hotdog vendor outside Republican convention in 2004" [No go: Black folks don't sell hotdogsRev. A.S.] 7. "Sharpton picks Ol' Dirty Bastard as his VP candidate in 2004" [NO WAY. And it's Dirt McGirt, you idiots. And you can't have someone who's been arrested on your ticket. Or maybe you can.Rev. A.S.] 8. "Sharpton made over by Queer Eye guys!" [People. You. Are. Getting. Desperate. - Rev. A.S.] 9. "The Ghetto Life: celebrity politician Sharpton visits the urban terrain of NYC" [You have how many wealthy white writers on staff?Rev. A.S.] 10. "Jimmy's stoned dorm room character interviews Al on his web cam" [Hello? The digital divide, ever hear of it?Rev. A.S.] 11. "Al Sharpton meets Mango!" [Mango isn't even on the show anymore: c'mon, people! Try at least. We've got issues like healthcare, education, defense spending, and civil rights to worry about here, not me interacting with some little guy in hot pants. Funny? No. Advancing the issues to shape the Democratic Party platform in 2004? No. Does anyone know if MAD TV brings on guest hosts?Rev. A.S.] From the Dumbing-It-Down Desk
Tired of slogging through Elvis baroque metaphors simply to find out what you should think about The Last Samurai? Dont have the time to read all of A.O.s musings on Honey? Worry no more. low cultures Dumbing-It-Down desk is here to, well, dumb-it-down for you. In the interest of bringing ourselves that much closer to the depths of Entertainment Weekly weve scientifically assigned the traditional star ratings to all of todays Times movie reviews. (Please note that these synopsis reviews do not reflect the opinions of low culture, they reflect the opinions of The New York Times.) Yesterday's announcement by record company Murder Inc. that it is changing its name to The Inc. has had far-reaching implications in the entertainment industry. As Island Def Jam Chairman and The Inc.'s corporate head, Russell Simmons told reporters, the change was designed to "get you all off [Irv Gotti's] ass." A similar name change met Death Row Records when label head Marion 'Suge' Knight was released from jail and reopened Tha Row earlier this year. Following The Inc. and Tha Row's lead, several other media and entertainment companies have altered the names of their films, books, and other properties to reflect greater sensitivity to violence. Also, it gets all of you off of Harper Lee's ass. Here's a sample: Death of a Salesman becomes A Salesman
December 4, 2003
That's Senator Dunst, to you, buddy!
It's time for another one of low culture's trademark specious pop culture comparisons, the better to raise the ire (or, more likely, benumb the yawning indifference) of casual readers and insane commentators alike. And this one has the added benefit of me not even having seen the movie in question, Mona Lisa Smile. Starring America's Sweetheart emeritus, Julia Roberts, and a pride of her 20-something replacements-in-training, Smile tells the story of an unconventional, inspirational teacher at a staid, upper-crust school. It's probably a lot like Dead Poets Society only... prettier. As a Wellesley alum myself, I felt the need to point out some similarities between the film's stars and some of the school's most famous former students. (Seriously, no shit: I spent several summers of my formative years at this camp, playing college student while otherso called "normal"kids attended soccer camp or simply hung around the house being bored for two months.) Let's check out some of the film's stars and their sorta kinda real world analogs, shall we? Since Revolution Studios, the film's production company, has shown an acute interest in prurience for prurience's sake, I'm wondering how they'll manage to work in what Ron Rosenbaum has memorably dubbed "The Great Ivy League Nude Posture Photo Scandal".
A Hack in Heaven
Sometimes in a columnist's career, there's one story that's like his great white whale: it's his passion, his obsession, the thing that keeps him going. And if that columnist is lucky, that story winds up on the frontpage of the newspaper and on the evening news. Finally, all those years of obsessive toiling, of chasing down leads and cultivating sources pays off and he becomes the go-to guy on the subject, the writer other writers look to for breaking news and critical context. Take Friedman, for instance. No, not Pulitzer Prize winning Times op-ed columnist Thomas L. Friedman. I'm talking about FOXNews 411 columnist Roger Friedman. (To belabor the Friedman/Friedman comparison a minute longer, both men have branched out into movies: Thomas with Straddling the Fence, Roger with Only The Strong Survive.) While the war in the Middle East has brought Thomas his moment of glory, Roger's got the Michael Jackson case and all the mini scandals that flow from it like tributaries from a raging, crazy river. Continue reading...
December 3, 2003
Darling Nicky
Denby of Iniquity
Anyone who has questioned the judgement of New Yorker film critic David Denby should be relieved by the details of his forthcoming memoir, American Sucker. Aside from the already hackneyed tale of Internet greed gone bankrupt, Denby offers readers that special something more - the details of his six-month addiction to Internet porn. But the term Internet porn' is so vague - is it preggers, barely legal, those ubiquitous chicks with dicks? - the mind reels. For now, we're left to detect Denby's tastes among clues scoured from whatever issues of The New Yorker I have lying around. American men enjoy violent entertainments It's also the angriest and sexiest work she's done - she seduces Chaplin in record time and then kicks him out of bed well before dawn. Let me say quickly that the subject of pedophilia, creepy as it is, doesn't necessarily fall outside the realm of art. I enjoy kiddie porn as much as the next red-blooded American man Maybe we'll never know. More likely, we'll just have to wait for the book Publisher's Weekly says offers some of the most candid critiques of the Manhattan bourgeoisie ever found outside of a Woody Allen film.' Spicy. So Fresh and so Clean
One last Hilton post (we all hope): Let's say you've just done something you feel really bad about, like appearing in a homemade porn video or allowing your protege to shoot up a New York nightclub. How do you tell the world you feel remorse but that you're untouchable, above the charges, and so fresh and so clean? The white suit, of course! Long favored by plantation owners and Southern law men, the white suit is your best option for conveying, you know, innocence. Ghetto Princess
What more can you say about Paris Hilton and Nicole Richie's sojourn to Altus, AR on The Simple Life? They're possibly the most malignant thing to hit a heartland family since Dick Hickock and Perry Smith visited the Clutter family in Holcomb, KA in 1959. (In this context, FOX becomes not unlike that other alternately priggish and obsequious society chronicler, Truman Capote, except that Tru cleaned up his act and got serious to bring us In Cold Blood, while FOX only gets serious when it's chasing America's Most Wanted.) I'll leave it to others to deconstruct Paris and Nicole's every utteranceas we speak, somewhere high atop Rockefeller Plaza Amy Poehler is practicing saying "I'll puke" while Maya Rudolph is being fitted for a blond wigbut I do have a bone to pick with one of Hilton's favorite epithets: ghetto. Continue reading...
December 2, 2003
Tracy, Tracy, Tracy
It's no secret that Tracy Morgan is something of a folk hero around here at low culture. It may be too much to ask that Morgan be awarded the The Kennedy Center Mark Twain Prize for Humor, but I guess he is still at the start of his career, right? Maybe we can somehow get today declared National Tracy Morgan Day? Or is that overkill? His show premieres tonight at 8PM EST on NBC. I know I'll be watching. Good luck, Tracy. And don't forget us when you're a superstar. Sidebar: What's with the logo NBC is using for this show? Kind of a bit Brady Bunch for my taste. Ad Fad
Maybe it's the result of budget cuts, maybe there's some new synergistic advertising model that has escaped my attention, but has anyone else noticed the recent rash of commercials that are very nearly identical? And I'm not talking about the endless cycle of extreme-soda lifestyle ads. The most evident of these is the Red Stripe-New York Lottery Simulacra. Red Stripe's Hooray Beer!' campaign (which must be offensive to someone) features a few Rasta's plugging the beer through thick Jamaican accents. Compare with New York Lottery's Winner Wonderland' campaign, similarly Rasta-inflected (I haven't been able to find any of these online). Both work the same lo-fi look, their respective scripts are indistinguishable, and casual study suggests they were both shot on the same set. And then there are the Raised by Wolves' Simulacra. Spots for both Honda Pilot and Quizno's feature pasty, middle-aged men who were raised by the aforementioned wolves. Has this idea been floating around in the ether? Is this like Tesla and Marconi inventing the radio within days of each other? What in the hell is going on here? Indeed, these correspondences raise many questions, most significantly, why am I watching so much TV? Ad Report Card has already tackled the Quizno's spot, but where's Rob Walker when you need him? In the meanwhile, we can only pray that Old Navy's Fran Drescher-Lil' Kim ads don't find a second life.
December 1, 2003
Straight to Hell
Who needs the fire and brimstone of a Sunday sermon when readers of the Sunday New York Times are blessed with the increasingly shrill homilies of Frank Rich? Whether condemning the foibles of the rich or lambasting media coverage of the Michael Jackson scandal, Rich has assumed a tone better suited to Puritanical madman than Arts & Leisure guru. As Mr. Alex Witchel warily illuminates the money shot (the porn industry's term for the moment of ejaculation'), as #1 Eminem Fan detects pederasty in every pop-culture icon, at least Rich is always generous enough to use the collective sigh of We.' After all, the real sinner here is not Jaime Gleicher (Ally Hilfiger's less attractive sidekick') or the red meat of Kobe' (he really wrote that), but all of us with our perverted little minds. Thanks for the heads-up there, Mr. Rich. So has Howell Raines' pet finally lost the plot? Let's hope so - at least it would make for something good to read in the Sunday Times. Say Something Original
Last week, The Onion AV Club introduced a new weekly feature called Say Something Funny, "in which comedians submit an e-mailed response to the query, 'Make people laugh. You have 250 words.'" First unfunny victim, Mike Birbiglia. Seems awfully similar to early-'90s hate-zine ANSWER Me!'s Make Me Laugh, You Impish Bastard!, in which Jim and Debbie Goad (R.I.P.), the Ronald and Nancy Reagan of misanthropy called up clowns listed in the phonebook and said "I've heard you're a clown. Make me laugh." Here's a quick (offline) sample: Xuxa the Clown: I am a clown. That is true. Make you laugh immediately?... Wow! I'm sorry, I don't know if I can do that. You caught me off guard. But I really know how to make the kids laugh a lot. I do a magic show, face-painting, animal balloons, and games. And I am pretty silly. Shudder. No wonder kids hate clowns.
November 25, 2003
Those 70's Guys
From this week's New Yorker, 'Talk of the Town': "Tobin grew up in Elizabeth, New Jersey, and still lives there, in a four-bedroom house on a quiet tree-lined street. Seventy-nine years old, he works most days at his law firm, a few minutes away." Times Warp by Alicia DeSantis "Omar SharifCairo Fred to his friendshas played a bandit and a Catholic priest and Khalil Gibran and Tsar Nicholas II and the British agent Cedric, who gets trash-compacted in Top Secret! He is seventy-one." Cairo Fred by Dana Goodyear Of course, this guy makes them all seem like pishers: A&FU
In a low culture breaking news exclusive, the Abercrombie & Fitch Quarterly, scandal sheet-cum-catalogue has been pulled from the countless college outfitters dotting our nation's malls. While these actions will deprive sporty-types of saucy interviews with Paris Hilton, requisite profiles of the O.C. cast, and all the homoerotica that's fit to print, the move represents a victory of sorts for New York Post columnist Michelle Malkin, Catholic League malcontent William Donohue and the countless National Coalitions that seek to protect people from themselves. Campuses everywhere are reeling. Offending Upwards
Gregg Easterbook has found a new home for his football blog: NFL.com. Good thing, too, since it's been a few minutes since anyone mentioned his dumb ass. Too bad Radosh is so busy changing diapers, 'cause I'm sure he has what to say on this matter. Good luck, Gregg: I'm sure you'll fuck this gig up, too. Earlier thoughts on Gregg Easterbrook from low culture: What Easterbrook Could Learn from Rousseau [via Romenesko]
November 24, 2003
What a difference a day makes
Won't you please remember the neediest and rent Hollywood Homicide this holiday weekend? Seriously, though: despite what our 'friends' say, we here at low culture aren't complete fucking assholes. Please go to CityHarvest.org and make a donation this year. Hey New York Magazine: Whaaaaaaaaaaaazuppp?!
This week, New York Magazine took a break from passing the Grey Poupon and traveled uptownway, way uptownto write about something called rap 'music.' But more amazing than having the Towncar take you across 110th Street, is the fact that New York also went back in time for their headline, "Got Beef?" "Got Beef?" Not a bad hed. Where'd they come up with that? Hey, New York, next time try to Think Different, won't you? Earlier thoughts on New York Magazine from low culture: New York's Amazing Feet; I Call Bullshit on New York Magazine
November 23, 2003
The Dated Game
Were you aware that online dating is all the rage? If you missed last year's big story, this Sunday's New York Times Magazine is happy to provide all the anonymous profiles you need to understand "how Internet dating is re-engineering flirtation..." As if that's not exciting enough, in a low culture exclusive, we're previewing feature pieces from future issues of the Times Magazine. Las Nuevas Sonidas: Why Ricky Martin represents a seismic shift in popular music. Dave Eggers: Remember the name. This low-key moptop is about to revolutionize the publishing industry. Swinging from a Star: Does swing dancing portend a sea change in the bar scene? Napster This!: How one little computer program will profoundly change the music industry.
November 21, 2003
Alternate Histrionics
While todays New York Times op-ed page affords Nigel Hamilton the opportunity to less-than-methodically imagine a world in which JFK was never killed, somehow Hamilton managed to overlook the obvious impact Kennedys un-assassination would have on the entertainment industry. Well low culture is here to fill in the blanks, following in the Times' illegible footsteps. Continue reading...A Ringer in the Crying Game
In yet another instance of old media stealingstealing!from new, this week's Entertainment Weekly picks up on the recent blogger trend of listing movies that make you cry with Cry Freedom: The 50 Greatest Tearjerkers. (Sorry, you need to subscribe to read it on the Web and get your weekly Jim Mullen fix.) Number one on their list, The Jerk, particularly the scene in which Steve Martin feels so safe with Bernadette Peters he can say, "I slit a sheet, a sheet I slit and on the slitted sheet I sit." I'm just joshin' ya. Number one: Terms of Endearment. I understand this since James L. Brooks once made me cry, too. 1st Annual (Ever?) Jonathan Ames Write-Alike Contest
In honor of Jonathan Ames' week-long diary of his trip to Club Med on McSweeneys.net, we here at low culture would like to announce our First Annual (Ever?) Jonathan Ames Write-Alike Contest. Please use our comments area to post your entries. Extra points awarded for use of Yiddish, references to Scott Fitzgerald, detailed descriptions of bodily functions, and in-depth questioning of your sexuality. All entries not in the first-person will be automatically disqualified. Winning entry will be printed out and hand delivered to Ames who lives two blocks away from me. (Or his mailbox: see nonexistant rules for further information.) All entries must be submitted...whenever. Must be 18 years or older to enter; only one winner per state, sorry Tennessee. Dr. Dean's in Great Shape
I snoozed on this all week, but this comes from Wednesday's Times article, Every day on the campaign trail, Howard Dean wears an unfashionable black belt that belonged to his younger brother Charlie, a silent memorial to the man who vanished while traveling the Mekong River 29 years ago... Dr. Dean has worn the black leather belt with the large, silver-rimmed holes for at least 20 years, and counts his brother's death as a watershed that made him more serious about his own future. How many middle aged men can say they've been able to wear the same belt for 20 years? Oh, and it's a shame about his brother, too. [Yes, I know that the belt on the left is brown with a brass buckle.] To Know, Know, Know Nothing About Him is to Write, Write, Write about him (and we do)
Being a journalist is hard work. You have to pound the pavement in search of sources, burn the candle at both ends to write engaging sentences, and worst of all, you have to read the whole blurb on the dust jacket of a book for that deep, deep background. Ask anyone writing about super producer-turned-alleged murderer, Phil Spector. This comes the back cover blurb of Mark Ribowsky's 1989 book He's A Rebel: Phil Spector, Rock and Roll's Legendary Producer: "Phil Spector created the 'wall of sound,' produced the Beatles' last record, persuaded the Ramones to go 'pop,' made the Righteous brothers sound respectable, and was a millionaire by age 21." "As songwriter, guitarist and backup singer for the band, which hit the big time with To Know Him is to Love Him, he became a millionaire by the age of 21. "'To Know Him Is to Love Him' and made him a millionaire by age 21." "By the time he was 21, Spector was a millionaire." " Spector was a millionaire by age 21, and his music career exploded after he came onto the music scene as a member of the band the Teddy Bears." "Spector had started his career as a musician with a band called the Teddy Bears before embarking on a songwriting and production career that made him a millionaire by the age of 21." "Spector was only 21 years old, and he was a millionaire." "...the youngest record company head and a millionaire age 21, dubbed Tycoon of Teen." "Spector got his start in the music business in 1958 as a songwriter, guitarist and backup singer for the Los Angeles group the Teddy Bears, which had a hit single with 'To Know Him is to Love Him' and made him a millionaire by age 21. " Spector began promoting, producing and creating bands when he was in his teens, and was a millionaire by the time he was 21." "Phil Spector, the legendary but reclusive American producer who invented the 'wall of sound', hit No. 1 with his very first single and was a millionaire by 21." "By 21, Spector was a millionaire and a maverick dubbed the 'teen tycoon' by author Tom Wolfe." I don't know, know, know about you, but I broke into a sweat just summarizing it. Tracks' Marks
Stupid Host Tricks
Remember when David Letterman was scary? Okay, not scary: mean. Even though he was always winking through it, he was at least being a little mean. Well, no more. In yet another instance of the total Leno-ization of the culture (example: the President referencing David Blaine like a well-worn monologue joke), Letterman has lowered himself to just another Paris Hilton suitor. (Today's line forms behind, let's say, the guitarist from Stain'd.) According to the still Pulitzer Prize-free New York Post, Letterman made a desperate plea to the hotel heiress-cum-video jockey on his show last night: "We'll talk about anything you want to talk aboutif you have pets, we'll talk about your pets...If you want to talk about the sexual videotape, fine. If you don't, that's fine with me, too... We all know it's not your fault. It's your idiot boyfriend's fault, that's the problem. We'll set the record straightit'll be a love fest... All I want to say to Paris is, 'You're being led down the wrong path. You come on this show, by God, we'll make you a hero." A love fest? Isn't that what got Paris in so much trouble in the first place? Dave, we (still, for some reason) expect better from you.
November 20, 2003
Not Here, Not Now
And now, a little something for the film students...
Meet the Lefty Spice Girls
Among the 150,000 protesters who greeted President Bush in England this week were the members of The Lefty Spice Girls. On the left (naturally) we have Fiona (aka 'Anti-Globalization Spice'); in the middle is Johri (aka 'Stop War Now Spice'); and in the back is Alex M. ('Environmental Justice Spice'). Not pictured: Alex G. (aka, 'Workers' Rights Spice') and Miranda (aka, 'Legalize Marijuana Spice'). Tell me what you want, what you really, really want... If you want my future, correct your past/If you wanna get with me, end the slog real fast... Sidebar: What is the deal with photographers only shooting pretty girls at protests and rallies? I mean, that has to be the oldest scam in the book: "Hey, why don't you give me your number and I'll give you a print of this. You know, I'm pals with the photo editor at the paper, I can definitely make your whole sign visible..." Biting the Hand that Wanks you
The hard-hitting newsmen and women at CBS News in New York decided to follow last night's spankin' Victoria's Secret Fashion Show (Grambo review, TK) with a report on how unsanitary Victoria's Secret retail stores are. Here's a cringe-inducing sample of the report: John, not his real name, is a disgruntled former employee of two Victoria's Secret stores. He came to us with the revolting allegation that it was store practice to take back used underwear and then resell it. C for Comeback
Good news, Jayson Blair and Stephen Glass! If you wait long enough for the whole plagiarizing and fabricating thing to blow over (like, say 30 years), you'll be able to continue your brilliant careers. Right now you might not be able to eat lunch in this town, but lay low for a while and you'll be the toast of tinsel town just like Clifford Irving. Clifford Irving? Who dat? Irving, a once promising writer, was at the center of the fake Howard Hughes biography scandal in the early 70s. After it was revealed he lied about being authorized to write the billionaire mogul's autobiography by the recluse himself, Irving was forced to return his $765,000 advance to McGraw Hill and spent some 14 months in prison for fraud. (The whole story is amusingly told by Orson Welles in F for Fake, an amazingand amazingly weirdmovie whose title amazingly never once came up during the Jayson Blair scandal.) Here's what Irving told 60 Minutes II when he looked back on his 15 minutes of infamy in 2000: "I was lying to everybody... I was on a train of lies. I couldn't jump off." (Gee, sounds like some other guys.) Anyway, Irving reemerged as a fiction writer and one of his novels, Tom Mix and Pancho Villa (from 1982) has just been optioned with the screenplay to be written by classy A-list scripter Steven Zaillian. Of course, the movie sounds like a steaming turd, but that's beside the point. What was the point again? Oh, yeah. Hang in there Jayson and Stephen: redemption will be yours in a few decades. Reports of Her Death Have Been Greatly Exaggerated
Courtney, we really, really knew ye. You know that totally narcissistic fantasy you have about being able to attend your own funeral and hear what everyone has to say about you? (You know, like this guy.) Well, the girl with the most cake gets to have that experience without all the messy details of dying first. This week, The Stranger looks back at the life of Courtney Love from her musical legacy to her amazing Hollywood make-over. There's also a peak at new Loves and a celebrity humurist/eulogist to crack wise. (David Kamp wasn't free, so they got this dude.) It's sad. She had so much to live for, but I guess she just couldn't live through this.*
November 19, 2003
TMI: LBJ, JFK, THC and CBS
Who knew trash-documentary producer Nick Broomfield was such a history buff? It just has to be the crazy and conspiratorial Broomfield who produced a documentary that aired on the History Channel last night entitled, "The Men Who Killed Kennedy: The Guilty Men," which alleges that Lyndon Johnson was somehow involved in the assassination of President Kennedy 40 years ago. Wait, sorry. It turns out one "Nigel Turner" produced this edifying film for the History Channel, but LBJ's presidential foundation is pretty plum pissed off regardless of its origin. Apparently having learned nothing from the conservative task force that set out (and subsequently succeeded) in preventing this month's airing of CBS's "controversial" Reagan miniseries, Johnson's family members and former aides had the temerity to allow this thing to air! According to an AP story, LBJ Foundation Chairman Tom Johnson stated, "We left the decision on editorial content and accuracy up to the History Channel." What a nimrod! "He and Jack Valenti, another former Johnson staff member and current president of the Motion Picture Association of America, issued a joint statement on behalf of the Johnson family and others. 'Sadly, President Johnson and the staff members who are wrongly smeared by the conspiracy theorists are no longer alive to defend themselves,' the statement said. 'In televising this production, The History Channel has distorted history beyond recognition.'" Tom Johnson, incidentally, is not related to the former president. He is, however, "a former president and CEO of CNN." This probably has nothing to do with the foundation's going after the A&E-owned History Channel. That would be both crazy and conspiratorial. A low culture exclusive: Michael Jackson Bombshell!
Breaking News: JACKSON FACES CHILD MOLESTATION CHARGES Related: MICHAEL JACKSON IMPERSONATOR ACQUITTED OF MOLESTATION CHARGES Blind Man's Blurbs
And in other local alternative press news, I've been seeing Jim Knipfel's name popping up in The New York Press as a B-movie DVD critic. Maybe the jokes on me here, but how can Knipfel be a film critic, since he's, like, blind? Knipfel is a decent writer, but, I mean, can he really be a film critic? Reaching: Towards a New Hermeneutics of the Post-Structural Pachyderm
Michael Jackson: Is This Scary?
From "Is This Scary," by Michael Jackson from Blood on the Dance Floor: HIStory in the Mix You know this kid is scared.
November 18, 2003
Bible Accuses Governer Schwarzenegger of inappropriate touching
Masthead and Commander
Just when it seemed that Friendster had blown its wad, soon to be reduced to pop-culture footnote, low culture has discovered yet another diversion to be plumbed from everyone's favorite community-based resource. Simply take the byline of any article - magazine, newspaper, or otherwise - and perform a user search on Friendster. If that piece appeared in a media-centric publication based out of New York or L.A., the odds are good that its author is online. In general, the lower said writer appears on the masthead, the more likely he will appear on Friendster. And contributor photos are a boon - most of the writers for MTV's newest cultural debacle use the same picture for Spankin' New and Friendster. And suddenly that fluff piece you just skimmed takes on an entirely new dimension. Isn't it better to know that New York Magazine's recent interview with cultural cipher Farrah Fawcett was written by a young woman who counts dead languages and religion among her interests? That dreary Newsweek piece about our failures in Iraq? Its author enjoys watching Monday Night Football and listening to Santana when he's not bemoaning America's efforts at nation-building. And ladies? He's single
November 17, 2003
Sign O' The Times
Poor Marty Amis. His latest novel, Yellow Dog, has garnered the nastiest notices of an otherwise charmed career. The first, and loudest, of these reviews came from crap novelist Tibor Fischer, disemboweling Amis in a career-making piece for the Daily Telegraph. It's like your favourite uncle being caught in a school playground, masturbating, he soberly notes. Could any novel really be "masturbating uncle" bad? It's true, Amis walks into his typical traps. There are the hugely unfortunate sentences: And, to Xan, this poem of boredom was like a douche of self-discovery. Or even better: for the first time in his life he was contemplating the human vulva with a sanity that knew no blindspots There are too the rampant pontification and cheerless self-importance, but these failings have been forgivable in the past, even part of what makes Amis great. But lately it would appear that Amis is guilty of a sin even worse than plagiarizing ones own mediocre think-piece from Talk Magazine. Mister Amis has become uncool enfant terrible grown ancien regime or further evidence of Sick Boys Unifying Theory of Life. Even the typically high-minded Walter Kirn accuses Amis of using tactics that might have raised eyebrows 50 years ago And in Amis universe, uncool is a capitol crime. Evidence of Amis complete dissociation from contemporary culture has played out lately amid his spacy declarations concerning the internet. Confer Grandpa Amis recent nap on "Topic A with Tina Brown," in which he explains, Ive never looked at [the internet], because I dont know how to use a computer, here Tina politely chuckles, and Im often quite relieved that I cant. Hardly a crime, but based on the evidence, perhaps it would be best for Amis to avoid including the transcripts of emails, or es as Amis labels them, in any future novels. Amis fictionalized e-mail exchanges feature lines more suggestive of a Prince song than any correspondence Ive ever received. Below are excerpts from "Yellow Dogs" "es" alongside some fakes. Can you separate the real crap from the fake? & i no th@ if i ever find some1 2 spend the rest of my days with y o y, clint, do people use 6 2 infl8 their own gr&iosity? tell u l8r. just u w8 & c. u should go @ it 40ssimo & per4ms the usual r&y stunts with a lady-in-w8ing! 4 him, the sun shone out of my * [Answer Key: They're all real.] Spike Lee's attorneys, will you please do the right thing and sue these people?
Let's hope that the litigious Mr. Lee does the right thing and Spikes this in a court of law. Is The Jewish Journal finally getting their revenge on Lee for the allegedly anti-Semitic portrayal of Jews in Mo' Better Blues, or are they just idiots? [Thanks Marc Weisblott!]
November 16, 2003
One of these men is the most powerful man in Hollywood. Two are chumps.
Let's set aside how offensive it is that the highly paid producers, studio heads, and chairmen of the entertainment conglomerates are using these ordinary working Joes to guilt us out of pirating movies. What I found really offensive was that one spot, the one with stuntman Manny Perry (far left), features clips from Enemy of the State (directed by A.O. Scott's namesake and doppelganger, Tony Scott). This movie was produced by Jerry Bruckheimer, whom Entertainment Weekly recently deemed the most powerful man in Hollywood. Should we really be taking advice on what's right and what's wrong from a guy whose former partner, the late Don Simpson, used to get off on beating up hookers and making them drink out of the toilet while he urinated in it? (You can read all about Simpson's fast times and early death in Charles Fleming's High Concept: Don Simpson and the Hollywood Culture of Excess.) Is Jerry Bruckheimer in any position to tell us how we're mistreating Hollywood's underlings? What's next, a commercial with Scott Rudin's assistants telling us we're making their lives a living hell? Maybe a spot with some Korean animators telling us how we're destroying Disney? The Gold and Platinum Standard
In "Who's Smoking Now," an article on High Times Magazine's re-branding by John Leland in The Times 'Styles' section, Richard Stratton, the magazine's new publisher and editor-in-chief envisions the new magazine as "'an outlaw version of Vanity Fair,' with a dash of Wine Spectator and Cigar Aficionado... a magazine for epicurean libertarians who may or may not smoke marijuana." Radar: "it'll be Spy meets Vanity Fair."
November 14, 2003
The Paris Review
This message is intended for FOX Entertainment President, Gail Berman, but you can read it, too. And don't tell me there's a difference because Paris never got paid for her dirty work: Sarah Kozer got paid for her foot fetish films, yet she was still a finalist on Joe Millionaire. (As did Kozer's suitor, the similarly hotel-product-placement named Evan Marriott for his softcore early work.) So, Gail: these untalented white people can do porn and demi-porn and still appear on your air but Frenchie couldn't? Try explaining that to Bernie Mac at the FOX Christmas party this year. "Do I look fat in this, mom?"
Why does Ronald McDonald hate your kid so much? First, he made your kid fat with his super-size fries, now he wants you to dress him or her up in embarrassing McDonald's-branded clothing. According to The Post, "The clothing line will consist of cotton tops and casual pants, not T-shirts emblazoned with the Golden Arches, Howard said. In fact, some of the clothes will only carry the McKids logo on the inside label." Maybe they should just print targets all over it, because any kid caught wearing that crap will surely be pummeled by lunchtime. They might also succeed with WIDE LOAD printed on the back. Related: McSpotlight.org
November 13, 2003
Who writes your material?
For as long as celebrity place-holder Carson Daly has been in the public eye, people have been comparing him to Dick Clark. It's practically an article of faith that Daly is the new Clark, so I was surprised to read Mr. Clark taking the words out of Daly's mouth in his interview with The Onion A.V. Club this week. Here's the quote the editors of the A.V. Club saw fit to pull for its cover: As a storekeeper, you've got to learn what you're going to put on the shelves. That's always been my role, even when I was in my 20s. I was a storekeeper. It didn't reflect my personal tastes or my personal preferences. You just look at the audience, listen to what they want, and put it up there and see if they come in and buy it. This is nearly identical to something Daly's been saying (and saying, and saying) for years: Shopkeeper/bartender. What's the difference? I guess 'bartender' is more edgy, like naming your dog Stoli. What's the Rush?
"Rush is chomping at the bit to get back on the air." David Limbaugh on his drug addict brother. It was my understanding that grinding your teeth with a side effect of meth, not Oxy. (That same link lists "incessant talking" as a side effect, so maybe I'm onto something.) Of course, you could fit my drug knowledge in a nickel bag and still have room left over for my knowledge of Physics and car maintanence. Anyway, Rush will be back on the air Monday. It remains to be seen if his time in the hippie rehab center has changed him at all. [via Mediabistro] Even more on cupcakes
First Gothamist told us that New York is a Cupcake Town. Then The Curiosity Guild introduced its cute (but totally inedible) crocheted cupcakes to the world. Sidebar: For all you fans of glossy expertly-manufactured photos of glossy expertly-manufactured pop stars (that means you, Grambo), RS helpfully provides 88 (!) photos of Jessica Simpson, only one of which also features of Swiffer.
November 12, 2003
Obligatory Paris Hilton Sex Tape posting
Anyone notice the visual symmetry between the available stills and the cover of Limp Bizkit's new album Results May Vary? Plus, I hear both appeal to the lowest brow tastes of the lowest common denominator. (Whoring for some hitsnow that's low, um, culture.)
November 11, 2003
New York's Amazing Feet
Submitted for your approval is the cover of The Nose, issue 26. For those who missed its briefbut greatrun, The Nose was a satirical news and entertainment magazine out of San Francisco. It was sort of like a West Coast version of SPY Magazine, or The Onion, were it more obsessed with conspiracies, porn, cable access shows, and comedians. There's really almost no legacy of The Nose on the Web, but you can check out founding editor Jack Boulware's book, Sex, American Style: An Illustrated Romp Through the Golden Age of Heterosexuality. Oh, and in case you're wondering: smushed under the pump of that amazon woman is the comedian Patton Oswalt, who also wrote the accompanying article about the "giant woman" fetish. I'll leave it to other, more skilled writers to critique the actual article accompanying the New York cover.
November 10, 2003
You're a lucky mother, Tucker
Will the bias and the slander of the liberal media ever end? Sadly, not in our lifetime, as the new Mel Gibson movie and TV series prove. And now this: today brings news that bow tie-loving conservative commentator Tucker Carlson has been given a new show by PBS scheduled to air sometime in June 2004. According to reports (translation: press releases spun into articles), the still-untitled show will be "a lively discussion of the week's news stories from a wide range of perspectives." So, I'm guessing it's a lot like The Man Show meets This Week... with bow ties. I don't know about you, but I'm setting my TiVo now! Anyone have any suggestions for titles? I was thinking Nip/Tucker or maybe Tucker MC's Call Me 'Sire' but both sort of suck. Little help? Anyone... The Miramax Scared Shit List
Poor Elizabeth Wurtzel. According to an article by Thomas Vinciguerra in this week's Times Styles section, the chronically depressed, phantom blow-jobbing author of Prozac Nation finds the film version of her book sitting on a shelf at Miramax headquarters, and it might never see the light of day. The article attempts to tease out exactly why Miramax, the makers of such recent classics as The Battle of Shaker Heights, has not seen fit to release it. What exactly is so bad: the direction? the music? Christina Ricci's first topless scene? Then, we get this: It seems that once again, Miramax, the baddest bad-ass mofos of the studio-indie worldpossessors of uncompromising vision and considerable artistic ambition are once again cowering in fear of some controversy. Here, for your edification and amusement is a partial list of films Miramax has canned, changed, and put on hold due to various controversies. Call it, The Miramax Scared Shit List: So, Liz, you should feel like you're in goodor in some cases, mediocrecompany in turnaround. Then again, you probably feel good about so little in this world, so you might as well just go on the way you have been. Sidebar: Vinciguerra's article also offered us a fleeting example of the major difference between a big league film reviewer and a swatter in the minors. Check it out: Advertisements for my Elf
Remember when Swingers came out and everyone was saying "Vegas, baby" and "You're so money"? It was like screenwriter and star, Jon Favreau and a bunch of his half-cool/half-dorky friends managed to revise the lingua franca through the sheer force of their giddy group love and determination. Swingers was also pretty funny: great riffs on the awkwardness of dating, answering machine etiquette, and the anxious "when will life begin" feeling of being in your mid-twenties. The film also contained some uncomfortably accurate insights into how envy, competition, and loathing factor into even the closest of friendships. Fans of le savvy Favs were probably pretty surprised to hear that he'd chosen to direct Elf, a saccharine-sweet big budget holiday family film about a human raised by Elves who leaves the North Pole in search of his real father and the true meaning of Christmas. (If that description sounds like a joke, $32 million worth of ticket-buyers all laughed at it this weekend.) But watching both films, it's clear that Swingers and Elf aren't so different: you might even argue, they're the exact same movie. Looking at Elf this way, it becomes clear that Favreau, despite glaring weaknesses such as his almost religious devotion to Syd Field-type screenplay rules, is a true auteur: he's also a very autobiographical filmmaker. Swingers (directed by Doug Liman), as everyone knows, tells the story of being an ambitious out-of-work actor, unlucky in love and life in Los Angeles. Made tells the story of two friends who've come up together but whose bond begins to fray when one of them (the grating Vince Vaughn) over-reaches in the ambition department and gets them in trouble with some rich, shady people. (Sounds a lot like Hollywood, right?) Elf fits comfortably in there because it's the classic family movie made by a new father. (Since Favreau appears to only be able to make films about the exact place he's at in life, let's hope he and his wife never divorce so we're spared his version of the Paul Masursky/Blake Edwards mid-life crisis comedy.) Another reason for making Elf may have been the chance to cast people like James Caan and Faizon Love and enable Favreau to further cement his self-appointed role as the ambassador of old and young Hollywood. Week after week on his IFC show Dinner for Five, he plays out the fantasy that he sits (literally and metaphorically) at the head of a raucous inter-generational dinner party wherein he is both a veteran and and a wide-eyed student. (On a related note, Dinner is co-produced by Peter Billingsley, "Ralphie" from the great A Christmas Story, a holiday film that's still funny. And, no: he did not shoot his eye out.) But in the end, the main reason Jon Favreau made Elf goes all the way back to the beginning of his career in the public eye, and it's the most obvious reason of all: he knew it would be, like, money.
November 7, 2003
Fanboy and Zooey
Finally, the higher-ups at the New York Times have put a journalistic restraining order on film critic Elvis Mitchell and his unabashed adoration for Zooey Deschanel, a perpetually rising star who has appeared in films such as Almost Famous and David Gordon Green's elegiac All the Real Girls. Poor, poor Elvis. The paper has given today's review of the new release Elf to A.O. Scott, so it appears as though readers will miss out on Mitchell's customarily superlative (and well-nigh stalker-esque) praise of Ms. Deschanel. Here's a sampling of laudatory comments culled from the Mitchell/Deschanel archives: Elvis reviewing The Good Girl by Miguel Arteta and Mike White: "Ms. Deschanel, who alone is one of the best reasons to go to the movies these days, takes her few lines and sprinkles them through her scenes like fairy dust. This makes sense, because she's intensely pixilated -- a devil doll with a hunger for mischief." Elvis reviewing The New Guy: "The able cast also includes the protean young actress Zooey Deschanel, who has yet to give a bad performance in her brief career, as one of Diz's pals. (She and Mr. Qualls worked together in ''Big Trouble.'')...She's so good that you'll wonder if ''The New Guy'' will stay on her rsum as she gets better work." Elvis reviewing Abandon, the disastrously bad Katie Holmes flick: "'Abandon' features another score by a winning young actress who seems incapable of making a wrong move. But it's not by the star of the picture. That notable performance comes from the capable Zooey Deschanel playing a supporting role as a pleasure seeker with a quick, unembarrassed smile and a way with a line that takes the sting out of an insult -- almost. She and several other actors almost rescue the meagerly plotted 'Abandon' -- a picture so moody that physicians might want to prescribe Prozac for it." For all of Mitchell's praise of Ms. Deschanel, we're nonetheless concerned for her well-being. You may be able to take Zooey from Elvis, but you can't take Zooey from the Times' other hot-blooded males: Here's fourth-tier critic Dave Kehr reviewing Manic: "'For all of his uncontrollable inner violence, Lyle is attracted to the painfully shy, withdrawn Tracy (the superb Zooey Deschanel)...Ms. Deschanel, in a role filmed before her glowing work in ''The Good Girl'' and ''All the Real Girls,'' is particularly spontaneous, unaffected and emotionally direct." Oh, and today's review of Elf by A.O. Scott? There's really no escaping the plaudits: "Cutting through the sugar like a bracing dash of lemon juice is Zooey Deschanel, playing Jovie, an elf-for-hire at Gimbels, where Buddy stumbles into a job. Ms. Deschanel's extra-wide eyes and delicately pointy nose and chin give her face an elfin cast to begin with, and she is as plausible a love interest as a character as fundamentally sexless as Buddy could hope to have. He cheers her up, she calms him down, and together they manage to be sincere, cool and winningly goofy at the same time." Fanboys abound! Bill Keller, please...bring Janet Maslin back. Please Stand By
While I'm living without cable or internet access the way God and Bill McKibben intended, you should take time to visit some our Monheit, Jr.-approved links, below. See ya next week, and can someone please tape The Simpsons for me? [Thanks to D.F. and L.S. for letting me use their house today. Also, you guys, you're like totally out of root beer and Pringles: if you could pick some up on your way home from work, that would be awesome.]
November 6, 2003
Nouveau or Ancien?
Even as he attempts to spin something new out of forms derived from nature, Patton acknowledges these architects' debts to the past by saying "But because of new materials and aesthetics, these influences are updating the effulgent, botanical shapes of Art Nouveau of a century ago and rethinking the biomorphic sci-fi boomerangs and kidney-shape coffee tables of the mid-20th century." (Italics, mine.) But what about Berthold Lubetkin's penguin pool at the London Zoo, just a tube ride away from Ross Lovegrove's Notting Hill home office? According to one Web site: "Lubetkin seems to have seen this building as an opportunity to creatively explore the possibilities of a new building material available in 1934reinforced concrete. Having studied the habits of penguins he created a penguin enclosure and pool that provides an interesting environment for the penguins, a multiplicity of viewing angles for the spectator and a Modernist building of true clarity and style." (Italics, mine again.) So, is it a new tendency? Let's let old man Wright have the final word: "Nature is my manifestation of God. I go to nature every day for inspiration in the day's work. I follow in building the principles which nature has used in its domain." Frank Lloyd Wright, 1869-1959 [Thanks, Chloe!] Finally, a film for the entire family
According to Kevin Roderick on yesterday's LAObserved, Mark Bowden's October Atlantic cover story on torture, The Dark Art of Interrogation, has been optioned by Jerry Weintraub the veteran producer of all three Karate Kid movies and the remake of Ocean's Eleven and its currently in-production sequel. "The idea is to do this as a character-driven, high-stakes, high-tension thriller that focuses on a mano-a-mano battle and test of the wills," according to Mark Vahradian, a top executive at Weintraub's company. All manner of innovative cruelty is still commonplace, particularly in Central and South America, Africa, and the Middle East. Saddam Hussein's police force burned various marks into the foreheads of thieves and deserters, and routinely sliced tongues out of those whose words offended the state. In Sri Lanka prisoners are hung upside down and burned with hot irons. In China they are beaten with clubs and shocked with cattle prods. In India the police stick pins through the fingernails and fingers of prisoners. Maiming and physical abuse are legal in Somalia, Iran, Saudi Arabia, Nigeria, Sudan, and other countries that practice sharia; the hands of thieves are lopped off, and women convicted of adultery may be stoned to death. Governments around the world continue to employ rape and mutilation, and to harm family members, including children, in order to extort confessions or information from those in captivity I don't know about you, but I'm ready for this movie, like, now. It's got thrills, uplift, and moments of great comic relief. Oh, and if they're putting together a soundtrack, I know a little ditty from the Wu-Tang Clan that works. (Then again, if they really want a soundtrack that screams torture, they could get this guy to do what he did on The Hours.)
November 5, 2003
Different Strokes for Different (Network) Folks
When two seemingly unrelated phenomena occur at the same time, we call it a trend. Used to be three things, but among its many contributions to the culture, Entertainment Weekly lowered the bar to two phenomena. [Thanks Krusty!] Jesus, Mel!
It looks like God, the Jewish-run media, and those sneaky, learned elders of Zion continue to hold Mel Gibson down: Oscar winner Mel Gibson has teamed with ABC and Universal Network TV for a family comedy inspired by his life as a father of six boys. Will the persecution ever stop!?! Related: Mel Gibson's Jesus Christ Pose by Jessica Winter "No Comment! Aww, heck. Who am I kidding? We always comment."
And you thought Ari Fleischer had a tough gig. Imagine trying to be Paris Hilton's press spokesperson. This comes from the celebrity advocacy journalists at Page Six: PARIS Hilton - who has already weathered the worldwide circulation of a graphic photo of her exiting a car minus her panties - is now starring in an amateur porno, a la Pamela Anderson and Tommy Lee. The video, shot three years ago, features the hot-blooded hotel heiress and Shannen Doherty's husband, Rick Solomon, in a variety of X-rated activities. Doherty and Solomon split up after the tape was made, but have since reconciled. Hilton "keeps staring into the camera and trying to show her best side," said a source. "She knows she is being taped and [Solomon] keeps trying to get her into sex positions that are better for taping, if you know what I mean." An anonymous donor, who may be planning to sell the tape over the Internet, dropped off copies to media people. A rep for Hilton said: "This was something she did with Rick while they were dating, after he was no longer with Shannen, and it was something that was intended for their own personal use. This tape was never intended to be viewed by the public and it is in poor taste that someone has decided to release it." If only Fleischer had been this honest. ("There are no W.M.D. The President said that for his own personal use...") Blogmore Academy Class of 2003
November 4, 2003
Beards on you, Gerhard!
Past winners include Penlope Cruz and Kelly Preston, but as with so much from the previous century, the competition has come to be dominated by Germans. McInnes' Content?
When exactly did VICE become the new Brill's Content? Younger readers of low culture might not remember Content, the sprightly, engaging, wildly popular magazine of media criticism from the friendliest suspenders aficionado since Mork came from Ork. The VICE/Content overlap first occurred to me when Gavin McInnes wrote to Gawker to explain how The New York Times did him wrong in a Style section profile. His typically all-over-the-place prose was littered with the sort of righteous resentment found in many a Content piece: Reading the new issue ("The Mistakes Issue"is there any other kind?), I found several instances of meta-media critiques filling the spaces usually occupied by peans to butt-sex and video games. We get a response to a letter on the letters page that reads: Then there's an extremely long (almost Brillsian length) article on "Scary" Perry Caravello that becomes a drawn-out examination of journalist-subject collusion and the anxiety of being "scooped" by Page Six. Then there's a fashion spread called Dear Anna Wintour: You Are Wrong that features plus-sized models. Not really the sort of thing you'd expect from a magazine mostly read by 16 year-old skateboarders. Let's hope VICE doesn't go the way of Brill's Content, mostly because I can't stand the thought of Gavin writing a highly acclaimed book about 9/11 and going into the airport security business.
November 3, 2003
Like Fallin' Off a Log
It's been about two weeks since Amazon introduced its "Search Inside the Book" function, and already, we're witnessing a change in journalism. Take, for example, this unsigned New York Times Week in Review piece that wrote itself simply by going to Amazon and typing in Santa+Ana+winds. Exclusive: Sydney runs the city
low culture put in a bid for the exclusive rights to Sean P. Diddy Comb's ING New York City Marathon diary, but we lost it to The New York Post, which apparently offered Diddy more exposure and lighter editing. In lieu of the hip-hop/fashion mogul, our correspondent MATT SLONIM took dictation for the marathon diary of Sydney Goldfarb, an importer-exporter from New York's Upper West Side who ran beside Diddy for 18 of the 26.2 miles of the marathon.
October 31, 2003
Be thankful Carl's Jr. isn't based out of Washington, D.C.
7up "flipped it and reversed it" to become dnL, and next thing you know, twenty-somethings felt like skateboarding and reading "Thrasher" for the first time since junior high (and it surely didn't hurt that 7up, I mean, dnL, tastes way cooler than yesterday's extreme-sports soda, Mountain Dew). Now, according to Adweek, the branding wizards at Mendelsohn/Zien are giving us another rechristening. Beloved second-tier fast-food chain Carl's Jr. is pandering to its Los Angeles base: "With a simple display of the fast-food chain's smiling-star logo, a voiceover announces, "Carl's Jr. would like to extend a special welcome to the L.A. Lakers' Karl Malone," at which point a super comes up under the Laker-gold star, reading "Karl's Jr." The sound of a bouncing basketball concludes the spot." Phew. Seeing that revised logo the first time, and given chain founder Carl Karcher's notorious background as an avid Southern California Republican, I initially feared far more insidious influences were at work. They're Ba-a-a-ck!"
Finally! Richard Rushfield and Stacey Grenrock-Woods (and their stellar contributors) are back with a second issue of LA Innuendo. What you will find inside (or on the Web site if you don't live in Los Angeles): Makes me sad that there wasn't anything this good to read when I lived in LA. Stain/Glass
October 30, 2003
Tonight on CBS: Touched by a Plushie
Earlier this month, Bernard Weinraub of The New York Times reported the astounding fact that Carol Mendelsohn and Ann Donahue, writers for C.S.I and its imaginatively-named spin-off, C.S.I. Miami (we accept no responsibility if you follow these links to the shows' incredibly bad Flash-intensive homepages) had signed a contract that would pay them each $20 million if the shows lasted through the 2007-2008. According to Weinraub, Jerry Bruckheimer, the shows' producer, called the writers "the backbone of the shows." So, what sort of edgy, groundbreaking plots has CBS managed to get from Mendelsohn, 52, and Donahue, 48? How about episode the story of a murdered plushie tonight at 9PM EST? Maybe they're trying to go after their closest competitor (in terms of cult following and franchise-growth), Law & Order, promos for which frequently boast the the plot was "Ripped from the headlines!" Only, the headline this episode of C.S.I. was ripped from is from March 2001. Ever wonder what your mom's phone number was before you were born?
"Hefner's two little black books from 1957 and 1958, include a who's who of celebrities and cultural icons of the day, ranging from Richard Avedon to Oleg Cassini. Christie's says the address books could fetch up to $12,000 apiece." Bunny Booty On The Block In Playboy Auction By Paul Tharp
October 29, 2003
Mmmm...Citrusy Fresh
Amazingly, we learned that in addition to the usual criticisms of the Bush administration and The New York Post, hilarious Separated at Birth rip-offs, and love letters to Tracy Morgan you've come to expect from us, what people want most is insightful analysis of new oral hygiene products and gratuitous cursing. Well, let it never be said that we don't pander. What the fuck is up with citrus flavored mouthwash and toothpaste? Who the fuck thought people want to clean their teeth with something that tastes like Sunny Delight? You know that gross just-brushed-your-teeth-and-then-drank-orange-juice feeling? Apparently some people like it so much, they want to compress it into one simple step. Seriously, are the makers of Crest Whitening Expressions and Citrus Listerine planning on putting out products flavored like crack? Because clearly, that's what they've been smoking. Snorfling
Buried at the very end of Armond White's review of The Human Stain in this week's New York Press is this: Snorfling? What the snorf?!? Curious, I snorfled over to the blogger's best friend, Google and tried to find this word. Here's what I got: What is my Greyhound trying to tell me? Earlier thoughts on Armond White from low culture. A Lesson for the Youngsters
Make me look on the outside like I feel on the inside
Saw the trailer for The Last Samurai last night. What's the deal with Tom Cruise always wanting to be uglied up in his movies? In the Samurai trailer we get two shots of a badly bruised and swollen Cruise, his coverboy looks destroyed. Any shrinks out there wanna take a crack at this? Terry Southern, 1924-1995
Today is the eighth anniversary of Terry Southern's death. Terry was co-author (with Mason Hoffenberg) of Candy (they were paid $500 for their retelling of Candide as a softcore romp through the sixties), co-screenwriter (with Stanley Kubrick) of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (he also tried to get the director to let him co-write A Clockwork Orange with Mick Jagger and the Rolling Stones as Alex and his Droogs), the true author of Easy Rider, and a journalist, to boot. Terry was the knock you on your ass funny heart of the sixties counterculture and an astute slayer of pietiesright, left, center, everything in between. Dear Ms.: According to Dick Holland of The Austin Chronicle, there's no evidence that Ms. ran the letter in whole or in part. Let Terry's writingand his utterly uncompromising, career-ruining anticsbe a lesson to all of you safe, boring, self-styled "humorists" out there (you know who you are!) who's only ambition is to write an illustration-heavy quickie book about current events, land a New Yorker Shouts and Murmurs piece, get their own McSweeneys perma-link, or fill the once-a-month humor hole in The Times Op-Ed page. If Terry were alive today, he'd tell you exactly which hole you can fill and how. (Furthermore, Terry would never call himself a 'humorist': sounds too much like 'economist' or 'manicurist' and besides, it makes being funny seem like a job.) To do today:
October 28, 2003
FOX gets Meta
Not sure how I feel about this: it appears the FOX Network (or at least their marketing people) has discovered this weird thing called 'meta'. How else to explain the ad for the soon-to-be cancelled new show Arrested Development with this phrase: It's called heading off criticism at the pass, people. And when your show stars Jason Bateman, it's an absolute necessity. Born Rich: An Obligatory Review
Though we're still listening to EMF and several assorted skronk mixtapes, we knew that it would be a great disservice to the youthful upper-middle-class post-hipster community to blithely ignore the arrival of The Strokes' second album, so we had guest reviewer Guy Cimbalo review the reviews: The Strokes release Room On Fire today, affording the dubious field of rock journalism an opportunity to plow through more self-same cliches than typical coverage of how difficult Thom Yorke can be. But why slog through countless articles headlined Different Strokes? when low culture lets you read them all in one sitting? Continue reading...With no sanity grip!
[Thanks, Madame J!] Is it art... or a cry for help?
Who can forget their adorable take on smushed-together pre-adolescent girls with penis noses? Or their enlightening take on the Holocaust involving miniature concentration camps. (The figurines would be right at home in a Bürger Führer Unhappy Meal™.) Here's part of their latest bid for a little attentionand a lot of scratchin the 20th annual Turner Prize in December. On the left, we see Death, (note the oblique, deep title) "a life-size bronze cast of two inflatable sex dolls engaged in fellatio." Oh, so that's what those two dolls were doing! The weird thing about Jake and Dinos' shocking, shocking art is that its really, really boring. I mean, what angry 10 year-old boys hasnt doodled the same things in his notebook during a boring math class? It reminds me of the name (and the cover art) of an old album. And I didn't have to go to a museum to see it. Prog Blog?
Simon Reynolds goes prog crazy on his blissblog. Sort of reminds me of how the Smurfs talked only, um, more prog. Editor-in-Chief, edit thyself
I saw this headline on The New Republic Web site and assumed it would be yet another piece on Gregg Easterbrook: When it comes to anti-Semitism, old habits die hard. Instead, I found an essay on the Middle East by TNR's Cambridge Diarist and editor-in-chief Martin Peretz. Outrun This, Diddy
Let's see if the Teflon Hip-Hop Don can outrun this latest controversy: I'm betting he'll flip this in his favor just like everything else in his charmed life. Everybody Hurts
Note: This was a review of Ang Lee's Hulk written around the time of the film's theatrical release for an online magazine. The article got spiked due to the film's precipitous decline in the box office during its second week and a general sense that the film didn't have the cultural impact people had anticipated. Hulk has just been released on a two-disc DVD. This article is pretty fucking long, so no one will blame you if you skip it. "Green personalities want to help every one. They are nature's mothers... Nurturers by choice, they are the ones who take care of animals, humans and plants. "Green personalities need to be careful not to make martyrs of themselves." - Da Juana Byrd, "Color Personality" Test from PsychicAdvice.com I have seen the future of manhood, and it is green. Hulk green, to be more specific. Continue reading...
October 27, 2003
MTV's Sunday Stoopid
Tuning into last night's "Sunday Stew" lineup of new shows on MTV, one was treated to the moronic adolescent behavior we've come to expect from the network that contributed "Frog Baseball" and Chris Hardwick to the culture. There were instances of taunting hyenas with meat, punching a jolly fat man in the face repeatedly, stomping around Las Vegas hotels in flip-flops and baggy basketball shorts, and taunting a 15-year-old until she cried. What was striking though, was that instead of all these antics being acted out by particularly destructive 13-year-old boys, we were treated to these delights from adult men, some of whom were over 30 years old. If Christopher Noxon of the Times' Style section hadn't already dubbed such men-boys 'rejuveniles' back in August, we might refer to them by the name of the show that spawned them: Jackasses. Forget Ashton, and his nauseating shouting and mugging on Punk'd (seriously, try to forget himit'll make it so much easier when he's on VH1's Where Are They Now in two years), the biggest Jackasses of all were Steve-O and Chris Pontius, or as they're called when they're stripped naked together, Wild Boyz. The premise of Wild Boyz is simple yet strangely compelling: let's set two complete idiots loose in some wild terrain with some wild animals and see what happens. Ripping a pageor two, or three, or all of themfrom the short-lived, but infinitely better series Fishing With John, the show combines totally uninformed animal husbandry with straight-faced nature program voice over: It's like a National Geographic special hosted by The Three Stooges. Over a decade old now, Fishing With John was hosted by eighties downtown scenester and indie movie dude John Lurie with a revolving cast of grizzled hipster eminences like Tom Waits, Willem Dafoe, and Dennis Hopper and brought some laid-back "cool daddy" cool to what was essentially a boring genre, the fishing show. (Highlights on the Criterion DVD include Tom Waits and John Lurie trying to catch a shark using Jarlsberg cheese and a gun and Willem Dafoe asking John very sweetly if maybe they should zip their sleeping bags together for warmth while camping on a frozen lake for ice fishing.) In contrast, the zingiest banter between Steve-O and Pontius runs along the lines of "Oh, man!" "Yeah, dude!" It's like MTV has gone back to square one. Yes, a sure way to date yourself is to complain that MTV is stupid and juvenile and tell everyone you liked it soooo much better when Remote Control was on and Kennedy walked the earth, but seriously, I expect a little better from MTV. If they keep this up, I might have to start watching A&E and we don't want that, do we? "The New Yorker, yes, The N(EW) Yorker"
We ask only because Heffernan's profile of Fey seems to channel the spirits of Baldwin's coverage of Weekend Update co-hosts Fey and Jimmy Fallon, which originally appeared in the May 10, 2002 issue of EW. To wit: 1. Sit in on writers' meetings and/or SNL dress rehearsal discussions to convey the humorous give-and-take of Fey's job. "[On a saturday afternoon] The writers were trying to come up with a joke about the Dixie Chicks, whose lead singer had slighted President Bush. Doug Abeles read the setup: While in London on Thursday, the Dixie Chicks angered country-music fans when lead singer Natalie Maines told the audience, Just so you know, were ashamed that the President of the United States is from Texas. Fey squinted, as if detecting a quip in the distance...We apologize, she suddenly declared. We forgot that our entire fan base were hillbillies and idiots. Everyone chuckled except Shoemaker, who pointed out that Dixie Chicks fans were people like his wife. Fey agreed, without apology, and the group moved on to a joke about a man who swallowed a diamond ring in order to ask his proctologist to marry him." (The New Yorker, 2003) "Update cohosts Tina Fey and Jimmy Fallon survey the patchwork of hilarity looking for stuff to cut, while simultaneously facing pressing challenges...And then there is the Captain Morgan problem. "A new study reveals that eyedrops work as well as eye patches to correct lazy eye. A skeptical Captain Morgan said, 'Yeah, I've heard that one before.'" Although it's not every day a person gets to work the swashbuckling mascot of a rum brand into a joke, an Update staffer has some bad news for Fallon: "The thing is," he says matter-of-factly, "Captain Morgan doesn't have an eye patch." In a room full of comedy writers, that's all it takes to provoke a riffing frenzy." (EW, 2002) 2. Invoke Fey's adulatory hipster fan base, and the discomfort this provides her. "As we were talking, a man in his twenties, with wild tufts of dark hair, stopped by our table, which was near the soda fountain. Over the roar of a blender, he shouted to Fey, Can I tell you that you are amazing? I dont want to interrupt, but you are truly, truly amazing! Fey thanked him, staring down at her plate." (The New Yorker, 2003) "It would embarrass Tina if she knew how many people have told me they think she's, like, the hottest woman on TV," says [Weekend Update producer Michael] Schur. The sex-symbol issue is, in fact, one that makes both Fallon and Fey squirm uncomfortably and stare at their hands. "I just try to stay out of it," says Fey, who's married to theater director Jeff Richmond. (EW, 2002) 3. Mention People magazine's "50 Most Beautiful People" list in some capacity "She lost thirty pounds in the year before she went on camera for Weekend Update, and she now works out with a trainer and counts the point value of each meal according to the Weight Watchers system. (Earlier this year, People included her in its annual list of most beautiful people. Dont mention it, she told me. Ride it out.)" (The New Yorker, 2003) "Brace yourself for some full-body blushing, buddy: Fallon just landed on PEOPLE magazine's 50 Most Beautiful list, and gossip columnists have spilled much ink linking him with such ladies as Winona Ryder and fashion designer Tara Subkoff." (EW, 2002) Geekier than Hell
I love Elvis Mitchell so much that if he were to review the phonebook, I'd read it just to admire his turns-of-phrase and character sketches of Aaron A. Aaronson and Aaron A Adams. Somehow Mitchell manages to be both cool and a major geek at the same time. Case in point, Mitchell's piece in this week's Times Arts & Leisure section, The 'Kill Bill' Soundtrack: D.J. Quentin's Recycled Mix in which Elvis waxes geekier than Harry Knowles, "Moriarty", and Quentin Tarantino in a three-way AOL chat. NY vs. DC
In a case of New York media ethnocentrism that would be shockingshockingif it weren't so damn predictable, spinsters flipping through this Sunday's Times Vows column were treated to a full-page story (with accompanying photo) about New York magazine's Amy Sohn's wedding to painter Charles Miller. What's so shocking is that just a page or two later, The Times reports on the wedding of New Republic editor Peter Beinart to Diana Hartstein with a teeny-tiny 2.5 paragraph story with no photos! Are we really to believe that a sex columnist for New York has more glamour and appeal than the editor of The New Republic, America's foremost weekly journal of centrist liberal thought? Sure, Amy writes about her sex life without shame, but Peter knows Al Gore! Someone somewhere must've thought TNR was hot, because there's a little movie coming soon all about the magazine starring this sexy beast. This is so unfair. And you know Amy's wedding will get optioned as a We movie starring that Jewish actress from Coupling (The Taming of Amy: How New York's Sexiest Sex Column Settled Down for Sex with One Man!) while Peter would be lucky to have his wedding mentioned on K Street. It's enough to make you cancel your subscription to all 20 glossy magazines you get every month. Pseudo-imaginary conflict of interest watch
The New York Times announced today that its "public editor" will be Daniel Okrent. [via: Romenesko] Jesus "Hollow" Christ
I just can't get enough exhilaratingly bizarro news about Mel Gibson's upcoming The Passion of Christ, and I don't even believe in God. But I do believe in crazy movie-making antics! First, there was last week's news that lead actor Jim Caviezel was struck by lightning while filming. OK, sure, I can buy that. But then Variety's Army Archerd also reported last week that Gibson was using -- get this -- an animatronic, Jim Henson-esque robo-Christ to suspend from the cross for a number of scenes, since I guess being splayed out on behalf of sinners everywhere for extended periods of time made Jim "I'm no method actor" Caveziel uncomfortable. The virtual Jesus "was created by Keith Vanderlaan's Captive Audience F/X company which allowed Gibson to shoot long exterior shots in Italy because "Jim Caviezel couldn't remain on the cross in that cold for hours with only a loin cloth." According to Archerd, "the animatronically controlled head moves, the bleeding and beaten chest heaves... [with] special bloody prosthetic makeup appliances to be CGI'd on the figure of Jesus which is stripped down to the bone resulting from the 'horrible instruments of torture.'." So what happens to this action-figure/son-of-god when shooting wraps? Does Mel Gibson get to keep his own, personal, Jesus? (That, by the way, is the second almost-unintentional Depeche Mode reference in this particular post, after the lead sentence. Won't happen again.)
October 26, 2003
For this Murdoch, NoLita is the light of his life, fire of his loins
October 24, 2003
How well do you really know McG, the director of Charlie's Angels?
Step aside, Vincent Gallo. Schlockbuster movie director McG has laid claim to the new monopoly on jaw-droppingly shocking interviews given in support of recent film projects. The Hollywood hired hand and former music-video veteran, whose public perception had seemingly been limited to knowledge of his single-word name, his sandy blond hair, and his surfer-dude appearance, is making an effort to transcend (or at least justify) his body of work, which includes the garishly awful (and thankfully short-lived) television series Fastlane and -- most notably -- the two Charlie's Angels films. In other words, the guy has exclusively trafficked in "wham, bam, glam and slam." Or so we thought. In a recent interview for DVDFile.com given to support the DVD release of Charlie's Angel's 2: Full Throttle, McG has bestowed upon us his take on everything from philosophy to life in the digital age. Some highlights, lest you continue to think the guy's a total dunce who produces films of little or no redeeming value: "When I was younger and I was in school, I wanted to be a psychiatrist and I was studying philosophy very deeply and I found myself becoming increasingly unhappy. And just I was getting into sort of Locke and Hume and I was studying Nietzsche to a degree, the more I said, look, I'm really passionate about music, I like the way it makes me feel, I'm very passionate about film, I like how I lose myself and become immersed in a picture when I go to the theater for two hours. I got more and more excited about that and let go some of my philosophical dwellings and I've strangely become a happier person for it. And I mean it is just an approach to living, because I'm very cognizant of different philosophical takes on the life experience, but I've been unsuccessful in trying to unravel the mystery of life." Well, then. But what are highlights without a few lowlights? After all, who doesn't love a good cliche every once in a while? "Sometimes you capture lightning in a bottle and sometimes it eludes you, and you know, this one has just been a little bit of a bittersweet symphony." And some bad cliches, or cliches that never were: "With Drew Barrymore, the special moments outnumber the mundane. You know what I mean? She just has a way of making chicken salad out of chicken shit." Erm...stick with the well-worn aphorisms, dude. The Morgan The Merrier
Earlier thoughts on Tracy Morgan from low culture Isn't she lovely?
Speaking of six months ago, Dateline has an interview with Elizabeth Smart tonight at 10PM EST on NBC. Man, is she ever purdy or what? I mean, this kid's been through hell and come face-to-face (and worse!) with the devil himself and yet she still radiates that wholesome all-American, girl next door glow. Attention editors of Cosmo Girl!, Seventeen and Teen Vogue (or at least the editor of the next Revolve): Put down your chai skim lattes, pick up the phone and get this girl on the cover of your magazine post haste. (Katie Couric, optional.) Seeking: Negative reviews of something universally wonderful
Prior to this week, I had always (naively, I suppose) thought the world of architectural criticism was filled with wild arguments between opposing camps of urban theory and clashes between supporters of different eras of architectural history. I salaciously imagined elderly geezers hurling wine goblets at one another as they verbally tore apart Frank Lloyd Wright's famed wooded house in Pennsylvania, or young M.A.-thesis-seeking neo-hipsters engulfing themselves in smoke and intellectual detritus as they bitterly debated the detriments and merits of Calatrava's bridges. I was so, so wrong. Apparently, architectural critics can be in agreement, and about uber-post-post-postmodernist Frank Gehry, no less (who burst into the cultural limelight with his somewhat psychotic, but ever-so-fluid Guggenheim Bilbao museum). Everyone, from the San Francisco Chronicle to Slate to the New York Times to, well, the somewhat predictable cheers of the Los Angeles Times, is damned-near raving about this thing: its innovative acoustics, its stately presence, its compelling framing of Los Angeles' downtown. "A Wonder of Sound and Magic," proclaims L.A.'s local paper. "Exuberant" and "a triumph," coos Slate. "Shimmering" and "undulating," proffers the Times' Bernie Weinraub. A "grand pirouette of swooping stainless steel facades and billowing curves," ejaculates the Chronicle in San Francisco. And even I think I love it, and I've always tried so very hard to be contrarian. Please, someone, help me out and verbally rip this metallic masterpiece apart; shred its bold reinvention of concert-hall acoustics, excoriate its majestic manifestation of sound and space. Pleeeeeeease. Pretend we're discussing Richard Meier's ghastly marble Getty Center in Brentwood, if you must -- just let the decimation begin! (Past discussions on blurbs from low culture) I Love 6 Months Ago
VH1 concludes its I Love the 80s docu-decalogue tonight with I Love the 80s Strikes Back 1987, 1988, and 1989. If you're anything like me, you'll miss the potent mix of sociological trend-reporting and tossed-off riffing this series provides on a nightly basis. Also, you'll miss seeing those Daily Show correspondents go it alone without the aid of writers. But, have no fear, VH1 has a new series in the works and your pals at low culture have an exclusive sneak-peek. VH1 presents I Love 6 Months Ago. Continue reading..."The Most Helpful Blurb of All Time! A Real Knockout!"
Before seeing Scary Movie 3 tonight, clip and save this incredibly helpful blurb from the movie's ad: On the extreme opposite end of the blurb spectrum, can someone explain what Stephen Holden meant when he wrote of Scary Movie 3: Spinning as Fast as I can
Side bar: Hey, all you kids with lush, thick hair. You probably laugh at Ari's shiny pate, but this is how homeboy looked in high school.
October 23, 2003
In the town, where I was born...
UPDATE: Talk about topicality! Yellow Submarine for the super-rich. (Sorry merely rich and filthy rich: this one's for the super-rich.) How to write an obituary without breaking a sweat
Today's journalism lesson from The New York Post: How to write an obituary entirely from the Internet Movie Database. From '70s TV star 'Rerun' dies by Michael Starr Post: Post: Post: Post: Earlier journalism lessons from low culture.
October 22, 2003
MTV finds its Pulse
Just got my hands on a copy of MTV's Spankin' New, the new MTV Magazine. It's just like Pulse, the free magazine Tower Records used to give out (some overlapping writers, too). Only I had to pay $5.95 for SN. Talk about value-added! What Easterbrook could learn from Rousseau
Everyone and their mother has been heaping shit on Gregg Easterbrook for his now infamous Kill Bill: Vol. 1 and the Jews blog entry. Frankly, I'm bored with this whole thing (so bored, I'm not bothering to link to Easterbrook's original essay, his apology, or any of the excellent commentary out there on sites like Radosh and The Antic Muse or to The New York Times article), but all this talk of Gregg writing faster than he thinks, not arranging his thoughts well, etc. reminded me of something Jean-Jacques Rousseau wrote in his Confessions way back in the early, early days of blogs in 1782: So, if Gregg had only waited for his thoughts to form properly (and cleaned the pipes regularly like Spanky Rousseau), he might not be in all this trouble now. Li'l Devil Has Big Plans
Dateline: Los Angeles, 2012 Earlier thoughts on Satan from low culture [via: The Kicker] Mmmm... 64 individually wrapped slices of cheese(cake)
For some reason, Yahoo felt the need to post 64 images of Scarlett Johansson today. If you're a man, comfort yourself with the fact that Scarlett told The Times recently: "Men have no aid to tell them that they're getting older. They just see their bodies decaying. A young, fertile, fruitful woman can help you across that bridge." If you're a woman, try not to hate her for saying, "For older women, death happens inside. What comes with that death is a kind of liberation." Scarlett Johansson will turn 19 on November 22. The Journalist of Desire
I've been a fan of George Gurley's New York Observer work for years now. I love his calculatedly tossed-off writing style, his relentlessly Gurley-centric approach to New York, and his transparent desire to talk to as many attractive women as possible every time he puts on his Press hat. This week, Gurley continues his special brand of journalism by asking women (and some 'famous' men like Macaualy Culkin and Tad Low) about their vaginas. In the past, Gurley has used his Observer credentials to talk to sexy female bartenders, talk to women about their feet, sit down with pseudo-actress Tiffany Limos, share some time with a b-movie actress, go out with 21 year-old socialite Elisabeth Kieselstein-Cord, talk with Ultra-V rocker Maggie Kim, look longingly into the eyes of digital pornographer Natacha Merritt, say "ahhhh" to some hot lady dentists, muse on women over 50 he'd like to nail, spend the day with gorgeous nobody Elle Eklund, go clubbing with Taylor Stein, explore Brazilian bikini waxing, approach random women and tell them how beautiful they are, and ask women why they love Manolo Blahniks. But of all the girls he's loved before, none compare to his true dream girl, Republican pipe cleaner, Ann Coulter. A Caricature for 40 years, now a cartoon
Anyway, here's some advice for all you aspiring starlets from Uncle Bob's book: Consider it done, Bob.
October 21, 2003
From Clerk to Salesman
Not to steal thunder from Slate's Rob Walker, he of of the infinitely enjoyable Ad Report Card, but I just wanted to say, apropos of Kevin Smith's new commercials for Panasonic DVD recorders: better he makes commercials than movies. The slogan, however, should have been, "The Panasonic DVD recorder allows you to move the camera more than twice during a scene, which is more than you can say for any of my movies!" Be sure to read all the responses to the ads in the link for some important fan insights into Smith's hair. Hiding the star
Maybe you've made a conventional narrative-flouting musical mystery, starring an actor widely considered to be among the most talented actors of his generation, but he's also a convicted felon and something of a recidivist? And what if your star is usually associated with rom-com fluff and bad plastic surgery, not gritty, erotic thrillers? The answer is simple: you hide them! The Singing Detective and In the Cut open this week. They each star... somebody. Unintentionally Hilarious Photo of the Moment, Vol. 7
To Sir, With Lager
Coming soon to a development hell near you: Hooligans (or whatever they'll call it when it's changed two or three times), the touching story of "A wrongfully expelled Harvard undergrad [who] moves to London and makes friends with a man who introduces him to the violent underworld of football hooliganism." Finally, something we can all relate to. Who wants to take bets that the school becomes something generic like "Worthington College," London becomes Brooklyn, the sport becomes boxing, the hooligans become wizened older Black men, and the undergrad becomes Amanda Peet. Oh, and that the script becomes a paper towel when some D-girl spills her chai latte in her cubicle. Good luck with the movie, fellas. Earlier thoughts on hooligans from low culture.
October 20, 2003
Should/Shouldn't, part 1
October 19, 2003
Guess who's back... back again!
Andy's back, Andy's back, Andy's back! After a long time in a Raines-enforced "time out" (during which he had to write "I will not blog against The New York Times" over and over again), Andrew Sullivan is back writing for The Times op-ed page. Let it never be said that Bill Keller doesn't mend fences. Oops...They did it again!
But just as I concluded that Rich's case was too weak and licked my finger to change from page 19 to 20, there it was on the very next page: an ad featuring Frank, Sammy, and Dino for Live and Swingin' "The swingin'est 2-disc collection ever!" Ring-a-ding-ding, indeed.
October 18, 2003
Rose is a rose is a rose
My favorite professor from college has been profiled in the Times.
October 17, 2003
Foot, meet mouth
It's so hard to say I'm sorry for "stumbling into a use of words that in the past people have taken as code for anti-Semitic feelings" but the "Jewish executives [who] worship money above all else" have finally prevailed upon Gregg Easterbrook to retract his ridiculous comments on Kill Bill: Volume 1. Writer Takes Jews to Task for 'Kill Bill' by Bernard Weinraub Now, will Gregg Easterbrook apologize for his other offenses? Earlier apologies from low culture The Weisz Guide to Accents
In the very first issue of New York Magazine in 1968, Tom Wolfe penned a story called "Honks and Wonks" that attempted to explainand gently mock, naturallywhat he called "The New York accent." (You can find it anthologized in Mauve Gloves & Madmen, Clutter & Vine.) Wolfe writes: I think of this every time I see Rachel Weisz attempting to wrap her mouth around an "American" accent. Today, she co-stars in Runaway Jury and if the trailer is any indication, she speaks her every woid like an old cabbie. Her accent was one of the worst things about Neil LaBute's execrable The Shape of Things, as well. Yes, Shape took place in California and Jury takes place in New Orleans: that's why her dead end kid accent is even more baffling. Which is sad, since she was wonderful with her natural accent in About a Boy. I understand American casting directors' desire to tap overseas talent to play Americans on film (if the choice is between Kate Beckinsale and Denise Richards, it's really no choice) but stick with the ones who can do a convincing accent, okay? There's the aforementioned Beckinsale. Helena Bonham Carter's American accent is pretty good. Week-after-week, I watch Joely Richardson on Nip/Tuck and never think about the fact that she's Vanessa Redgrave's kid. Emma Thompson did pretty good in Primary Colors. You'd think Weisz could practice her accent a little, since her boyfriend is a nice Jewish boy from Brooklyn. I don't know how Runaway Jury is gonna be, but as long as Weisz is perpetrating that accent, it just ain't woith my toime.
October 16, 2003
Strange Bedfellows (aka "The Fat Man & the Catholic)
Movie Poop Shoot: Hollywood Elsewhere - October 8, 2003 Liberal "blowhard" Michael Moore (who is otherwise a very respectable fellow, save for that objectionable "blowhard" part...he ruined the Academy Awards!) has said his next film, "Fahrenheit 9/11," is due to be released in September of 2004. The tagline? "The temperature where freedom burns." The subject matter? The Bush dynasty's connection to Saudi oil magnates and the White House assistance given to Bin Laden's relatives in their efforts to leave the country in the waning days after September 11, 2001, a period of time during which all other planes were grounded by the FAA. "Fahrenheit 9/11"? If you're going to politically riff on Ray Bradbury titles, wouldn't some pun related to "Something Wicked This Way Comes" have worked better? Anyway, it's better than the neo-dadaist "Bowling for Columbine". Here's the shocker: the documentary is being co-produced by Mel Gibson's Icon Productions, the same company releasing the action star and director's uber-biblical (and possibly uber-anti-Semitic) "The Passion" next spring. This, you may recall, is the supposedly literal reading (even down to the Aramaic-language dialogue) of the bible's documentation of the last days of Christ, complete with Christ-killing Jews. Because, you know, that's the way it really happened. I mean, it's in the book, even... Now, take another gander at Moore's film's projected release date, September, 2004. The same month of the Republican Convention in Manhattan, mere miles from Ground Zero, on the event's three-year anniversary. September, 2004, a little more than one month before the presidential election. Prime influence-peddling time. I guess it's a little early to speculate about Fahrenheit 9/11's potential for incendiary content, but expect some topical punches to be pulled. It's a sure bet that in any fistfight, Mel Gibson could so kick Michael Moore's ass. You know why? Because Michael Moore is a fat motherfucker, and overweight to boot! He is so easy for rightwingers to make fun of! On the QT
There is still something gawky and virginal about [Quentin] Tarantino. There's almost no sex in his movies. He says that's because he can't deal with becoming yet another sleazy Hollywood director talking a girl into taking her top off... You mean like "Q.T.," the character Tarantino played in Spike Lee's Girl 6 in 1996? Have you heard the one about C.B. radio?
The New York Times' John Markoff tells Online Journalism Review that "it's not clear yet whether blogging is anything more than CB radio." If his quip sounds familiar, that's because professional friend-loser Toby Young said the same thing about the Internet (in general) in Vanity Fair way back in 1995. [OJR link via Romenesko] Time Wasters
My all-time favorite online time waster? Easy: FilmWise's Invisible Quizzes. Can you identify your favorite actor or actress by posture only? Did you pay close enough attention to spot your favorite movie by the costumes and sets alone? I've lost weeks on this site. Gratuitous LA-centric post to counter-act our "New York blog" designation
The LA Weekly claims something called Eddie Brandt's Saturday Matinee is the best video store in LA? Talk about East Side snobbery! Everyone knows that Vidiots rules. Totally worth the forty minute drive on the 10. After snapping up some staff picks, drive the two blocks (15 minutes) to Cha-Cha-Chicken for spinach quesadillas with dirty rice and beans. Bad, bad dog II
Last year Slate's Clara Jeffery's wondered Can a Dog Be Racist? Today's Times World Briefing answers her question, sort of: GERMANY: ADOLF, NEIN! A man who taught his dog to raise its right paw in a Hitler salute will not be prosecuted for the pet's trick but he faces other charges of violating the country's anti-Nazi laws, prosecutors in Berlin said. Germany has strict laws banning Nazi symbols, slogans and salutes. The dog, a German shepherd crossbreed named Adolf, is said to have performed the trick at its master's request "Adolf sit. Give me the salute." in front of policemen. The man, identified only as Roland T., is accused of wearing a T-shirt with Hitler's picture and shouting "Heil Hitler!" on various occasions. If convicted, Adolf's owner faces three years in jail. Roland T.'s favorite movie? Samuel Fuller's White Dog
October 15, 2003
And now a little something for the ladies... Or not
Happy Birthday, Johnny-boy
John Kenneth Galbraith, 95 years young today. Why is he in the shallow column? Because he told Esquire in 2002: "I've always thought that true good sense requires one to see and comment upon the ridiculous," which is a pretty good motto for the left side of this page (right in the UK). Then again, he could just as easily go in the grave column for inadvertently writing the epitaph for the Bush administration when he said "If all else fails, immortality can always be assured by spectacular error." Tonight, he will be saying something else: "More cake, please." White on Black
I've been a fan of Armond White's writing ever since James Wolcott endorsed his book The Resistance: Ten Years of Pop Culture That Shook the World in The New Yorker by saying the critic plays the race card on every page. I used to read White when he was the arts editor of The City Sun, a now-defunct African-American paper out of Brooklyn, and I'm glad that he's maintained his spot as part of The New York Press' film crit dyad with Matt Zoller Seitz. While I find some of White's assertions ridiculous (for example, every turd put out by Steven Spielberg is not worthy of your praise or my ten bucks, and all roads do not lead to Morrissey), what I like about him is that he makes connections between and among disparate things, that he can see beyond the Todd-AO screening room into the culture-at-large. (Try getting Peter Travers to set aside his exclamation points for a second and do that.) This week, White begins his slam of School of Rock in The Press by pointing out the following: Very smart, and dead-on. Next, he tells us: Nice, but the obvious joke White misses is that playing on the soundtrack beneath Black's first day as a sub is the chorus to The Who's "Substitute," that fades out before the line: School of Rock was written by Mike White: does that make this a case of White-on-White critical violence? One more thing on Armond White: his second book Rebel for the Hell of It: The Life of Tupac Shakur had a blurb on the back that said "Soon to be an HBO film!" To cite the title of another Morrissey fanatic, how soon is never, Armond? Design cliches are universally bad
The lesson to be learned here is that if you know, when using cliched design cues like arrows and such, that they are in fact just that, i.e. outdated cliches, you're better off not using them. But we like to think our more runic (and almost donkey-esque!) logo is a lot less elephant-like than theirs. Something about partisan politics, perhaps. Although, the whole left-right, blue-and-orange thing is so, so weird. Our lawyer agrees. Most Plausible Answer yet to where those W.M.D. went
"Many such devices end up stuffed into a bottom drawer, on the high shelf of a closet, or in the back of a garageor offered for sale online through eBay." Why is this man smiling?
Good news! Rupert Murdoch will never die: Murdoch delays retirement 'forever'. And neither will this guy. [via Mediabistro] Just 71 shopping days 'till Christmas
Dear Mom: Is it live, or is it Memorex?
Anyone else get a real Capricorn One feeling from this quote: Like fixing a hole with a bigger hole
"Coupling," NBC's great hope to become a hit comedy for its soon-to-be "Friends"-less Thursday-night lineup, received a vote of no-confidence yesterday when the network announced that it was pre-empting tomorrow's night's episode. NBC executives had no official comment, but they said the network wanted to give some extra attention to another new comedy, "Whoopi," which has been just holding its own against difficult competition on Tuesday nights." NBC's Affection for 'Coupling' Cools as Thursday Night Viewers Wander by Bill Carter Earlier thoughts on Coupling from low culture Synergy, negative and otherwise
From The New York Post Sports Section, page 97: From The New York Post Television Section, page 107: [Thanks, Dave] Bad, bad dog
Today's New York Observer contains a long article by Frank DiGiacamo on Triumph the Insult Comic Dog and his human companion, Robert Smigel. Some great details in here about Late Night's breakout star (the dog or Smigel?you decide) like these lyrics to Triumph's first single, "I Keed": How many songs can you name that take swipes at Avril Lavigne and Philip Glass? (The new Eminem single doesn't count, he was referring to the Kronos Quartet.) Anyway, get ready for a full scale Triumph moment (a veritable "Moment of Triumph") when his album Come Poop with Me is released November 14th. The article hints at a video, non-Conan talk show appearances, and (let's hope he passes on this) commercials ("The only thing I like better than doing The New York Times crossword puzzle is actually pooping on eet!"). Read all the way to the end of the article for a great cameo by Jesse Camp, whom Triumph suggests is "turning tricks at the Lincoln Tunnel."
October 14, 2003
Trivial Pursuits, part II
The prize for today's Tuesday Trivia Tournament goes to Cindy, who correctly identified the phrases as the slogan for FOX's new Joe Millionaire series kicking off next week. Congratulations, Cindy! But, given the close ties between the G.O.P. and FOX's parent company, News Corp., the slogan First we lied to America. Now we're taking on the world! could just as easily be inscribed (in Latin, maybe) on Karl Rove's stationery. I don't know about you, but I'm not looking forward to the international fall-out from the new Joe Millionaire: we haven't exactly been endearing ourselves to our Old European friends of late, and pulling a mean prank on their lovely daughters probably won't make us any more popular at those Friday afternoon ice cream socials at the United Nations. How will we look Kofi Annan in the eye when we ask for more sprinkles? New York kicks back
The old maxim holds: if you want a friend in the blogosphere, get a dog. No one ever said posting your half-cocked opinions on matters great and small for the sixteen people who read blogs would win me any popularity contests. But I must respond to Elizabeth Spiers' counter-attack on my ever so polite suggestion that her New York Magazine colleague David Amsden's pants are on fire. Continue reading...Communism can't be all that bad
Buried deep within an article in today's New York Times documenting the growth of Shanghai's skyline throughout the 1990s, and the subsequent backlash that has resulted, is this gem of a factoid: "...the skyline the pride of local officials became more formless as residential towers cropped up in every corner of the city. With increasing frequency, residents are filing complaints based on an obscure law mandating that every home or apartment must receive at least two hours of sunlight a day." For all those who have ever suffered economic hardship, or, at least, have ever lived in first-floor/subterranean apartments (which often implies economic hardship), let it hereby be known that there is a better way! The Red China way! Must be able to spell, condemn liberalism
From: "newswarrior" The funny thing is, this was posted on the American Copy Editors Society job board! Hey, Gavin, give 'em a call! Trivial Pursuits
Good morning! Today I'm trying something new. I'm gonna call this The Tuesday Trivia Tournament (nice, right? took me an hour to come up with it). Answer the below question in the comments area and at the end of the day, I'll tell you the answer. The winner will receive the First Annual low culture Award for Outstanding Achievement in the Field of... Excellence! Here goes: The following statement appeared last week in a magazine (either in an article, headline, or advertisement). Tell me what it refers to and, if possible, who's behind it: Now we're taking on the world! Get those thinking caps on. Bonus points for creative incorrect answers.
October 13, 2003
Best Unintentional (?) critique of Los Angeles
Straight from the slangin' mouth of Whatevs' Uncle Grambo comes this possibly unintentional critique of LA in the guise of a rant against trendy "white trash chic" boutique Von Dutch: i know that VD is trendy in Los Angeles, but shouldn't you be following the rest of the civilized world and realizing that Los Angeles fashion trends are nothing more than leftover hand-me-downs from NYC? Yep, VD sure is trendy in Los Angeles. Even Beck says in a creepy voice, "I can smell the VD in the club tonight" on "Milk & Honey" from his LA-centric 1999 album Midnite Vultures. Added incentive to link: Britney Spears showing off her VD I call bullshit on New York Magazine
There's a running joke in Whit Stillman's Metropolitan that whenever Chris Eigman's character gets caught telling a lie, he weasels his way out of it by saying, "Okay, so that person wasn't real: she's a composite, like in New York Magazine." Apparently, everyone just knows that when you see those stories in New York with someone's name and a little asterisk next to it that says "Not his real name," chances are, the person, the quote, and the social phenomenon cited are complete horse shit. Is it really possible that a writer can find an interview subject who fits perfectly within the magazine's target audience (usually described as someone "attractive" and "Ivy-educated") and who manages to articulate the central point of the article in complete, grammatically correct sentences? Is it possible that writers from the same magazine find these people every time they do a sociological trend piece? As my grandfather used to say, C'mon, I wasn't made with a finger. So, as New York area men prepare to explain themselves to their wives and girlfriends this week as New York's expos of the new trend (circa, oh, 1998) of Internet porn hits newsstands, they can rest easily knowing that writer David Amsden probably just made the whole thing up. How else to explain this: Come on! I don't know anyone who even has a floppy drive anymore (Apple, for example, stopped shipping them at least three years ago) and with their 1.5 meg capacity, you'd be hard-pressed to fit even one moviepornographic or otherwise on a disc. Maybe "Jonathan" is lying, but did I mention that he's "an attractive, Ivy League- educated musician and adjunct professor"? Clearly New York isn't held to the same journalistic standards as, say The New Yorker. Here's another story from the New York archive that sent up a red flag: Pill Culture Pops in which similarly attractive, well-educated "real" New Yorkers shared their experiences with mood-altering drugs in perfectly expository sentences. Everywhere you want to be
Today's award for making very good use of an unlimited MetroCard goes to The Times' Lola Ogunnaike who filled this report from every part of the city: Jae Song, who caught "Kill Bill" at the Loews 19th Street East Saturday afternoon, came expressly for the film's much discussed brutality... Mr. Sheikh, a college student, stood outside the Loews Kips Bay Theater Saturday evening smoking a cigarette... Billy Hemmans, a self-professed samurai movie expert, stood outside the Magic Johnson Theater in Harlem Saturday evening... "It was an average action film," said Jolynn Krystocek, an art student who saw "Kill Bill" on Saturday afternoon at the Kips Bay theater in Murray Hill... The gore bothered Kristi Tucker, who caught the film with her brother at the Loews on 42nd Street on Friday, opening night.... "I liked the music," said Ang Phurba, a sherpa breathing from an oxygen tank outside the Regal Entertainment Theatre atop Mt. Everest..." Gory 'Kill Bill' Tops Weekend Box Office by Lola Ogunnaike Might I suggest...
Buried in today's Times article on HEEB Magazine's expansion fantasies is this analogy from new editor Joshua Neuman: What's so Jewish about chocolate layer cake? Might I suggest a more apt analogy? A Sardonic Jewish Magazine Expands Its Ambitions by Bill Werde A Crime of Miniature Proportions
Comedy Central's been calling Knee High P.I, "our pint-sized original movie." I can think of at least one thing wrong with that phrase. [Thanks to the Boing Boing brain trust for originally alerting me to Weng Weng]
October 12, 2003
Who is Perrystrong.com?
Sitting through the credits of Kill Bill, I noticed one name that stood out from the rest: Perrystrong.com. Ruling out the possibility that somewhere, some parents gave their kid an URL for a name (maybe he's a relative of The Times Jennifer 8. Lee?), I checked out the dude's site. Here's what I learned: "But enough about me... What do you think about me?"
Do you want to share an intimate dinner with P-Diddy and 12-15 members of his personal entourage? Would you like a dinner companion who changes the location four times, shows up late, answers an endless succession of cell phone calls, talks about how much money he makes, drops the names of his more famous friends, doesn't ask you so much as what you do for a living, ducks out before the check comes, and probably won't acknowledge your existence if you should run into him again? Yeah? Then sign up for The New York Post's Win Dinner with P. Diddy plus autographed gear Sweepstakes. (Never the innovator, His Diddiness is merely sampling My Dinner with Andre.) Topics to discuss: The war in Iraq; Will he wear tape on his nipples during the New York City Marathon? What he thinks of the brutality of the African diamond trade. Does he know that Gatsby was shot execution-style at the end of the book? Where the hell is Mase? Also, try not to blush when you see Farnsworth Bentley patting the edges of Diddy's mouth with a napkin between bites. *Also fans of really bad Flash openers on Web sites Disney's Ad'ed Value
This week, Frank Rich (AKA, "The Butcher of Broadway") takes his cleaver to that bloody hunk of wurst, Governor Arnold Schwarzenegger, in his weekly Times Arts & Leisure column. Rich uses the ersatz aesthetic of Disneyland (and Disney generally) to critique the image-over-substance election results in California. Some classic Rich vitriol (richtriol?) follows: It's Disneyland, not Colonial Williamsburg, that prefigures our future, the action-packed recall ride was nothing if not the apotheosis of the Magic Kingdom. It was fun, it was instructive, it was expensive, it was hawked relentlessly on television, it starred an Audio-Animatronic action figure... Walt Disney had long despised the rowdiness that up until then defined amusement parks as 'dirty, phony places run by rough-looking people,' as he characterized them. He wanted to build instead a beautiful, phony place run by nice-looking people: an alternative America that he could script and control down to the tiniest detail of its idyllic Main Street U.S.A. and whose sovereignty no citizen could challenge... The original notion of Disneyland lives today not only in the first park, its satellites, and its many imitators; its influence can be found in planned and gated communities, in Rouse-developed downtowns, in the carefully-scripted 'reality' programs of network television, in the faux-urban ambience of a shopping mall near you. And what ad shares the page with this excoriating critique? Why, an ad for Disney's Brother Bear ("Featuring original songs from Academy Award-Winner Phil Collins"). Whoops! Guess that wall between church and state isn't quite so impenetrable. On a related note, Rich's Disneyland analysis owes everything to Jean Baudrillard's "Precession of Simulacra" (though, oddly, he never mentions the text in his essay: Rich must have missed The Matrix). Here's what Mean Jean (Theory Machine) had to say 20 years ago: "Disneyland is there to conceal the fact that it is the 'real' country, all of 'real' America, which is Disneyland... Disneyland is presented as imaginary in order to make us believe that the rest is real, when in fact all of Los Angeles and the America surrounding it are no longer real..."
October 11, 2003
Murder, Inc.
Here're my thoughts very quickly: this is Quentin Tarantino's darkside version of Charlie's Angels, complete with over-the-top stylistics, deadly badasses with great asses, crazy quilt pop culture references and soundtrack cues, and the type of editing that allows actors to defy Newton's basic laws of motion. Oh, and Lucy Lui. Did it kick ass? Much. Did it make sense? Little. Anyway, a thought occurred to me while watching that had also popped up when I saw The Italian Job earlier this year (yes, I admit it, I saw The Italian Job): what kind of benefits do evil henchmen get? I mean, these guys throw themselves into danger time and time again and frequently die gruesome deaths for their bosses and never, ever seem to hesitate for a second. I've contemplated quitting well paid jobs (with full dental coverage!) when my boss asked me to stay late on a Thursday night. There's no way I'm not gonna go head-to-head with some crazy bitch hell-bent on revenge just because some jerk with a corner office tells me to. Are there bonuses for successful completion of the task at hand? (Read: walking away alive.) How do these bosses breed such loyalty in their charges? Is there some sort of Outward Bound-type retreat where they develop teamwork and commitment? Do employees' families get huge insurance pay-outs if their child is disemboweled by a samurai sword in a Tokyo nightclub? Seriously, after seeing half your coworkers cut down (in really, really nasty ways, I might add), what could make you want to keep at it? Surely not the 2% yearly raise and the occasional Friday pizza party at the office.
October 10, 2003
Dancin' Fool and Radical Shnook
Ties and the tying tiers who tie them
October 9, 2003
Let's get ready to eat freeee shrimp cocktail from Haaaaarvey!
Battle of the Online Junket All Stars In the Left Coast corner, weighing in at 155 lbs.: David "Hot Button" Poland. And in the Right Coast corner, weighing in somewhere north of 225 lbs., Roger "Fox 411" Friedman. Poland comes out swinging at Roger the Dodger, throwing the first punch: There are lies, damned lies and statistics. And then there are lies posing as statistics, brought to life by stunning professional ignorance, whether intentional or coincidental. Such is the province of Roger Friedman, internet gossip and a suck-up of the highest order. In rapid succession, he lands the second: Friedman goes to town with his unsubstantiated, but "there is no question" analysis of the wins of Oscar screeners past. He starts with Sony Classics, citing Talk To Her, Crouching Tiger, Hidden Dragon and Winged Migration. Can you spot the spin? And then, he hits below the belt with a phantom punch: What were the other fat, bloated studio films that dominated the Oscars before Friedman's indie heroes saved the world? Did he just call Friedman fat and bloated? Tune in tomorrow for Roger's rejoinder. Chuck's a jinx!
Let Us Now Praise Good Design
The continued Entertainment Weeklyization of headlines
We all love punsespecially in headlinesbut, c'mon people, practice some restraint: POSTMAN ONLY DIES ONCE. We're guilty of making a pun, too, but that one is just terrible. Earlier thoughts on headlines from low culture LeDuff man, happy to be here! Oh, yeah!
When Charlie LeDuff, The Times resident Joseph Mitchell manqué was pried away from the Hell's Kitchen barstool where he bent countless elbows, there was talk that it was against his will or that he was being moved to the minors. He filed a few lackluster stories on yawn-inducing topics like rats in Beverly Hills, made some enemies in Los Angeles media circles, and generally acquitted himself like the slightly snobbish East Coast transplant he was. (This role is now being filled by The New York Observer's Alexandra Jacobs, who has filed hard-hitting but condescending stories from the West Coast on screenwriters, celebrity stylists, and the farmer's market.) But, whaddaya know, the LeDuff man appears to have lucked into the gig of a lifetime out there in Cal-ee-fornia. LeDuff's been doing some heavy-lifting on the recall and election and today files this on Governor-Elect Schwarzenegger (no matter how many times I say that, it still sounds like I misspoke). Suddenly, being sent out to the Times' avocado bureau doesn't seem so bad, does it? Now if we can just do something about Bernard Weinraub... Finally, the silver lining
"I will [Govern California]nothing else... I will work as much as I can . . . so there will no time for movies or anything else." You can't do that on television!
Well, actually, you can. It's been done before.
Then, at some point, Thursday night was re-branded "Must See TV," which was more of a command than a description, and everything got a bit screwy. Continue reading...
October 8, 2003
Best evidence that bloggers sometimes get desperate for content
Best evidence that The Village Voice doesn't copy edit its "Best of New York" issue, by Matt Haber Best evidence that The Village Voice doesn't copy edit its "Best of New York" issue
best subway line to spot someone reading white teeth or the corrections - L TRAIN The Company you keep
...from Foxnews.com Today's episode of Safari Planet with Antoine Yates
How can you not love this guy? Mr. Yates, 37, said yesterday that he thought Ming was crying one day last week because he was lonely. So he ran to Ming, and engaged him in one of his favorite games, a playful, mock-fighting routine that he called "Buddy-Buddy." That's when Shadow the kitten, another of Mr. Yates's feline charges, showed up and Ming suddenly looked very hungry....As Ming was about to pounce on Shadow, Mr. Yates said he jumped between them, and Ming's teeth sank into his arm... "I'm not mad at Ming; I still love him... I feel heartbroken," Mr. Yates said. "I miss him a lot. He's like my brother, my best friend, my only friend, really." It's Casanova's History of My Life meets DSM IV
This just in from the public interest journalists at Page Six: Woody Allen is shopping his memoirs to publishers . According to suspiciously unnamed "publishing sources," the book "will lay open the secrets of his affairs with Louise Lasser, Diane Keaton, Mia Farrow and his current wife, Soon Yi." (Not exactly the most alluring list, but you work with what ya' got.) 50 Dollar bet: Blurb from David Remnick.
October 7, 2003
God angry about California election, smites citizens
[Earthquake data via the ever-fruitful Fark] If You Say the Phrase that Pays, you'll get Creed tickets!
Thinking it was another one of those mean "Morning Zoo" radio pranks, Nobel Prize winner Peter Mansfield doubted his wife when she told him he'd won. [link via the tireless Fark] Deanie Babies
I'm gonna put this in print so that I can say that I said it first: Ginny Hunt is the next George Stephanopoulos. Who's Ginny Hunt? Well, she makes a brief cameo (in a photo) in today's unfortunately-titled Times article You Go, Dean! Babies of Boomers Find a Candidate. (Sidebar: Who says, "You go, [blank]!" other than Ricki Lake or the women on Sex and the City "jiving" with drag queens?). Ginny is the photogenic 23 year-old coordinator of Generation Dean, the younger, (relatively) hipper outpost for all things Howard Dean. The photo shows a focused young woman with her hair in a bun, wearing glasses, and poring over documents with candidate Dean and his campaign manager Joe Trippi looking on with awe at her precocity and seriousness. The photo (which, sadly, is not available on The Times Web site) reminds me of another young go-getter we met a decade ago. Every campaignat least every campaign that hopes to bring in the youth voteneeds a spunky, "groovy" young person to reflect the youthfulness and vitality of the candidate. Ginny fits the bill. We'll be watching to see if she can parlay this gig into a full-time White House gig, book deal, and swank media job (not to mention a celebrity partner!) like boy wonder George did. Li'l Millionaires
Attention Dakota Fanning: If you ever leave California, move to New York. According to today's New York Times, Albany passed a new law forcing parents to put at least 15% of their perfmormer children's money in a trust fund to be turned over to the little darlings if and when they reach 18. This is good news for child actors everywhere. If only this law had been in place sooner, Jonathan Lipnicki might not have descended into a Lick-'em-ade and OxyContin addiction and turned to rodeo clowning to make ends meet. Blogs 1, New York Times, 0
Gothamist, Sept. 19: Angle Grinder Man*
There can only be one
Imagine that there is a Highlander for precocious, home-schooled authors from rural areas. That means that Jed Purdy is in the fight of his life now that Christopher Paolini is on the scene! Check the text, people: Welcome back, RZA
Out today: RZA's Birth of a Prince. I guess medical school didn't work out for The Abbot, but I'm glad he's back to what he does best. RZA doesn't have a Web presence anymore (the mighty Wu empire is, sadly, in decline), but you can swing on over to rza.org home of Religious Zionists of America.
October 6, 2003
Dear Robin, David, and Shia
Robin Williams, what happened to you? You were doing so good there for a second or two. You almost made me forget about Patch Adams and Jakob the Liar, What Dreams May Come and the other syrupy sweet pieces of crap you put out in the last decade. And now I hear about Now, David Duchovny, what happened to you? I was never an X-Files fan, but I like your droll, intelligent persona (and your awesome cameos on The Larry Sanders Show and creepy role in Full Frontal). You wrote and are currently directing this movie (in Brooklyn, no less), so I'm sure it's autobiographical, but David Duchovny, please resist the temptation to make anything that can be described as "touching," "shot-through with emotion," or "ringing true with pure sentiment." I expect better from you. Please, David Duchovny! Don't even get me started on you, Shia LeBeouf! Get a haircut already. Please, Shia LeBeouf! Making his presence felt through his absence
Many props for Arnold
Finally, they nail it
I've been waiting for Gil Cunha and Ben Fritz, the writers behind the Hollywood satire site Dateline Hollywood to hit their stride, and I'm happy to report that this week, they did. (Almost) One Meeeeee-llion dollars!
Buried after the jump in David Carr's piece on the Michael Wolff's quixotic bid for New York Magazine is this amazing fact: Although Mr. Wolff, 50, makes more than $450,000 as a columnist for the magazine and received an advance of more than $500,000 for a book, 'Autumn of the Moguls' (HarperCollins), he does not have the $50 million or so it will take to walk away with the weekly magazine franchisewhich made all of $1.5 million lasy year, according to executives at Primedia, the magazine's owner. Do you like me-like me? If yes, check 'y'; if no, check 'n'; if maybe, check 'm'
Further proof that Hollywood is high school with money: Limp frontman Fred Durst wooed Halle Berry with a totally personalized mix tape! Well, a mix iPod (I hope he downloaded all those MP3s legally!). According to GQ (here quoted by Page Six), the iPod contained such heart string tuggers as "True Colors" by Cindi ("I saw her in concert when I was 8") Lauper and "Night and Day" by Al Be Sure! (note to Post copy editorsyou have copy editors, right?this is how Al spells his name, not 'Al B. Sure.') Animal husbandry tips from Life of Pi
More information continues to be released about Antoine Yates and his 400lb Bengal tiger in Harlem. (For a great round-up of coverage, swing by Gothamist where Jen Chung does all the heavy summarizing.) The story of a tiger in a tiny New York apartment reminded me of Yann Martel's Man Booker Award winning Life of Pi. Here's a bit of practical tiger advice from Pi Patel, a teenage boy trapped on a life raft with a tiger named Richard Parker:
October 5, 2003
At least twice as much urine as other New York apartments
On Friday night, the police found no one home, but talked to a neighbor who complained of large amounts of urine and a strong smell coming through the ceiling. - Alan Feuer and Jason George, "Police Subdue a Tiger in Harlem Apartment" Dean places tomatoes, bread at bottom of bag: canned fruit, milk on top
This just in: Howard Dean leaves Presidential run to work for Klinger's, a Burlington area supermarket. Reports indicate the former state Governor did not ask customers their bag preference and neglected to place a bottle of bleach in a separate plastic bag to avoid risk of poisoning. At press time, Dr. Dean was unavailable for comment as he was mopping up baby vomit in aisle three. O, Arnold Why art thou?
Ripping a page out of the Coen brothers' canon, Arnold Schwarzenegger made an appearance this weekend brandishing a broom and promising sweep Gray Davis out of office. Not bad, but where's his "little man"? To wit, here's Candidate Homer Stokes speechifyin' in O, Brother Where Art Thou? STOKES The midget enthusiastically seconds: MIDGET STOKES
October 3, 2003
Sometimes I'm glad I don't have a job
The Antic Muse takes one for the team and sits through an agonizing meeting full of corporate double (and triple?) speak. Bad headline badly exposes newspaper's overall badness
As noted earlier, I'm a bit fixated on insensitive/unimaginative headlines for The Station Agent and its star Peter Dinklage. Entering the fray yet again is The New York Post with the worst headline I've seen since the days of my high school newspaper, The Southerner. Vows
Yet another reason for single New York women to feel embittered: Political prisoner Lori Berenson got married from her jail cell in Peru and it got written up by The New York Times. According to Reuters: "The groom, Anbal Apari, a 40-year-old law student recently freed on parole after serving 12 1/2 years of a 15-year sentence as a member of the Tupac Amaru Revolutionary Movement." A law student, even! Some girls have all the luck. (Sorry, Daniel. It was just so easy.)
October 2, 2003
Must be a cat person
Formerly hard-hitting, Pulitzer Prize winning journalist Jimmy Breslin once again takes on one of the most important issues... well, ever: why he hates dogs: Breslin fans may remember he said something similar earlier this year: Comodify your spin
Further proof that all DJs are losers. Tasting the Foie Gras, Listening to the Jam, by Glenn Collins keep it to yourself
I fantasize about being married to Jennifer Garner, too, but I don't tell The New York Friggin' Times: Just ignore them and they'll go away
Coupling once again temporarily fills the 9:30 PM timeslot tonight on NBC. This is like one of those nightmares where you wake up only to find you're still in the nightmare. Memo to Zucker: Super-size Friends and Will & Grace and drop this thing before we lose more of the world's esteem. Going a long way to say something simple
George Will shows off some unsurprisingly corny pop culture knowledge (what does Maureen Dowd think?) by wasting his opening paragraph with a drawn-out references to Witness. Are we to believe that Witness is the only way Will can discuss integrity? Why not The Indiana Jones Trilogy?
October 1, 2003
Today's gratuitous laugh at Hollywood people
From this week's New York Observer: "People out here [Los Angeles], they really don't know anything about the military unless they were in it. Before, if someone thought, Hey, isn't that guy's dad the head of NATO?', they'd think it was the North American Theaters Association." - Screenwriter and possible Presidential son Wesley Clark, Jr. quoted by Lizzy Ratner So, what you're saying is, the guy isn't so tall?
It's a truism that you can tell everything you need to know about a publication from its choice of headlines and sub-heads. (What? It's not a truism? It is now.) With that in mind, let's look at a couple of magazines' and newspapers' coverage of the same thing, namely, actor Peter Dinklage and his breakout role in The Station Agent. "He's taken small roles to great heights -- and now with Sundance fave The Station Agent, this up-and-coming actor is livin' large" GET SHORTY AN OSCAR THE BIG TIME Actor Peter Dinklage lives large Best fact-checker dodge of the week
"Still, the awkwardness passes, and the sight of Joe wandering cheerfully into the shot, munching a bowl of cornflakes, or whatever, and hailing the baffled husband without concern, is my favorite encounter in the movie."- Anthony Lane, The Current Cinema October 6, 2003
September 30, 2003
The Insiders' Insider
How we transgress now
According to the inimitable Choire Sicha at Gawker the merry pranksters at Vice have decided that the newest latest way to (pace, their Canadian roots) pater le bourgeois is to do a fashion shoot featuring underage pregnant girls in "major label" clothing. How shocking! This could be their most attention-grabbing photo shoot since they did the exact same thing with mentally retarded adults earlier this year. What a coup. Prediction time: by year's end, Vice will feature a gadget spread using amputees. Or, perhaps, a photo shoot "inspired by" (read: ripped off from) Romain Slocombe's City of Broken Dolls. Yet another reason why MLB needs revenue sharing
Yes, it's painfully easy to rail against George Steinbrenner and his disdain for salary caps and smaller market baseball cities. But why should we exclusively scorn the Yankees' bossman? It seems as though his uber-capitalist TV-revenue-seeking mindset has spread to his employees as well. Listen to NY's celebrated/overrated slugger Jason Giambi's pullquote contribution to a Washington Post article about the celebrated matchups in this particular baseball postseason: Jason Giambi can see why there's so much enthusiasm. "The teams that are in the postseason - the Cubbies always have great support. These playoffs should be great, a lot of TV viewers." Maybe George's mouthpiece is anticipating a raise, what with all the exciting licensing revenue sure to come in this fall! The World is Yours (for now)
As anyone who's ever watched an episide of Cribs knows, rappers love the rags-to-riches-to mountains of coke saga of Tony Montana. Heck, just this week mush-mouthed rapper and walking clay pigeon 50 Cent bought Mike Tyson's Montana-esque 18 bedroom mansion to live out his drug lord fantasies. Yep, rappers love Scarface! My question is, have any of them watched the film all the way to the end? The fall of the House of Montana (its foundation built on coke instead of sand) makes the Hammer Behind the Music seem positively uplifting. Dummy on Board
"I saw this big SUV on my left, and the next thing I knew, he was trying to switch lanes, but we ended up colliding instead... He said: 'Didn't you see me? Why didn't you make room for me?" says Heidi Hong, the driver whose car he hit. "He seemed pretty angry, but there was no way it was my fault." Adrien. We expect better from you! Where did you learn such a thing? Oh, right. Next up, Brody snogs Durst.
September 29, 2003
Step up to the plate, Jessica Simpson!
There has certainly been quite the spate of recent noteworthy deaths of late, and usually in pairs of sorts; 1940s anti-icons Edward Teller and Leni Riefenstahl; "entertainment johnnies" Cash and Ritter; and Ivy-League academic types George Plimpton and Edward Said (about whom you may want to read this surprisingly touching obit by the otherwise icy-demeanored Christopher Hitchens). With the clock ticking as such, we'd like to wish 50 Cent and Nick Lachey's wife all the best! I delivered George Plimpton a sandwich once. he was very polite
Following the death of Stanley Kubrick, we were treated to dozens of personal reminiscences by colleagues and acquaintances. At first, most were by close friends of the director, but after a little while, anyone with even the most tenuous connection to him got a dollar-a-word for their memories. With the recent death of George Plimpton we can expect a repeat of this phenomenon. At first we'll get the Mailers, Taleses, and Remnicks of the lit world, but soon everyone who ever went to a Paris Review party or worked as an unpaid intern for the journal for two weeks before returning to Vassar will be speaking about their intimate journeys with George. That's the thing: every Ivy League graduate who ever wrote a poem or fancied himself a short story writer has gone to at least one Paris Review event or interviewed for a job there. Heck even people who met the guy one time are sharing their memories. Even the kid from the Intellevision commercial will probably have his say sooner or later.
September 26, 2003
New God of Sunshine
Since it opened in 2001, The Landmark Sunshine Theater has proved a nice addition to the city's downtown art house scene. Roomier than The Quad, better sound and sight lines than The Angelika (plus no rumbling subways), and with more widely-appealing selections than Film Forum, The Sunshine became the destination of choice to see stuff like Adaptation, Bowling for Columbine, and all your other required "indie" film texts. Sadly, I can never go there again. Why? It seems that Dallas Mavericks owner Mark Cuban has just bought Landmark Cinemas. If Cuban (or "Cubes" as the perpetually frat-like superrich overgrown man boy likes to be called) isn't the most annoying zillionaire in America, he's damn near close. This is the guy who ran around like Richie Rich on a bender for the benefit of Esquire writer Mike Sager in April 2000's profile "Yeaahhhh Baabaabbyyy!" (Available to subscribers only.) (Quick highlight: "Cubes [is] wearing a T-shirt, upon which his girlfriend had scrawled, 'I want you to pin my legs back like a Safeway chicken.'") Just today, The New York Post quoted Cubes as saying, " "Every now and then I will catch myself and look around and just smile. Anyone who says it's a burden having this much money is a moron." Who's a moron, Cubes? I'd rather sit in the coffin-like confines of the Angelika than give this guy another $10. Mmmmm... Crab legs
It's official: Americans eat too fucking much. How fucking much? So fucking much that the C.O.O. of Red Lobster was let go because customers were ransacking the restaurant chain by getting seconds, thirds, and even fourths on the $22.95 "Endless Crab" dinner. According to The New York Post, Darden Restaurants, Red Lobster's parent company, lost $3.3 million in first-quarter profits due to customers' bottomless stomachs. Luckily, Darden also owns The Olive Garden, home of bottomless pasta. (Incidentally, Darden also owns something called Smokey Bones; insert your own joke here.)
September 24, 2003
From Road Trip to Pink Slip
It didn't even last as long as his marriage to Drew Barrymore According to The Post's Pulitzer Prize shortlisted TV scribe, Adam Buckman, the show "drew an average 889.000 viewers nightly" during its first weeks (emphasis on poor word choice, mine). That's nearly a million viewers a night! That's gotta be like a thousand times more than tuned in to Undressed or Spyder Games. Who's your daddy?
"He has his father's eyes."- Rosemary's Baby Funnily enough, that other classic spawn of Satan film, The Omen, was released by 20th Century FOX, a division of News Corporation.
September 23, 2003
How to tell Todd Barry and George W. Bush apart
Hint: one's funny on purpose. It's something in the nose and lips, right? Sorry, Todd. You know, it could be worse. Warren Beatty was obsessed by the fact that he resembled the sitting President; try making love to Julie Christie while she's thinking of this guy.
September 22, 2003
"Synergy," circa 2003
File under: If your hand causes you to sin, cut it off. The Believer busts McSweeney's for snark. It is with trepidation that I even enter the McSweeneys/Believer/"Snark Watch" fray--long is the list of (better) writers who've approached that three-headed dog only to be maimed and bloodied. For all I know, Ken Krimstein and Forest Aguirre are both Dave Eggers (Heck, Alice Munro might be, too), and this whole thing is just another hall-of-mirrors mindfuck that flies right over my head. Or it's a sad case of Dave Eggers' posse being trapped in the Andes, eating each other one by one... Where Imitation Meets Flattery
"When I hear about The Onion having imitators, I just think, 'Why? Do us one better. Think of something else that we haven't thought of.'" - Maria Schneider, staff writer, The Onion. Disillusioned teens sue Woody Allen for deceiving them Adam Sandler Fans Disappointed by Intelligent, Nuanced Performance
September 21, 2003
Remember the Neediest
What is the deal with The New York Times and The Bottom Line? Four articles in one week? This is the sort of "flood the zone" coverage we've come to expect from stories about poverty ("The Neediest" series comes to mind), not an aging nightclub in Greenwich Village and its rent problems with New York University. Maybe Bill Keller is a big rock fan. The Bottom Line shares it's building with my old department at NYU, yet I never went there once. Anyway, here's a timeline of Times coverage (a Timesline, perhaps?): Village Club May Face Swan Song Over Rent by Jim Dwyer, Sept. 15, 2003 For Younger Music Fans, a Club Is, Well, History by Michael Slackman, Sept. 16, 2003 At the Bottom Line, Holding Out Hope for a Lifeline by Robin Finn, Sept. 19, 2003 Can't Miss the Sag at the Bottom Line by Michael Brick, Sept. 21, 2003
September 20, 2003
Let's Go To The Movies
Cold Creek Manor is Straw Dogs for the second mortgage set. While Mike Figgis is no Peckinpah, when he takes a break from his difficult, experimental films, he makes a pretty good thriller. The sounds of crickets on a silent country night were never more ominous. Stephen Dorff and his six pack put in surprisingly good performances as the Max Cady of the Pabst Blue Ribbon set. (His character's name, Dale Massie, is even a mnemonic echo of Cady's.) Continue reading...
September 19, 2003
Fairness and Accuracy in Gossip Reporting
What does come as a surprise is the fact that Wolff's book is being published by HarperCollins which is owned by News Corp., owners of The Post. Strangely, the HarperCollins Web site has no mention of the book (which has been in the works since 2000) and Page Six felt no need to disclose the connection. Durst Video Ever
Talk about going from bad to Durst. According to the Peabody Award winning journalists at MTV News, Halle Berry (who, according to reports, just completed her teary Academy Awards filibuster some two years after she stepped up to the podium at the Kodak Theater) appears in the new Limp Bizkit video. The video, a cover of The Who's "Behind Blue Eyes" (the Biz boyz couldn't prevail on Pete Townzhend to let them zpell eyez az they chooze) and is tied to the release of Halle's latest film, Gothika. Actors have to do a lot of terrible things to help promote their films, but kissing Fred "EZ-Pass for the Playboy Mansion" Durst on the lips is surely one of the worst. What horrible crime could Berry have committed to deserve such treatment? Oh, yeah. I forgot. Two quick thoughts about Bizkiteer Durst: [Link and images via Whatevs.org]
September 18, 2003
A Tale of Two Dicks
It's a rare and special news day when you can make two dick jokes without breaking a sweat. Incidentally, if you're gonna go by 'Dick,' you might not want to resemble one so closely. How to Make Love to Beautiful Young Women on Camera Even Though You're Pushing 60
Are you a brilliant but insecure comic genius with millions of fans? Do women think you're inexplicably sexy, yet you complain to friends and reporters that you're lonely? Did you star in a movie called The Lonely Guy? Do you want to make love to beautiful young women on camera even though you're pushing 60? Short of changing your name to Woody Allen, here's how to achieve your goal in five simple steps. Step 1. Write a book about a beautiful, shy, artistic young woman who works at Neiman Marcus and dates a wealthy older man. Step 2. Adapt your own book for the screen. Step 3. Executive Produce the film adaptation of your book. Step. 4. Cast a formerly dewy ingenue as the beautiful, shy, artistic young woman. Step 5. Cast yourself as the wealthy older man. Congratulations: you are now making love to a beautiful young woman on camera even though you're pushing 60. [Variety via Gothamist]
September 17, 2003
Fallon Ever Upward
Since the Fallon siblings' book is all about pessimism, here's a Web site all about hating Jimmy Fallon. An Open Letter to English Hooligans
Oi! Lissen 'ere, mates. You lot are doing a bang-up job taking the piss out of that sod David Blaine. Banging drums while he sleeps? Brilliant! Sending a remote controlled helicopter with a hamburger? Ace! Laser pointers? Jolly good! Cheers, your friends in America. PS. Here's your 'ow to: Hoolifan: Thirty Years of Hurt.
September 16, 2003
Chemical Ali
"Start with Muhammad Ali spending 40 minutes discussing tooth decay. Add appearances by celebrity guest stars like Frank Sinatra and Richie Havens, a bunch of kids, and some truly wooden dialog straight out of a dental textbook. Throw in a song that doesn't make any sense. And if that isn't enough for you, top it off with narration by Howard Cosell." Brush With Greatness
As the image above attests, Wes certainly can use a hairbrush. But I wonder, does that formulation mean that Scarlett Johansson is merely Jason Schwartzmann minus the all-over body hair and plus see-through panties? Shudder Pennies From Heaven
File under: A Fool and His Money. Ripping a page out of the Yippie! handbook, misguided philanthropist-cum-moron Kevin Shelton shot $10,000 in two dollar bills from his "cash cannon" at a mall in St. Petersburg, Florida. Six people were injured grabbing for the cash; one person broke an arm. "They were trampling all over me," 14 year-old Lashawnda Marin told the Washington Post. And that was just on the line for Mrs. Field's double fudge cookies. (High-O!) Not a funny story, but the fact that the police spokesman quoted by the Post is named Bill Proffitt is pretty darn funny. |
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